Am I Black Or White? a Lifelong Quest to Define Myself in the Binary of Race
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Race and Membership in American History: the Eugenics Movement
Race and Membership in American History: The Eugenics Movement Facing History and Ourselves National Foundation, Inc. Brookline, Massachusetts Eugenicstextfinal.qxp 11/6/2006 10:05 AM Page 2 For permission to reproduce the following photographs, posters, and charts in this book, grateful acknowledgement is made to the following: Cover: “Mixed Types of Uncivilized Peoples” from Truman State University. (Image #1028 from Cold Spring Harbor Eugenics Archive, http://www.eugenics archive.org/eugenics/). Fitter Family Contest winners, Kansas State Fair, from American Philosophical Society (image #94 at http://www.amphilsoc.org/ library/guides/eugenics.htm). Ellis Island image from the Library of Congress. Petrus Camper’s illustration of “facial angles” from The Works of the Late Professor Camper by Thomas Cogan, M.D., London: Dilly, 1794. Inside: p. 45: The Works of the Late Professor Camper by Thomas Cogan, M.D., London: Dilly, 1794. 51: “Observations on the Size of the Brain in Various Races and Families of Man” by Samuel Morton. Proceedings of the Academy of Natural Sciences, vol. 4, 1849. 74: The American Philosophical Society. 77: Heredity in Relation to Eugenics, Charles Davenport. New York: Henry Holt &Co., 1911. 99: Special Collections and Preservation Division, Chicago Public Library. 116: The Missouri Historical Society. 119: The Daughters of Edward Darley Boit, 1882; John Singer Sargent, American (1856-1925). Oil on canvas; 87 3/8 x 87 5/8 in. (221.9 x 222.6 cm.). Gift of Mary Louisa Boit, Julia Overing Boit, Jane Hubbard Boit, and Florence D. Boit in memory of their father, Edward Darley Boit, 19.124. -
Exploring Race and Privilege
Exploring Race and Privilege Exploring Race and Privilege presents materials on culturally responsive supervision from the second of a three‐part series designed for supervisors in teacher education. This series was developed in partnership with Dr. Tanisha Brandon‐ Felder, a consultant in professional development on equity pedagogy. This document contains handouts, planning tools, readings, and other materials to provide field supervisors with a scaffolded experience to improve their ability for culturally responsive supervision. The following materials build on the trust and community developed through the first set of activities The Power of Identity. Exploration of race and concepts such as white privilege will necessitate shared understanding of language and norms for conversation. 1. Understanding the Language of Race and Diversity 2. Ground Rules for Conversation 3. Color Line Instructions 4. Color Line Handout 5. White Privilege: Unpacking the Invisible Knapsack by Peggy McIntosh Understanding the Language of Race and Diversity Terms we all need to know: PREJUDICE Pre‐judgment, bias DISCRIMINATION Prejudice + action OPPRESSION Discrimination + systemic power. (Systemic advantage based on a particular social identity.) Racism = oppression based race‐ the socially constructed meaning attached to a variety of physical attributes including but not limited to skin and eye color, hair texture, and bone structure of people in the US and elsewhere. racism‐ the conscious or unconscious, intentional or unintentional, enactment of racial power, grounded in racial prejudice, by an individual or group against another individual or group perceived to have lower racial status. Types of racism: Internalized Racism Lies within individuals. Refers to private beliefs and biases about race and racism. -
2020 C'nergy Band Song List
Song List Song Title Artist 1999 Prince 6:A.M. J Balvin 24k Magic Bruno Mars 70's Medley/ I Will Survive Gloria 70's Medley/Bad Girls Donna Summers 70's Medley/Celebration Kool And The Gang 70's Medley/Give It To Me Baby Rick James A A Song For You Michael Bublé A Thousands Years Christina Perri Ft Steve Kazee Adventures Of Lifetime Coldplay Ain't It Fun Paramore Ain't No Mountain High Enough Michael McDonald (Version) Ain't Nobody Chaka Khan Ain't Too Proud To Beg The Temptations All About That Bass Meghan Trainor All Night Long Lionel Richie All Of Me John Legend American Boy Estelle and Kanye Applause Lady Gaga Ascension Maxwell At Last Ella Fitzgerald Attention Charlie Puth B Banana Pancakes Jack Johnson Best Part Daniel Caesar (Feat. H.E.R) Bettet Together Jack Johnson Beyond Leon Bridges Black Or White Michael Jackson Blurred Lines Robin Thicke Boogie Oogie Oogie Taste Of Honey Break Free Ariana Grande Brick House The Commodores Brown Eyed Girl Van Morisson Butterfly Kisses Bob Carisle C Cake By The Ocean DNCE California Gurl Katie Perry Call Me Maybe Carly Rae Jespen Can't Feel My Face The Weekend Can't Help Falling In Love Haley Reinhart Version Can't Hold Us (ft. Ray Dalton) Macklemore & Ryan Lewis Can't Stop The Feeling Justin Timberlake Can't Get Enough of You Love Babe Barry White Coming Home Leon Bridges Con Calma Daddy Yankee Closer (feat. Halsey) The Chainsmokers Chicken Fried Zac Brown Band Cool Kids Echosmith Could You Be Loved Bob Marley Counting Stars One Republic Country Girl Shake It For Me Girl Luke Bryan Crazy in Love Beyoncé Crazy Love Van Morisson D Daddy's Angel T Carter Music Dancing In The Street Martha Reeves And The Vandellas Dancing Queen ABBA Danza Kuduro Don Omar Dark Horse Katy Perry Despasito Luis Fonsi Feat. -
Michael Jackson the Perform a N C
MICHAEL JACKSON 101 THE PERFORMANCES MICHAEL JACKSON 101 THE PERFORMANCES &E Andy Healy MICHAEL JACKSON 101 THE PERFORMANCES . Andy Healy 2016 Michael gave the world a wealth of music. Songs that would become a part of our collective sound track. Under the Creative Commons licence you are free to share, copy, distribute and transmit this work with the proviso that the work not be altered in any way, shape or form and that all And for that the 101 series is dedicated to Michael written works are credited to Andy Healy as author. This Creative Commons licence does not and all the musicians and producers who brought the music to life. extend to the copyrights held by the photographers and their respective works. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. This special Performances supplement is also dedicated to the choreographers, dancers, directors and musicians who helped realise Michael’s vision. I do not claim any ownership of the photographs featured and all rights reside with the original copyright holders. Images are used under the Fair Use Act and do not intend to infringe on the copyright holders. By a fan for the fans. &E 101 hat makes a great performance? Is it one that delivers a wow factor? W One that stays with an audience long after the houselights have come on? One that stands the test of time? Is it one that signifies a time and place? A turning point in a career? Or simply one that never fails to give you goose bumps and leave you in awe? Michael Jackson was, without doubt, the consummate performer. -
An Analysis of Racism in Down Second Avenue (2011) Suchinda Khayaidee*, Todsapon Suranakkharin and Sasitorn Chantharothai
Journal of Community Development Research (Humanities and Social Sciences) 2020; 13(1) An Analysis of Racism in Down Second Avenue (2011) Suchinda Khayaidee*, Todsapon Suranakkharin and Sasitorn Chantharothai Department of English Language, Faculty of Humanities, Naresuan University, Phitsanulok 65000, Thailand *Corresponding author. E-Mail address: [email protected] Received: 23 May 2019; Revised: 30 July 2019; Accepted: 9 August 2019 Abstract Racism is one of the continually controversial issues in a society. Its victims suffer because of unequal distribution of resources, inequality in career chances, income, and access to opportunities. Therefore, studying about the effects of racism is the initial step to help readers understand and be more aware of it. This study focuses on the analysis of effects of three forms of racism: institutionalized, internalized, and intra-racial racisms, on the characters in a South African writer’s, Ezekiel Mphahlele’s, novel, Down Second Avenue (2011). This study aims to answer the question how the three forms of racism are reflected within the novel, through the characters and situations, by investigating an autobiographical novel written by a South African citizen who witnessed and experienced a series of racial discrimination himself. The data collection method of this study employs content and descriptive analysis as the instrument. The study applies the qualitative research methods to analyze and discuss the effects of the three forms of racism. The results of the analysis show that characters in the novel are most affected by and suffered from the consequences of institutionalized racism, internalized racism, and intra-racial racism, respectively. The study serves as guidelines in examining forms of racism reflected in other literary works and media contents. -
Michael Jackson's Gesamtkunstwerk
Liminalities: A Journal of Performance Studies Vol. 11, No. 5 (November 2015) Michael Jackson’s Gesamtkunstwerk: Artistic Interrelation, Immersion, and Interactivity From the Studio to the Stadium Sylvia J. Martin Michael Jackson produced art in its most total sense. Throughout his forty-year career Jackson merged art forms, melded genres and styles, and promoted an ethos of unity in his work. Jackson’s mastery of combined song and dance is generally acknowledged as the hallmark of his performance. Scholars have not- ed Jackson’s place in the lengthy soul tradition of enmeshed movement and mu- sic (Mercer 39; Neal 2012) with musicologist Jacqueline Warwick describing Jackson as “embodied musicality” (Warwick 249). Jackson’s colleagues have also attested that even when off-stage and off-camera, singing and dancing were frequently inseparable for Jackson. James Ingram, co-songwriter of the Thriller album hit “PYT,” was astonished when he observed Jackson burst into dance moves while recording that song, since in Ingram’s studio experience singers typically conserve their breath for recording (Smiley). Similarly, Bruce Swedien, Jackson’s longtime studio recording engineer, told National Public Radio, “Re- cording [with Jackson] was never a static event. We used to record with the lights out in the studio, and I had him on my drum platform. Michael would dance on that as he did the vocals” (Swedien ix-x). Surveying his life-long body of work, Jackson’s creative capacities, in fact, encompassed acting, directing, producing, staging, and design as well as lyri- cism, music composition, dance, and choreography—and many of these across genres (Brackett 2012). -
Bad Habit Song List
BAD HABIT SONG LIST Artist Song 4 Non Blondes Whats Up Alanis Morissette You Oughta Know Alanis Morissette Crazy Alanis Morissette You Learn Alanis Morissette Uninvited Alanis Morissette Thank You Alanis Morissette Ironic Alanis Morissette Hand In My Pocket Alice Merton No Roots Billie Eilish Bad Guy Bobby Brown My Prerogative Britney Spears Baby One More Time Bruno Mars Uptown Funk Bruno Mars 24K Magic Bruno Mars Treasure Bruno Mars Locked Out of Heaven Chris Stapleton Tennessee Whiskey Christina Aguilera Fighter Corey Hart Sunglasses at Night Cyndi Lauper Time After Time David Guetta Titanium Deee-Lite Groove Is In The Heart Dishwalla Counting Blue Cars DNCE Cake By the Ocean Dua Lipa One Kiss Dua Lipa New Rules Dua Lipa Break My Heart Ed Sheeran Blow BAD HABIT SONG LIST Artist Song Elle King Ex’s & Oh’s En Vogue Free Your Mind Eurythmics Sweet Dreams Fall Out Boy Beat It George Michael Faith Guns N’ Roses Sweet Child O’ Mine Hailee Steinfeld Starving Halsey Graveyard Imagine Dragons Whatever It Takes Janet Jackson Rhythm Nation Jessie J Price Tag Jet Are You Gonna Be My Girl Jewel Who Will Save Your Soul Jo Dee Messina Heads Carolina, Tails California Jonas Brothers Sucker Journey Separate Ways Justin Timberlake Can’t Stop The Feeling Justin Timberlake Say Something Katy Perry Teenage Dream Katy Perry Dark Horse Katy Perry I Kissed a Girl Kings Of Leon Sex On Fire Lady Gaga Born This Way Lady Gaga Bad Romance Lady Gaga Just Dance Lady Gaga Poker Face Lady Gaga Yoü and I Lady Gaga Telephone BAD HABIT SONG LIST Artist Song Lady Gaga Shallow Letters to Cleo Here and Now Lizzo Truth Hurts Lorde Royals Madonna Vogue Madonna Into The Groove Madonna Holiday Madonna Border Line Madonna Lucky Star Madonna Ray of Light Meghan Trainor All About That Bass Michael Jackson Dirty Diana Michael Jackson Billie Jean Michael Jackson Human Nature Michael Jackson Black Or White Michael Jackson Bad Michael Jackson Wanna Be Startin’ Something Michael Jackson P.Y.T. -
Understanding the White, Mainstream Appeal of Hip-Hop Music
UNDERSTANDING THE WHITE, MAINSTREAM APPEAL OF HIP-HOP MUSIC: IS IT A FAD OR IS IT THE REAL THING? by JANISE MARIE BLACKSHEAR (Under the Direction of Tina M. Harris) ABSTRACT This study explores why young, White, suburban adults are consumers and fans of hip- hop music, considering it is a Black cultural art form that is specific to African-Americans. While the hip-hop music industry is predominately Black, studies consistently show that over 70% of its consumers are White. Through focus group data, this thesis revealed that hip-hop music is used by White listeners as a means for negotiating social group memberships (i.e. race, class). More importantly, the findings also contribute to the more public debate and dialogue that has plagued Black music, offering further evidence that White appropriation of Black cultural artifacts (e.g., jazz music) remains a constant, particularly in the case of hip-hop. While the findings are not generalizable to all young White suburban consumers of this genre of music, it may be inferred that a White racial identity does not help this group of consumers relate to hip- hop music. INDEX WORDS: Hip-hop Music, Whiteness, Rap Communication Messages, Racial Identity Performance, In-group/Out-group Membership UNDERSTANDING THE WHITE, MAINSTREAM APPEAL OF HIP-HOP MUSIC: IS IT A FAD OR IS IT THE REAL THING? by JANISE MARIE BLACKSHEAR B.A., Central Michigan University, 2005 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2007 © 2007 Janise Marie Blackshear All Rights Reserved UNDERSTANDING THE WHITE, MAINSTREAM APPEAL OF HIP-HOP MUSIC: IS IT A FAD OR IS IT THE REAL THING? by JANISE MARIE BLACKSHEAR Major Professor: Tina M. -
Internalized Racism and the Pursuit of Cultural Relevancy: Decolonizing Practices for Critical Consciousness with Preservice Teachers of Color
Theory Into Practice ISSN: (Print) (Online) Journal homepage: https://www.tandfonline.com/loi/htip20 Internalized Racism and the Pursuit of Cultural Relevancy: Decolonizing Practices for Critical Consciousness with Preservice Teachers of Color Dr. Tambra O. Jackson, Lasana D. Kazembe & Laryn Morgan To cite this article: Dr. Tambra O. Jackson, Lasana D. Kazembe & Laryn Morgan (2021): Internalized Racism and the Pursuit of Cultural Relevancy: Decolonizing Practices for Critical Consciousness with Preservice Teachers of Color, Theory Into Practice, DOI: 10.1080/00405841.2021.1911577 To link to this article: https://doi.org/10.1080/00405841.2021.1911577 Accepted author version posted online: 05 Apr 2021. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=htip20 DECOLONIZING PRACTICES 1 Publisher: Taylor & Francis & The College of Education and Human Ecology, The Ohio State University Journal: Theory Into Practice DOI: 10.1080/00405841.2021.1911577 Internalized Racism and the Pursuit of Cultural Relevancy: Decolonizing Practices for Critical Consciousness with Preservice Teachers of Color Internalized Racism and the Pursuit of Cultural Relevancy: Decolonizing Practices for Critical Consciousness with Preservice Teachers of Color ACCEPTED MANUSCRIPT DECOLONIZING PRACTICES 2 Abstract: In this article, we explore the need for decolonizing practices in teacher education for developing critical consciousness with preservice teachers of Color (PTOC). We assert that the development of critical consciousness for PTOC must include practices that specifically attend to their racialized experiences in the context of white spaces- their teacher preparation programs, the teaching profession, and society writ large- where they have been subjected to colonized paradigms of what it means to teach children of Color. -
Michael Jackson Thriller Video Dance Version Mp3 Download Michael Jackson Thriller Video Dance Version Mp3 Download
michael jackson thriller video dance version mp3 download Michael jackson thriller video dance version mp3 download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67e14fe92ddac442 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Download Michael Jackson - Michael Jackson's Vision (2009) Album. 1. Don't Stop 'Til You Get Enough 2. Dirty Diana 3. Smooth Criminal 4. Another Part of Me (Live) 5. Speed Demon 6. Come Together 7. Leave Me Alone 8. Liberian Girl 9. Black or White 10. Remember the Time 11. In the Closet 12. Rock With You 13. Jam 14. Heal the World 15. Give In to Me 16. Who Is It 17. Will You Be There 18. Gone Too Soon 19. Scream 20. Childhood (Theme from "Free Willy 2") [Michael Jackson's Vision] 21. You Are Not Alone 22. Earth Song 23. She's Out of My Life 24. They Don't Care About Us 25. -
Development of the Internalized Racism Scale for Asian Americans by Liang Liao a Dissertation Presented in Partial Fulfillment O
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ASU Digital Repository Development of the Internalized Racism Scale for Asian Americans by Liang Liao A Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Approved July 2016 by the Dissertation Committee: Giac-Thao Thanh Tran, Co-Chair Richard T. Kinnier, Co-Chair Hyung Chol Yoo ARIZONA STATE UNIVERSITY August 2016 ABSTRACT Internalized racism is a destructive, yet insidious psychological effect of racism. Although it has garnered increased attention in the research and clinical community due to its pervasive impact in racial minority individuals, empirical research on this topic has been limited. At the time of this study, no existing scale captures the key dimensions of internalized racism of Asian Americans. This study attempted to fill this gap by developing a self-report instrument that identified the key dimensions of this psychological construct. Seven hundred and fourteen Asian Americans participated in this study, and exploratory and confirmatory factor analyses were conducted to investigate the factor structure of the scale. Results indicated that the Internalized Racism Scale for Asian Americans (IRSAA) has five factors, which are Endorsement of Negative Stereotypes, Sense of Inferiority, Denial or Minimization of Racism, Emasculation of Asian American Men, and Within-group Discrimination. This dissertation also examines and discusses the evidence of convergent, discriminant, and incremental validity for the IRSAA subscales. i DEDICATION To my Mother, who loves me unconditionally, I love you! To Preethi, the love of my life! ii ACKNOWLEDGMENTS I am forever grateful for my committee members who were generous with their expertise and time.