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City News 11 Flu Jabs at GP Surgeries and Pharmacies
Winter 2016 stoke.gov.uk City News STRONGER TOGETHER POPPIES TO PAGE 18 COME HOME Right time to apply for free nursery Ceramic WWI tribute display planned for 2018 places CONIC ceramic poppies created final year of its tour. Dates and a world famous ceramics able to see these poppies in the in the city to commemorate venue are yet to be announced. manufacturers. Without Johnson city where so many of them were the centenary of the First Deputy Council Leader Tiles and Potclays Ltd this crafted. This is another sign of I Councillor Abi Brown said: stunning artwork could never the fantastic cultural heritage in World War will come home to “We’re thrilled to say that our have been created. our city, as we continue to go Stoke-on-Trent as a major display poppies are coming home. It’s the “More than five million people forward with our City of Culture in 2018... a victory for the council culmination of two-and-a-half saw the Tower of London display 2021 bid.” and campaigners who pressed for years of campaigning. in 2014, and since two of the 14-18 Now Executive Producer the return. “The city council led the bid, display’s installations – the Nigel Hinds said a number of 14-18 Now – who manage but its success was only possible Weeping Window and Wave – sites for the display were being WW1 Centenary art with the enthusiastic support of a went on tour in 2015, a further considered, and the location, commissions – announced the range of partners across the local 1.5 million people have seen dates and which sculpture will art installation containing many media, museums, education them. -
Estruturas De Dados Espaciais
ESTRUTURAS DE DADOS ESPACIAIS Universidade Federal de Ouro Preto – UFOP Instituto de Ciências Exatas e Biológicas – ICEB Departamento de Computação – DECOM Estrutura de Dados II Universidade Federal de Ouro Preto - Estruturas de Dados II - Estrutura de Dados Espaciais 2 Dados Espaciais x Dados Escalares • Multidimensionais x Unidimensionais • Noção de Forma x pontos ou tuplas • Ordenação parcial x Ordenação total • Relações geométricas x Relações sobre grandeza • Frequentemente, os dois tipos são combinados em: • Sistemas de Informação Geográficos • Computação Gráfica Universidade Federal de Ouro Preto - Estruturas de Dados II - Estrutura de Dados Espaciais 3 Espaço de dados • Qualquer tipo de dado supõe um espaço onde ele está imerso • Modelagem de dados requer que se escolha um espaço apropriado • Frequentemente, mais de uma opção é possível • Exemplo: Cidade • Espaço de cadeias de caracteres • Código numérico (ex. CEP) • Ponto do planisfério (Latitude e Longitude) • Conjunto de pontos (ex. delimitado por um polígono) • Cada espaço é mais conveniente para um ou outro tipo de processamento Universidade Federal de Ouro Preto - Estruturas de Dados II - Estrutura de Dados Espaciais 4 Dimensão • Dados escalares (não espaciais) são modelados como pontos em um espaço unidimensional • Dados espaciais são modelados como pontos ou conjuntos de pontos em espaço multidimensional Universidade Federal de Ouro Preto - Estruturas de Dados II - Estrutura de Dados Espaciais 5 Relações entre dado e espaço • Localização • Existe uma cidade chamada “São -
Key Food Makes Yonkers 'Supermarket
WESTCHESTER’S OLDEST AND MOST RESPECTED NEWSPAPERS PRESORT-STD U.S. POSTAGE PAID White Plains, NY Permit #7164 Vol 111 Number 21 www.RisingMediaGroup.com Friday, May 26, 2017 Lincoln High School’s Dworetzky Inducted Into Valedictorian & Salutatorian Senate Vets Hall of Fame State Sen. Andrea Stewart-Cousins with State Senate Veterans Hall of Fame honoree Harold Dworetzky. Senate Democratic Leader Andrea Stewart- to recognize his outstanding service to our country Cousins recently inducted Yonkers resident Harold and community,” said Stewart-Cousins. “Harold is Dworetzky into the State Senate Veterans’ Hall of a remarkable leader and an exceptional man who Lincoln High School Valedictorian Paola Ferreira, right, and Salutatorian Alexis Bates. Fame. continued serving his nation long after his tenure This annual recognition is bestowed upon a in the military. He’s fought for countless people veteran from each Senate district in the state who throughout Yonkers and beyond and his commit- By Dan Murphy Paola Ferreira is the Lincoln H.S. valedictori- has not only served valiantly in the military, but ment to helping others succeed is unparalleled. I’m In order to attain the honor of valedictorian an, with a 96.23 grade-point average. Her favorite has also performed outstanding service on behalf grateful to have the opportunity today to induct or salutatorian, each has to overcome some type course was advanced placement biology, because of their community as a civilian. him into the Veterans’ Hall of Fame.” of obstacle or adversity in their lives. This year’s “it was really challenging and I learned something “It’s an honor to know Harold, and I’m proud Continued on Page 6 valedictorian and salutatorian from Lincoln High new every day. -
European Ceramics, Doulton and Beswick, Decorative Arts, Oriental Ceramics and Ivories, Glass Wares Tuesday 01 November 2011 12:00
European Ceramics, Doulton and Beswick, Decorative Arts, Oriental Ceramics and Ivories, Glass Wares Tuesday 01 November 2011 12:00 Capes Dunn & Co Capes Dunn & Co 38 Charles Street Manchester M1 7DB Capes Dunn & Co (European Ceramics, Doulton and Beswick, Decorative Arts, Oriental Ceramics and Ivories, Glass Wares ) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 Lot: 6 STEPHAN DEFON SMALL WILEMAN & CO., (The GOLDSCHEIDER, AUSTRIAN Foley China) 'INTARSIO' POTTERY FEMALE FIGURES, POTTERY SQUAT TWO 'Sitzende Lesende Junge Dame HANDLED VASE, decorated with (auf Buchersockel)', depicted encircling border of fish, with reading a book seated on, two scallop shells and wave pattern, large books, signed 'Dakon', 8" containing the aquatic theme, high impressed number 7561F, design registration No. 330286, circa 1936 pattern No. 3035, 3 1/4" high Estimate: £80.00 - £120.00 (one handle repaired) Estimate: £70.00 - £90.00 Lot: 2 STEPHAN DAKON Lot: 7 GOLDSCHEIDER, AUSTRIAN TWO IDENTICAL CLARICE POTTERY FEMALE FIGURE CLIFF (NEWPORT POTTERY) 'Sitzendes Madchen mit Buch 'CELTIC HARVEST' PATTERN (auf Bucherregal/Sockel)' MOULDED JUGS, with depicted seated with legs polychromed handles and crossed and book on her lap, pouring lips, 11 1/4" high (one seated on a low bookcase, 9 1/2" with damaged and repaired foot) high, impressed number 7226, Estimate: £100.00 - £150.00 circa 1935 (af) Estimate: £40.00 - £60.00 Lot: 8 A.G. RICHARDSON & CO, Lot: 3 CROWN DUCAL WARE STEPHAN DAKON CHARLOTTE RHEAD GOLDSCHEIDER, AUSTRIAN DESIGNED WALL PLAQUE, POTTERY FEMALE -
Auction Results SA240421 Saturday, 24 April 2021
Auction Results SA240421 Saturday, 24 April 2021 Lot No Description 2 A Victorian blue and white transfer meat plate liner printed with dog rose border to/w various other ceramics, including Royal £25.00 Worcester Astley coffee service, jasper ware, Japanese eggshell coffee service etc (box) 4 Two cut-glass ring-neck decanters and stoppers to/w three claret jugs with ep tops and give various other decanters (box) £70.00 5 Studio glass lustrous vase, signed Siddy Langley 1997 to/w an Imari cache-pot, Victorian china fruit dishes with matching £85.00 sauce tureens, Denby fruit bowl etc (box) 6 Two boxed Bilston enamel Easter eggs to/w two patch-boxes and two Halcyon Days boxes, lot also includes Victorian £65.00 rosewood tea caddy, coach lamp and eight various pewter mugs (box) 8 A Victorian Shelley blue and white cylindrical vase printed with dragons to/w various collectables including silver oddments, £40.00 Pathescope Ace projector, three Decca Toytown gramophone records, candles etc (box) 9 AnA Clarice 18th century Cliff honey-glazed style enamel dinner box with service hinged with cover, green painted banded with decoration, courting couples37 pieces in includingArcadian tureenssettings, and 9.5 cover cm wide to/w a £40.00 10 (possibly) Capodimonte box with painted interior to lid depicting 18th century family scene, Royal Doulton terrier cleaning £110.00 plate HN1158, Karl Ens owl, Dresden floral-painted heart-shaped pin-dish and an advertising jug for Worthingtons beer 11 A PottschapelMeakin pottery (Dresden) 'Nordic' Carlpattern -
Academic Dress
Regulations for Academic and Official Costume 2019/20 REGULATIONS FOR ACADEMIC AND OFFICIAL COSTUME I: Academic Costume Award Gown Hood Hat Certificate of Higher Black stuff gown of the Education* Black square academic Cambridge BA pattern save that Diploma of Higher N/A cap of the mortar- it shall have no ribbons and the Education* board pattern sleeves shall have rounded ends Graduate Certificate Black stuff gown of the Oxford pattern of dark Black square academic Cambridge BA pattern save that blue silk lined with a Foundation Degrees* cap of the mortar- it shall have no ribbons and the two-inch cream silk board pattern sleeves shall have rounded ends stripe Black stuff gown of the Oxford pattern of dark Bachelors Black square academic Cambridge BA pattern save that blue silk lined with a Graduate Diploma cap of the mortar- it shall have no ribbons and the three-inch cream silk Professional Graduate board pattern Certificate in Education sleeves shall have rounded ends stripe Black stuff gown of the Oxford Oxford pattern of dark MA pattern save that the Black square academic Integrated Masters blue silk lined with a (MChem; MEng; MEnvSci; uppermost of the two points at cap of the mortar- MMath; MMet; MSci; three-inch cream silk the end of each sleeve shall be board pattern MPharm) stripe omitted Black stuff gown of the Postgraduate Certificate Cambridge pattern of Black square academic Cambridge BA pattern save that Postgraduate Certificate dark blue silk lined with cap of the mortar- in Education it shall have no ribbons and the cream -
Academic Dress Policy
Academic Dress Policy 1. Purpose This Policy sets out the details of academic dress requirements for Victoria University of Wellington. 2. Application of Policy This Policy applies to staff, graduands and graduates of the University. Policy Content 3. General (a) Graduands shall appear at all public graduation ceremonies of the University in the academic dress proper to their qualification, except that with the approval of the Manager, Graduation Services, graduands admitted ad eundem may wear the academic dress of their prior qualification. (b) Persons who are to receive a qualification who do not wear official academic dress will not be permitted to process. (c) Graduands may wish to wear garments to honour their cultural tradition, such as korowai or ta'ovala, over their gown and under their hood or stole. Such garments shall be worn in addition to the required academic dress. Modification of academic dress is not permitted. 4. Doctoral Degrees 4.1. Doctor of Philosophy (PhD) Academic dress for the Doctor of Philosophy (PhD) comprises: Gown: as for the Cambridge Master of Arts Stole: aced with red cloth, with curved yoke Cap: John Knox cap 4.2. Professional Doctoral degrees Academic dress for professional Doctoral degrees comprises: Gown: as for the Cambridge Master of Arts Stole: faced with satin in an approved colour, with curved yoke Cap: John Knox cap 4.3. Higher Doctorates and Honorary Doctorates Academic Dress for Higher and Honorary Doctoral degrees comprises: Page 1 Academic Dress Policy 31 August 2020 Gown: as for the Cambridge Master of Arts but made of scarlet silk or cloth Hood: made wholly of satin in an approved colour Trencher: black with tassel. -
TBS15 Christiansonkendall
Transactions of the Burgon Society, 15 (2015), pages 30–40 A Portrait of an Oxford Nobleman, circa 1705 By Bruce Christianson and Joan Kendall his interesting portrait (Fig. 1) hangs in Hatfield House, Hertfordshire. The caption (painted, possibly much later, in the lower left corner) reads ‘James TFourth Earl of Salisbury painted by W. Sowyiens’. However the clothing and style of wig make this unlikely. The portrait almost certainly shows James Cecil the Fifth Earl, born 1691, succeeded 1694, matriculated Christ Church Oxford 1705, created MA 1707, married 1709, died 1728. The painter is most likely William Sonmans, who died in 1708. The Earl is depicted wearing, over his partly buttoned light blue coat, a curious gar- ment that at first sight looks like a scarf, but on close examination more like a long sleeve- less gown, made in the then-fashionable colours of pale blue and brown silk lavishly bro- caded with gold thread. (This thread appears brown in the portrait, as do the gold braid1 and buttons on his coat.) In his left hand he holds a square academic cap, with a gold tassel turned toward the viewer. The portrait is therefore likely to be a memento of the Fifth Earl’s time as an undergraduate, but there are some interesting anomalies. The square cap with a gold tassel is the first surprise, as it seems remarkably early. According to Hargreaves-Mawdsley, ‘During the eighteenth century … [peers] wore round black velvet bonnets. The wearing of gold tassels on their bonnets by noblemen made its appearance in 1738, but was not yet countenanced by statute. -
Curacy in the Diocese of Lichfield
Curacy in the Diocese of Lichfield Title post in the conurbation | informal A friendly parish of post-industrial community at St Andrew’s the edge of Sneyd Green The Potteries Welcome to Lichfield Diocese Cradled at the intersection of the Midlands and the Shropshire, to the sparsest upland communities of North, and the interface between England and the Staffordshire Moorlands and Welsh Borders. Wales, the Diocese of Lichfield is the ancient centre And we embrace the widest spectrum of church of Christianity in what was the Kingdom of Mercia. traditions – evangelical and catholic, liberal and We are rightfully grateful for the inheritance we conservative, choral and charismatic, as we journey have from St Chad that leads us to focus on together – as a colleague recently put it, it is our Discipleship, Vocation and Evangelism as we live goal to be a ‘spacious and gracious diocese’. and serve among the communities of Staffordshire, northern Shropshire and the Black Country. ‘…a spacious and Wherever in the Diocese you may be placed, you will benefit from being part of a wider family, gracious diocese.’ mixing with people serving in a wide variety of contexts – from the grittiest inner-city It is my determination and that of my fellow- neighbourhoods of Stoke and the Black Country, to bishops that your calling to a title post will be a the leafiest rural parishes of Staffordshire and time of encouragement, ongoing formation, challenge and (while rarely unbridled) joy. Our As we follow Christ in the footsteps of St Chad, we pray colleagues among the Diocesan staff keenly bring their various specialisms both spiritual and practical that the two million people in our diocese encounter a to serve our parishes, fresh expressions, schools and Church that is confident in the gospel, knows and loves its chaplaincies. -
Ashmolean Papers Ashmolean Papers
ASHMOLEAN PAPERS ASHMOLEAN PAPERS 2017 1 Preface 2 Introduction: Obsolescence and Industrial Culture Tim Strangleman 10 Topographies of the Obsolete: Exploring the Site Specific and Associated Histories of Post Industry Neil Brownsword and Anne Helen Mydland 18 Deindustrialisation and Heritage in Three Crockery Capitals Maris Gillette 50 Industrial Ruination and Shared Experiences: A Brief Encounter with Stoke-on-Trent Alice Mah 58 Maintenance, Ruination and the Urban Landscape of Stoke-on-Trent Tim Edensor 72 Image Management Systems: A Model for Archiving Stoke-on-Trent’s Post-Industrial Heritage Jake Kaner 82 Margins, Wastes and the Urban Imaginary Malcolm Miles 98 Biographies Topographies of the Obsolete: Ashmolean Papers Preface First published by Topographies of the Obsolete Publications 2017. ISBN 978-82-690937 In The Natural History of Staffordshire,1 Dr Robert Plot, the first keeper of the Unless otherwise specified the Copyright © for text and artwork: Ashmolean Museum describes an early account of the county’s pre-industrial Tim Strangleman, Neil Brownsword, Anne Helen Mydland, Maris Gillette, Alice Mah, pottery manufacturing during the late 17th century. Apart from documenting Tim Edensor, Jake Kaner, Malcolm Miles potters practices and processes, Plot details the regions natural clays that were once fundamental to its rise as a world renowned industrial centre for ceramics. Edited by Neil Brownsword and Anne Helen Mydland Designed by Phil Rawle, Wren Park Creative Consultants, UK Yet in recent decades the factories and communities of labour that developed Printed by The Printing House, UK around these natural resources have been subject to significant transition. Global economics have resulted in much of the regions ceramic industry outsourcing Designed and published in Stoke-on-Trent to low-cost overseas production. -
Archaeological and Historic Pottery Production Sites Guidelines for Best Practice Summary
Archaeological and Historic Pottery Production Sites Guidelines for Best Practice Summary This document provides practical guidance on how to investigate sites where pottery production has taken place. It describes how to anticipate and locate pottery production sites and the types of evidence that may be found. This document also provides advice on the available methods and strategies for examining, recording and sampling features and finds of various types at each stage of the work. The different techniques for establishing the date of pottery production, and for characterising the products of a site, are given particular emphasis. This document was compiled by Harriet White, Sarah Paynter and Duncan Brown with contributions by Joanne Best, Chris Cumberpatch, David Dawson, Peter Ellis, Jane Evans, Laurence Jones, Oliver Kent, Gareth Perry, The Prince’s Regeneration Trust, Ian Roberts, Kerry Tyler and Ann Woodward. It is one of four Historic England publications concerning industrial processes in the past, the other three being: ■ Science for Historic Industries: Guidelines for the Investigation of 17th- to 19th- Century Industries ■ Archaeological Evidence for Glassworking: Guidelines for Best Practice ■ Archaeometallurgy: Guidelines for Best Practice. First published by Historic England October 2015. All images © Historic England unless otherwise stated. www.historicengland.org.uk/advice/technical-advice/archaeological-science/ Front cover images: clockwise from top left Reconstruction of a 17th-century kiln from Potters A 14th-century -
JS Fine Art Auctioneers & Valuers
JS Fine Art Auctioneers & Valuers Cotefield Auction Rooms The Nigel Poole Wedgwood Collection Oxford Road Banbury A principally single owner collection of Wedgwood and other Oxfordshire select ceramics OX15 4AQ United Kingdom Started 25 Jun 2016 10:00 BST Lot Description 2001 Two large decorative pottery figures of dogs, a spaniel and a German shepherd, height of largest. 70cm A large late Victorian T.C. Brown-Westhead Moore & Co pottery plaque/charger, blue and white decoration with a classical style portrait. 2002 Initialled A.L.D. 63.5cm 2003 A pair of Beswick pottery figures of fox hounds. 32cm high 2004 A Beswick pottery figure of a sheep dog. 30cm high 2005 Two Beswick pottery figures of retrievers one gold one black. 33cm high 2006 Two Beswick pottery figures of dogs a dalmation and a dachshund. height of largest 36cm 2007 Two Beswick pottery figures of dogs, a Scotch terrier and a German shepherd. height of largest 35cm 2008 A Beswick pottery figure of a Mountain lion. 21cm high 2009 A Beswick pottery figure of an elephant and a tiger. 31cm high 2010 Three Beswick pottery figures of deer, a stag, a doe and a fawn. height of largest 9cm 2011 Thirteen Beswick pottery figures representing a fox hunt, six equestrian figures, four fox hounds and three foxes. height of largest 2012 Beswick pottery figure group of Black Beauty and foal mounted on oval hardwood base 2013 Beswick pottery nine piece pig band 2014 Five Beswick pottery Scotch whisky bottles in the form of birds of prey 2016 A large decorative cream glazed pottery figural group of two children 2017 A large Moorcroft pottery lamp base with floral decoration.