DOCSLIB.ORG

Election Time Draws Rkr Viveca Lindfors to Make Woodwind Clinic

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Election Time Draws Rkr Viveca Lindfors to Make Woodwind Clinic Election Time Draws rkr Elections for Mr,and Miss .;~.holarship, sportsmanship, Jacksonville Statc and h4r. and arid shuuld be all-round good Miss Friend1inc.s~will be held students who have contributed on Feb. 25. Any student of much to our college. Jacksonville State College The candidates for Mr. may nominate candidates for and Miss Friendliness must be these .top honors, and ballots of senicrr standing and should may be placed in the SGA bal- possess qualities of cheerful- lot hox located in the student ncss, friendlint,ss, and opti- union building, or they may be nism. They shwuld evoke a given to any SGA officer. Win- sense of school spirit and ners will be decided by truly be repre: entatives of majority with no run-offs and Jacksonville State College should be announced as soon which is the "Friendliest as the votes are tallied. Campus in the South." VOLUME FORTY-THREE JACKSONVILLE STATE COLLEGE, MONDAY, FEBRUARY 22,1965 NUMBER FOUR The boy and girl chosen as Thesc are the highest and Mr. and Miss Jacks~,nvillc most honorable awards any State must br. of juniur or student may receive while at woodwind Clinic senior standing and should Jacksonville. Awards and have the qualities that make trophies will be presented the them a part of Jacksclnville winners on Awards Day, Viveca Lindfors To Make Set For Thursday State College. They should May 3. represent the campus and A former Alabamian, and studeflt bqdv in citizenship, By Cindy Linehan student at JSC, Jean Kershaw I-I= Appearr::~! At JSC of Gadsden, a flutist, and her - I I husband, ~bstcrCantor, who ~.vening,March 3, in the Leone True, Viveca Lindfors is an plays the bassoon, will hold a interesting name, but what Cole Auditorium. Dr. W .J. woodwind clinic and be Mr. William E. Gilbert really makes it so very in- Calvcrt, crlairrnan ut the di- presented in a concert at teresting is the person with vision, has charqe of the Jacksonville State College that name. Viveca Lindfors event. In her Jacksonville on Feb. 25, it has been an- Member Of AIa. Review is a beautiful award -winning appearance, shc is expected nounced by John Finley, head Swedish star of stage, screen, t,.) read selections from the of the music department. Har- and television. She is now plays of Bert Brecht, re- William E. Gilbert, as- of the review, and James B. old Thompson, a memberof an American citizen and is garded as the greatest living the music faculty, will play sistant professor of hisrory, McMillan is. director of the married to the well-known f-'urope;lalplaywright. is now a member of the edi- University Press. their accompaniments. Hungarian - born novelist Likc Greia Garhlj and Ingrid Jean Kershaw is a graduate torial board of The Alabama Mr. Gilbert has been a and playwright, George Tab- Bergman, shc is a graduate Review, a quarterly published member of the JSC faculty of the Eastman School of ori, who dramatized " Brecht of Sweden's Royal Dramatic Music, and has been principal by the Alabama Historical since 1954. He received his on Brecht." Theatre School; she also Association. AB and MA degrees in flutist with the Nashville Miss Lindfors will be studied under iec Strasberg (Tenn.) and Florida sym - He was appointed LO a ihrec- history at the University of presented by the Division and is a mernl1t.r of rhe Actor's year term and it will be his Alabama, and has done con- of Languages on Wednesday phony orchestras. She was Studio. soloist with the Nashville duty to edit, given opinions siderable work toward his 7 w and to contribute editorials doctorate. He has been active orchestra and St. Louis String- to the quarterly. in the historical association VIVECA LlNDFORS Ensemble and has per- William Stanley I-Ioole, Uni- for several years. formed with a number of other versity of Alabama, is editor Before coming to the U.S., well-known orchestras. Mr. Cantor, who graduated she was a star in her own from the Juilliard School of country and received the Best Actress of the Year Inter- Music, was principal basson- national Film Award, which is ist with the St. Louis Sym- JSC Awards Schola,rships Europe's equivalent of Holly- phony for four seasons, ana wood's Oscar. has been associated with a Boardway first discovered number of other leading or- Approximately $1 million education by means of these Miss Lindfors exceptional chestras, including American has been loaned in scholar- scholarshps. abilities in the hit "Anas- Opera Co., New York City ships to students' at jack- When the loans were first Center Opera, Festival Or- sonville State College over tasia'' in which she played offered in 1958-59, the Na- the title role, winning the chestra, Canadian Ballet, Ra- the past seven years, accord- tional Defense Loans amount- dio City Music Hall, St. Louis ing to Mr. Baskin Wright, di- Antoinette Perry Award and ed to $11,605. In 1964-65, the supe rlatives from the Symphony and others. rector of financial aid. annual amount had increased The couple began perform- National Defense Loan$ critics. to $235,008. She starred in a revival of ing together in New York six will have been granted to 850 years ago, when they played students at the end of the Rodgers and Hart's "Pal Joey" at the New York City with the National Orchestral 1964-65 school year, amounr- Association in a woodwind ing to $763,091. Of this Center and has appeared off- quartet. amount. -.federal aov- Broadway. in "Brecht on.. Their c.onc.erts this season ~oef" at €he New York City WIUI tne National 'orchestral Association in a woodwind Center and has appeared off- quartet. EWoadway -. in *'Brecht on Their concerts this season Bfecht," ' Miss Julie," p ernmerit's contribution is include chamber music pro- $665,713, and the allege's "King Lear," and othera. yams winds, recital for The Best Actress Award for .. mahhhg- funds totaled $73,- flute, bassoon and piano 068. Principal and in- at the Berlin Film Festival for the motion picture, "No concerts in the Northeast, and terest - collgcted and r& All candidates for gradua- a tour of recitals and clinics issued amounts to $23,410. Exit," and the Special qwad in the Southeast. In addition to the govern- tion in July, 1965, are cau- at the Venice Film Festival for ment loans, the college has tioned to m4e an appointment two films "Weddings and the Logan-W alker Scholar- with Dean Miles to go over Babies" and h he damned" Valentine Dance ship Fund which comes their requirements for gradu- are some of the awards Miss from interest on a $1 mil- ation, beginning on March 17. Lindfors has won because of The candidate for padu- her extraordinary capabili- lion bequ5st left to thecollege of Held At JSC by Mrs. Nannie Logon about ation wiH not be notified ties. any deficiency in his re- Viveca Lindfors has pro- 10 years ago. Logan - Walker quirements immediately fol- loans have been made to 173 vihd somof television's moet The SGA held its annud students in rhe amount of lowing registration in the electrifying moments, not- valentine's dance at Cole $145,275, making a tor& of summer, as has been done in ably as Natasha in Dostoyev- Auditorium Saturday night, rhe past. Richard Cass Scheduled sky's "The rdiot" in CBS's $908,366 loaned for scholar- The increasing number of Feb. 13, from 8 until 12. ships. Camera Three, and as LaPe- Couples dressed in semi- candidates makes it impos- richole, the flamboyant sduth over the Iseven - year sible to process the neces- formal attire danced to the period, 1023 ,,students have For Concert March American actress in a special strains of music supplied by sary information in time for 1 TV presentation of Thornton been aided h obtaining an the schedules to be changed. Jimmy Simpson and his or-. The Jacksonville Com- most agile hands but of amind Wilder's "The Bridge of chestra. Most of the music munity Concert Association San Luis Rey," which co- fully capable of directing them,, was slow, with an occasional will present Richard Ca$s, to musical purposes . starred her with Judith mber- cha-cha, tango or bosa nova pianist, on Monday evening, The London Daily Telegraph son. to change the pace of the March 1, in the Leone Cole critic called him "an im- In her platform ap- dance. The slow, smooth Auditorium. This will be the portant pianist from America pearances, whether portray- selections helped to create a third offering of the current who offered a stimulating and ing a character from Brecht, romantic atmosphere ap- season. satisfying recital. He is a Strindberg or any of the propriate to Valentine's Day. Mr. Cass, a native of Green- complete artist." other great authors she ad- The orchestra was seated viIle, S.C., is said to be one After winning the music mires, Miss Lirtdfors is said on the stage against abckdrop of the rising young stars on federation's coveted honor in to always be ready to trans- of hearts. Various sizes of the American musical scene, 1953, he was offe-ed a con- mit some of her own intense and is compared to Van Cly- red and white hearts sur- tract for concert -.epresenta- enthusiasm for the theatre rounded one big red heart on burn by those who know hiin tion by Colum-~ia Artists in answering questions from which the word, "I love yw," and have heard him play. Management, Inc. Then he was her audience and, in general, were inscribed in glitter.
Load more

Recommended publications
  • Julianne Moore Stephen Dillane Eddie Redmayne
    JULIANNE MOORE STEPHEN DILLANE EDDIE REDMAYNE ELENA ANAYA Directed By Tom Kalin UNAX UGALDE Screenplay by Howard A. Rodman Based on the book by Natalie Robins & Steven M. L. Aronson BELÉN RUEDA HUGH DANCY Julianne Moore, Stephen Dillane, Eddie Redmayne Elena Anaya, Unax Ugalde, Belén Rueda, Hugh Dancy CANNES 2007 Directed by Tom Kalin Screenplay Howard A. Rodman Based on the book by Natalie Robins & Steven M.L Aronson FRENCH / INTERNATIONAL PRESS DREAMACHINE CANNES 4th Floor Villa Royale 41 la Croisette (1st door N° 29) T: + 33 (0) 4 93 38 88 35 WORLD SALES F: + 33 (0) 4 93 38 88 70 DREAMACHINE CANNES Magali Montet 2, La Croisette, 3rd floor M : + 33 (0) 6 71 63 36 16 T : + 33 (0) 4 93 38 64 58 E: [email protected] F : + 33 (0) 4 93 38 62 26 Gordon Spragg M : + 33 (0) 6 75 25 97 91 LONDON E: [email protected] 24 Hanway Street London W1T 1UH US PRESS T : + 44 (0) 207 290 0750 INTERNATIONAL HOUSE OF PUBLICITY F : + 44 (0) 207 290 0751 info@hanwayfilms.com CANNES Jeff Hill PARIS M: + 33 (0)6 74 04 7063 2 rue Turgot email: [email protected] 75009 Paris, France T : + 33 (0) 1 4970 0370 Jessica Uzzan F : + 33 (0) 1 4970 0371 M: + 33 (0)6 76 19 2669 [email protected] email: [email protected] www.dreamachinefilms.com Résidence All Suites – 12, rue Latour Maubourg T : + 33 (0) 4 93 94 90 00 SYNOPSIS “Savage Grace”, based on the award winning book, tells the incredible true story of Barbara Daly, who married above her class to Brooks Baekeland, the dashing heir to the Bakelite plastics fortune.
    [Show full text]
  • P E R F O R M I N G
    PERFORMING & Entertainment 2019 BOOK CATALOG Including Rowman & Littlefield and Imprints of Globe Pequot CONTENTS Performing Arts & Entertainment Catalog 2019 FILM & THEATER 1 1 Featured Titles 13 Biography 28 Reference 52 Drama 76 History & Criticism 82 General MUSIC 92 92 Featured Titles 106 Biography 124 History & Criticism 132 General 174 Order Form How to Order (Inside Back Cover) Film and Theater / FEATURED TITLES FORTHCOMING ACTION ACTION A Primer on Playing Action for Actors By Hugh O’Gorman ACTION ACTION Acting Is Action addresses one of the essential components of acting, Playing Action. The book is divided into two parts: A Primer on Playing Action for Actors “Context” and “Practice.” The Context section provides a thorough examination of the theory behind the core elements of Playing Action. The Practice section provides a step-by-step rehearsal guide for actors to integrate Playing Action into their By Hugh O’Gorman preparation process. Acting Is Action is a place to begin for actors: a foundation, a ground plan for how to get started and how to build the core of a performance. More precisely, it provides a practical guide for actors, directors, and teachers in the technique of Playing Action, and it addresses a niche void in the world of actor training by illuminating what exactly to do in the moment-to-moment act of the acting task. March, 2020 • Art/Performance • 184 pages • 6 x 9 • CQ: TK • 978-1-4950-9749-2 • $24.95 • Paper APPLAUSE NEW BOLLYWOOD FAQ All That’s Left to Know About the Greatest Film Story Never Told By Piyush Roy Bollywood FAQ provides a thrilling, entertaining, and intellectually stimulating joy ride into the vibrant, colorful, and multi- emotional universe of the world’s most prolific (over 30 000 film titles) and most-watched film industry (at 3 billion-plus ticket sales).
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • 1. Eva Dahlbeck - “Pansarskeppet Kvinnligheten”
    “Pansarskeppet kvinnligheten” deconstructed A study of Eva Dahlbeck’s stardom in the intersection between Swedish post-war popular film culture and the auteur Ingmar Bergman Saki Kobayashi Department of Media Studies Master’s Thesis 30 ECTS credits Cinema Studies Master’s Programme in Cinema Studies 120 ECTS credits Spring 2018 Supervisor: Maaret Koskinen “Pansarskeppet kvinnligheten” deconstructed A study of Eva Dahlbeck’s stardom in the intersection between Swedish post-war popular film culture and the auteur Ingmar Bergman Saki Kobayashi Abstract Eva Dahlbeck was one of Sweden’s most respected and popular actresses from the 1940s to the 1960s and is now remembered for her work with Ingmar Bergman, who allegedly nicknamed her “Pansarskeppet kvinnligheten” (“H.M.S. Femininity”). However, Dahlbeck had already established herself as a star long before her collaborations with Bergman. The popularity of Bergman’s three comedies (Waiting Women (Kvinnors väntan, 1952), A Lesson in Love (En lektion i kärlek, 1954), and Smiles of a Summer Night (Sommarnattens leende, 1955)) suggests that they catered to the Swedish audience’s desire to see the star Dahlbeck. To explore the interrelation between Swedish post-war popular film culture and the auteur Bergman, this thesis examines the stardom of Dahlbeck, who can, as inter-texts between various films, bridge the gap between popular film and auteur film. Focusing on the decade from 1946 to 1956, the process whereby her star image was created, the aspects that constructed it, and its relation to her characters in three Bergman titles will be analysed. In doing so, this thesis will illustrate how the concept “Pansarskeppet kvinnligheten” was interactively constructed by Bergman’s films, the post-war Swedish film industry, and the media discourses which cultivated the star cult as a part of popular culture.
    [Show full text]
  • MGM 70 YEARS: REDISCOVERIES and CLASSICS June 24 - September 30, 1994
    The Museum of Modern Art For Immediate Release May 1994 MGM 70 YEARS: REDISCOVERIES AND CLASSICS June 24 - September 30, 1994 A retrospective celebrating the seventieth anniversary of Metro-Goldwyn- Mayer, the legendary Hollywood studio that defined screen glamour and elegance for the world, opens at The Museum of Modern Art on June 24, 1994. MGM 70 YEARS: REDISCOVERIES AND CLASSICS comprises 112 feature films produced by MGM from the 1920s to the present, including musicals, thrillers, comedies, and melodramas. On view through September 30, the exhibition highlights a number of classics, as well as lesser-known films by directors who deserve wider recognition. MGM's films are distinguished by a high artistic level, with a consistent polish and technical virtuosity unseen anywhere, and by a roster of the most famous stars in the world -- Joan Crawford, Clark Gable, Judy Garland, Greta Garbo, and Spencer Tracy. MGM also had under contract some of Hollywood's most talented directors, including Clarence Brown, George Cukor, Vincente Minnelli, and King Vidor, as well as outstanding cinematographers, production designers, costume designers, and editors. Exhibition highlights include Erich von Stroheim's Greed (1925), Victor Fleming's Gone Hith the Hind and The Wizard of Oz (both 1939), Stanley Kubrick's 2001: A Space Odyssey (1968), and Ridley Scott's Thelma & Louise (1991). Less familiar titles are Monta Bell's Pretty Ladies and Lights of Old Broadway (both 1925), Rex Ingram's The Garden of Allah (1927) and The Prisoner - more - 11 West 53 Street, New York, N.Y. 10019-5498 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART 2 of Zenda (1929), Fred Zinnemann's Eyes in the Night (1942) and Act of Violence (1949), and Anthony Mann's Border Incident (1949) and The Naked Spur (1953).
    [Show full text]
  • Many Stars Have Graced Our Stage Over the Years!
    MANY STARS HAVE GRACED OUR STAGE OVER THE YEARS! Joseph Abaldo Maureen Brennan Boyd Crawford Felicia Finley Cedric Hardwicke Maude Adams Eileen Brennan Hume Cronyn Pat Finley Dean Harens Edie Adams Lisa Brescia Zamah Cunningham Fannie Flagg Valerie Harper Clay Aiken Lloyd Bridges John Dall Bramwell Fletcher Helen Harrelson Katherine Alexander Florence Britton Doris Dalton Mary Fogarty Noel Harrison Jennifer Allen Barbara Britton James Daly Jennifer Fogarty Jack Hartley Steve Allen Millicent Brower Alexandria Danilova Joan Fontaine Lillian Harvey Sara Allgood Joe E. Brown Helmut Dantine Paul Ford Lilian Harvey Donald Ameche Susan Browning Lili Darvas Robert Forster Signe Hasso Rosemary Ames Carol Bruce Claude Dauphin John Forsythe Hurd Hatfield Maureen Anderman Dorathe Burgess Ann B. Davis Lillian Foster Jeffrey Hayden Glenn Anders Billie Burke Bette Davis Hunter Foster Helen Hayes Nancy Anderson Mike Burstyn Mark Dawson Kay Francis George Hearn Dana Andrews Robert Burton June Dayton Arlene Francis Eileen Heckart Christine Andrews Charles Busch Rachel de Benedet Frederic Franklin David Hedison Margaret Anglin Spring Byington Sandra Deel Bonnie Franklin Tom Helmore Raul Aranas Gaylea Byrne Dolores Del Rio Pauline Frederick Violet Heming Eve Arden Carter Calvert Gabriel Dell Augusta French A.J. Herbert Else Argal Elaine Cancilla Jeffry Denman Betty Furness Eileen Herlie Richard Arlen Alexandra Carlisle Sandy Dennis Helen Gallagher Jerry Herman Matthew Ashford Kitty Carlisle Bob Denver Rita Gam Irene Hervey Elizabeth Ashley Tullio Carminati Colleen Dewhurst James Ganon Michael Higgins John Astin Art Carney Mia Dillon Reginald Gardiner Chelsie Hightower Mary Astor Leslie Caron Anton Dolin Peggy Ann Garner John Hillner Daisy Atherton Carleton Carpenter Donal Donnelly Kathy Garver Judd Hirsch William Atherton David Carroll Tim Donoghue Larry Gates Christian Hoff Conrad Bain Leo G.
    [Show full text]
  • Women to Elect WGA President Tod.Ay
    ~ Miss Viveca Lindfors, Five Cases Slated Swedish Film Star, To Be Tried In Appears Here Today Moot Court Here Page '!Wo nlll aull1ilutk * * Pacemaker Award Winner 1963-64 * * \TOLUME L * Wake Forest College, WiDston-Salem, North Carolina, Monday, April 12, 1965* .. NUMBER 23 Negative Approach Studen·t Legislature Women To Elect WGA President Disapproves NSA Tod.ay; Candidates List Programs By CAROL CLAXON lengthy discussion of not only ASSISTANT EDITOR the mmts and ilaults of NSA, but ·also the woay 1he legislattu-e Student Brumbaugh, Peacock, The Legislature de­ has fulfilled tts res:ponsilbili ties. feated a motion to suibmit a favorable recoanm.endation to An opening statement by Buzz the Student Body to continue af.; Hoff, senior of Flemington, N. Knight Up For Post J., wll<> along with Lowery, at­ filiation with the National Stu­ By ALBERT HUNT r. dent Association after a three tended .the NSA Conference last ib.owr debate Wednesday night. summ.er, sparked the debate. A.SSOCIATE EDITOR Wake Forest joined NSA last In sll)plpOrt of NSA affilialtion, Women students will cast their ballots today for 51Pl"ing on a one-year trial basis Hoff mentioned the following, one of three coeds vying for the position of president with :the stipulation that con­ assets. of Woman's Government Association for 1965-66 tinued affiliation would be de­ -it acts as "a means by The candidates are Joy Brumbaugh of Baltimo.re DR. WILL HERBERG termined by a student body whlch the studeD!Ils of American, • wiD speak Thlll'Sday • Md., Hope Knight of Dearborn, Mich., and Carol~ vote t.his spring.
    [Show full text]
  • American Heritage Center
    UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew.
    [Show full text]
  • Autograph Albums - ITEM 936
    Autograph Albums - ITEM 936 A Jess Barker Jocelyn Brando Lex Barker Marlon Brando Walter Abel Binnie Barnes Keefe Brasselle Ronald Adam Lita Baron Rossano Brazzi Julie Adams Gene Barry Teresa Brewer (2) Nick Adams John Barrymore, Jr. (2) Lloyd Bridges Dawn Addams James Barton Don Briggs Brian Aherne Count Basie Barbara Britton Eddie Albert Tony Bavaar Geraldine Brooks Frank Albertson Ann Baxter Joe E. Brown Lola Albright John Beal Johnny Mack Brown Ben Alexander Ed Begley, Sr. Les Brown John Alexander Barbara Bel Geddes Vanessa Brown Richard Allan Harry Belafonte Carol Bruce Louise Allbritton Ralph Bellamy Yul Brynner Bob “Tex” Allen Constance Bennett Billie Burke June Allyson Joan Bennett George Burns and Gracie Allen Kirk Alyn Gertrude Berg Richard Burton Don Ameche Polly Bergen Spring Byington Laurie Anders Jacques Bergerac Judith Anderson Yogi Berra C Mary Anderson Edna Best Susan Cabot Warner Anderson (2) Valerie Bettis Sid Caesar Keith Andes Vivian Blaine James Cagney Dana Andrews Betsy Blair Rory Calhoun (2) Glenn Andrews Janet Blair Corinne Calvet Pier Angeli Joan Blondell William Campbell Eve Arden Claire Bloom Judy Canova Desi Arnaz Ben Blue Macdonald Carey Edward Arnold Ann Blyth Kitty Carlisle Mary Astor Humphrey Bogart Richard Carlson Jean-Pierre Aumont Ray Bolger Hoagy Carmichael Lew Ayres Ward Bond Leslie Caron B Beulah Bondi John Carradine Richard Boone Madeleine Carroll Lauren Bacall Shirley Booth Nancy Carroll Buddy Baer Ernest Borgnine Jack Carson (2) Fay Bainter Lucia Bose Jeannie Carson Suzan Ball Long Lee Bowman
    [Show full text]
  • Cinema Showcase/James Whaley Archives
    Cinema Showcase/James Whaley Archives New Barcode Colln ID Item # Program Subject Date Taped Format 32108056262929 cineshow_ 0001 Patrick Swayze 8/87 3/4" 32108056262960 cineshow_ 0002 "Silverado" : Nichols, Brian Dennehy, Jake Kasden, Kevin Kline; Tom Hanks, Helen Slater 3/4" 32108056262937 cineshow_ 0003 Robert Goulet 10/87 3/4" 32108056262945 cineshow_ 0004 Dorothy McGuire [dub] 10/87 3/4" 32108056262952 cineshow_ 0005 Tom Selleck 3/4" 32108056262978 cineshow_ 0006 Dustin Hoffman 12/88 3/4" 32108056262986 cineshow_ 0007 Sasha Mitchell 3/4" 32108056262994 cineshow_ 0008 "Mississippi Burning" : Gene Hackman 3/4" 32108056263000 cineshow_ 0009 "Working Girl" : Harrison Ford 3/4" 32108056263018 cineshow_ 0010 "Cocoon II" : Don Ameche 1988 3/4" 32108056263026 cineshow_ 0011 "Last of the Mohicans" and "Glengarry Glen Ross" 9/23/92 3/4" 32108056263034 cineshow_ 0012 "Cousins"- Ted Danson, Lloyd Bridges, Joel Schumacher, et al 3/4" 32108056263042 cineshow_ 0013 Glenn Close; Anne Edwards 3/4" 32108056263067 cineshow_ 0014 Tim Conway; Eileen Heckart 1/17/86 3/4" 32108056263059 cineshow_ 0015 Patrick Swayze 3/4" 32108056263075 cineshow_ 0016 Keifer Sutherland, Lou Diamond Phillips & Preview 5/30/89 3/4" 32108056263083 cineshow_ 0017 "Whispers in the Dark"; "Bob Roberts", "Sneakers", "Singles"; 8/24/92; 9/17/92 8/24/92 3/4" 32108056263091 cineshow_ 0018 Alexis Smith [dub] 3/4" 32108056263109 cineshow_ 0019 "Batman" 6/22/89 3/4" 32108056263117 cineshow_ 0020 Jeff Daniels; "Star Trek IV" : William Shatner 3/4" 32108056263125 cineshow_ 0021 Pat Morita and Ralph Macchio 6/28/89 3/4" 32108056263133 cineshow_ 0022 "Parenthood" : Steve Martin, Mary Steenburgen, director Ron Howard 7/25/89 3/4" 32108056263141 cineshow_ 0023 "License to Kill" : Timothy Dalton, Robert Davi, Wayne Newton, director John Glen, Talisa7/11/89 Soto3/4" 32108056263158 cineshow_ 0024 "Casualties of War" : Michael J.
    [Show full text]
  • 1961-62 Year Book Canadian Motion Picture Industry
    e&xri-i METRO-GOLDWYN-MAYERtl WITH THESE CURRENT AMD CANADIAN OPENING! TORO NTO—October 2t UNIVERSITY THEATRE MONTREAL—November 2 ALOUETTE THEATRE Metro-Golduyn-Mayer present. VANCOUVER-Dec. 21 Samuel Bronston's Proaua STANLEY THEATRE IRAMA TECHNICOLOR JEFFREY HUNTER'■ SIOBHAN McKENNA • HURD HATFIELD-RON RANDELL • VIVECA LINDFORS-RITA GAM • CARMEN SEVILLA • BRIGID BAZLEN HARRY GUARDINO • RIP TORN • FRANK THRING • GUY ROLFE • MAURICE MARSAC • GREGOIRE ASLAN • ROBERT RYAN^n,^. Screen Play by PHILIP YORDAN * Directed by NICHOLAS RAY • Produced by SAMUEL BRONSTON METRO GOLDWYN MAYER PRESENTS METRO GOLDWYN MAYER presents a JULIAN BLAUSTEIN production <cMy\KMFY HI</\NI)C) Starring AS FLETCHER CHRISTIAN ri<i-\OR Howard GLENN FORD AS CAPTAIN BUGH INGRID THULIN CHARLES BOYER RICHARD HARRIS AS JOHN mills IN AN ARCOLA PRODUCTION LEE J. COBB PAUL HENREID co starring QMUTluvy qjvT ui'HTt BcyujViy PAUL LUKAS YVETTE MIMIEUX KARL BOEHN co-sTunim HUGH GRIFFITH RICHARD HAYDN »»»TARITA screen play by ROBERT ARDREY and JOHN GAY BASED ON THf NOVEL BVCHARLES NOROHOff AND JAMS S NORMIN HAH based on the novel by directed by omcnm.LEWIS MILESTONE PRODUCE 0 BY AARON ROSENBERG VICENTE BLASCO IBANEZ • VINCENTE MINNELLI TECHNICOLOR • FILMED IN ULTRA PANAVISION in CINEMASCOPE and METROCOLOR 19 CONTINUES ITS SUCCESS STORY COMING BOX-OFFICE ATTRACTIONS! BRIDGE TO THE SUN BACHELOR IN PARADISE CARROLL BAKER, James Shigeta, BOB HOPE, LANA TURNER, James Yagi, Emi Florence Hirsch, Janis Paige, Jim Hutton, Paula Prentiss, Nori Elizabeth Hermann. Don Porter, Virginia Grey, Agnes Moorehead. A Cite Films Production. A Ted Richmond Production. ★ In CinemaScope and Metrocolor SWEET BIRD OF YOUTH ★ PAUL NEWMAN, GERALDINE PAGE, TWO WEEKS IN ANOTHER TOWN Shirley Knight, Ed Begley, Rip Torn, KIRK DOUGLAS, Mildred Dunnock.
    [Show full text]
  • Film Noir Database
    www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H.
    [Show full text]