What Do Labels Look for in an Artist Biography?

Total Page:16

File Type:pdf, Size:1020Kb

What Do Labels Look for in an Artist Biography? WHAT DO LABELS LOOK FOR IN AN ARTIST BIOGRAPHY? The Music Commission polled a selection of industry figures to get some tips on what should be included in an artist bio. As you will see from the feedback received there is no right or wrong way to create a bio as each label you send it to will be looking for different things. Read on for some very helpful tips and pointers on what should and shouldn’t be included in your bio. JARED ABBOT – BREAKIN WRECKWORDZ Artists: Alphabethead, Cyphanetik, Tourettes, Louie Knuxx, Jay Roacher. “Show your personality in your bio. If your lyrics have a tongue and cheek style about them, then try and show that same charm in your bio. If your lyrics are political, show you have a passion for politics. A bio is an opportunity to give further insight into your identity. Also if you have already successfully started building your fan base, include this information in the bio. Don't go into great detail of everything you've done but point me in the right direction so if I read your bio I can jump online and see that you may have obtained popularity in certain crowds or played events that will open you to specific markets.“ ANGELO MUNRO – DEADBOY RECORDS Artists: In Dread Response, Saving Grace, Bad Bride, The Dauntless. “I think the best thing a band can do as a guideline for an artist bio, is state what they have done on the live circuit. Labels like to know that the artists are out there on the road, getting amongst it and playing to people on a regular basis. It also helps to always attach a demo of some kind, as we may have not even heard your music, and if it is awesome, then that’s the best step moving forward. I think the worst thing a band can do in an artist bio is compare themselves to a million other bands! No one is going to want to sign a band that self promotes that they are New Zealand’s closest answer to ‘such and such’. INGRID ROUND – DIRTY RECORDS Artists: P-Money, Open Souls, David Dallas, PNC, Bulletproof, Tokyo Street Gang, Tiki Taane, Cern, State Of Mind, Concord Dawn. “Keep it short and concise, with relevant information about your achievements in music to date. Avoid long flowery sentiments! Make sure its well formatted with everything spelt correctly. A photo is also a good idea so the label can see how you present yourself.” DEAN CAMERON – ELEVENFIFTYSEVEN RECORDS Artists: Kitsch, Bleeders, Cobra Khan, Missing Teeth, DSM, Los Muertos, Balance, Antagonist AD. “Remember it's not a novel. Keep it short, descriptive, factual, and overall ensure you hold the reader's interest (humour helps). Personally there is no need to go into excessive detail about each band you have supported, what radio & television station you have featured on, After all if you are that good I’m sure everybody will know about it. A few key quotes from respected reviewers and media wouldn’t go amiss.” SAMUEL WALSH – MOLE MUSIC Artists: Sharpie Crows, This Night Creeps, The Body Lyre, Mild America, Rifles. “I think bios should be as short as the readers attention span, so don't waffle. Just be honest and to the point. If you believe in what you are doing you shouldn't need to justify it at great lengths, as your music should speak for itself. But, definitely focus on the presentation of the bio/press kit, as it's a reflection of your band and an indication of your professionalism/work ethic. If you send out a generic, poorly worded, poorly printed, personality lacking press kit then the reader may assume that you're lazy and they won't want to listen to your CD. One pagers retaining an air of mystery and a brief indication of what you are looking for, (in regards to label support) seem like good starting points but do what's natural.” NIGEL BRADDOCK – MONKEY RECORDS Artists: An Emerald City, Karen Hunter, Renee Louise- Carafice, The Hot Grits, Tim Guy. “For me the main thing is of course the music, so it's real important is to include a link to your Myspace or Bandcamp, Reverbnation, etc. It doesn't have to be up to release standard so a demo recording will do. If you haven't got round to recording anything yet, then we're probably not really interested. If you've got any live footage up on Youtube that can help give us an idea. I am currently based in Berlin most of the year but if you have any live shows coming up in Auckland, let me know and I can send somebody along to check them out. If you haven't played live yet, then maybe you are contacting a label a little prematurely and should get out there and build an audience first. A short bio is also helpful to get an idea of who you are and where you're at as an artist so it's good to also hear about your influences, where you've played/toured and what you're currently working on. Be concise, I don't really need to know your life story and hear about talent quests you won at primary school. Some knowledge of Monkey Records is good as well. If you're a heavy metal band or rapper, then you don't really fit in with our roster and probably haven't done your research. If you can reference a couple of our other releases by saying ‘I think I fit in somewhere between .... and .... ‘then that always helps. Make sure you personalise your email. If it's a generic email and you've obviously sent out to a whole bunch of labels then don't expect a reply. 3 final tips: Keep it real - don't tell me you're the new Lady Gaga or bigger than Elvis. Follow up and feel free to contact us again after the first email. I usually try and answer every request we get but sometimes I just don't have time. Persevere - if you don't have any luck this time, keep writing songs and performing as much as you can. If you're any good sooner or later someone will take notice. AARON CHRISTIE – MOVE THE CROWD Artists: Young Sid, Tyree, Juce, Ethical, Smashproof, Kidz In Space. “A bio should detail who you are, where you’re from, and what you’re about, so that it can be considered alongside listening to your music. It should help paint a picture of who you are as an artist. Online demo/pitches suit us best – then you can get the music, pictures and bio information all in one. Myspace is probably still the best place for this.” BENJI JACKSON – MUZAII RECORDS Artists: Bandicoot, Cat Venom, God Bows to Math, Kittyhawk, Roy Irwin, Fatangryman, Kitsunegari. “I think it's important just to be honest about your band; what you sound like, how long you've been going for and what you've accomplished so far. It doesn't even have to be that you've played a major festival or have had music on television adverts either - if you played a really raucous show at your local dive, that's awesome! It means people are coming to see you play and are enjoying your music. Be clear with the information also - an artist bio to a record label is almost like a resume of sorts. Sometimes a label won't want to read fifteen pages chronicling the life story of your band like an episode of "Behind The Music." When the time comes that you meet with a label, you'll have plenty of time to divulge a bit more.” JAN HELLRIEGEL – NATIVE TONGUE PUBLISHING Artists: Ariana Tikao, Barnaby Weir, Bachelorette, Bang Bang Eche, Cut Off Your Hands, Dave Dobbyn, Dukes, Fur Patrol, Karl Steven, Kirsten Morrell, Minuit, Pitch Black, Sola Rosa, The Veils. “Your calling card to a publisher is your songs. We will be able to find out all about you online or on social media networks if need be - so what I would recommend is that you get your online information and bio up to date, concentrate on the craft of producing great music, and perform as much as you can. SCOTT MACHLACHLAN – UNIVERSAL MUSIC NZ Artists: Gin Wigmore, Naked & Famous, Crowded House, SJD. “Make it interesting. Tell me about your ambitions, your vision, your influences, where your music fits, and who your peers are. It’s always good to create context. Be poetic, and use spell-check, if you’re not confident with your spelling. Tell me your immediate plans, gigs, and writing trips. Try and outline your mission in one sentence and put that sentence at the top of the bio. Be confident in yourself, it’ll come across in the bio. Accompany the bio with a demo of 2 songs at the most. Don’t tell me where you were born, what school you went to and who your first girl/boyfriend was. Don’t write this like an exam, as I don’t want to be reading something that’s boring. Don’t put candy or glitter in the envelope, and definitely don’t kiss it with your new latest favourite lipstick and smother it with perfume. Don’t beg, be cocky, or lie!” .
Recommended publications
  • The Nudge, Ahoribuzz and @Peace
    GROOVe gUiDe . FamilY owneD and operateD since jUlY 2011 SHIT WORTH DOING tthhee nnuuddggee pie-eyed anika moa cut off your hands adds to our swear jar no longer on shaky ground 7 - 13 sept 2011 . NZ’s origiNal FREE WEEKlY STREET PRESS . ISSUe 380 . GROOVEGUiDe.Co.NZ Untitled-1 1 26/08/11 8:35 AM Going Global GG Full Page_Layout 1 23/08/11 4:00 PM Page 1 INDEPENDENT MUSIC NEW ZEALAND, THE NEW ZEALAND MUSIC COMMISSION AND MUSIC MANAGERS FORUM NZ PRESENT GOING MUSIC GLOBAL SUMMIT WHAT YOU NEED TO KNOW BEFORE YOU GO If you are looking to take your music overseas, come and hear from people who are working with both new and established artists on the global stage. DELEGATES APPEARING: Natalie Judge (UK) - Matador Records UK Adam Lewis (USA) - The Planetary Group, Boston Jen Long (UK) - BBC6 New Music DJ/Programmer Graham Ashton (AUS) - Footstomp /BigSound Paul Hanly (USA) - Frenchkiss Records USA Will Larnach-Jones (AUS) - Parallel Management Dick Huey (USA) - Toolshed AUCKLAND: MONDAY 12th SEPTEMBER FREE ENTRY SEMINARS, NOON-4PM: BUSINESS LOUNGE, THE CLOUD, QUEENS WHARF RSVP ESSENTIAL TO [email protected] LIVE MUSIC SHOWCASE, 6PM-10:30PM: SHED10, QUEENS WHARF FEATURING: COLLAPSING CITIES / THE SAMI SISTERS / ZOWIE / THE VIETNAM WAR / GHOST WAVE / BANG BANG ECHE! / THE STEREO BUS / SETH HAAPU / THE TRANSISTORS / COMPUTERS WANT ME DEAD WELLINGTON: WEDNESDAY 14th SEPTEMBER FREE ENTRY SEMINARS, NOON-5PM: WHAREWAKA, WELLINGTON WATERFRONT RSVP ESSENTIAL TO [email protected] LIVE MUSIC SHOWCASE, 6PM-10:30PM: SAN FRANCISCO BATH HOUSE FEATURING: BEASTWARS / CAIRO KNIFE FIGHT / GLASS VAULTS / IVA LAMKUM / THE EVERSONS / FAMILY CACTUS PART OF THE REAL NEW ZEALAND FESTIVAL www.realnzfestival.com shit Worth announciNg Breaking news Announcements Hello Sailor will be inducted into the New Zealand Music Hall of Fame at the APRA Silver Scroll golDie locks iN NZ Awards, which are taking place at the Auckland Town Hall on the 13th Dates September 2011.
    [Show full text]
  • NZ Top 40 9 May 2006.Qxd 5/9/06 4:17 PM Page 1
    NZ Top 40 9 May 2006.qxd 5/9/06 4:17 PM Page 1 CHART 1511 9 May 2006 www.nztop40.com TOP 40 SINGLES TOP 10 COMPILATIONS TOP 40 ALBUMS CATALOGUE No. CATALOGUE No. CATALOGUE No. LABEL LABEL LABEL TITLE/ARTIST DISTRIBUTOR TITLE/ARTIST DISTRIBUTOR TITLE/ARTIST DISTRIBUTOR THIS WEEK LAST WEEK WEEKS ON CHART THIS WEEK LAST WEEK WEEKS ON CHART THIS WEEK LAST WEEK WEEKS ON CHART 9852802 3595692 1 82876819912 1 18BEEP THE PUSSYCAT DOLLS FEAT. WILL.I.AM UNIVERSAL 1 18NOW THAT'S WHAT I CALL MUSIC 20 VARIOUS 4 EMI 1 NEW 1 10,000 DAYS TOOL SBME 3572140 9837828 82876714672 2 410BATHE IN THE RIVER MT RASKIL PS FEAT. HOLLIE SMITH EMI 2 27WAITING FOR THE WEEKEND VARIOUS 1 UNIVERSAL 2 NEW 1 PEARL JAM PEARL JAM 1 SBME 82876827172 3466222 RR80882 3 26I'M IN LUV (WIT A STRIPPER) T-PAIN FEAT. MIKE JONES SBME 3 44MEMORIES ARE MADE OF THIS VOL 3 VARIOUS 1 EMI 3 131ALL THE RIGHT REASONS NICKELBACK 3 ROADRUNNER/UNIVERSAL 3648400 5101139972 82876812762 4 NEW 1 DROWN BLINDSPOTT CAPITOL/EMI 4 NEW 1 ACOUSTIC LOVE SONGS VARIOUS 1 WEA/WARNER 4 13 2 THE VERY BEST OF ROY ORBISON 1 SBME 99729 5101139952 9871823 5 73IF IT'S COOL NESIAN MYSTIK BOUNCE/UNIVERSAL 5 34BROKEN DREAMS II VARIOUS 1 WEA/WARNER 5 NEW 1 THE ITALIAN PATRIZIO BUANNE UNIVERSAL 9850564 3641662 7567837525 6 59PUMP IT BLACK EYED PEAS UNIVERSAL 6 72I LOVE MUM VARIOUS 1 EMI 6 241BACK TO BEDLAM JAMES BLUNT 7 WEA/WARNER 3567882 9837819 8602472 7 610PUT YOUR RECORDS ON CORINNE BAILEY RAE CAPITOL/EMI 7 52HIP HOP IV: THE COLLECTION VARIOUS UNIVERSAL 7 313EYE TO THE TELESCOPE KT TUNSTALL 1 VIRGIN/EMI 9852863 828768742012
    [Show full text]
  • Annual Report 2009-2010 PDF 7.6 MB
    Report NZ On Air Annual Report for the year ended 30 June 2010 Report 2010 Table of contents He Rarangi Upoko Part 1 Our year No Tenei Tau 2 Highlights Nga Taumata 2 Who we are Ko Matou Noa Enei 4 Chair’s introduction He Kupu Whakataki na te Rangatira 5 Key achievements Nga Tino Hua 6 Television investments: Te Pouaka Whakaata 6 $81 million Innovation 6 Diversity 6 Value for money 8 Radio investments: Te Reo Irirangi 10 $32.8 million Innovation 10 Diversity 10 Value for money 10 Community broadcasting investments: Mahi Whakapaoho a-Iwi 11 $4.3 million Innovation 11 Diversity 11 Value for money 11 Music investments: Te Reo Waiata o Aotearoa 12 $5.5 million Innovation 13 Diversity 14 Value for money 15 Maori broadcasting investments: Mahi Whakapaoho Maori 16 $6.1 million Diversity 16 Digital and archiving investments: Mahi Ipurangi, Mahi Puranga 17 $3.6 million Innovation 17 Value for money 17 Research and consultation Mahi Rangahau 18 Operations Nga Tikanga Whakahaere 19 Governance 19 Management 19 Organisational health and capability 19 Good employer policies 19 Key financial and non financial measures and standards 21 Part 2: Accountability statements He Tauaki Whakahirahira Statement of responsibility 22 Audit report 23 Statement of comprehensive income 24 Statement of financial position 25 Statement of changes in equity 26 Statement of cash flows 27 Notes to the financial statements 28 Statement of service performance 43 Appendices 50 Directory Hei Taki Noa 60 Printed in New Zealand on sustainable paper from Well Managed Forests 1 NZ On Air Annual Report For the year ended 30 June 2010 Part 1 “Lively debate around broadcasting issues continued this year as television in New Zealand marked its 50th birthday and NZ On Air its 21st.
    [Show full text]
  • Student Information
    april 15 - 23, 2017 Student Information On behalf of our six kids who attended this year, a BIG THANKS to everyone at NYDS! They were blown away and came back inspired, fulfilled and buzzing to share their new skills and confidence with their peers, our school at large and our local community. All had a wonderful time and were extremely well looked after. Well done and thanks for everything! - Vicki, HOD The Arts, Blue Mountain College, West Otago I didn’t think NYDS could get any better, but this year raised the bar even higher! I learnt so much from my tutor, gained life-long friends, confidence in myself and in performing and have so many great memories. At NYDS you’re surrounded by people who encourage you and believe in you. It’s really hard to find a place like this. SO many more kids need to know about it! - Kristin, student, Invercargill Photos by Michael Harris 2016 School Song NYDS is the very best week of my son’s entire year. He gains confidence, camaraderie, a sense of belonging and so much more. NYDS reminds him that the future is full of possibilities. MANY, MANY THANKS for this amazing and empowering opportunity you are creating. Hands down the best activity I know of available to teenagers in the Southern Hemisphere! - Fritha, parent, Hawke’s Bay NYDS is the most accepting, creative and positive place I’ve ever been! It was the best week of my life! - Emma, student, Auckland There is an energy at NYDS that can only be comprehended through direct experience.
    [Show full text]
  • Electro Camo + Krooked Addison Groove
    AUSGABE 15 DEZEMBER 2011 WWW.HEADLINERMAG.DE ISSUE # 15 ELECTRO ADDISON GROOVE CAMO + KROOKED THE NEW INDIE SOUND KICKS, CLAPS + COWBELLS CROSS THE LINE 16 CAMO & KROOKED ELECTRO 06 10 ADDISON GROOVE INHALT 15 NEWS UND VERLOSUNGEN ................................................. 04 INTERVIEWS & STORIES MAGAZIN ELECTRO .................................................................................... 06 EVENT REVIEWS ....................................................................... 24 ADDISON GROOVE ................................................................. 10 BOOKSRING .............................................................................. 25 DAVID HEARTBREAK .............................................................. 12 DATES .......................................................................................... 25 HISTORY OF THE FUTURE ..................................................... 14 AUDIOKRITIKEN ....................................................................... 26 CAMO & KROOKED................................................................. 16 CHARTS ...................................................................................... 30 POSTER ....................................................................................... 18 TECHNIK ..................................................................................... 32 SHORT ......................................................................................... 20 10 LIEDER HÖREN MIT .........................................................
    [Show full text]
  • The New Zealand Labour Party Attempted to Sell One of Their Pledge
    15 October - 20 October The free news source you can write! Page 1 This print edition is earlier than card?" with the response: "No. Labour The Prime Minister, Helen Clark, did usual due to family doesn't need to earn your loyalty. Your not comment. commitments, sorry for any loyalty is demanded." possible inconvenience. Before Peter Dunne announced the tax There is also a 1936 autographed book cuts, the Government had denied any New Zealand Labour party sells which includes the signatures from the tax cut proposals until pledge card MP's of Labour's first government, a November/December when they could October 16, 2006 deck of Labour party cards said to be see a clearer picture. from the 1980's or a sport jacked Dunne said that the tax cuts would The New Zealand Labour Party branded Labour, described as "old- come in the form of rate cuts and attempted to sell one of their pledge skool style meets new-skool textile threshold movements. card at online auction site, TradeMe. It technology." only fetched NZ$30. But a similar auc- Cullen said that if tax cuts were tion run by Libertarianz leader, United Future announces tax offered then they will be for everyone, Bernard Darnton is fetching in the cuts in 2008 for New Zealand including those in the low to middle upwards of $400, however the current October 17, 2006 income ranges. bid (at time of writing this was) at New Zealand First, another political $440,000 is probably a fake bid. The leader of the government's politi- cal partner, United Future and partner of the government, claimed The pledge card Darnton is selling has Revenue minister, Peter Dunne has credit in its annual convention on described it as being: "Mint condition announced that there will be personal Sunday that they were the ones who original 2005 Labour Party pledge tax cuts to go along with the confirmed convinced Labour the value of tax cuts card, nicely framed - just like the New business tax cuts in 2008.
    [Show full text]
  • NZ Music Month Song of the Day Fact Sheet Use with Our NZ Music Month Song of the Day Calendar and Playlist on Spotify and Youtube!
    NZ Music Month Song of the Day Fact Sheet Use with our NZ Music Month Song of the Day calendar and playlist on Spotify and YouTube! Get ready for NZ Music Month! Learn the 2015 Hook, Line and Sing-along Song “Stickytarday” by Bethlehem College. Download it at www.hooklineandsingalong.com D Pluck from Bethlehem College, “Stickytarday” D Pluck is a five-piece band consisting of Josh Dodanduwa, Jethro Wall, Samuel Tanner, Mackenzie Lines and Daniel Cossey (Year 10) from Tauranga’s Bethlehem College. The boys won the 2015 Hook, Line and Sing-along songwriting competition with their song “Stickytarday”. Recorded and produced by Ben King at Auckland’s prestigious Roundhead Studios, the song will be sung at schools May 29 all over the nation, as part of NZ Music Month. 1. Dragon, “April Sun in Cuba” Dragon was a rock band in the 1970s and were inducted into the NZ Music Hall of Fame in 2011. “April Sun in Cuba” was a hit both in New Zealand and Australia, reaching #9 and #2 on the charts respectively. 2. Prince Tui Teka, "E Ipo" Prince Tui Teka, born in the heart of Te Urewera, wrote this song with the help of Ngoi Pēwhairangi, a Maori educator, teacher, translator who also wrote the lyrics to “Poi E” for The Patea Maori Club. This was the first song in Te Reo to reach #1 on the charts! The song was based on a popular Indonesian melody that Teka had listened to while performing overseas. 3. Dave Dobbyn, "Slice of Heaven" “Slice of Heaven” was written for the movie Footrot Flats: The Dog’s Tale, which was based on the iconic New Zealand cartoon series.
    [Show full text]
  • 714.01 [Cover] Mothernew3
    BREAKING BENJAMIN NEW MUSIC REPORT REVIEWED: BECK, CAVE IN, LUNA, TERRANOVA, PEACHES, BLACK DICE... Issue 783 • October 7, 2002 • www.cmj.com SPOTLIGHT PLUS MORE! Last Chance To Pre-Register For CMJ Music Marathon RYKODISC’SRYKODISC’S Big $ Savings! See Page 21! PLATINUMPLATINUM STATION PROFILE WDET/DETROIT EXPOSED! ANNIVERSARYANNIVERSARY LOUD ROCK Rykodisc's George Howard and Trevor Jones HELLBENT FOR PLEATHER! CMJ RETAIL DISTURBED DEBUTS AT NO. 1 CHARTS: SLEATER-KINNEY STILL NO.1, HOT WATER MUSIC MOST ADDED 1. Obvious Things 2. Sunshine 3. All Along 4. Maybe We Wont Die 5. Good Thing You're Young 6. Easy Target 7. Strange Situation 8. World Without You 9. Not a Sinner 10. Prefers Fall Be A SEX JUNKIE! See Lava Baby as they headline “The Passion Tour” 10/8 – James Madison University, Hightown Pavilion 10/10 – Duke University, George’s Garage 10/11 – UNC-Chapel Hill, Pantana Bob’s 10/13 – University of Virginia, Starr Hill 10/18 – University of Georgia, The Last Call 10/19 – Georgia Tech University, The Library Bar & Grill Check out www.lavababy.com for more dates… Powderfinger 1-800-356-1155 [email protected] Roger Schrader 1-877-740-4620 www.pilot-radio.com [email protected] 10/7/2002 Issue 783 • Vol 73 • No. 4 FEATURES 8 Rykodisc Turns 20 One of America’s largest and most successful independent record companies, Rykodisc has made its living by anticipating change, staying one step ahead of the competition and, of course, signing the best talent available. With a catalogue that includes albums from such artists as Frank Zappa, Nick Drake, Morphine, Sugar, Chuck E.
    [Show full text]
  • Download Reviews Editor 16 FELIX LABAND Services Like Itunes,The New Napster and Others Less Appealing
    ROGUE RCRDS ...GO TELL YR MAMA! #### “A place where grainy chanson romanticism meets folk sing-along and lovelorn elegy follows satirical barb. The album weaves a web of consistent magical charm... Bjork by way of Joanna Newsom. That said, CocoRosie sound, blissfully, like no one else” — MOJO Chandeliers in the Savannah and Johnny Whitney Blood Brothers. Neon Blonde is of Mark Gajadhar Rogue edition includes 3 Featuring guest performances from Devendra Banhart bonus tracks! and Antony (Antony & The Johnsons). Rogue edition includes bonus track! THOSE NOW, THESE IN OCTOBER: DIMMER AIRBORN AUDIO ‘It All Looks The Same At Night’ ‘Good Fortune’ 13 track compilation of ex-Straitjacket Fits Anti-Pop Consortium’s High Priest and leader Shayne Carter’s new vehicle. M.Sayyid unleash their debut album. Rogue edition includes 7 track bonus DVD! Rogue edition includes 16 track bonus disc! Available in all good stores and at www.inertia-music.com S T 2 N 1 CD E ITORIAL We are three years old. Despite the thousands of words that stand before you, this issue E T is notable for what is missing. There’s been so much great music come across our desks U in the last few months that we’re barely scratching the surface with this issue. Although N there are some 50 or so reviews in this issue and more on the website some of our We welcome your contributions and contact: S O favourite albums, tracks and songs of late are missing, still submerged in an enormous PO Box a2073 S ‘to be reviewed’ pile.
    [Show full text]
  • International Journal of Music Business Research
    University of Groningen Networking data. A network analysis of Spotify's socio-technical related artist network Donker, Silvia Published in: International Journal of Music Business Research IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2019 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Donker, S. (2019). Networking data. A network analysis of Spotify's socio-technical related artist network. International Journal of Music Business Research, 8(1), 67-101. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 24-09-2021 Networking data 67 Networking data. A network analysis of Spotify's socio- technical related artist network Silvia Donker1 Abstract This is a case study of Spotify's related artist network of Dutch drum and bass artist Noisia, incorporating a critical perspective of data and streaming platforms, it ar- gues that network theory can help deal with the deluge of online data by showing artists and music business professionals how to see relationships instead of mere isolated events.
    [Show full text]
  • Star Wars and the History of Transmedia Storytelling
    Star Wars and the History of Transmedia Storytelling Edited by Sean Guynes and Dan Hassler-Forest Amsterdam University Press The publication of this book has been made possible by the Utrecht University Open Access fund. Cover illustration: Zachariah Scott Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 94 6298 621 3 e-isbn 978 90 4853 743 3 doi 10.5117/9789462986213 nur 670 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc/3.0) -vignet S. Guynes and D. Hassler-Forest/ Amsterdam University Press B.V., Amsterdam, 2018 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). 9. Publishing the New Jedi Order Media Industries Collaboration and the Franchise Novel Sean Guynes In April 2014, two years after Disney’s purchase of Lucasfilm and its constellation of intellectual properties (IP) in October 2012, Lucasfilm/ Disney announced plans to create the Lucasfilm Story Group that would establish a single canon for the franchise and coordinate world-building efforts across all forthcoming narrative media. Establishing a “true canon—a single, cohesive Star Wars storyline” meant jettisoning the EU of comics, video games, television shows, made-for-TV movies, and novels created since 1977. As the report of the Story Group’s new canon project attested, the EU was largely conceived of as those adventures in the Star Wars storyworld taking place “beyond what is seen on the screen.”1 To save those off-screen stories, the EU was recycled in the new Legends publishing line to encourage continued revenue from no-longer-canonical sources.
    [Show full text]
  • Technical Related Artist Network Silvia Donker1
    Networking data 67 Networking data. A network analysis of Spotify's socio- technical related artist network Silvia Donker1 Abstract This is a case study of Spotify's related artist network of Dutch drum and bass artist Noisia, incorporating a critical perspective of data and streaming platforms, it ar- gues that network theory can help deal with the deluge of online data by showing artists and music business professionals how to see relationships instead of mere isolated events. The case study applies network theory and methods within a data- critical context. Three core measures are employed to determine different kinds of powerful actors (as in artists on Spotify) in a particular network. The analysis un- covers how each actor is embedded in networked structures of relationships that provide opportunities, constraints, coalitions, and workarounds. The consequence of the network being algorithm-generated is also considered, as it was found that this creates a situation that differs from regular social networks. Keywords: Digitization, music industry, Spotify, music streaming, network analysis, sociotechnical system, network centrality 1 Introduction Since the late 1990's, digital technologies have become increasingly prominent and these very soon had large-scale implications for the mu- sic industry.2 In today's fast-paced permanently connected society, social media and streaming platforms have become of paramount importance for the music industry. These platforms offer previously unknown possi- bilities to users, audiences and music professionals alike. The endless stream of data and data's associated metrics play a major role in the industry, influencing decisions at every level including what to play, who 1 Silvia Donker has been working in artist management since 2017 as an assistant and data analyst.
    [Show full text]