On Romanian-American Cultural Relations. INSTITUTION Washington Univ., Seattle
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Between Worlds Contents
BETWEEN WORLDS CONTENTS 14 Acknowledgments 16 Introduction Timothy 0. Benson and Eva Forgacs SECTION 1: STYLE AS THE CRUCIBLE OF PAST AND FUTURE Chapter 1: National Traditions Germany Carl Vinnen. "Quousque Tandem," from A Protest of German Artists [1911I Wilhelm Worringer, "The Historical Development of Modern Art," from The Struggle for Art (1911) Czech-Speaking Lands Milos Jiranek, "The Czechness of our Art," Radikatni iisty (1900I Bohumil Kubista, "Josef Manes Exhibition at the Topic Salon," Prehled ii9ii) Poland Juliusz Kaden-Bandrowski, "Wyspiariski as a Painter-Poet (Personal Impressions]," Przeglqd Poranny I1907] Stanistaw Witkiewicz, Excerpts from Jon Matejko (1908) Jacek Malczewski, "On the Artist's Calling and the Tasks of Art" I1912I Wtodzirnierz Zu-tawski, "Wyspiariski's Stained Glass Windows at the Wawel Cathedral," Maski (1918] Hungary Lajos Fulep, Excerpt from Hungarian Art I1916I Yugoslavia Exhibition Committee of University Youth (Belgrade], Invitation Letter (1904) Chapter 2: New Alternatives Prague Emil Filla, "Honore Daumier: A Few Notes on His Work," Volne smery (1910] Pavel Janak, "The Prism and the Pyramid" Umeiecky mesicnik (1911] Otto Gutfreund, "Surface and Space," Umeiecky mesicnik (1912) Emil Filla, "On the Virtue of Neo-Primitivism," Volne smery (1912) Vaclav Vilem Stech, Introduction to the second Skupina exhibition catalogue (1912) Bohumil Kubista, "The Intellectual Basis of Modern Time," Ceska kutturo I1912-13] Josef Capek, Fragments of correspondence I1913] Josef Capek, "The Beauty of Modern Visual Form," Printed [1913-14I Vlastislav Hofman, "The Spirit of Change in Visual Art," Almanoch no rok [1914) Budapest Gyb'rgy Lukacs, "Forms and the Soul," Excerpt from Richard Beer-Hoffmann 11910) Karoly Kernstok, "Investigative Art," Nyugat (1910) Gyorgy Lukacs, "The Ways Have Parted," Nyugat [1910) Karoly Kernstok, The Role of the Artist in Society," Huszadik szazad (1912) Bucharest Ion Minulescu, Fragment from "Light the Torches," Revisto celorlaiti (1908) N. -
1 PETRE P. CARP 100 De Ani De La Moarte (Bibliografie Selectivă) (N. 29
PETRE P. CARP 100 de ani de la moarte (bibliografie selectivă) (n. 29 iunie 1837, Iași - d. 19 iunie 1919, Țibănești) I. OPERA 1. Volume Afacerea tramvaelor la Senat : după note stenografice / discursurile domnilor P. P. Carp şi Al. Marghiloman. - Bucureşti : Tipografia şi Stabilimentul de Arte Grafice George Ionescu, 1911. - 47 p. Auswartige Politik und Agrarreform / reden und zeitungsartikel von P. P. Carp; autorisierte Ubers. von Victor A. Beldiman und Erwin von Fehlmayr. - Bukarest : Socec, 1917. - 78 p. Discursuri : vol. 1 : 1868-1888 / P. P. Carp. - Bucureşti : Editura Librăriei Socec & Co. S. A., 1907. Discursuri parlamentare / P. P. Carp. - [București] : Tipografia Curţii Regale, [1895]. - 299 p. Discursuri parlamentare / P. P. Carp; ediţie îngrijită de Marcel Duţă; studiu introductiv de Ion Bulei. - Bucureşti : Grai şi suflet - Cultura naţională, 2000. - 630 p. (COTA: III 27418; 32(498)/C26) Exproprierea marei proprietăţi / P. P. Carp. - Bucureşti : Tipografia şi Stabilimentul de Arte Grafice G. Ionescu, 1914. Patru discursuri rostite în Senat / de Petre P. Carp. - Iaşi : Tipografia Naţională, 1878. - 30 p. Politica externă a României : cuvîntările rostite în discuţia răspunsului la Mesaj în şedinţele din 14, 15, 16 şi 17 decembrie 1915 ale Camerei Deputaţilor / de d-nii P. P. Carp şi C. Stere. - Iaşi : Editura Revistei Viaţa Românească, 1915. - 61 p. Procesul Maiorescu cu actele autentice / P. P. Carp, N. Mândrea, G. Mârzescu, I. Negruzzi, V. Pogor. - Iaşi : Imprimeria Adolf Bermann, 1865. - 23, LXVI p. România şi răsboiul european / P. P. Carp. - Bucureşti : Tipografia Dorneanu I., s.a. - 32 p. Tulburările de la 5 aprilie şi Legea maximului : două discursuri rostite în Cameră / de Al. -
EMINESCU and ROMANIAN NATION VASILE CÂNDEA This Is The
EMINESCU AND ROMANIAN NATION VASILE CÂNDEA Abstract. This opening speech emphasizes the plurality of preoccupations of a complex Romanian personality, the Romanian national poet, journalist, philosopher and publicist, and among these the manner of conceiving the evolution of Romanian nationality in relation to the western European civilisation of the time. Eminescu meditated at the status of the Romanian nation and at the Romanian civilisation, with attention for the affirmation of the national values, for the consolidation of the cultural unity of all Romanians and for the accomplishment of the Romanian national state, within its ethnical borders. Key words: Eminescu, Romanian nation, Romanian civilisation. This is the opening of the symposium on Eminescu of the Department of Philosophy, Theology, Psychology and Journalism of the Academy of Romanian Scientists at the occasion of the commemoration of 122 years since the death of the “unpaired poet” another great poet, Nichita Stănescu titled him. For me, of an entirely different trade, seems an impiety to express authorised opinions concerning the work of this giant of the Romanian literature and culture. Eminescu’s work was the subject of numerous studies, commentaries, analyses and interpretations signed by various personalities with resonance in the history of Romanian culture such as: Titu Maiorescu, Garabet Ibrăileanu, Nicolae Iorga, Eugen Lovinescu, Perpessicius, I. Negoiţescu, Petru Creţia, Acad. Dan Berindei, Acad. Alexandru Surdu, Ilie Bădescu, Svetlana Paleologu-Matta, C. Schifirneţ, etc. It seems that once he was labelled as a “genius poet”, the rest of his work slipped into the shadows, as it happened for instance with his journalistic work, expressing a manner of thinking and understanding the world through particular ideas and visions, entirely original. -
Mareşalul Alexandru Averescu, Un Om Pentru Istorie
Magazin al Fundaţiei “Mareşal Alexandru Averescu” Străjer în calea Cadranfurtunilor militar buzoian Anul III, nr. 5, 9 martie 2009 Mareşalul 150 de ani de la naştere Alexandru Averescu, un om pentru istorie http://www.jointophq.ro ------------------- Străjer în calea furtunilor Magazin trimestrial Numai generalii care fac jertfe folositoare pătrund în Adresa: Buzău, str. Independenţei nr. 24 sufletul maselor. Tel. 0238.717.113 www.jointophq.ro Director : gl. bg. Dan Ghica-Radu COLECTIVUL DE REDACŢIE Redactor-şef: Redactor-şef adjunct: mr. Romeo Feraru Secretar de redacţie: col. (r) Constantin Dinu Redactori: - col (r) Mihai Goia - col. (r) Mihail Pîrlog - preot militar Alexandru Tudose - Emil Niculescu - Viorel Frîncu Departament economie: lt. col. (r) Gherghina Oprişan Departament difuzare: plt. adj. Dan Tinca Tipar: ISSN: 1843-4045 Responsabilitatea pentru conţinutul materialelor publicate aparţine exclusiv autorilor, conform art. 205- 206 Cod penal. Reproducerea textelor şi fotografiilor este permisă numai în condiţiile prevăzute de lege. Manuscrisele nu se înapoiază. Revista pune la dispoziţia celor interesaţi spaţii de publicitate. Numărul curent al revistei se găseşte pe site-ul fundaţiei, în format pdf. Revista se difuzează- 2 la - toate structurile militare din judeţul Buzău, la asociaţiile şi fundaţiile militare locale, precum şi la instituţiile civile interesate de conţinutul său. ------------------- Străjer în calea furtunilor Pro domo Numai generalii Evocarea unor personalităţi ale istoriei naţionale, rescrierea biografiei lor, radiografierea epocii şi, mai ales, a faptelor săvârşite de ei, precum care fac jertfe şi consemnarea acestor întâmplări în documente, jurnale, memorii şi iconografie, contribuie, esenţial, la o mai atentă evaluare a ceea ce am folositoare reprezentat şi, încă, mai reprezentăm în această parte a Europei. -
OER STURM Oo PQ Os <Rh IRH ZEMIT A
De Styl 2x2 <rH IRH & Weimar Biflxelles OER STURM L'ESPRIT Berlin £ Wlan NOUVEAU 3 o CO a LA o .6 VIE o s £ D E Paris PQ S IU LETTRES DIE AKTION ET DES ARTS Paris ZEMIT Berlin Berlin InternaclonAIlt akllvlsta mQv^ssetl foly61rat • Sserkeutl: KattAk Uijof m Fe- leldssievkesxtO: Josef Kalmer • Sxerkesxtds^g £• klad6hlvafal: Wlen, XIIL Bei* Amallenstrasse 26. L 11 • Megjelen^s dAtuma 1922 oktdber 19 m EUfflrctM Ar: EOT £VRE: 3S.OOO osztr&k kor^ 70 ssokol, lOO dlnAr, 200 lei, SOO mArka m EQTE8 SZXM XltA: 3000 ositrAk korona, 7 siokol, lO dlnAr, 20 lei, SO mArka MA •b VIE 6vfolyam, 1. tx6m • A lapban megJelenO clkkek6rt a weriO felel. Drackerei .Elbemflfcl", Wien, IX., Berggtue 31. a sourcebook of central european avant-gardes, 1910-1930 CONTENTS 14 Acknowledgments 16 | Introduction Timothy 0. Benson and Eva Forgacs 49 Germany 50 Carl Vinnen, "Quousque Tandem," from A Protest of German Artists (1911) 52 Wilhelm Worringer, "The Historical Development of Modern Art," from The Struggle for Art (1911) 55 Czech-Speaking Lands 56 Milos Jiranek, "The Czechness of our Art," Radikalni tisty (1900) 57 Bohumil Kubista, "Josef Manes Exhibition at the Topic Salon," Prehled [1911) 59 Poland 60 ; Juliusz Kaden-Bandrowski, "Wyspianski as a Painter-Poet (Personal Impressions)," Przeglad Poranny (1907) 61 Stanistaw Witkiewicz, Excerpts from Jan Matejko (1908) 64 Jacek Malczewski, "On the Artist's Calling and the Tasks of Art" (1912) 66 Wiodzimierz Zutawski, "Wyspianski's Stained Glass Windows at the Wawel Cathedral," Maski (1918) 70 Hungary 71 ! Lajos Fulep, -
PRECURSOR AL AVANGARDEI Urmuz – a Forerunner of the Avantgarde
URMUZ Ŕ PRECURSOR AL AVANGARDEI Urmuz – A Forerunner of the Avantgarde Drd. Ioana-Mihaela VULTUR Universitatea „Petru Maior” din Târgu-Mureş Abstract: Conscious of the critical situation of the Romanian literature and its stagnation, Urmuz comes up with a strange way of perceiving the world around him and its manifestations. He chooses irony in order to fight the realist literature of his time and not only. By using this method, he brings forward the anti-literature. The Dada and the Surrealist movements identify Urmuz as their forerunner, due to his new technique of conceiving literature: weird hybrid characters, intertextuality (revived in postmodernism) unexpected juxtapositions and his new anti-social attitude. Keywords: Urmuz, forerunner, irony, realist literature, anti-literature, anti-social attitude Venind într-o perioadă în care scena literară românească era acaparată de tiparele modelului eminescian, la care se adaugă confruntările tradiţionalist-moderniste, grefierul de la Înalta Curte de Casaţie propune un tip de literatură care, bucurându-se de importante influenţe asupra scrierilor avangardiste ulterioare, va schimba discursul poetic. Într-o epocă în care realismul se bucura de cel mai mare prestigiu, Urmuz şi-a întors privirea şi a descoperit o nouă faţă a lumii, pe care a transpus-o în paginile sale bizare, împărtăşind visul lui Flaubert de a scrie o carte despre nimic, dând astfel startul rescrierii literaturii existente, el rămânând o figură aproape legendară în literatura română dintre cele două războaie mondiale.1 Acest început de rescriere a literaturii nu a întârziat să atragă după sine reacţii dintre cele mai diverse: simplă bufonerie, dar cu spirit şi compuneri ce nu pot depăşi limitele unor farse2, ori joc voluntar şi amuzant al unui temperament prin excelenţă satiric, cuceritor prin chiar excesul lor de absurditate3, în timp ce Geo Bogza e de părere că umorul autorului este doar o mască, iar Pompiliu Constantinescu insistă asupra celor două niveluri de lectură a Paginilor bizare. -
Henri H. Stahl's Contribution to the Sociological Monographs of the Bucharest School of Sociology
UTOPIA CONSTRUCTIVĂ A MONOGRAFIEI HENRI H. STAHL’S CONTRIBUTION TO THE SOCIOLOGICAL MONOGRAPHS OF THE BUCHAREST SCHOOL OF SOCIOLOGY ALINA JURAVLE* ABSTRACT This study is an attempt to shed light onto Henri H. Stahl’s contribution to the sociological monographs that were the core of the Bucharest School of Sociology’s activity. Stahl is presented as an active member of the School, bringing into it his own background and abilities, distinct or shared views, values and interests and then impacting it through his actions which, combined with other factors, distinctively change and shape its development. As such, the study is also not an attempt to summarize his theoretical developments and to compare and place them in rapport with those of other social scientists. The purpose of this study is to expose at least partially the degree to which the knowledge that Stahl generates and uses differs in shape and contents from that of Dimitrie Gusti, regarding the manner in which it is used in his course towards a certain role and status in the School, the manner in which his course in the School develops, and the manner in which his personal characteristics and options, group and organizational developments and the wider social context interact in order to shape published sociological knowledge. Keywords: Henri H. Stahl, sociological monographs, Bucharest School of Sociology, knowledge. THE SOCIOLOGICAL MONOGRAPH – THEORY, METHOD, PRINTED SCIENTIFIC RESULT The following study is an attempt to shed light onto Henri H. Stahl’s contribution to the sociological monographs that were the core of the Bucharest School of Sociology’s activity. -
Communism and Post-Communism in Romania : Challenges to Democratic Transition
TITLE : COMMUNISM AND POST-COMMUNISM IN ROMANIA : CHALLENGES TO DEMOCRATIC TRANSITION AUTHOR : VLADIMIR TISMANEANU, University of Marylan d THE NATIONAL COUNCIL FO R EURASIAN AND EAST EUROPEAN RESEARC H TITLE VIII PROGRA M 1755 Massachusetts Avenue, N .W . Washington, D .C . 20036 LEGAL NOTICE The Government of the District of Columbia has certified an amendment of th e Articles of Incorporation of the National Council for Soviet and East European Research changing the name of the Corporation to THE NATIONAL COUNCIL FOR EURASIAN AND EAST EUROPEAN RESEARCH, effective on June 9, 1997. Grants, contracts and all other legal engagements of and with the Corporation made unde r its former name are unaffected and remain in force unless/until modified in writin g by the parties thereto . PROJECT INFORMATION : 1 CONTRACTOR : University of Marylan d PR1NCIPAL 1NVEST1GATOR : Vladimir Tismanean u COUNCIL CONTRACT NUMBER : 81 1-2 3 DATE : March 26, 1998 COPYRIGHT INFORMATIO N Individual researchers retain the copyright on their work products derived from research funded by contract with the National Council for Eurasian and East European Research . However, the Council and the United States Government have the right to duplicate an d disseminate, in written and electronic form, this Report submitted to the Council under thi s Contract, as follows : Such dissemination may be made by the Council solely (a) for its ow n internal use, and (b) to the United States Government (1) for its own internal use ; (2) for further dissemination to domestic, international and foreign governments, entities an d individuals to serve official United States Government purposes ; and (3) for dissemination i n accordance with the Freedom of Information Act or other law or policy of the United State s Government granting the public rights of access to documents held by the United State s Government. -
Festschrift for Immanuel Wallerstein Part I
The Hard-Earned Integration of the East in the World Economic System Silviu Brucan orld socialism was a subsystem of the world-system and as such Wcould not run deeper than the system of which it was a part. Had Lenin realized the workings of the world economic system, he would have concluded that Russia had no chance whatsoever to build an antisystemic economy in the midst of an overpowering world capitalist system. In his earlier writings, Lenin had a glimpse of that reality, hoping that another socialist revolution would break out in Germany, bailing out the Russian one. Instead, as his dream failed to materialize he began a desperate enter- prise: socialism in one country. In retrospective, I venture to say that the pervasive power of the world- system expressed itself in the fact that Lenin and Stalin, unconsciously, conceived both socialist society, as well as the future communist society, within the limits of the industrial system, which historically belongs to the capitalist epoch. This began when Stalin presented industrialization as the goal of socialism (industrialization being essentially a capitalist operation), and ended with Lenin’s defi nition of communism “Soviets plus electrifi cation,”and Stalin’s threshold to communism expressed in terms of millions of tons of pig iron, steel, coal and oil B both indicating the limit of their historical perspective within the industrial system. Never did they formulate a new type of productive forces that would usher in the formation of a postcapitalist society, remaining intellectual prisoners of the industrial system. Silviu Brucan Str. Helesteului 26 Sector 1 71297 Bucuresti Romania journal of world-systems research, vi, 2, summer/fall 2000, 444-453 Special Issue: Festchrift for Immanuel Wallerstein – Part I http://jwsr.ucr.edu issn 1076-156x © 2000 Silviu Brucan 444 445 Silviu Brucan The Hard-Earned Integration of the East in the World Economic System 446 Stalin tried hopelessly to escape from that theoretical framework. -
ROMANIAN IDENTITY and CULTURAL POLITICS UNDER CEAU§ESCU: an EXAMPLE from PHILOSOPHY1 Katherine Verdery
ROMANIAN IDENTITY AND CULTURAL POLITICS UNDER CEAU§ESCU: AN EXAMPLE FROM PHILOSOPHY1 Katherine Verdery Studies of intellectuals, their relation to power, and their role in shaping social ideologies' occupy an important place in twentieth-century social science (e.g., Mannheim 1955, Gramsci 1971, Shils 1958, Gouldner 1979, Foucault 1978 and 1980, Bourdieu 1975 and 1988, Konri.\d and Szelenyi 1979, Bauman 1987). While earlier writings (such as Shils 1958 and Coser 1965) treatec;i intellectual activity as "free-floating" and as relatively independent of political interest, the consensus of the 1970s and 1980s emphasizes, rather, that intellectual production is situated, embedded in political and social relations. Different theorists have different views concerning the political character of scientific findings and scholarly debates. Some emphasize the ways in which knowledge develops practices that contribute to subjection (e.g., Bauman 1987, Foucault 1978); others focus on the politics that occur within afield of intellectual activity and on how that field is tied to political and eco~omic processes in. the society as a whole (e.g., .Abbott 1988, Bourdieu 1975, 1988). Still others examine how the discourses of "intellectuals build up ideological premises that either construct or challenge social hegemonies (e.g., Simmonds-Duke 1987). This essay, and the study of which it forms a part (Verdery 1991), follow the third of these routes. My objective is to investigate how intellectual activity in Romania under ceau~escu contributed to reproducing -
George Toader
BIBLIOTECA IULIA HASDEU A. LITERATURA ROMANA CLASICA SI CONTEMPORANA 1. Opere alese – Vol. I de Mihail Eminescu – Editura pentru literatura 1964 2. Romanii supt Mihai-Voievod Viteazul - Vol. I, II de Nicolae Balcescu Editura Tineretului 1967 3. Avatarii faraonului Tla – Teza de doctorat – de George Calinescu Editura Junimea, Iasi 1979 4. Domnisoara din strada Neptun de Felix Aderca - Editura Minerva 1982 5. Eficienta in 7 trepte sau Un abecedat al intelepciunii de Stephen R Covey Editura ALLFA, 2000 6. Explicatie si intelegere – Vol.1 de Teodor Dima Editura Stiintifica si Enciclopedica 1980 7. Gutenberg sau Marconi? de Neagu Udroiu – Editura Albatros 1981 8. Arta prozatorilor romani de Tudor Vianu – Editura Albatros 1977 9. Amintiri literare de Mihail Sadoveanu – Editura Minerva 1970 10. Fire de tort de George Cosbuc – Editura pentru literatura 1969 11. Piatra teiului de Alecu Russo – Editura pentru literatura 1967 12. Paradoxala aventura de I. Manzatu – Editura Tineretului 1962 13. Amintiri, povesti, povestiri de Ion Creanga Editura de stat pentru literatura si arta 1960 14. Mastile lui Goethe de Eugen Barbu - Editura pentru literatura 1967 15. Legendele Olimpului de Alexandru Mitru – Editura Tineretului 1962 16. Studii de estetica de C. Dimitrescu – Iasi – Editura Stiintifica 1974 2 17. Un fluture pe lampa de Paul Everac – Editura Eminescu 1974 18. Prietenie creatoare de Petre Panzaru – Editura Albatros 1976 19. Fabule de Aurel Baranga – Editura Eminescu 1977 20. Poezii de Nicolae Labis – Editura Minerva 1976 21. Poezii de Octavian Goga – Editura Minerva 1972 22. Teatru de Ion Luca Caragiale – Editura Minerva 1976 23. Satra de Zaharia Stancu – Editura pentru literatura 1969 24. -
Ion Vinea: a Rebellious Publicist and a Cautious Writer
Iulian BOLDEA, Cornel Sigmirean (Editors), DEBATING GLOBALIZATION. Identity, Nation and Dialogue ION VINEA: A REBELLIOUS PUBLICIST AND A CAUTIOUS WRITER Ioana Mihaela Bardoși-Vultur PhD, ”Petru Maior” University of Tîrgu Mureș Abstract: Like other avant-garde writers, Ion Vinea began his apprenticeship at magazines like Simbolul, Facla or Chemarea. During 1922-1932, he became director at Contimporanul. This leading part meant a lot for the literary orientation that he had embraced. His literary creed promoted absolute creative freedom without traditional rules, without principles and without any feelings. This paths were meant not only for the publicist, but also for the writer, although the poet had a conciliatory side. After a short reading of his avant-garde poems, we can say that his work reflects an approach to the avant-garde constructivism, but it has a nostalgic allure. Keywords:creative freedom, constructivism, nostalgic allure Traversând o varietate de experiențe poetice, de la tradiție la modernitate, influența debutului simbolist se resimte în toată creația literară a lui Ion Vinea. Asemenea florii soarelui, care se rotește după astrul ceresc, autorul Orei fântânilor este „Dotat cu un instinct tropic, ce-l face să se orienteze la cele mai mici schimbări ale soarelui liric, Ion Vinea e mai mult un poet de carnet poetic fugitiv foarte sensibil, dar și nepăsător.ŗ1 Această caracterizare explică, într-o oarecare măsură, faptul că George Călinescu n-a acordat prea mare atenție laturii avangardiste a poeziei lui Vinea, considerându-l un poet de carnet fugitiv. Trăsătura mobilă a scrierilor poetului este punctată înaintea lui Călinescu de către Eugen Lovinescu, acesta considerând că „d.