The Buntline Special: a Weird West Tale
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Deadlands: Reloaded Core Rulebook
This electronic book is copyright Pinnacle Entertainment Group. Redistribution by print or by file is strictly prohibited. This pdf may be printed for personal use. The Weird West Reloaded Shane Lacy Hensley and BD Flory Savage Worlds by Shane Lacy Hensley Credits & Acknowledgements Additional Material: Simon Lucas, Paul “Wiggy” Wade-Williams, Dave Blewer, Piotr Korys Editing: Simon Lucas, Dave Blewer, Piotr Korys, Jens Rushing Cover, Layout, and Graphic Design: Aaron Acevedo, Travis Anderson, Thomas Denmark Typesetting: Simon Lucas Cartography: John Worsley Special Thanks: To Clint Black, Dave Blewer, Kirsty Crabb, Rob “Tex” Elliott, Sean Fish, John Goff, John & Christy Hopler, Aaron Isaac, Jay, Amy, and Hayden Kyle, Piotr Korys, Rob Lusk, Randy Mosiondz, Cindi Rice, Dirk Ringersma, John Frank Rosenblum, Dave Ross, Jens Rushing, Zeke Sparkes, Teller, Paul “Wiggy” Wade-Williams, Frank Uchmanowicz, and all those who helped us make the original Deadlands a premiere property. Fan Dedication: To Nick Zachariasen, Eric Avedissian, Sean Fish, and all the other Deadlands fans who have kept us honest for the last 10 years. Personal Dedication: To mom, dad, Michelle, Caden, and Ronan. Thank you for all the love and support. You are my world. B.D.’s Dedication: To my parents, for everything. Sorry this took so long. Interior Artwork: Aaron Acevedo, Travis Anderson, Chris Appel, Tom Baxa, Melissa A. Benson, Theodor Black, Peter Bradley, Brom, Heather Burton, Paul Carrick, Jim Crabtree, Thomas Denmark, Cris Dornaus, Jason Engle, Edward Fetterman, -
Have Gun, Will Travel: the Myth of the Frontier in the Hollywood Western John Springhall
Feature Have gun, will travel: The myth of the frontier in the Hollywood Western John Springhall Newspaper editor (bit player): ‘This is the West, sir. When the legend becomes fact, we print the legend’. The Man Who Shot Liberty Valance (dir. John Ford, 1962). Gil Westrum (Randolph Scott): ‘You know what’s on the back of a poor man when he dies? The clothes of pride. And they are not a bit warmer to him dead than they were when he was alive. Is that all you want, Steve?’ Steve Judd (Joel McCrea): ‘All I want is to enter my house justified’. Ride the High Country [a.k.a. Guns in the Afternoon] (dir. Sam Peckinpah, 1962)> J. W. Grant (Ralph Bellamy): ‘You bastard!’ Henry ‘Rico’ Fardan (Lee Marvin): ‘Yes, sir. In my case an accident of birth. But you, you’re a self-made man.’ The Professionals (dir. Richard Brooks, 1966).1 he Western movies that from Taround 1910 until the 1960s made up at least a fifth of all the American film titles on general release signified Lee Marvin, Lee Van Cleef, John Wayne and Strother Martin on the set of The Man Who Shot Liberty Valance escapist entertainment for British directed and produced by John Ford. audiences: an alluring vision of vast © Sunset Boulevard/Corbis open spaces, of cowboys on horseback outlined against an imposing landscape. For Americans themselves, the Western a schoolboy in the 1950s, the Western believed that the western frontier was signified their own turbulent frontier has an undeniable appeal, allowing the closing or had already closed – as the history west of the Mississippi in the cinemagoer to interrogate, from youth U. -
Ned Buntline
STEREO7, PON " i "rClN HCR .- 6. monuments and statues including the Revolutionary Monu- ment, erected in 1799 in honor of the 8 minutemen killed here. Then Keystone view $11680 by B.L. Singley, was copyrighted in 1901. The modem view was taken in March, 1982 using a Realist camera. Although some things have changed over the span of more than 80 years, at least one of the trees ap- pears in both views. In the background is the house of Jonathan Harrington, a minuteman who was wounded on by Neal Bullington the green. Legend has it that he managed to drag himself to his door where he died at his wife's feet. This pair of views from Neal Bullington shows the Lex- Comic, historical, or scenic subjects are all welcome in ington, Massachusetts town green, the site of the skirmish THEN & NOW. If you have any combinations of stereo- between minutemen and British forces which initiated the graphs you'd like to share, send them with a brief descrip- Revolutionary War, April 19, 1775. The green, listed on tion to THEN & NOW, c/o John Dennis, 4329 SE 64th, the National Register of Historic Places, contains various Portland, OR 97206. NATIONAL STEREOSCOPIC ASSOCIATION Copyright@ 1983 By the National Stereoscopic Association, Inc. ISSN 0191 - 4030 IN THIS ISSUE VOL. 10, NO. 3 JULYIAUG. 1983 Hung from Wires ...................................... 6 Board of Directors by A.F. Schear CHAIRMAN Louis H. Smaus Washington City, D.C. .................................. 14 MEMBERS Paul Wing and T.K. Treadwell 1850-1984, The Great California Stereo Search .............. 22 Officers by Peter E. -
Life and Adventures of Ned Buntline Ned Buntlines Anecdote of Frank Forester and Chapter of Angling Sketches
L I FE AND ADV ENTURES OF “ NED BUNTL I NE ” ’ Ned Buntline s Anecdote of Frank Forester And Chapter of Angling Sketches B FRED E 1 0ND y . 3 ” Wi ll Wi ldwo o d ) ’ Edi or of F an Forest er s Fu iti e S ortin Ske ches t r k g v p g t , ” S ortin Scenes and Charact rs etc . p g e , THE CADMUS BOOK SHOP 1 9 1 9 O F THE LI FE AND ADV ENTU RES O F NED B UNTLI NE TW O H U ND RED AND FI FTY C O PI ES HAV E BEEN PRI NTED FRO M TYPE A ND TH PE IS TRIBU E E TY D T D . Tab le of Contents I ntroduction Anecdote of Frank Foreste r CHAPTER I d E l d nt and F St r Boyhoo , ar y A ve ures , irst o y CHAPTER II I n the Semi nole War and in G otham CHAPTER III ’ ’ The Novelist s I ntense Patriotism Ne d B untline s CH APTER I V — ’ Life in the Adirondacks A Hunter s Home CHAPTER V Ne d Buntline in the Civil War CHAPTER V I Unjust I mprisonme nt of Ned Buntline CHAPTER V I I ” Wi Sc of l n and m th outs the P ai s , at Ho e CHAPT ER V III — La ter Y ears Personal Remi nisc enc es CHAPTER I ! Ne d Buntli ne as An A nglin g Writer CHAPT ER ! Ned Buntli ne as a Writer o f V erse CHAPTER ! I Closing Y ears o f a Remarkab le Career Books by Ned I LLUSTRATI ONS ” P rai l n Ned n lin F n i i ort t of Co . -
Title of Thesis Or Dissertation, Worded
COWBOY UP: EVOLUTION OF THE FRONTIER HERO IN AMERICAN THEATER, 1872 – 1903 by KATO M. T. BUSS A DISSERTATION Presented to the Department of Theater Arts and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy March 2012 DISSERTATION APPROVAL PAGE Student: Kato M. T. Buss Title: Cowboy Up: Evolution of the Frontier Hero in American Theater, 1872 – 1903 This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of Theater Arts by: Dr. John Schmor Co-Chair Dr. Jennifer Schlueter Co-Chair Dr. John Watson Member Dr. Linda Fuller Outside Member and Kimberly Andrews Espy Vice President for Research & Innovation/Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded March 2012 ii © 2012 Kato M. T. Buss iii DISSERTATION ABSTRACT Kato M. T. Buss Doctor of Philosophy Department of Theater Arts March 2012 Title: Cowboy Up: Evolution of the Frontier Hero in American Theater, 1872 – 1903 On the border between Beadle & Adam’s dime novel and Edwin Porter’s ground- breaking film, The Great Train Robbery, this dissertation returns to a period in American theater history when the legendary cowboy came to life. On the stage of late nineteenth century frontier melodrama, three actors blazed a trail for the cowboy to pass from man to myth. Frank Mayo’s Davy Crockett, William Cody’s Buffalo Bill, and James Wallick’s Jesse James represent a theatrical bloodline in the genealogy of frontier heroes. -
Literature, CO Dime Novels
DOCUMENT RESUME ED 068 991 CS 200 241 AUTHOR Donelson, Ken, Ed. TITLE Adolescent Literature, Adolescent Reading and the English Class. INSTITUTION Arizona English Teachers Association, Tempe. PUB DATE Apr 72 NOTE 147p. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Road, Urbana, Ill. 61801 (Stock No. 33813, $1.75 non-member, $1.65 member) JOURNAL CIT Arizona English Bulletin; v14 n3 Apr 1972 EDRS PRICE MF-$0.65 HC-$6.58 DESCRIPTORS *Adolescents; *English; English Curriculum; English Programs; Fiction; *Literature; *Reading Interests; Reading Material Selection; *Secondary Education; Teaching; Teenagers ABSTRACT This issue of the Arizona English Bulletin contains articles discussing literature that adolescents read and literature that they might be encouragedto read. Thus there are discussions both of literature specifically written for adolescents and the literature adolescents choose to read. The term adolescent is understood to include young people in grades five or six through ten or eleven. The articles are written by high school, college, and university teachers and discuss adolescent literature in general (e.g., Geraldine E. LaRoque's "A Bright and Promising Future for Adolescent Literature"), particular types of this literature (e.g., Nicholas J. Karolides' "Focus on Black Adolescents"), and particular books, (e.g., Beverly Haley's "'The Pigman'- -Use It1"). Also included is an extensive list of current books and articles on adolescent literature, adolescents' reading interests, and how these books relate to the teaching of English..The bibliography is divided into (1) general bibliographies,(2) histories and criticism of adolescent literature, CO dime novels, (4) adolescent literature before 1940, (5) reading interest studies, (6) modern adolescent literature, (7) adolescent books in the schools, and (8) comments about young people's reading. -
The Crescent City 4 26 17.Pdf
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Tradit ions By Ned Hémard The Crescent City A young, adventurous Yankee departed November 1, 1834, from his hometown harbor of Portland, Maine, aboard the merchantman Plato. His journey down to New Orleans, and subsequent trip upriver to Natchez, became the basis for a travel journal published in 1835, entitled The South-west by a Yankee, and firmly established an enduring popular name for the city of New Orleans: “The Crescent City”. The itinerant author’s name was Joseph Holt Ingraham (January 26, 1809 – December 18, 1860), only twenty-five years of age when he left New England for the South. Joseph Holt Ingraham Twentieth century readers were re-introduced to the travels of Joseph Holt Ingraham in 1971 with the book New Orleans Is My Name by James Register, printed by Mid-South Press of Shreveport. The Baton Rouge State-Times reported in an article dated November 4, 1971: “The expression of New Orleans as ‘the crescent city’ used as it appears from time immemorial with no thought of its author, comes to light in Register’s book,” a thoughtful condensation of Ingraham’s guidebook. With “vivid word-pictures” Ingraham described the “Creole French, market scenes, French cafes and Creole belles, a gaming house, a Spanish beauty, theaters, bachelors and their haunts,” to name just a few categories in his travelogue. Map of New Orleans, 1834, the same year Madame Delphine LaLaurie’s house was sacked by a mob of outraged citizens. The slave-torturing Creole socialite escaped to France with her family. -
Download- Ed From: Books at JSTOR, EBSCO, Hathi Trust, Internet Archive, OAPEN, Project MUSE, and Many Other Open Repositories
’ Series editor: John C. Seitz, Associate Professor, Theology Department, Fordham University; Associate Director for Lincoln Center, Curran Center for American Catholic Studies This series aims to contribute to the growing eld of Catholic studies through the publication of books devoted to the historical and cultural study of Catholic practice in North America, from the colonial period to the present. As the term “practice” suggests, the series springs from a pressing need in the study of American Catholicism for empirical investigations and creative explorations and analyses of the contours of Catholic experience. In seeking to provide more comprehensive maps of Catholic practice, this series is committed to publishing works from diverse American locales, including urban, suburban, and rural settings; ethnic, postethnic, and transnational contexts; private and public sites; and seats of power as well as the margins. Series advisory board: Emma Anderson, Ottawa University Paul Contino, Pepperdine University Kathleen Sprows Cummings, University of Notre Dame James T. Fisher, Fordham University (Emeritus) Paul Mariani, Boston College Thomas A. Tweed, University of Notre Dame Map of the Upper Mississippi and Ohio River valleys, ca. Inventing America’s First Immigration Crisis Political Nativism in the Antebellum West Luke Ritter : Edward Weber & Co. Map shewing the connection of the Baltimore and Ohio-Rail-Road with other rail roads executed or in progress throughout the United States. [Baltimore Lith. of Ed. Weber & Co. –?, ] Map. https://www.loc.gov/item/gm /. Copyright © Fordham University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, or any other—except for brief quotations in printed reviews, without the prior permission of the publisher. -
Points West, Summer 2015
summer 2015 The American Indian as Artist Adornment in the West Buffalo Bill on a bullfrog? Frontiersmen and their imitators Buffalo Bill and the kids About the cover: to the point BY BRUCE ELDREDGE | Executive Director Squash blossom necklace with naja, Navajo, 1920s – 1930s. Silver and leather. Gift of Betty Lou Sheerin. NA.203.1355. The naja refers to the pendant hanging from the center of the necklace. The Navajo first saw this crescent-shaped decoration on the headstalls of the horses the Spanish explorers brought with them. The Spanish adapted the design from the Moors. ©2015 Buffalo Bill Center of the West. Points West is published for members and friends of the Center of the West. Written permission is required to copy, reprint, or distribute Points West materials in any You know it’s summer in Cody, Wyoming, when: medium or format. All photographs in Points West are Center of the West photos unless otherwise ■ Yellowstone opens for the season. noted. Direct all questions about image rights and ■ River floaters launch their rafts into the Shoshone River. reproduction to [email protected]. ■ Broncs and bulls buck at the rodeo. Bibliographies, works cited, and footnotes, etc. ■ Tourists saunter downtown for afterhours window-shopping. are purposely omitted to conserve space. However, such information is available by contacting Here at the Buffalo Bill Center of the West we have a few markers of the editor. Address correspondence to Editor, summer, too: Points West, Buffalo Bill Center of the West, 720 Sheridan Avenue, Cody, Wyoming 82414, or ■ Ron Reed is cooking up beans and biscuits at the chuckwagon. -
Historical and Literary Perspectives on the Significance of the Dime Novel in Nineteenth Century America
NAVIGATING NINETEENTH CENTURY NOVELS: LINKING HISTORICAL AND LITERARY PERSPECTIVES TO EXPLORE THE INFLUENCE OF DIME NOVELS IN NINETEENTH CENTURY AMERICA. by Helen C. Nelson A Thesis/Project Presented to The Faculty of Humboldt State University In Partial Fulfillment of the Requirements for the Degree Master of Social Science Emphasis in American History May, 2005 NAVIGATING NINETEENTH CENTURY NOVELS: LINKING HISTORICAL AND LITERARY PERSPECTIVES TO EXPLORE THE INFLUENCE OF DIME NOVELS IN NINETEENTH CENTURY AMERICA by Helen C. Nelson Approved by the Master’s Thesis Committee: Delores McBroome, Major Professor Date Gayle Olson-Raymer, Committee Member Date Rodney Sievers, Committee Member Date Delores McBroome, Graduate Coordinator Date MASS—Teaching American History Cohort Donna E. Schafer, Dean for Research and Graduate Studies Date ABSTRACT NAVIGATING NINETEENTH CENTURY NOVELS: LINKING HISTORICAL AND LITERARY PERSPECTIVES TO EXPLORE THE INFLUENCE OF DIME NOVELS IN NINETEENTH CENTURY AMERICA. To set the context, this study will compare what has been written about three layers of literary output in nineteenth century America, and examine what can be learned about the class, race, gender, and culture of the intended readers. The three layers are identified by David Reynolds in Beneath the American Renaissance. Firstly, there was "classic" literature of the American Renaissance writers, secondly, a "genteel sentimental-domestic genre," and thirdly, the "sensational literature" that grew with the rise of the penny press. In order to set the scene, this study examines briefly the rise of the American novel, looks at some contemporary reviews, and as Cathy Davidson suggests in Revolution and the Word does a "careful appraisal of those moments in which literature is written." It also examines the different sectors of society at the time - the interpretive communities, in other words, the reading audience. -
October 2008
MercantileEXCITINGSee section our NovemberNovemberNovember 2001 2001 2001 CowboyCowboyCowboy ChronicleChronicleChronicle(starting on PagepagePagePage 90) 111 The Cowboy Chronicle~ The Monthly Journal of the Single Action Shooting Society ® Vol. 21 No. 10 © Single Action Shooting Society, Inc. October 2008 HALL OF FAME INDUCTEES – 2008 q By Tex, SASS #4 q ach year the Hall of Fame tee deliberates its selections, we committee searches for find there are many who are E the most deserving indi- deserving, far more than can be viduals and organizations accommodated in a single year. that have had a lasting impact of The committee’s list continues to the sport of Cowboy Action grow and evolve, and this year’s Shooting™. Long-term support list is particularly pleasing, con- for the game we play, excellence sisting of a long time, influential in competition, those who have Cowboy Action vendor, some top established significant regional shooters, those who have helped activities, and even those who shape Cowboy Action as we have invented many of the prac- know it today, and long-term tices, procedures, and sayings we supporters of our sport. SASS is all take for granted today are very proud of the five inductees candidates. And, as the commit- highlighted below. COUNTRY FIRST REGISTER BOB and THE DURANGO TO BECKY MUNDEN KID VOTE SASS Cowboy Chronicle In This Issue BLACK JACK TAYLOR’S & COMPANY McGINNIS Keeping the Legend Alive SAN QUINTON 64 WINCHESTER ‘76 REPRODUCTION See INDUCTEES Bios on pages 71, 72, 73 by Blackthorne Billy 74 END OF TRAIL MOUNTED CHAMPIONSHIP by Wildcat Kate C h C 82 8TH ANNUAL REVENGE r o OF MONTEZUMA o w by Haycamp n b i o 23255 La Palma Avenue 84 UTAH BLACKPOWDER c y Yorba Linda, California 92887 CHAMPIONSHIP l by Cowboy Murder’n Maude e www.sassnet.com Page 2 Cowboy Chronicle October 2008 October 2008 Cowboy Chronicle Page 3 Page 4 Cowboy Chronicle October 2008 October 2008 Cowboy Chronicle Page 5 The Cowboy CCONTENTSONTENTS Chronicle 1 ON THE COVER Hall Of Fame Inductees - 2008 . -
"Little Sheaves" Gathered While Gleaning After Reapers. Being Letters of Travel Commencing in 1870, and Ending in 1873
"Little sheaves" gathered while gleaning after reapers. Being letters of travel commencing in 1870, and ending in 1873. By Caroline M. Churchill “Little Sheaves” GATHERED WHILE GLEANING AFTER REAPERS. Being Letters of Travel commencing in 1870, and ending in 1873 BY MRS. C. M. CHURCHILL SAN FRANCISCO: 1874. Entered according to Act of Congress, in the year 1874. by Mrs. C. M. Churchill, in the office of the Librarian of Congress: at Washington. “Little Sheaves” GATHERED WHILE GLEANING AFTER REAPERS. Being Letters of Travel commencing in 1870, and ending in 1873. BY MRS. C. M. CHURCHILL. "Little sheaves" gathered while gleaning after reapers. Being letters of travel commencing in 1870, and ending in 1873. By Caroline M. Churchill http://www.loc.gov/resource/calbk.091 SAN FRANCISCO: 1874. The Golden State. Here I am in the Golden Land, so well pleased that, like the old Queen of Sheba, I exclaim, “The half has not been told me.” Leaving bleak, cold, windy Chicago, so ill that I could not sit up, I began to amend rapidly as I breathed the invigorating air of the great plains. Arriving here after a most delightful journey of six days, I have gained sufficient strength to walk three miles without being unduly fatigued. Delightful as imagination had pictured the overland route, the reality of the beauty and grandeur of the scenery exceeded expectation. Illimitable plains, lofty, snow-capped mountains, and lovely, fertile valleys succeed each other, ever beautiful and ever varying. Among the mountain passes the snow was very deep, but the snow-sheds prevent it from covering the tracks, so that there is no danger.