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LUTHER (Series 1 Episode 1, 2010)

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LUTHER (Series 1 Episode 1, 2010) GCSE Media Studies - Set Product Fact Sheet LUTHER (Series 1 Episode 1, 2010) Factsheet 2 - Media Industries, Audiences & Media Contexts Acknowledgements Images Acknowledgement All images BBC 'Fair dealing' of third party materials is used for criticism and review purposes however if there are omissions or inaccuracies please inform us so that any necessary corrections can be made [email protected] GCSE Media Studies - Set Product Fact Sheet LUTHER (Series 1 Episode 1, 2010) Component 2: Understanding Forms and The success of Luther over the five series is also Products an example of how the BBC as a mainstream broadcaster, whilst engaging in risk and producing new, innovative programmes, also Focus Areas: relies on the repetition of successful formats to Media Language secure audiences in an increasingly competitive Representation media landscape. Media Industries Audiences The programme has relatively high production Media contexts values for a television series, evident in the choice of locations, the cinematography and the well-established actors including Idris Elba, Saskia PART 1: STARTING POINTS - Media Industries Reeves and Indira Varma. The nature of media production, including by large organisations, who own the products they Luther has a wide global distribution: it was produce and by individuals and groups: previously available on Netflix, is currently There have been significant changes to the (March 2021) available on Amazon Prime and is television industry in recent years due to the broadcast on BBC America as well as in over 200 impact of digital technology on the way in which other territories. As part of its global promotional programmes are produced and distributed and campaign BBC Worldwide released a video to how audiences consume them. Audiences have market the series to international buyers become more fragmented and traditional featuring a scene from the programme dubbed broadcasters like the BBC must evolve in the ways into different languages in which they produce, distribute and market (https://www.youtube.com/watch/BudHdXEyBqM). their products. The impact of the increasingly convergent Luther is a mainstream programme from a nature of media industries across different popular genre, produced and distributed by the platforms: BBC. It has become one of the organisation’s Whilst Luther is broadcast at 9pm each week flagship programmes, ensuring a loyal audience. during a series run, audiences also have the The set episode had 6.35 million viewers when it opportunity to access the programme across aired in 2010. It was ranked 6 out of 10 different platforms and devices. Digital programmes for that week, the top four slots technology also allows audiences to binge-watch being taken by episodes of EastEnders and the the series. The series is also available on DVD. fifth slot by Doctor Who, a successful start for a new programme and testament to the marketing Before the last series of Luther, all the previous campaign. series were available to watch on iPlayer encouraging audiences to engage with the brand. GCSE Media Studies - Set Product Fact Sheet There is also a BBC website dedicated to the broadcasters. DVD releases of the programme are programme, and social media platforms. classified by the BBFC. One of the duties of Ofcom is to examine specific complaints made by The importance of different funding models, listeners about programmes broadcast on including government funded, not-for-profit and channels that it has licenced. commercial models: Television companies operate either a public PART 2: STARTING POINTS – Audiences service or commercial broadcasting model. The Luther is produced by the BBC, a public service BBC is a public service broadcaster, funded by the broadcaster. Audiences will be familiar with BBC licence fee, with a remit to inform, educate and content and have an expectation of a quality entertain, and this influences what is produced. drama with high production values. The trailer for The funding arrangement allows the BBC some the programmer uses the slogan ‘Original British aspect of freedom as they are less driven by Drama’ to appeal to the audience suggesting the ratings and profit. Its relative autonomy enables BBC’s investment in homegrown drama. it to offer a diverse range of programming content and crime dramas are an important Crime drama is a popular genre with audiences element of its content and schedule. and the BBC is known for producing successful programmes in this genre. The BBC does have an element of governmental control and there is an ongoing discussion Luther aims to reach a wide audience and appeals centred around the continuation of the licence to both men and women due to its diverse range fee, which is set by the government, with some of characters. The 9pm scheduling time is a members unhappy about the BBC’s funding popular slot for the BBC’s highest rated shows model. However, there is considerable support and placing it after the watershed highlights the from the public, the arts and entertainment adult content. industry and sections of the government for what is seen as the essential role played by the public Whilst the BBC target audience for the service broadcaster. programme is 25-40, the fact that it also appeared on Netflix suggests a younger, 16-25 The function and types of regulation in the year-old, target audience who are more likely to media: binge watch the series. Television companies and specific channels operate self-regulation through scheduling The ways in which media organisations target decisions, the watershed, and announcements at audiences: the beginning of programmes giving information • The use of teaser and longer trailers about possible areas of offence. introduced the character of Luther to audiences and established an enigma around The BBC Board is responsible for ensuring that his character. the BBC fulfils its mission as detailed in the Royal • The high production values obvious from the Charter which sets out the BBC’s object, mission, marketing material including the use of and public purposes. It is reviewed and renewed recognisable stars and the expectations regularly, the current charter began in January related to the BBC branding. 2017 and ends in December 2027. • The introduction of enigmatic characters to The BBC is externally regulated by Ofcom which is intrigue audiences including Luther, but also accountable to Parliament and publishes Alice who became very popular. The BBC standards which must be adhered to by website for the programme included 3 GCSE Media Studies - Set Product Fact Sheet ‘Postcards from Alice’ encouraging audiences Theoretical perspectives on audience: Blumler to engage with the character’s story world. and Katz’s Uses and Gratifications theory: • The creation of other interactive and online There are several theories that have been written features which extend the world of the to explore the relationship between audiences programme including ‘Ripley’s Video Diary’ and media products. The Uses and Gratifications which involves the audience by creating a theory was one of the first to suggest that backstory around Luther. The blog from the audiences can be active consumers of the media writer Neil Cross gives and insight into the and seek out and use different media products in process of creating the programme and the order to satisfy a need and to experience BBC Writer’s room allows audiences to read different pleasures including: programme scripts. • Entertainment/diversion: audiences watch some media products including crime dramas to escape from everyday life into a fictional world that absorbs their interest. Luther is an inverted detective story and audiences may also gain pleasure from picking up clues and trying to solve the crime along with the detective. Audiences may recognise the conventions of the genre in the programme and will predict certain outcomes, experiencing pleasure when they are correct in their assumptions. Luther involves the The role of media technologies in reaching and audience from the beginning by placing them identifying audiences, and in audience in a privileged spectator position regarding consumption and usage: the outcome of the chase and Henry Madsen • Changes and developments in technology at the start and the relationship between have had an impact upon the way in which Luther and Alice. Audiences may also be audiences access, consume and respond to attracted to the actors who are popular, for media products. Audiences now have a range example Idris Elba, Ruth Wilson and Saskia of content to choose from on a range of Reeves. Luther is an enigmatic character who different platforms to suit their needs and does not display the typical characteristics of lifestyle. his role and this may add to his appeal ‘When • Luther, as well as being available to watch on I type the end of any series I immediately BBC, BBC iPlayer and Amazon Prime, also has start to miss him’ (Neil Cross, writer of Luther a website where audiences can access extra www.bbc.co.uk). information and videos related to the programme. • The programme can also reach audiences through social media sites including Twitter and Facebook which also allows the BBC to review audience reactions to characters and storylines. 4 GCSE Media Studies - Set Product Fact Sheet • Information/education: crime dramas can representations, themes, values, and messages. give audiences an insight into another area of Consider: society with which they may not be familiar, • How the representations of women in Luther in Luther this is the police procedures. challenge typical representations in crime • Social interaction: this pleasure has been drama illustrating how the genre has enhanced by developments in technology. developed over time and been informed by Audiences watch episodes of Luther and at cultural influences. the same time interact with friends and family • How theme of the representation of evil and on social media. As there are long gaps the role of the villain offers a more between series of Luther the first and contemporary view of society.
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