00037 CV Ulf Hoelscher
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Building a Library
BUILDING A LIBRARY All selections were made from recordings available in the UK at the time of the broadcast and are full price unless otherwise stated. CD Review cannot guarantee that they have not subsequently been deleted. KEY: CD = compact disc c/w = coupled with SIS = a recording which is only available through EMI’s Special Import Service IMS = a recording which is only available through Universal Classics' Import Music Service CONTENTS September 1999 – July 2000 .................................................................................................................................................................................. 3 September 2000 – July 2001 ................................................................................................................................................................................ 24 September 2001 – July 2002 ................................................................................................................................................................................ 46 September 2002 – July 2003 ................................................................................................................................................................................ 74 September 2003 – July 2004 ................................................................................................................................................................................ 98 September 2004 – July 2005 ............................................................................................................................................................................. -
« L'oeuvre Pour Violon De Camille Saint-Saëns »
Marie-Claudine Papadopoulos « L'oeuvre pour violon de Camille Saint-Saëns » Directeur de mémoire : Emmanuel Ducreux 2020 1/136 2/136 L'oeuvre pour violon de Camille Saint-Saëns Sommaire Introduction............................................................................................................................4 Première partie : L'École franco-belge de violon ..................................................................6 I. Le développement du violon moderne ..........................................................................6 I. 1. Aux origines de l'École franco-belge de violon, l'École italienne.........................6 I. 2. Viotti, père de l'École moderne de violon...........................................................11 I. 3. Une méthode pour un enseignement moderne....................................................12 I. 4. Trois élèves emblématiques : Baillot, Rode et Kreutzer.....................................13 II. Diffusion de l'École française en Europe....................................................................14 III. « Ancien régime-temps modernes », aspects organologiques...................................16 IV. La littérature pour violon en France : un « art en attente ».......................................21 V. Camille Saint-Saëns, biographie.................................................................................22 Deuxième partie : L'oeuvre pour violon de C. Saint-Saëns.................................................27 I. Deux grands dédicataires.............................................................................................27 -
Gwendolyn Masin, Violin Teaching in the New Millennium
VIOLIN TEACHING IN THE NEW MILLENNIUM In Search of the Lost Instructions of Great Masters — an Examination of Similarities and Differences Between Schools of Playing and How These Have Evolved OR Remembering the Future of Violin Performance Gwendolyn Masin Thesis submitted for the degree of DoCtor in Philosophy, August 2012. School of MusiC 42145 ii Declaration I declare that this thesis has not been submitted as an exercise for a degree at this or any other university and it is entirely my own work. I agree to deposit this thesis in the University’s open access institutional repository or allow the library to do so on my behalf, subject to Irish Copyright Legislation and Trinity College Library conditions of use and acknowledgement. Signed:____________________________ Date: ___________________________ iii ABSTRACT Violin Teaching in the New Millennium In Search of the Lost Instructions of Great Masters — an Examination of Similarities and Differences Between Schools of Playing and How These Have Evolved or Remembering the Future of Violin Performance by Gwendolyn Masin Doctor in Philosophy, Music Trinity College, Dublin, August 2012 This thesis addresses a number of issues that have developed in the concepts and practices of violin pedagogy and performance since World War II. In particular it identifies the ways in which cultural transnationality has diminished the distinctiveness of various historic schools of violin playing and pedagogy, and has led to practices and concepts within teaching that threaten a historically and artistically informed view of what it means to learn the instrument. It compares current practice with those that prevailed between the middle of the 18th century and the decades immediately after World War II, and identifies a lack of published treatises by contemporary pedagogues. -
The Diablo Regional Arts Association Presents the 2002-2003 Season
The Diablo Regional Arts Association presents the 2002-2003 Season Program III Carey Bell, clarinet Doug Hull, horn Peter Lemberg, oboe Stephanie McNab, flute Carla Wilson, bassoon Melissa Kleinbart, violin Madeline Prager, viola Stevan Cavalier, piano Grace Presbyterian Church Sunday January 26, 2003 4pm Page 1 Irving Fine Partita for Wind Quintet (1914-1962) (1948) I Introduction and Theme II Variation III Interlude IV Gigue V Coda Carey Bell, clarinet Doug Hull, horn Peter Lemberg, oboe Stephanie McNab, flute Carla Wilson, bassoon Robert Schumann Märchenerzählungen (1810-1856) for clarinet, viola, and piano Op. 132 (1853) I Lebhaft, nicht zu schnell (Lively, not too fast) II Lebhaft und sehr markirt (Lively and very marked) III Ruhiges Tempo, mit zarten Ausdruck (Quiet tempo, with sweet expression) IV Lebhaft, sehr markirt – Etwas ruhigeres Tempo – Erstes Tempo Carey Bell, clarinet Madeline Prager, violin Stevan Cavalier, piano inastera (1916 – 1983) Gunther Schuller Suite for Wind Quintet artet No. 1 (1948) (b.1925) (1945) I Prelude – Allegro II Blues – Andante III Toccata – Presto Carey Bell, clarinet Doug Hull, horn Peter Lemberg, oboe Stephanie McNab, flute Carla Wilson, bassoon Intermission Page 2 Johannes Brahms Trio for Horn, Violin and Piano (1833 – 1897) in E Flat Major, Op. 40 (1865) I Andante II Scherzo: Allegro III Adagio Mesto IV Finale: Allegro con brio Doug Hull, horn Melissa Kleinbart, violin Stevan Cavalier, piano Irving Fine (1914-1962) Partita for Wind Quintet (1948) “He was a composer of sensibility and charm, whose music is nonetheless eloquent for making its point through understatement.” Joseph Machlis1 It seems that Irving Fine was born and died in Boston. -
Saint-Saëns (1835-1921)
FRENCH CONCERTOS From the 19th Century to the Present A Discography Of CDs And LPs Prepared by Michael Herman Edited by Stephen Ellis Camille Saint-Saëns (1835-1921) Born in Paris. Taught the piano by his great-aunt Charlotte Masson, he began his composing career at the age of 7. He studied at the Paris Conservatory where his teachers included François Benoist for organ and Jacques Fromental Halévy for composition. He composed prolifically in all genres over the course of a long life. The vast majority of his works have been recorded multiple times. Piano Concerto No. 1 in D major, Op. 17 (1858) Angela Brownridge (piano)/Paul Murphy/Hallé Orchestra ( + Piano Concertos Nos. 2, 3, 4 and 5, Africa, Wedding Cake, Rhapsodie d'Auvergne and Allegro Appassionato) ASV CD QSS 262 (2 CDs) (2002) Aldo Ciccolini (piano)/Serge Baudo/Orchestre de Paris ( + Piano Concertos Nos. 2, 3, 4 and 5) EMI CLASSICAL CMS 769443-2 (2 CDs) (1988) (original release: HMV {France} 2C16511321/SERAPHIM SIC 6081 {3 LPs}) (1976) Jean-Philippe Collard (piano)/André Previn/Royal Philharmonic Orchestra ( + Piano Concertos Nos. 2, 3, 4 and 5) EMI CLASSICS GEMINI 86245-2 (2 CDs) (2005) (original release: EMI CLASSICS CDC 749757-2) (1988) Jeanne-Marie Darré (piano)/Louis Fourestier/Orchestre National de la Radiodiffusion Française ( + Piano Concertos Nos. 2, 3, 4 and 5 and Septet) EMI ROUGE ET NOIR {France} CZS 569470-2 (2 CDs) (1996) (original LP release: PATHÉ DTX 222) (1957) Romain Descharmes (piano)Marc Soustrot/Malmö Symphony Orchestra ( +Piano Concerto No. 2) NAXOS 8.573476 (2017) Abdel Rahman El Bacha (piano)/Pascal Verrot/Orchestre de Picardie ( + Piano Concerto No. -
Oberallgäuer Meisterkonzerte Programm 2019
Gesellschaft “Freunde der Musik” Sonthofen e. V. Programm 2019 Oberallgäuer Meisterkonzerte 2 3 )2"345647) 8#939" $ :;6 <* # )* -= >(? $ 9##@ ?'A9>'( B $ C## 9 ---9 $ C## 9 Inh. André Stark e. K. Malerbetrieb Raumgestaltung 87545 B U R G B E R G – Heimenhofenstraße 5 Telefon 0 83 21 / 21 13 Telefax 0 83 21 / 8 94 95 4 Inhaltsverzeichnis und Konzerte auf einen Blick Vorwort Seite 1. Konzert Quartettabend 31 Dr. med. Karl Gogl, 1. Vorsitzender 7 Samstag 19. Januar 2019, Fiskina Fischen 18 Uhr Philharmonia Quartett Streichquartett der Berliner Philharmoniker Vorwort 8 Werke von L.v. Beethoven, W. Rihm, Fr. Schubert Dr. phil. Joachim Unger, 2. Vorsitzender Preis: 25,00 € Mitglieder des Vorstands und Beiräte 10 2. Konzert Streichtrio 42 Grußworte 12 Sonntag 17. Februar 2019, Fiskina Fischen 18 Uhr Orion – Trio Werke von W.A. Mozart, Fr. Schubert, Z. Kodály und E. von Gut zu wissen 14 Dohnányi Preis: 25,00 € Jugend in der „Gesellschaft“ 16 3. Konzert Orchesterkonzert 48 Sonntag 24. März 2019, Fiskina Fischen 18 Uhr Mitglieder des Kuratoriums 26 PKF – Prague Philharmonia Solist: Gábor Boldoczki - Trompete Werke von F. Benda, Joh. B.G. Neruda, A. Dvorˇák, Unser Logo 28 Joh. N. Hummel, Joh. B. Vanhal Preis: 30,00 € `Unsere' Karikaturistin 30 4. Konzert Klavierquintett 59 Samstag 13. April 2019, Haus Oberallgäu 18 Uhr Organisatorisches 98 Auryn-Quartett Peter Orth - Klavier Werke von Jos. Haydn, E. Grieg, R. Schumann Titelbild: Claude Debussy (1862 - 1918) Preis: 25,00 € 5 5. Konzert Sinfoniekonzert 65 Projekte und Konzerte für Kinder und alle, Freitag 27. Sept. 2019 Fiskina Fischen 18 Uhr vbw-Festivalorchester - Jugendsinfonieorchester die jung geblieben sind: Leitung: Christoph Adt Solisten: Lionel Martin - Cello Projekt 88 Nemanja Radulovic - Violine „Klassik isch cool Werke von Peter Iljitsch Tschaikowsky mit der Pianistin Iris Schmid und Preis: 40,00 € dem Geiger Florian Meierott In Zusammenarbeit mit dem Schulamt Oberallgäu, den 6.