Anexos Tese Mestrado Rita Henriques Ribeiro..Pdf
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The Skoll World Forum on Social Entrepreneurship 2011 Large Scale Change 2 03
1 THE SKOLL WORLD FORUM ON SOCIAL ENTREPRENEURSHIP 2011 LARGE SCALE CHANGE 2 03 WELCOMEBY JEFF SKOLL IN THIS PROGRAMME THE SKOLL WORLD FORUM IS THE PREMIER, INTERNATIONAL PLATFORM FOR ACCELERATING ENTREPRENEURIAL APPROACHES AND INNOVATIVE SOLUTIONS TO THE WORLD’S MOST BACKGROUND 4 PRESSING SOCIAL ISSUES. THEME 2011 5 It’s with gratitude and hope that I welcome all of you to Oxford – I believe that this level of collaborative action must become the PROGRAMME OVERVIEW 6 not only all of you game-changing social entrepreneurs, but also new normal, where policy makers, CEOs, funders, and social SOCIAL MEDIA 7 the many distinguished allies here from government, industry, entrepreneurs work side by side to tackle these seemingly academia, philanthropy, and the public interest sectors. insurmountable problems. Perhaps that’s the game-changing HIGHLIGHTS 8 innovation we need most: the will to make it so. Issues today are more complex, urgent and interconnected WEDNESDAY 10 than ever before, requiring insights, innovations and mindsets Jeff Skoll, Founder & Chairman, THURSDAY 12 to match. Large scale change demands that our solutions cross Skoll Foundation, Participant nations, sectors, and institutional boundaries. Whether it is FRIDAY 20 Media, and Skoll Global climate change, education, water scarcity or human rights, the Threats Fund SPEAKER BIOGRAPHIES 26 only way we are going to survive as a species is to pull together in our collective self-interest. Our way of looking at the world DELEGATE DETAILS 62 must shift from disparate players and solutions to an ecosystem THANK YOU 77 approach that engages all actors. A key imperative of the Skoll NEED TO KNOW 78 World Forum is to cultivate the collaborations and grow the networks that will propel these social entrepreneurs and their innovations to global impact. -
Inspiring Designers Shaping Our World Today (Like Chip Kidd!) 31 Photographs, Brent Taylor Words, Zachary Petit Photo Assistant/Digital Tech, Lilia Cretcher
New York: (Still) the World’s Design Capital? | Helvetica’s Secret Past Paula Scher’s Mind-bending Maps | How Iconic Identities Are Born PRINTMAG.COM 70.1 SPRING 2016 56 Inspiring Designers Shaping Our World Today (Like Chip Kidd!) 31 Photographs, Brent Taylor Words, Zachary Petit Photo Assistant/Digital Tech, Lilia Cretcher THE HOLLYWOOD ISSUE: FAME HAS COME A LONG WAY since David Bowie first crooned Age of McLuhanism, enlisting every single tool of Marshall about it. Fame is no longer a result of talent and hard work; it is a McLuhan’s media model in the service of capturing and capitaliz- singular goal in and of itself. While the antics of 2000s Paris Hilton ing on attention. shocked those tracking celebrity culture, the Kardashian crew has Lucky for us, Bass’ work for Bell was brilliant. What I believe cemented this behavior as de rigueur and the phrase “famous for separates the practitioners of communication and graphic design being famous” is now part of our daily vernacular. from so many other fame-seekers is the belief that this type of The most alarming condition in the current state of fame is the fame is earned rather than assumed. In this issue, our first annual ever-rising bar for attention-grabbing in order to draw an audience. “Hollywood” issue, we present to you over 50 practitioners of com- This both results from and perpetuates the growing tendency to munication and graphic design who have done just that. They are mistake attention for appreciation. One might argue that design- famous not because they are famous but because of what they’ve ers can’t be excluded from this dilemma, and frankly, they can’t. -
Architectsnewspaper
ARCHITECTSNEWSPAPER NEW YORK ARCHITECTURE AND DESIGN WWW.ARCHPAPER.COM $3.95 ASIA SOCIETY UNVEILS TWO NEW FACILITIES I— 08 FOR HOUSTON AND HONG KONG LU ICA RISES SOUTH BY IN BOSTON O SOUTH EAS O 12 A SKYLINE GROWS IN QUEENS PORT AUTHORITY TO BUILD 17 EXPANDED FERRY DOCK NOMA'S TERMINAL SPANISH ACCENT CAPACITY 28 MARKETPLACE 30 CLASSIFIEDS The World Financial Center is set to receive a new floating, five-slip ferry terminal. Currently under construction in The Asia Society, the New York-based center in Houston—by two prominent internation• QUEENS BANK ROBBED OF a shipyard in Texas, the new $40 million for culture and commerce, was founded al architecture firms. HISTORIC DESIGNATION STATUS terminal was designed by the engineering by John D. Rockefeller III 50 years ago to The society already has several locations and architecture design division of the encourage dialogue about the far-flung in Asia and in the United States that are Port Authority of New York & New Jersey continent. Asia might not seem as far away administered locally. The organization has Landmarking (PA), and will replace a temporary two- today as it did in Rockefeller's time, but been operating for 15 years in Hong Kong slip facility currently in operation at the globalization has only deepened the need and 25 years in Houston, but increased inter• est and funding have made the expanded Battery Park City esplanade. Serviced by for greater understanding between East and Undone facilities the next logical step, according New York Waterways, the new terminal West. The nonprofit has commisioned two to Asia Society President Vishakha N. -
Looking Closer 5
LC5 00.qxd 12/1/06 12:12 PM Page i LOOKING CLOSER 5 edited by: Michael Bierut,William Drenttel, and Steven Heller LC5 00.qxd 4/12/06 10:24 PM Page ii © 2006, Michael Bierut,William Drenttel, and Steven Heller All rights reserved. Copyright under Berne Copyright Convention, Universal Copyright Convention, and Pan-American Copyright Convention. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form, or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior permission of the publisher. 11 10 09 08 07 54321 Published by Allworth Press An imprint of Allworth Communications, Inc. 10 East 23rd Street, New York, NY 10010 Cover and book design by Pentagram, New York Page composition/typography by Integra Software Services, Pvt., Ltd., Pondicherry, India Library of Congress Cataloging-in-Publication Data: Looking closer. 5, Critical writings on graphic design / [edited by] Steven Heller, Michael Bierut,William Drenttel. p. cm. Includes bibliographical references and index. ISBN 978-1-58115-471-9 (pbk.) ISBN-10: 1-581-15471-2 1. Commercial art. 2. Graphic arts. I. Heller, Steven. II. Bierut, Michael. III. Drenttel,William. IV. Title: Critical writings on graphic design. NC997.L6334 2007 741.6—dc22 2006036530 Printed in Canada LC5 00.qxd 12/1/06 12:12 PM Page iii contents FOREWORD—EDITORS / vii INTRODUCTION / ix Steven Heller SECTION I: GRAPHIC DESIGN AS SYSTEM THE GRAND UNIFIED THEORY OF NOTHING: DESIGN, THE CULT OF SCIENCE, AND THE LURE OF BIG IDEAS / 3 Randy Nakamura -
Vital Signs: Organs of Insight/Symbolic Anatomy” for Exhibition, Shelagh Keeley, September 23- October 30, Cencebaugh Contemporary, New York, NY; N.P
JOHANNA DRUCKER Updated 10/2020 Academic Activity Education / Dissertation / 2 Academic Positions / 2 Other Professional Employment / 3 Fellowships / Grants / 4 Sponsored Research / 5 Scholarly Book Publications / 6 Critical / Scholarly Articles / 7 Book Reviews / Short Pieces / 27 Conferences / Panels / Symposia / 37 Scholarly / Critical Lectures / 47 Exhibitions Curated / 71 Work in Progress / 72 Other Professional Activity / 72 Interviews / 74 Bibliography (Reviews, etc.) / 77 Workshops / 85 Digital Projects / 87 Artistic Activity Creative Publications / 88 Bookwork and Press / 95 Exhibitions / 96 Special Collections / 108 Artist’s Lectures / 109 Readings / Performances / 109 Appendix Courses taught / 112 JOHANNA RUTH DRUCKER Contact: 310 825-1058 UCLA Department of Information Studies Box 951520 203 GES&IS Building Los Angeles, CA 90095-1520 [email protected] SCHOLARLY / ACADEMIC ACTIVITY I. Education: 1986 Ph.D., University of California, Berkeley, Interdisciplinary Studies; Ph.D. program title: “Ecriture: Writing as the Visual Representation of Language;” Fields: 1) History of Written forms of language; 2) Theories of Visual Representation; 3) Semiotics and Signification (Structuralism, Psychoanalysis, Post-structuralism). 1982 Masters in Visual Studies, University of California, Berkeley; Thesis: Alphabet Symbolism. 1972 Bachelor of Fine Arts, California College of Arts and Crafts; Printing. II. Dissertation: “Experimental Typography 1909-1924 and the Visual Representation of Language;” Dada and Futurist experiments with typography -
Literary Miscellany
Literary Miscellany Including Recent Acquisitions. Catalogue 364 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request. -
Balsamo Stanford FS301 SPR2003 Designing Culture
FS301 Seminar on Designing Culture Professor Anne Balsamo Visiting Faculty Feminist Studies Program Serra House, 2nd Floor 723-2412 Tuesday, 7-10 pm Building 250, Room 101 The far-reaching aim of this course is to provoke multi-disciplinary collaborations among humanists and technologists, cultural critics and new media designers, scholars and digital culture workers. Its aim is to facilitate discussion among members of diverse academic communities: those from the humanities, from various design professions, and from the arts. Each of these communities provides important insights about the process and implications of designing culture. Where one group offers a powerful range of critical skills and interpretive techniques that are useful as a way to understand how meaning is constructed, culture is lived, and the human relates to the technological, others embody the talents, skills and analytical methods that bring the material and symbolic world into existence. Contemporary U.S. culture is a fully designed phenomenon. From the built spaces we inhabit, to the paths of circulation we travel through (in cars or on foot), to the way in which we create personal and embodied identities through acts of consumption and performance, design—an intentional set of expressive practices and professional skills—plays a critical role in the production of common, everyday culture. Everywhere we turn we encounter a “designed” world; every product we use certainly bears the overt mark of the professional “design” agent (such as product designers, engineers, architects, marketers). Moreover, we know that the symbolic and expressive realms of human existence, those of communication, of entertainment, of education, and of identity, to name a few, also bear the marks of intentional design and the signatures of a pantheon of designers whom work as digital technologists, network architects, web designers, film makers, fashion designers, writers, and teachers. -
School of Art 2007–2008
May 10, 2007 May ALE UNIVERSITY umber 1 N BULLETIN OF Y Series 103 School of Art 2007–2008 BULLETIN OF YALE UNIVERSITY May 10, 2007 School of Art Periodicals postage paid Periodicals Connecticut Haven, New 06520 -8227 CT BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE New Haven Bulletin of Yale University The University is committed to basing judgments concerning the admission, education, and employment of individuals upon their qualifications and abilities and a∞rmatively seeks to Postmaster: Send address changes to Bulletin of Yale University, attract to its faculty, sta≠, and student body qualified persons of diverse backgrounds. In PO Box 208227, New Haven CT 06520-8227 accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against any individual PO Box 208230, New Haven CT 06520-8230 on account of that individual’s sex, race, color, religion, age, disability, status as a special Periodicals postage paid at New Haven, Connecticut disabled veteran, veteran of the Vietnam era, or other covered veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation or gender identity or Issued seventeen times a year: one time a year in May, November, and December; two times expression. a year in June; three times a year in July and September; six times a year in August University policy is committed to a∞rmative action under law in employment of women, minority group members, individuals with disabilities, special disabled veterans, Managing Editor: Linda Koch Lorimer veterans of the Vietnam era, and other covered veterans. -
Creating the Consumer: Credit Cards & the Role of Design & Advertising
Rochester Institute of Technology RIT Scholar Works Theses 5-1-2001 Creating the consumer: Credit cards & the role of design & advertising Yasmin Jung Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Jung, Yasmin, "Creating the consumer: Credit cards & the role of design & advertising" (2001). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. 4T- CREATING THE CONSUMER ^ CREDIT CARDS & THE ROLE OF DESIGN & ADVERTISING Rochester Institute of Technology A Thesis submitted to the Faculty of The College of Imaging Arts and Sciences in Candidacy for the Degree of Master of Fine Arts Yasmin Jung May, 2001 • Approvals: Chief Advisor: R. Roger Remington, Professor School of Design, College of Imaging Arts and Sciences Dat~ I~'WVI Associate Advisor: Heinrich Klinkon, Associate Professor School of Design, College of Imaging Arts and Sciences Associate Advisor: Dr. Tina Lent, Associate Professor Department of Fine Arts, College of Liberal Arts Date Chairperson: Nancy Ciolek, Associate Professor School of Design, College of Imaging Arts and Sciences Date S·/70 / o I, Yasmin lung hereby grant permission to the Wallace Library of RIT to reproduce my thesis in whole or in part. Any reproduction will not o be for commercial use. o Date / it It!r2H( I ./ o Acknowledgements Many thanks to my husband Chris for his unconditional love and support, his everlasting patience, and for doing the laundry and dishes these past two years! And to my family, for showing me the world and always encouraging me to work hard and do the right thing. -
Literary Miscellany
Literary Miscellany Including Recent Acquisitions. Catalogue 340 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request.