Pin-Up Keeley Hazell Confesses to Brief Flirtation with a Life in Uniform
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MY BOOKY WOOK a Memoir of Sex, Drugs, and Stand-Up Russell Brand
MY BOOKY WOOK A Memoir of Sex, Drugs, and Stand-Up Russell Brand For my mum, the most important woman in my life, this book is dedicated to you. Now for God’s sake don’t read it. “The line between good and evil runs not through states, nor between classes, nor between po liti cal parties either, but through every human heart” Alexander Solzhenitsyn, The Gulag Archipelago “Mary: Tell me, Edmund: Do you have someone special in your life? Edmund: Well, yes, as a matter of fact, I do. Mary: Who? Edmund: Me. Mary: No, I mean someone you love, cherish and want to keep safe from all the horror and the hurt. Edmund: Erm . Still me, really” Richard Curtis and Ben Elton, Blackadder Goes Forth Contents iii Part I 1 April Fool 3 2 Umbilical Noose 16 3 Shame Innit? 27 4 Fledgling Hospice 38 5 “Diddle- Di- Diddle- Di” 50 6 How Christmas Should Feel 57 7 One McAvennie 65 8 I’ve Got a Bone to Pick with You 72 9 Teacher’s Whiskey 8186 94 10 “Boobaloo” 11 Say Hello to the Bad Guy Part II 12 The Eternal Dilemma 105111 13 Body Mist Photographic Insert I 14 Ying Yang 122 131 138146 15 Click, Clack, Click, Clack 16 “Wop Out a Bit of Acting” 17 Th e Stranger v Author’s Note Epigraph vii Contents 18 Is This a Cash Card I See before Me? 159 19 “Do You Want a Drama?” 166 Part III 20 Dagenham Is Not Damascus 179 21 Don’t Die of Ignorance 189 22 Firing Minors 201 Photographic Insert II 23 Down Among the Have-Nots 216 24 First-Class Twit 224 25 Let’s Not Tell Our Mums 239 26 You’re a Diamond 261 27 Call Me Ishmael. -
Newsletter 02/15 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 02/15 DIGITAL EDITION Nr. 347 - März 2015 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 02/15 (Nr. 347) März 2015 editorial Hallo Laserdisc- und DVD-Fans, weiß wovon wir sprechen. Grund ge- mit Dolby Atmos Tonspur präsentiert liebe Filmfreunde! nug für uns einmal genauer hinzu- wurden. Wir nutzten die Gelegenheit, schauen. Da trifft es sich gut, dass die nicht nur mit Sound-Designerin Nami Noch kaum ein Kino hierzulande ist Filmakademie Baden-Württemberg nur Strack, Regisseur Sascha Geddert so- damit ausgerüstet und schon sind die einen Katzensprung von unserem wie Mischtonmesiter Florian Dittrich zu ersten Blu-ray Discs mit Dolbys neue- Standort in Korntal entfernt leigt. Denn sprechen, sondern ließen uns auch vor stem Tonsystem verfügbar. Die Rede genau dort wurde in der hauseigenen Ort im Mischstudio der Filmakademie in ist von Dolby Atmos, jenem Ton- Filmtonmischung erst jüngst ein Dolby Ludwigsburg die neue Technik erläu- system, mit dem es endlich möglich ist, Atmos Tonsystem integriert, damit die tern. Entstanden ist dabei ein etwa Punktschallquellen frei im Raum zu Studenten ihre eigenen Filme im revo- halbstündiges Video, das wir in unse- platzieren und diese akustisch dreidi- lutionären neuen Tonformat abmischen ren Youtube-Kanal hochgeladen haben. mensional durch den Zuschauerraum können. Einen kleinen Vorgeschmack Schauen (oder besser: hören) Sie mal zu bewegen. Wer es schon selbst in darauf bekamen wir im Januar zu hören, rein. -
Durham E-Theses
Durham E-Theses Faith, Fashion, Feminism: Interrogating the Islamic Veil in Contemporary Britain SADAR, PINA How to cite: SADAR, PINA (2017) Faith, Fashion, Feminism: Interrogating the Islamic Veil in Contemporary Britain, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/12362/ Use policy This work is licensed under a Creative Commons Public Domain Dedication 1.0 (CC0) Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk Faith, Fashion, Feminism Interrogating the Islamic Veil in Contemporary Britain Pina Sadar Thesis submitted for the degree of Doctor of Philosophy Department of Anthropology University of Durham 2017 Abstract The Islamic veil has become one of the most controversial sartorial items of the contemporary milieu and an ultimate symbol of unwanted British otherness. Fuelled by political and media preoccupation with the subject, the resentment towards Islamic veiling is grounded in partial and often erroneous representations of a ‘veiled woman’ as on the one hand being a passive victim of patriarchal oppression and on the other hand being an active threat to British security and identity. Based upon a two-year multi-sited ethnographic study, this thesis contests such static images of the veil. By deploying ethnographic interviewing, participant observation and an analysis of the British mainstream press, social media, policies and artistic representations, it explores veiling as experienced by British Muslim women from diverse backgrounds. The central focus of this work is to accentuate the various implications that veiling carries for the everyday lives and identities of Muslim women in Britain. -
Lad Magazines, Raunch Culture and the Increasing Pornification of South African Media
Lad Magazines, Raunch Culture and the Increasing Pornification of South African Media Dominique Rizos 0405569A Thesis submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in fulfillment of the Degree of Masters in Arts 1 Abstract: The purpose of this study is to examine the role of the media in the pornification of society and the subsequent rise of laddism and raunch culture. By pornification I refer to the proliferation of the pornographic phenomenon in mainstream media and everyday life and the subsequent co modification of sexuality. It will examine in full detail lad culture and lad magazines as a genre of the text. The study will draw comparisons between local lad magazine FHM to the international pornographic magazine Playboy. This is in order to establish whether these lad magazines function as soft pornography, thereby contributing to the fact that mainstream media, is indeed becoming more pornographic and thus leading to an acceptance of the increased pornification of every day life and the ensuing rise of raunch culture. The research paper will examine raunch culture in depth and its subsequent influence on contemporary women and how they respond to these representations. This paper also seeks to identify the magazines as part of backlash to feminism. Backlash refers to the reaction against feminist advancement and the return to traditional gender roles. This study includes a literature review and theoretical framework chapter which explore the various theories pertaining to the research problem. The methodology chapter discusses the research methods used in the study. These methods include content analysis, semiotics and discourse analysis.