Florence Price

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Composer Portfolios PRICE Name Florence Price Nationality American Born-Died 1887-1953 Quote Price described classical music as ‘the kind of music which lies closest to my heart’ Interesting Stories Spirituals Throughout her career, Price felt a profound connection to spirituals and songs created by African-American slaves. Price was fully aware of the powerful symbolic and musical potential carried by the spirituals. In a class essay she wrote in 1938, she explained, “We are even beginning to believe in the possibility of establishing a national musical idiom. We are waking up to the fact, pregnant with possibilities, that we already have a folk music in the Negro spirituals—music which is potent, poignant, compelling. It is simple heart music and therefore powerful. It runs the gamut of emotions.” Price’s Symphony in E Minor became one of the first works by Americans of African ancestry to integrate the ethos of the spirituals fully into classical symphonic molds. Facts: Florence Price was born on April 9, 1887, in Little Rock, Arkansas, USA. In 1898, she published her first composition. Price was the first African-American woman to be recognised as a symphonic composer. In 1940, she was inducted into the American Society of Composers, Authors and Publishers. Florence died of a stroke on June 3, 1953. Price’s Music Now we know more about the woman, why not listen to some of her music! Symphony No.1 in E minor Symphony No.2 in G minor Symphony No.3 in C minor Symphony No.4 in D minor Violin Concerto No.1 in D major Mississippi River Suite Chicago Suite Colonial Dance Symphony The Moon Bridge The New Moon Song of Hope Dreamin’ Town String Quartet in G major Fantasie in G minor for violin and piano Rock-a-bye Dances in the Canebrakes .

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Music at the Gardner Fall 2019
ISABELLA STEWART GARDNER MUSEUM NON-PROFIT ORG. 25 EVANS WAY BOSTON MA 02115 U.S. POSTAGE PAID GARDNERMUSEUM.ORG PERMIT NO. 1 BOSTON MA JOHN SINGER SARGENT, EL JALEO (DETAIL), 1882 MUSIC AT THE GARDNER FALL 2019 COVER: PHOENIX ORCHESTRA FALL the Gardner at Music 2019 MEMBER CONCERT MUSIC AT THE GARDNER TICKET PRESALE: FALL 2019 JULY 24 – AUGUST 5 WEEKEND CONCERT SERIES / pg 2 The Gardner Museum’s signature series HELGA DAVIS GEORGE STEEL DANCE / pg 15 South Korean dance duo All Ready, 2019 Choreographers-in-Residence, FROM THE CURATOR OF MUSIC dazzles with a series of performances, including a world premiere The Gardner Museum is today much as it was in Isabella’s time — at once a collection of her treasures from around the world and a vibrant place where artists find inspiration and push forward in new creative directions. AT-A-GLANCE / pg 16 TICKET INFORMATION / inside back cover This fall’s programming embodies that spirit of inspiration and creative vitality. It’s a season of firsts — including the Calderwood Hall debut by Randall Goosby, a rising international star of the violin, and premieres of works by lesser-known composers Florence Price and José White Lafitte never before performed in Boston. 25 YEARS OF ARTISTS-IN-RESIDENCE This season also finds meaning through Isabella’s collection. Claremont Performances celebrating the Museum’s fall special Trio will help celebrate 25 years of our Artists-in-Residence program exhibition, which highlights our 25-year history with a selection of works distinctly connected to Isabella, and South of fostering relationships with contemporary artists Korean duo All Ready — 2019 Choreographers-in-Residence — will Monday, October 14, 10 am – 4 pm perform new works created especially for the Museum.
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Black History Trivia Bowl Study Questions Revised September 13, 2018 B C D 1 CATEGORY QUESTION ANSWER
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The Life and Solo Vocal Works of Margaret Allison Bonds (1913-1972) Alethea N
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 The Life and Solo Vocal Works of Margaret Allison Bonds (1913-1972) Alethea N. Kilgore Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC THE LIFE AND SOLO VOCAL WORKS OF MARGARET ALLISON BONDS (1913-1972) By ALETHEA N. KILGORE A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Fall Semester, 2013 Copyright © 2013 Alethea N. Kilgore All Rights Reserved Alethea N. Kilgore defended this treatise on September 20, 2013. The members of the supervisory committee were: Wanda Brister Rachwal Professor Directing Treatise Matthew Shaftel University Representative Timothy Hoekman Committee Member Marcía Porter Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii This treatise is dedicated to the music and memory of Margaret Allison Bonds. iii ACKNOWLEDGEMENTS I would first like to acknowledge the faculty of the Florida State University College of Music, including the committee members who presided over this treatise: Dr. Wanda Brister Rachwal, Dr. Timothy Hoekman, Dr. Marcía Porter, and Dr. Matthew Shaftel. I would also like to thank Dr. Louise Toppin, Director of the Vocal Department of University of North Carolina at Chapel Hill for assisting me in this research by providing manuscripts of Bonds’s solo vocal works. She graciously invited me to serve as a lecturer and performer at A Symposium of Celebration: Margaret Allison Bonds (1913-1972) and the Women of Chicago on March 2-3, 2013.
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Chicago Symphony Orchestra Association Announces February 2021 Digital Programs on Csotv
For Immediate Release: Press Contacts: February 2, 2021 Eileen Chambers 312-294-3092 Dana Navarro 312-294-3090 CHICAGO SYMPHONY ORCHESTRA ASSOCIATION ANNOUNCES FEBRUARY 2021 DIGITAL PROGRAMS ON CSOTV CSOtv Video Playlist of Works by Saint-Georges, Perkinson and Walker Part of Expanded Content for Black History Month Two New Episodes of CSO Sessions to Premiere February 11 and 25 Featuring Works by Bach, Beethoven, Coleridge-Taylor and Price Civic Orchestra of Chicago Series Continues with Episode 2 on February 18 CHICAGO—The Chicago Symphony Orchestra Association (CSOA) announces details for its February 2021 digital programs on CSOtv, providing audiences both locally and worldwide with a way to connect with the Chicago Symphony Orchestra online. Highlights include expanded digital content for Black History Month: a video playlist of 2020 performances from the CSO Sessions series of works by Joseph Bologne, Chevalier de Saint-Georges; Coleridge-Taylor Perkinson, and George Walker; two new episodes in the CSO Sessions series that feature music by Samuel Coleridge-Taylor and Florence Price, and the next episode in a new series featuring performances by members of the Civic Orchestra of Chicago. Additional content for Black History Month will also be available on the Experience CSO website, a new source for music lovers to immerse themselves in the sounds and stories behind the music of the Chicago Symphony Orchestra. A chronological list of February 2021 digital programs is available here. Black History Month The artistry and creative contributions of Black musicians from around the world are the focus of expanded content offered throughout Black History Month on the Experience CSO website and CSOtv.
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Shining a Spotlight on Female African American Composer Evelyn Simpson-Curenton
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2021 SHINING A SPOTLIGHT ON FEMALE AFRICAN AMERICAN COMPOSER EVELYN SIMPSON-CURENTON Iris E. Fordjour-Hankins University of Kentucky, [email protected] Author ORCID Identifier: https://orcid.org/0000-0002-6911-9478 Digital Object Identifier: https://doi.org/10.13023/etd.2021.281 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Fordjour-Hankins, Iris E., "SHINING A SPOTLIGHT ON FEMALE AFRICAN AMERICAN COMPOSER EVELYN SIMPSON-CURENTON" (2021). Theses and Dissertations--Music. 190. https://uknowledge.uky.edu/music_etds/190 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
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The Camden African-American Heritage Project" (2006)
University of South Carolina Scholar Commons Public History Program, University of South Books and Manuscripts Carolina 6-1-2006 The aC mden African-American Heritage Project Lindsay Crawford University of South Carolina - Columbia Ashley Guinn University of South Carolina - Columbia McKenzie Kubly University of South Carolina - Columbia Lindsay Maybin University of South Carolina - Columbia Patricia Shandor University of South Carolina - Columbia Santi Thompson University of South Carolina - Columbia Louis Venters University of South Carolina - Columbia Recommended Citation Crawford, Lindsay; Guinn, Ashley; Kubly, McKenzie; Maybin, Lindsay; Shandor, Patricia; Thompson, Santi; and Venters, Louis, "The Camden African-American Heritage Project" (2006). Books and Manuscripts. 2. https://scholarcommons.sc.edu/pubhist_books/2 This Book is brought to you by the Public History Program, University of South Carolina at Scholar Commons. It has been accepted for inclusion in Books and Manuscripts by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The aC mden African-American Heritage Project Description This report is divided into six sections that present a history of African Americans in Camden, South Carolina from the perspective of historic preservation. The first three sections constitute the historical narrative, organized into three general time periods: the colonial period through the Civil War, emancipation and Reconstruction through the civil rights movement, and a short section on the recent past since about 1970. Within each of these sections, the report assesses political participation, economic life, the impact of war, education, religion, and the built environment. Section four offers a set of recommendations for how the information in this report can be used to encourage public education about black Camden and preservation of the city‘s African-American historic resources.
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Juba Dance SLS O L E ARN ING L AB
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YALE CAMERATA SPRING CONCERT ANDRÉ THOMAS, CONDUCTOR Let Your Voice Be Heard Video Premiere May 7, 2021
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