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Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
Joye Murchison • Barbara Friedlander’S Love Affair with Dc Comics • Fca • Bill Schelly • Mr
ALTER EGO #157 Roy Thomas' Wonder-Full Comics Fanzine ONLY Three YEARS INTO HER CATACLYSMIC CAREER— GOLDEN AGE WONDER WOMAN SCRIPTER JOYE MURCHISON • BARBARA FRIEDLANDER’S LOVE AFFAIR WITH DC COMICS FCA BILL DC’S AMAZING AMAZON HAD A FEMALE $9.95 GHOST WRITER! In the USA SPOTLIGHT ON No. 157 March GOLDEN AGE WONDER WOMAN SCRIPTER 2019 JOYE MURCHISON JOYE HUMMEL (MURCHISON), 1943 SCHELLY Wonder Woman TM & © DC Comics Woman Wonder • MR. MONSTER & MORE! 3 9 5 3 0 0 8 5 6 2 8 1 BONUS! BARBARA FRIEDLANDER’S LOVE AFFAIR WITH DC COMICS! Vol. 3, No. 157 / March 2019 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Christopher Day Consulting Editor John Morrow FCA Editor P.C. Hamerlinck J.T. Go (Assoc. Editor) Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) Ronn Foss, Biljo White Mike Friedrich Proofreaders Rob Smentek Contents William J. Dowlding Cover Artist Writer/Editorial: Wonder Of Wonders! ................... 2 H.G. Peter The First Amazon .................................... 3 Cover Colorist Richard Arndt interviews 1944-48 “Wonder Woman” ghost writer Joye Murchison Kelly! Unknown Barbara Friedlander’s Love Affair With DC Comics ........ 35 With Special Thanks to: Silver Age romance from Young Love to Heart Throb to Swing with Scooter. Doug Abramson Joye Murchison Heidi Amash Kelly Of Crows And The Cosmos ........................... 55 Pedro Angosto Jack Kelly Richard J. Arndt Thomas Kiefer Part VIII of Golden/Silver Age star scripter John Broome’s 1998 memoir. Bob Bailey Todd Klein Linedia Benaca Lamiek Mr. Monster’s Comic Crypt! Bruce McCorkindale’s Barbara Friedlander Comiclopedia Mighty Marvel Mashup! ............................. -
Untitled Approximate Original Scheduled (Eight Pages) On-Sale Date: July 11, 1978
TABLE OF CONTENTS Introduction and Acknowledgements ....................................................... 5 Prologue. 7 DC Comics’ Lineup of Titles: Early 1976 ................................................ 10 Part 1: Pre-Explosion (1976-1978) ........................................................ 11 Interlude: Ring Out the Old, Ring In the New ............................................ 23 DC Comics’ Lineup of Titles: Early 1977 ................................................ 31 DC Comics’ Lineup of Titles: Early 1978 (Pre-DC Explosion) .............................. 52 Part 2: Explosion (1978) ................................................................. 53 DC Comics’ Lineup of Titles: June, July and August 1978 (The DC Explosion) ............... 66 DC Comics’ Lineup of Titles: June, July and August 1978 (Unpublished) .................... 66 Part 3: Implosion (1978-1980) ............................................................ 67 DC Comics’ Lineup of Titles: Early 1979 (Post-DC Implosion) ............................. 76 Bonus Gallery ....................................................................... 79 Interlude: Cancelled Comic Cavalcade: The Index ........................................ 90 Interlude: Whatever Happened to –? ................................................... 98 DC Comics’ Lineup of Titles: June, July and August 1980 ................................ 117 Cancellations by Month of Publication ................................................... 127 Afterword ........................................................................... -
A M E R I C a N C H R O N I C L E S the by JOHN WELLS 1960-1964
AMERICAN CHRONICLES THE 1960-1964 byby JOHN JOHN WELLS Table of Contents Introductory Note about the Chronological Structure of American Comic Book Chroncles ........ 4 Note on Comic Book Sales and Circulation Data......................................................... 5 Introduction & Acknowlegments................................. 6 Chapter One: 1960 Pride and Prejudice ................................................................... 8 Chapter Two: 1961 The Shape of Things to Come ..................................................40 Chapter Three: 1962 Gains and Losses .....................................................................74 Chapter Four: 1963 Triumph and Tragedy ...........................................................114 Chapter Five: 1964 Don’t Get Comfortable ..........................................................160 Works Cited ......................................................................214 Index ..................................................................................220 Notes Introductory Note about the Chronological Structure of American Comic Book Chronicles The monthly date that appears on a comic book head as most Direct Market-exclusive publishers cover doesn’t usually indicate the exact month chose not to put cover dates on their comic books the comic book arrived at the newsstand or at the while some put cover dates that matched the comic book store. Since their inception, American issue’s release date. periodical publishers—including but not limited to comic book publishers—postdated -
Kirby Interview Dave Stevens & Lisa Kirby True Life Divorce Romance
THE $5.95 In The US Issue #20, JUNE 1998 A “King”-Size Collector 68- page ISSUE on JAck’s Female Characters!! A Rare 1975 Kirby Interview Interviews with Dave Stevens & Lisa Kirby Unpublished Ten- page story from True Life Divorce A Close Look At Romance Comics Jack’s original screenplay for Captain Victory Double- centerfold of Galaxy Green Special Features: Jack’s Women From The ’40s To The ’80s Unpublished Art including Pencil pages Before They Were Inked, And Much More!! y c a e t S n Nominated e K For Two 1998 & Eisner y b Awards r i Including “Best K Comics-Related k c Publication” a J 1998 Harvey © k Awards Nominee r “Best Biographical, Historical o w or Journalistic Presentation” t r A The only ’zine authorized by the Issue #20 Contents: THE Kirby Estate Lisa Kirby Interview . .4 (the “Kid From Left Field” speaks) Soiled & Sweet & Sometimes Green! . .9 (S&K’s women of the Golden Age) Those Marvel-Ous Kirby Women . .13 (fun and frolic in the ’60s) Issue #20, June 1998 Collector SUE’s ’DOs Contest . .14 (how many did she have? Enter and you could win a free issue!) The Jack Kirby Collector, Vol. 5, No. 20, June Gender Relations In The Kirby Pantheon . .1 8 1998. Published bi-monthly by & (from the Fourth World to Eternals) © TwoMorrows Advertising & Design, An Oddball Kirby Comic . .23 1812 Park Drive, Raleigh, NC 27605, USA. 919-833-8092. John Morrow, Editor. Pamela (a dreamy visit with Doris Nelson) Morrow, Asst. Editor. Jon B. Cooke, Assoc. -
IN the BRONZE AGE! BRONZE the in , Bronze AGE and Beyond and AGE Bronze I
Superman and Bizarro TM & © DC Comics. All Rights Reserved. 0 1 No.62 Feb. 201 3 $ 8 . 9 5 1 82658 27762 8 COMiCs JULIUS SCHWARTZ SUPERMAN DYNASTY • PRIVATE LIFE OF CURT SWAN • SUPERMAN FAMILY • EARTH-TWO SUPERMAN • WORLD OF KRYPTON • MAN OF TOMORROW • ATOMIC SKULL & more! IN THE BRONZE AGE! , bROnzE AGE AnD bEYOnD i . Volume 1, Number 62 February 2013 Celebrating the Best ® Comics of the '70s, Comics’ Bronze Age and Beyond! '80s,'90s, and Beyond! EDITOR-IN-CHIEF Michael “Don’t Call Me Chief!” Eury PUBLISHER John “Morgan Edge” Morrow DESIGNER Rich “Superman’s Pal” Fowlks COVER ARTISTS José Luis García-López and Scott Williams COVER COLORIST Glenn “Grew Up in Smallville” Whitmore COVER DESIGNER Michael “Last Son of Krypton” Kronenberg BACK SEAT DRIVER: Editorial by Michael Eury . .2 A dedication to the man who made us believe he could fly, Christopher Reeve PROOFREADER Rob “Cub Reporter” Smentek FLASHBACK: The Julius Schwartz Superman Dynasty . .3 SPECIAL THANKS Looking back at the Super-editor(s) of the Bronze Age, with enough art to fill a Fortress! Murphy Anderson Dennis O’Neil SUPER SALUTE TO CARY BATES . .18 CapedWonder.com Luigi Novi/Wikimedia Cary Bates Commons SUPER SALUTE TO ELLIOT S! MAGGIN . .20 Kurt Busiek Jerry Ordway Tim Callahan Mike Page BACKSTAGE PASS: The Private Life of Curt Swan . .23 Howard Chaykin Mike Pigott Fans, friends, and family revisit the life and career of THE Superman artist Gerry Conway Al Plastino DC Comics Alex Ross FLASHBACK: Superman Calls for Back-up! . .38 Dial B for Blog Bob Rozakis The Man of Steel’s adventures in short stories Tom DeFalco Joe Rubinstein FLASHBACK: Superman Family Portraits . -
Marvel-Phile
by Steven E. Schend and Dale A. Donovan Lesser Lights II: Long-lost heroes This past summer has seen the reemer- 3-D MAN gence of some Marvel characters who Gestalt being havent been seen in action since the early 1980s. Of course, Im speaking of Adam POWERS: Warlock and Thanos, the major players in Alter ego: Hal Chandler owns a pair of the cosmic epic Infinity Gauntlet mini- special glasses that have identical red and series. Its great to see these old characters green images of a human figure on each back in their four-color glory, and Im sure lens. When Hal dons the glasses and focus- there are some great plans with these es on merging the two figures, he triggers characters forthcoming. a dimensional transfer that places him in a Nostalgia, the lowly terror of nigh- trancelike state. His mind and the two forgotten days, is alive still in The images from his glasses of his elder broth- MARVEL®-Phile in this, the second half of er, Chuck, merge into a gestalt being our quest to bring you characters from known as 3-D Man. the dusty pages of Marvel Comics past. As 3-D Man can remain active for only the aforementioned miniseries is showing three hours at a time, after which he must readers new and old, just because a char- split into his composite images and return acter hasnt been seen in a while certainly Hals mind to his body. While active, 3-D doesnt mean he lacks potential. This is the Mans brain is a composite of the minds of case with our two intrepid heroes for this both Hal and Chuck Chandler, with Chuck month, 3-D Man and the Blue Shield. -
2News Summer 05 Catalog
0 6 1 82658 27762 8 Volume 1, Number 81 July 2015 EDITOR-IN-CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Nick Cardy (E.N.B. headshot by Dave Manak) COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Neal Adams Chris Marshall Sergio Aragonés David Michelinie Robert Beerbohm Martin Pasko Edgar Bercasio Jeff Rovin Jerry Boyd Bob Rozakis Pat Broderick Walter Simonson Gary Brown Steve Skeates Cary Burkett Prof. Manuela Soares Comic Book Artist Bryan D. Stroud BACK SEAT DRIVER: Remembering E. Nelson Bridwell . .2 DC Comics Linda Sunshine Steve Englehart Laurie Sutton FLASHBACK: A Look at the Super Specs . .4 John Eury Roy Thomas Stephan Friedt Maggie Thompson FANTASY COVER GALLERY: The Super Spectaculars That Weren’t . .32 Carl Gafford Mike Tiefenbacher Mike Gold Anthony Tollin PRINCE STREET NEWS: History on the Spinner Rack . .34 Grand Comics John Trumbull FLASHBACK: Super DC Giant . .37 Database Michael Uslan Bob Greenberger Mark Waid BRING ON THE BAD GUYS: Wanted, the World’s Most Dangerous Villains . .42 Jack C. Harris Carolyn Wallace Karl Heitmueller, Jr. John Wells WHAT THE--?!: The Inferior Five . .46 Heritage Comics Bernie Wrightson Auctions FLASHBACK: Reprint Madness: DC’s Short-Lived Reprint Line of 1972–1973 . .47 Dedicated to the Dan Johnson FLASHBACK: Secret Origins . .53 Rob Kelly memory of E. Nelson Bridwell Jim Kingman FLASHBACK: DC’s Bronze Age Reprint Giants . .56 Paul Kupperberg Paul Levitz FLASHBACK: Terminated Classics: The DC Implosion . .67 FLASHBACK: DC’s Bronze Age Collected Editions . .69 If you’re viewing a Digital INTERVIEW: A Fireside (Books) Chat with Michael Uslan . -
THE SCRIBLERIAN Spring 2009 Edition
THE SCRIBLERIAN Spring 2009 Edition Sponsored by the English Department and the Braithwaite Writing Center, the Scriblerian is a publication for students by students. Revived during Fall Semester 2004 after a two-year hiatus, this on-line journal is the result of an essay competition organized by Writing Center tutors for ENGL 1010 and 2010 students. The Spring 2009 contest was planned and supervised by Chair Kellie Jensen with the help of Andria Amodt, Trent Gurney, Chelsea Oaks, and Whitnee Sorenson. 1 Contents Argumentative- English 1010 ........................................................................................................................ 2 1st Place Winner: Sara LaFollette, “Mr. Marvel” .................................................................................. 2 2nd Place Winner: Megan Magelby, “Rhetorical Analysis” .................................................................. 12 Expressive- English 1010 ............................................................................................................................. 15 1st Place Winner: Brittney L. Park, “Heroin Chic” ................................................................................ 15 2nd Place Winner: Kristy Stoll, “My Piano” .......................................................................................... 16 Argumentative- English 2010 ...................................................................................................................... 18 1st Place Winner: Erica Wardell, “Tragedy in Technology” -
Downloadable in Late October and in Your Mailbox in Early to Mid-November
Featured New Items FANTASTIC PAINTINGS OF FRAZETTA On our Cover Highly Recommended. By David Spurlock. Afterword by Frank Frazetta Jr. THE BIG TEASE J. David Spurlock started crafting this A Naughty and Nice Collection book by reviving the original million-selling Highly Recommend- 1970s mass market art book, Fantastic Art ed. By Bruce Timm. of Frank Frazetta. Then he expanded and Bruce Timm has revised it to include twice as many images been creating elegant and presents them at a much larger cof- drawings of women fee-table book size of 10.5 x 14.5 inches! for over 30 years, and The collection is brimming with both classic nearly all of these and previously unpublished works of the charming nudes were subjects Frazetta is best remembered for, drawn purely for fun including barbarians, beasts, and buxom after-hours. This beauties. Vanguard, 2020. book collects all three FANPFH. HC, 10x15, 112pg, PC $39.95 Teaser collections from FANTASTIC PAINTINGS OF 2011 to 2013, long sold FRAZETTA Deluxe out. Plus Surrender, Signed by Spurlock and Frank Frazetta, My Sweet from 2015. Jr. 16 bonus pages, variant illustrated In addition, Timm has created new material espe- slipcase. Highly Recommended. cially for this collection and delved into his personal Vanguard, 2020. archives to share pieces not shown before, culmi- FANPFD. HC, 10x15, 128pg, PC $69.95 nating in more than 75 additional pages of material. Abundant nudity. Oversized. Flesk, 2020. Due Oct. SENSUOUS FRAZETTA Deluxe: Mature Readers. 16 Bonus Pages, Variant Cover. BIGT. SC, 9x12, 208pg, PC $39.95 Mature Readers. SENFD. $69.95 Cover Image courtesy of Bruce Timm and Flesk TELLING STORIES The Comic Art of Publications. -
Genre En Séries, 10 | 2019 Marvel’S Telltale Super-Girls in the Marvel Rising Franchise 2
Genre en séries Cinéma, télévision, médias 10 | 2019 Superhéroïnes : un genre à part ? Marvel’s Telltale Super-Girls in the Marvel Rising Franchise Charles Joseph Electronic version URL: http://journals.openedition.org/ges/712 DOI: 10.4000/ges.712 ISSN: 2431-6563 Publisher Presses universitaires de Bordeaux Electronic reference Charles Joseph, “Marvel’s Telltale Super-Girls in the Marvel Rising Franchise”, Genre en séries [Online], 10 | 2019, Online since 01 December 2019, connection on 19 February 2021. URL: http:// journals.openedition.org/ges/712 ; DOI: https://doi.org/10.4000/ges.712 This text was automatically generated on 19 February 2021. La revue Genre en séries est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Marvel’s Telltale Super-Girls in the Marvel Rising Franchise 1 Marvel’s Telltale Super-Girls in the Marvel Rising Franchise Charles Joseph “When a threat no one could have expected bears down on the Marvel Universe, this ragtag, untrained band of teens have no choice but to rise together and prove to the world that sometimes the difference between a “hero” and “misfit” is just in the name.” 1 This official logline for the feature-length animated film Marvel Rising: Secret Warriors was unveiled in early December 2017 as Cort Lane (Marvel Senior Vice-President Animation & Family Entertainment) and Sana Amanat (Marvel Vice-President of Content & Character Development) announced Marvel’s “new multiplatform animation franchise featuring the next generation superheroes” Marvel Rising (Hipes, 2017). While no specific gender is specified or mentioned within these few lines, this “untrained band of teens” is predominantly female with strong young women written as leads for this new team. -
Wonder Woman Unbound
COMICS/LITERARY CRITICISM/POPULAR CULTURE WONDER WOMAN UNBOUND “I’ve never seen more information about Wonder Woman than in Wonder Woman Unbound. Tim Hanley tells us everything we’ve never asked about Wonder Woman because it simply never occurred to us: from her mythic Golden Age origins through her dismal Silver Age years as a lovesick romance comic character, and worse yet, when she lost her costume and powers in the late 1960s. Our favorite Amazon’s saga be- comes upbeat again with the 1970s advent of Gloria Steinem and Ms. magazine, and Lynda Carter’s unforgettable portrayal of her on television. And it’s all told with a dollop of humor!” —Trina Robbins, author of Pretty in Ink: North American Women Cartoonists, 1896–2013 ith her golden lasso and her bullet-deflecting bracelets, WWonder Woman is a beloved icon of female strength in a world of male superheroes. But this close look at her history por- trays a complicated heroine who is more than just a female Super- man. When they debuted in the 1940s, Wonder Woman comics advocated female superiority and the benefits of matriarchy; her adventures were also colored by bondage imagery and hidden les- bian leanings. In the decades that followed, Wonder Woman fell backward as American women began to step forward. Ultimate- ly, Wonder Woman became a feminist symbol in the 1970s, and the curious details of her past were quickly forgotten. Exploring this lost history adds new dimensions to the world’s most beloved female character, and Wonder Woman Unbound delves into her comic book and its spin-offs as well as the motivations of her cre- ators to showcase the peculiar journey of a twentieth-century icon.