DOCSLIB.ORG

How to Book Diary of Events

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

CORN EXCHANGE, NEWBURY Funders: PRESENTS SEVENTH NEWBURY COMEDY FESTIVAL 2010 Media Partner: HOW TO BOOK Thu 8 – Thu 29 July 2010 Box office – 01635 522733 | www.cornexchangenew.com Acts include: Corn Exchange New Greenham Arts Market Place, Newbury, Berks RG14 5BD 113 Lindenmuth Way, New Greenham Park, Newbury, Berks RG19 6HN Administration 01635 582666 Administration 01635 817480 Fax 01635 582223 Fax 01635 817479 [email protected] [email protected] Venue key: CE Corn Exchange NGA New Greenham Arts DIARY OF EVENTS Bar 1861 Bar 1861 at Corn Exchange Date Time Show Venue Thu 8 7.45pm ROB ROUSE CE 8pm DOUBLE BILL: ALI COOK & SCOTTISH FALSETTO SOCK PUPPET THEATRE NGA Tue 13 8.15pm YOU MUST BE JOKING FINAL Bar 1861 Fri 16 7.45pm PLESTED & BROWN CE Sat 17 7.45pm DOUBLE BILL: MARK WATSON & DANNY BHOY CE 8pm JO CAULFIELD NGA Wed 21 8pm DOUBLE BILL: RICHARD HERRING & TOM WRIGGLESWORTH NGA Thu 22 8pm DOUBLE BILL: ROB DEERING & KENT VALENTINE NGA Fri 23 7.45pm JONGLEURS CE 8pm DAVID BENSON NGA Sat 24 11am ANDY & MIKE’S... BIG BOX OF BANANAS CE 7.45pm PAUL ZERDIN & SUPPORT CE Wed 28 7.45pm JIM JEFFERIES & SUPPORT CE Thu 29 7.45pm PHIL HAMMOND CE 8pm DOUBLE BILL: ELIS JAMES & IDIOTS OF ANTS NGA Disclaimer - Some of the acts listed in this brochure may contain swearing or adult content. We have specifi ed recommended age guides where we can, but if you are unsure about suitability please contact our box offi ce. Box Offi ce is open Monday – Saturday 10am – 6pm; Sundays one hour before a show starts. Tickets are non-refundable except in the case of a cancelled event; in the case of a sold-out show £1 per ticket will be payable on tickets returned for re-sale. There is a £1 charge for postage if required. Groups of ten or more can get 10% discount off performances. Those eligible for discounts include (with proof) anyone aged under 19, senior citizens, full-time students, benefi t and family credit claimants, key workers, Equity cardholders and registered disabled. Registered disabled can get a free ticket for their companion. Please note that only one discount per ticket may apply. Discount tickets purchased online or over the phone need to be collected from the box offi ce in order to show proof of eligibility. Registered charity No. 1080567 NEWBURY COMEDY FESTIVAL’10 www.cornexchangenew.com 8-29 JULY 01635 522733 DOUBLE BILL: Thursday 8 July | New Greenham Arts 8pm (ends 10.20pm) | £10 (concs £8) | 12+ Ali Cook’s irreverent persona and respected sleight of hand have made him MY FAMILY one of the pioneers of the alternative magic scene. He has already written THE PERFECT WIFE AND THE DOG and performed seven British television series! ROADSHOW THAT SCARED JESUS A pleasing mix of cheesy yet sinister ★★★★ Brian Donaldson, The List Friday 16 July Thursday 8 July Corn Exchange The Socks are the comedy double act that Corn Exchange 7.45pm (ends 9.05pm, no interval) has to be seen to be believed. The stars 7.45pm (ends 9.15pm, no interval) £12 (concs £10) | 12+ of BBC 3’s Comedy Shuffle, three-time £12 (concs £10) | 15+ Discover how to be happy with an Edinburgh Festival Fringe sellouts and DOUBLE BILL: One of comedy’s most lively, the darlings of YouTube bring you a imperfect man. Learn to be patient Saturday 17 July | Corn Exchange loveable and dynamic performers, preview of their 4th show, full of new and respectful. Stop finding your 7.45pm (ends 10.20pm) | £12 (concs £10) | 16+ Rob Rouse takes his trademark songs, sketches, socks and violence. husband so irritating. Ultimately, storytelling to a career high as Best Show Nominee - Leicester give up the notion of the perfect Multi-award winning stand-up and star of BBC’s We Need he leads us on an irresistibly Comedy Awards 2009 man and become the perfect wife. Answers, Mock The Week, Nevermind The Buzzcocks and This sharp, satirical take on modern Radio 4 returns to Newbury with his brand new show, hilarious journey, not just through For sheer energy and laughs per hour, Do I Know You, giving us a preview before taking it to his life as a brand new father these comic stockings are the biz marriage promises to expose the but more importantly as the – denier miss it ★★★★ The Scotsmann flaws in our relationships. It is time the Edinburgh Festival Fringe. beleaguered owner of the most to save your marriage and discover One of the most perceptive and well travelled comedians, spectacularly randy dog you’re YOU MUST BE JOKING FINAL who is wearing the trousers, or more Danny Bhoy continues to delight audiences around the ever likely to hear about. to the point, who is ironing them. Tuesday 13 July | Bar 1861 at Corn Exchange world. His unique brand of story-telling and razor sharp wit has been described as “effortlessly funny” Rouse’s description of the birth 8.15pm (ends 10.30pm) | FREE | 18+ The Perfect Wife Roadshow of his son is touching, funny, vile by one critic, and “the stand up equivalent of Join us for the final in our seventh new act competition. combines Plested and Brown’s and so apparently unbelievable Bill Bryson” by another. An informal atmosphere and a mixed bag of styles make sharp and witty text, great clown I am inclined to believe that it is and physical comedy… completely true. for a fun and inexpensive night out. You saw them here with…wait for it… Corry Shaw, Chortle first!May contain swearing and content that some people may find offensive. musical theatre! NEWBURY COMEDY FESTIVAL’10 www.cornexchangenew.com 8-29 JULY 01635 522733 JONGLEURS Friday 23 July | Corn Exchange | 7.45pm (ends 10pm) | £14 (concs £12) | 18+ WON’TWWO T SHUTSHUTUP UP!P! Newbury’s favourite monthly comedy club; come and experience a mixture of comedians in one night. Check the website for details as acts are announced. Saturday 17 July | New Greenham Arts 8pm (ends 9.30pm, no interval) | £10 (concs £8) | 16+ The minute Jo Caulfield hits the stage you know you’re in for a good time. She is one of the most successful and instantly recognisable female comedians in the country. Star of Radio 4’s critically acclaimed It’s That Jo Caulfield Again she is regularly seen on Mock The Week, Have I Got News For You and Never Mind The Buzzcocks. Sharp-witted, urban comedy that goes down a treat. Like a sociology textbook, but with jokes The Times. THINK NO EVIL OF US Friday 23 July New Greenham Arts DOUBLE BILL: 8pm (ends 10pm) £10 (concs £8) | 14+ Wednesday 21 July | New Greenham Arts 8pm (ends 10.20pm) | £10 (concs £8) | 16+ Think No Evil of Us - My Life Richard Herring, Hitler Moustache star and avowed atheist with Kenneth Williams, written resurrects and revamps his first and favourite solo show, and performed by David Benson. exploring his strange obsession and affinity with the Messiah. David Benson’s uncanny “I’m not saying I am Jesus…. that is for other people to say.” impersonation of Kenneth Williams Asking all the great theological questions like “Why did Jesus unlocks the complex character always call Simon “Peter”? Is it like the way Trigger always of one of Britain’s best loved calling Rodney “Dave”?” entertainers in this exhilarating The best comic of his generation GQ semi-autobiographical, award- For Tom Wrigglesworth, getting to the church on time winning show. Having taken the show from the Edinburgh should be straightforward. Unless you’re embroiled in DOUBLE BILL: an ordeal you knew nothing about until you awoke. Festival Fringe to London’s Thursday 22 July | New Greenham Arts Tom Wrigglesworth comes to Newbury with a pre- West End, David now takes 8pm (ends 10.20pm) | £10 (concs £8) | 16+ Edinburgh preview of his brand new show, his critically acclaimed Tom Wrigglesworth’s Nightmare Rob Deering and his guitar - the finest double act working in Britain today - one man show Dream Wedding. combining razor-sharp stand-up with incredible flights of musicianship on its second creating the ultimate Rob Deering experience. He’s not so much a one man With such an impressive national tour. stage presence, and band as a one man comedy Woodstock. equally impressive Kent Valentine tells stories that are full of jokes and his infectious mix of writing, Wrigglesworth irreverence and enthusiastic optimism makes him one of the most dynamic is a name to keep an comedians on the comedy landscape. eye on Chortle Kent Valentine is a comedy locomotive with a captivating storytelling style mixed with brutally hilarious honesty Triple M NEWBURY COMEDY FESTIVAL’10 www.cornexchangenew.com 8-29 JULY 01635 522733 Sat 24 July | Corn Exchange | £8.50 (concs £7.50) DR PHIL’S RUDE HEALTH SHOW 11am (ends 12.35pm, no interval) | 4 - 11 years Thursday 29 July | Corn Exchange CBeebies presenter Andy Day, along with Mike James, create 7.45pm (ends 10pm) | £12 (concs £10) | 16+ the hilarious, slap-stick and chaotic ‘Andy & Mike’s’ Big Box of If you only see one doctor this year, make it Dr Phil... Phil Hammond is a Bananas! In this duo’s ‘fun pad’ appears a magical and mysterious GP, writer, broadcaster and possibly the only comedian to have appeared box. Unable to open the box, the boys make it their mission to at a public inquiry. He is Private Eye’s medical correspondent and has find out what’s inside, and go on the adventure of their life, taking appeared on Have I Got News for You, The News Quiz, The Now Show, worldly guidance from the suave, sophisticated and altogether Countdown and The One Show.
Recommended publications
  • Failed JSP Could Now Put Pressure on Hanham's Green Spaces

    Failed JSP Could Now Put Pressure on Hanham's Green Spaces

    THE WEEK IN East Bristol & North East Somerset FREE Issue 601 6th November 2019 Read by more than 40,000 people each week Failed JSP could now put pressure on Hanham’s green spaces The consequences of the failed Joint Spatial Plan could well Conservation Society after the JSP was halted by government Writing in their November newsletter the society say: “We as increase the risk of development within the Green Belt around inspectors at their examination stage of the scrutiny process. a group spent a considerable amount of time Hanham. They were critical of the selection process by West of England examining/discussing and commenting upon two publications That’s the warning from Hanham District Green Belt councils for the ‘Strategic Development Locations’. of this 30-year plan. “One of our prime comments was that the document was not a comprehensive ‘Plan’ and this has been the main criticism of the examining inspectors.” However, the society say that one aspect of the JSP was beneficial to the Hanham area as none of the proposed Strategic Development Locations were close. “This gave limited protection against the apparently insatiable demands for more housing. Regrettably without the JSP proposal being adopted, the limited protection it would have afforded us is likely to result in pressure for more homes on our green spaces.” The Strategic Development Locations that had been identified in South Gloucestershire were Buckover, Charfield, Coalpit Heath, Thornbury and Yate. In B&NES the SDLs were North Keynsham and Whitchurch Village and in Bristol land off Bath Road in Brislington had been earmarked.
  • Birmingham Cover

    Birmingham Cover

    Warwickshire Cover Online.qxp_Warwickshire Cover 23/09/2015 11:38 Page 1 THE MIDLANDS ULTIMATE ENTERTAINMENT GUIDE WARWICKSHIRE ’ Whatwww.whatsonlive.co.uk sOnISSUE 358 OCTOBER 2015 MEERA SYAL TALKS ABOUT ANITA AND ME AT THE REP GRAND DESIGNS contemporary home show at the NEC INSIDE: FILM COMEDY THEATRE LIVE MUSIC VISUAL ARTS EVENTS FOOD & DRINK & MUCH MORE! HANDBAGGED Moira Buffini’s comedy visits the Midlands interview inside... REP (FP) OCT 2015.qxp_Layout 1 21/09/2015 10:32 Page 1 Contents October Region 1 .qxp_Layout 1 21/09/2015 21:49 Page 1 October 2015 Strictly Nasty Craig Revel Horwood dresses for Annie Read the interview on page 42 Jason Donovan Moira Buffini Grand Designs stars in Priscilla Queen Of The talks about Handbagged Kevin McCloud back at the NEC Desert page 27 interview page 11 page 69 INSIDE: 4. News 11. Music 24. Comedy 27. Theatre 44. Dance 51. Film 63. Visual Arts 67. Days Out 81. Food @whatsonbrum @whatsonwarwicks @whatsonworcs Birmingham What’s On Magazine Warwickshire What’s On Magazine Worcestershire What’s On Magazine Publishing + Online Editor: Davina Evans [email protected] 01743 281708 ’ Sales & Marketing: Lei Woodhouse [email protected] 01743 281703 Chris Horton [email protected] 01743 281704 WhatsOn Editorial: Brian O’Faolain [email protected] 01743 281701 Lauren Foster [email protected] 01743 281707 MAGAZINE GROUP Abi Whitehouse [email protected] 01743 281716 Adrian Parker [email protected] 01743 281714 Contributors: Graham Bostock, James Cameron-Wilson, Chris Eldon Lee, Heather Kincaid, Katherine Ewing, Helen Stallard Offices: Wynner House, Managing Director: Paul Oliver Publisher and CEO: Martin Monahan Graphic Designers: Lisa Wassell Chris Atherton Bromsgrove St, Accounts Administrator: Julia Perry [email protected] 01743 281717 Birmingham B5 6RG This publication is printed on paper from a sustainable source and is produced without the use of elemental chlorine.
  • Fist of Fun Press Release

    Fist of Fun Press Release

    Fist of Fun Press Release Fist of Fun was on TV in 1995. And since then, despite the popularity and artistic credibility of its writers and stars Stewart Lee and Richard Herring, it has never been repeated, never been released, and never been included as part of those 100 best sketch programs that turn up from time to time. So finally, on 6th December 2011, Go Faster Stripe will be gambling its economic future by putting that right, and releasing a four disc set of the first series. Late last year GFS heard that the BBC’s DVD making department had a meeting where they decided “neither Sales nor Marketing believed that Lee & Herring had much sales potential in the current market” leaving the door open for an idiotic independent producer to licence the material. So Stew and Rich clubbed together with Go Faster Stripe and stumped up the money and bought the rights. And they have made a beautiful thing. The set contains all the episodes, each with commentary tracks from Rich and Stew. And there’s a couple of commentaries from Kevin Eldon and Ben Moor too. There’s the unbroadcast pilot episode, a modern day interview with the pair as they go though a box of 90s memorabilia, and there’s even the disappointing live show recorded at the height of their TV fame. On discs 3 and 4 – in what they think is a first – they have included all the surviving studio tapes from the show recordings. That’s all the retakes, all the between take banter as well as a load of deleted scenes.
  • The Avalon Online Comedy Guide

    The Avalon Online Comedy Guide

    THE AVALON ONLINE COMEDY GUIDE Please see below a round-up of new and ongoing online comedy that Avalon artists have been creating whilst in lockdown – this list will be updated on our press centre here as any new projects launch. For our recent round-up of new and ongoing podcasts featuring Avalon artists, please click here, for a list of comedy specials featuring Avalon artists please click here, and for tv currently on demand in the UK produced by Avalon please click here. Alex Horne – Home Tasking (YouTube, Taskmaster Channel) “Taskmaster is one of the most consistently funny comedy game shows on television” ★★★★ Sarah Hughes, The I Emmy and triple Bafta nominated Taskmaster became interactive as the show’s creator and star Alex Horne set Taskmaster style tasks for people of all ages to do from home during the C- 19 lock down, keeping families entertained and providing a nice diversion from everything that’s happening in the news. Using the hashtag #HomeTasking, fans could submit their task while Greg Davies reprised his role as the almighty Taskmaster to score people’s entries and announce winners on the Taskmaster YouTube channel. Receiving thousands of ingenious entries from households across the globe, #HomeTasking was featured on NPR in the U.S., TVNZ in New Zealand, The Project in Australia, and Channel 4 broadcast each new task throughout the day on air and across their social platforms as part of their Stay At Home activity. After a successful launch reaching 5.1 million views, the finale is released today revealing the champions of the final task.
  • British Comedy, Global Resistance: Russell Brand, Charlie Brooker

    British Comedy, Global Resistance: Russell Brand, Charlie Brooker

    British Comedy, Global Resistance: Russell Brand, Charlie Brooker, and Stewart Lee (Forthcoming European Journal of International Relations) Dr James Brassett Introduction: Satirical Market Subjects? An interesting facet of the austerity period in mainstream British politics has been the rise (or return) to prominence of an apparently radical set of satirists.1 Comedians like Russell Brand, Charlie Brooker and Stewart Lee have consolidated already strong careers with a new tranche of material that meets a widespread public mood of disdain for the failure and excess of ‘global capitalism’. This can be seen through Brand’s use of tropes of revolution in his Messiah Complex and Paxman Interview, Brooker’s various subversions of the media-commodity nexus in Screenwipe, and Lee’s regular Guardian commentaries on the instrumentalisation of the arts and social critique. While radical comedy is by no means new, it has previously been associated with a punk/socialist fringe, whereas the current batch seems to occupy a place within the acceptable mainstream of British society: BBC programs, Guardian columns, sell out tours, etc. Perhaps a telling indication of the ascendancy of these ‘radical’ comedians has been the growing incidence of broadsheet articles and academic blogs designed to ‘clip their wings’. For example, Matt Flinders has argued that Russell Brand’s move to ‘serious politics’ is undermined by a general decline in the moral power of satire: 1 Numerous people have read and commented on this paper. In particular, I thank Erzsebet Strausz, Lisa Tilley, Madeleine Fagan, Kyle Grayson, Roland Bleiker and Nick Vaughan-Williams. The idea for the paper arose in a series of enjoyable discussions with Alex Sutton and Juanita Elias and I am grateful for their encouragement to develop these ideas.
  • Comedy Legends of a Different Kind: Guest Editor Richard Herring Talks to Barry Cryer and Jerry Sadowitz

    Comedy Legends of a Different Kind: Guest Editor Richard Herring Talks to Barry Cryer and Jerry Sadowitz

    YOUR FREE GUIDE TO THE EDINBURGH FESTIVAL 2011 MORE AT WWW.THREEWEEKS.CO.UK ThreeWeeks IN EDINBURGH Comedy legends of a different kind: Guest Editor Richard Herring talks to Barry Cryer and Jerry Sadowitz PLUS Pink Noise with Fork ALSO INSIDE THE THREEWEEKS 2011 WEEK ONE/TWO ISSUE: Luke Wright, Rosie Wilby, Anthony Rapp, Paul Nathan, Joe Simmons, Lorraine Kelly, Peters Productions, Theatre Ninjas plus lots of tips for avoiding Fringe Flu, ThreeWeeks Book Festival recommendations and comedy, cabaret, theatre, musical, music and physical reviews “ STARTPOINT threeweeks presents the king’s speech Welcome this week’s quoted as fact. So do your bit by are two of the comedians that I sense you’d have to be a moron only referring to me as the King admire most in the world, despite to be genuinely offended. Some CONTENTS ThreeWeeks Guest of Edinburgh from now on. As if their wildly contrasting styles and shock comics seem to be bullies Editor Richard Herring that’s what everyone does and outlooks. punching downwards (when a only an idiot wouldn’t know that. If millionaire comedian mocks an 04: Festival Hello, it’s me, the King nothing else it will piss off Prince Barry has worked with all the actual 8 year old disabled boy People of Edinburgh. This is an Phillip. comedy greats for over 50 years it surely becomes just cruelty unofficial title that I have decided and clearly still loves comedy and rather than humour), but Jerry 06: Comedy to bestow on myself, partly And maybe I almost deserve it. other comedians.
  • 30 April 2021 Page 1 of 10 SATURDAY 24 APRIL 2021 Chamber Music, Yet He’S Best Known for Rumpole of the Bailey, Brendan

    30 April 2021 Page 1 of 10 SATURDAY 24 APRIL 2021 Chamber Music, Yet He’S Best Known for Rumpole of the Bailey, Brendan

    Radio 4 Extra Listings for 24 – 30 April 2021 Page 1 of 10 SATURDAY 24 APRIL 2021 chamber music, yet he’s best known for Rumpole of the Bailey, Brendan ...... Andrew Wincott and Captain Noah and his Floating Zoo. Mrs Singh ...... Nina Wadia SAT 00:00 Terry Pratchett (b008pc0b) Joseph journeys through his remarkable life and career in Cilla ...... Gbemisola Ikumelo Guards! Guards! conversation with composer, Debbie Wiseman. Colin ...... Sean Baker Episode 5 Captain Noah has been translated into six languages, and is one Gary ...... Sean Baker "That dragon isn't going to accept any mealy-mouthed, wishy- of Horovitz’s best sellers. The Berkshire Maestros, and Burglar ...... Sean Baker washy liberal nonsense.... Do you know what you're getting with conductor David Hill with the Bach Choir, have all rehearsed Producer: Alexandra Smith a dragon? Unashamed strong leadership." and performed this work, and give their views on its lasting A BBC Studios production for BBC Radio 4 first broadcast in The dragon strikes. But will Captain Vimes triumph? popularity. Dancer Wayne Sleep, conductor John Wilson, and December 2016. Stars John Wood and Martin Jarvis. TV executive producer Tony Wharmby, also discuss their SAT 05:30 The Confessional (m000v848) The 8th of Terry's Pratchett's comic fantasy stories set on musical collaborations with Horovitz. Series 1 Discworld. Horovitz's story begins with his escape from the Nazis as they The Confession of Cariad Lloyd Narrator …. Martin Jarvis entered Vienna in 1938, to then include giving wartime musical Actor, comedian and broadcaster Stephen Mangan presents a Captain Vimes …. John Wood appreciation lectures to the forces, being awarded two Ivor new comedy chat show about shame and guilt.
  • Just Joking: Speech, Performance and Ethics

    Just Joking: Speech, Performance and Ethics

    1 Just Joking: Speech, Performance and Ethics by Emma Bennett A Thesis Submitted for the Degree of PhD Queen Mary University of London School of English and Drama September 2016 2 STATEMENT OF AUTHORSHIP I, Emma Bennett, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Emma Bennett Date: 23 September 2016 3 ABSTRACT Why do people go into rooms to watch other people speak? What is it that is taking place when a performer walks onto a stage, or steps up to a microphone, and, in the silence that has fallen, begins to speak? This thesis considers both the pleasures and the anxieties that attend such public acts of speaking, and responds in particular to the kinds of utterances that announce themselves as in some way ‘non-serious’.
  • Comedy As Freedom of Expression

    Comedy As Freedom of Expression

    COMEDY AS FREEDOM OF EXPRESSION Paul Sturges Dept of Information Science Loughborough University Published in Journal of Documentation 66(2) 2010, 279-293. INTRODUCTION Information Science is a broad, inclusive disciplinary area. If rather than looking to define or delimit it, we look for its driving principle or ethical rationale a good choice would be Article 19 of the UN Universal Declaration on Human Rights. This is a powerful statement on intellectual freedom encompassing freedom of opinion, expression and access to information. Without the freedom to generate, organise, access and use information there would be very limited scope for information science. However, despite this, intellectual freedom issues have never been a substantial preoccupation of the information science literature: freedom has been taken as a given. An obvious reason for this is that in the past the bulk of information science literature has been generated in the USA, and northern Europe. In these parts of the world and historically related countries such as Canada, Australia and New Zealand, there has been such a long, and largely unquestioned tradition of free speech (Grayling, 2007) that the struggles to obtain and preserve intellectual freedom in other parts of the world can easily escape notice. In a globalised communications environment, intellectual freedom necessarily moves to the centre of professional attention and can then become explicitly, instead of implicitly, a central focus for academic study. The present article enters the area of intellectual freedom to examine freedom of expression (more traditionally, but rather unhelpfully, referred to as free speech): the aspect of intellectual freedom that concerns the generation of information and the voicing of opinion.
  • Responsibility in Healthcare: Changing the Culture

    Responsibility in Healthcare: Changing the Culture

    Responsibility in healthcare: Responsibility in healthcare: changing the culture changing the culture A 2020health discussion paper January 20 10 A 2020health discussion paper Emma Hill January 20 10 Julia Manning Emma Hill Julia Manning “Prioritising public health is key to increasing responsibility in healthcare. A focus on “The biggest challenge now is to place an preventative treatments and technologies emphasis on quality and improve the service that involve patients in their own care will with the minimum of accompanying help individuals to take control of their structural change. There is little need for health and gain a greater realisation of the structural change but there is a need to consequences of their lifestyle choices. concentrate on quality.” Greater access to health records will also Doug Naysmith MP enhance the relationship between doctors Joint Chair of Parliamentary Labour and patients and facilitate patients' growing Party Health Committee interest in the care they receive from the NHS.” Stephen O’Brien MP “The NHS needs a cross-party consensus, Shadow Health Minister based on the best evidence, and a long term plan, so we can finally give public health and “The biggest challenge is to find ways of prevention the space it deserves. The simple getting people to change their health-related act of walking at every opportunity has as big behaviour, but to do so in a fashion that does an impact on physical and mental health not nanny or infantilise them. The so-called as any drug yet invented, so why aren’t we 'nudge'
  • The Tomlinson Report and After: Reshaping London’S Health Services, 1992- 1997

    The Tomlinson Report and After: Reshaping London’S Health Services, 1992- 1997

    The Tomlinson Report and After: Reshaping London’s Health Services, 1992- 1997 Edited by Martin Gorsky and Virginia Preston Centre for History in Public Health, London School of Hygiene and Tropical Medicine ICBH Witness Seminar Programme The Tomlinson Report and After: Reshaping London’s Health Services, 1992-1997 Seminar held Tuesday 13 November 2012, 1.30-6pm Room 1.18 (Moot Hall), Somerset House East Wing, King’s College London Published by the Institute of Contemporary British History and London School of Hygiene and Tropical Medicine, 2013. We are grateful to the Wellcome Trust for a grant made to the Centre for History in Public Health at LSHTM, which provided financial support for this meeting. ISBN: 978 0 902657 96 8 © Institute of Contemporary British History and London School of Hygiene and Tropical Medicine, 2013. Images by Anne Koerber/LSHTM. All rights reserved. Not to be reproduced without permission. Contact [email protected] for more information. ii Contents Contributors 1 Timeline of Key Events 4 Seminar Transcript: Part One 6 Introductory paper by Geoffrey Rivett 8 Part Two 36 Part Three 56 Part Four 70 iii Contributors Chair: Nicholas Timmins - Senior Fellow Institute for Government and the King‘s Fund. Visiting professor King‘s College, London. Public Policy Editor, Financial Times, 1996-2012. Witnesses: Virginia Beardshaw - Secretary King‘s Fund London Commission (1990); founder Fellow, King‘s Fund Institute (1983), NHS, Director of Modernisation for London (1997-2001). Professor Sir Michael Bond – Member, Tomlinson Enquiry (1991-92); Professor of Psychological Medicine, University of Glasgow, 1973-98, now Emeritus Professor.
  • “Germany Asks: Is It OK to Laugh at Hitler?” Translating Humour and Germanness in the Paratexts of Er Ist Wieder Da and Look Who’S Back

    “Germany Asks: Is It OK to Laugh at Hitler?” Translating Humour and Germanness in the Paratexts of Er Ist Wieder Da and Look Who’S Back

    This is a repository copy of “Germany asks: is it OK to laugh at Hitler?” Translating humour and Germanness in the paratexts of Er ist wieder da and Look Who’s Back. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/173415/ Version: Accepted Version Article: Freeth, P orcid.org/0000-0003-3169-4853 (2021) “Germany asks: is it OK to laugh at Hitler?” Translating humour and Germanness in the paratexts of Er ist wieder da and Look Who’s Back. Translation Spaces: A multidisciplinary, multimedia, and multilingual journal of translation, 10 (1). pp. 115-137. ISSN 2211-3711 https://doi.org/10.1075/ts.20003.fre This article is protected by copyright. This is an author produced version of a journal article accepted for publication in Translation Spaces. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ “Germany asks: is it OK to laugh at Hitler?”: Translating Humour and Germanness in the Paratexts of Er ist wieder da and Look Who’s Back Peter Jonathan Freeth, University of Leeds Abstract Within imagological approaches, paratexts can provide insights into how the Other of translated literature is presented to a new target audience.