Xerox University Microfilms

Total Page:16

File Type:pdf, Size:1020Kb

Xerox University Microfilms INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce th's ' jment have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. Silver prints of "photographs" may be ordered at additional charge by writing the Order Department, giving the catalog number, title, author and specific pages you wish reproduced. 5. PLEASE NOTE: Some pages may have indistinct print. Filmed as received. Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 4S106 76-24,548 ALTHERR, Thomas Lawson, 1948- "THE BEST OF ALL BREATHING": HUNTING AS A MODE OF ENVIRONMENTAL PERCEPTION IN AMERICAN LITERATURE AND THOUGHT FROM JAMES FENIMORE COOPER TO NORMAN MAILER. The Ohio State University, Ph.D., 1976 History, United States Xerox University Microfilms, Ann Arbor, Michigan48ioe "THE BEST OF ALL BREATHING"* HUNTING AS A MODE OF ENVIRONMENTAL PERCEPTION IN AMERICAN LITERATURE AND THOUGHT FROM JAMES FENIMORE COOPER TO NORMAN MAILER * DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Thomas Lawson Altherr, B.A., M.A. The Ohio State University 1976 Reading Committee: Approved By Dr, William D. Andrews Dr, Bradley Chapin Advise Dr. Peter C. Hoffer Department of History To My Wife, Janet Weir Altherr, My Very Uncommon Loon ACKNOWLEDGMENTS I would like to give sincerest thanks to the following persons, all of whom greatly aided me in completing this dissertation* first to Dr. Peter C. Hoffer, who supported the idea from the inception, and offered many "beneficial style and contents suggestions, to Dr, Bradley Chapin, Dept, of History and Dr. William D. Andrews, for serving on my reading committee, to Dr. Merton L. Dillon, Dept, of History, for invaluable suggestions on slave-hunting sources, to Dr. Allen R. Millett, for information and dialectical dis­ cussion on Custer, to Dr. John C. Burnham, Dept, of History, for psychological commentary on the project, and intellectual stimulation in the early stages, to Dr. Daniel R, Barnes, Dept, of English, for many long, exciting discussions on the topic of frontier experience and literature, Dr, William T. Hamilton, Dept, of English, Otterbein College, for very intriguing suggestions about folklore, to Dr. Mary E. Voung, Dept, of History, University of Rochester, who during her tenure here at Ohio State, encouraged my historical quirks and eccentricities, to Dr. Edward N. Saveth, Dept, of History, SUNY College at Fredonia, and Dr. Eugene Bianco, formerly of the Dept, of English, SUNY College at Fredonia, iii for introducing me to American Studies and encouraging my interests in that direction, and to Mr. Richard Aquila, Dr. Peter Lloyd, Mr. Steven Gietschier, and Dr. Michael Quigley, for frequent and stimulating discussions on the place and history of hunting in America. My fondest appreciation goes out to my family, to my brothers, Douglas, Paul, and James, who lent much moral support to the project during rough times, to my parents, Henry and Georgianna, who likewise stood behind me all the way, and the photograph of whom, standing next to the 1930's car and holding rifle and shotgun partially inspired this study, to my father especially, who took us early to the Western New York woods and taught me when and when not to hunt, and to my daughter, Tersa Lynn, and my wife, Janet Weir Altherr, who both breathed and lived this study nearly as much as I did. Thanks to them all! Thomas Lawson Altherr Columbus, Ohio 1 June 1976 iv VITA April 26, 194-8...... Born - Buffalo, New York 197 0 ................. B.A. State University of New York College at Fredonia, Fredonia, New York 197 1 ................. M.A. The Ohio State University, Columbus, Ohio 1970-1974 -........... University Fellow, The Ohio State University, Columbus, Ohio 1971-1973* 1974—1975 Teaching Associate, Department of History, The Ohio State University, Columbus, Ohio 1974— 1975........... Teaching Associate, Department of Humanities. The Ohio State Uni­ versity, Columbus, Ohio PUBLICATIONS Abstract of "The Hunter-Naturalist and the Development of the Code of Gamesmanship," Proceedings of the North American Society for Sport History, (1975)* PP. FIELDS OF STUDY Major Field: American Intellectual History, Dr, Peter Hoffer Studies in American Social and Economic History, Dr. Mary E. Young Studies in the History of Science. Dr, John C, Burnham Studies in American Literature, Dr. Daniel R, Barnes Studies in Creative Writing. Dr. Robert Canzoneri v TABLE OF CONTENTS ACKNOWLEDGMENTS........................................... iii VITA ....................................................... v INTRODUCTION ............................................. 1 PROLOGUE I. "Wasty Ways”: Natty Bumppo's Ecological Consciousness in James Fenimore Cooper's Leatherstocking Novels........................ 15 PART I: The Savage Urge to Hunt in Nineteenth- Century America................................. 44 II. "Feasting and Fasting": Hunting and Hunters in Washington Irving's A Tour on the Prairies........................................ 48 III. "Go Ahead!": David Crockett and the Failure of Ecological Consciousness................. 62 IV. "It War an Unhuntahle Bar": Bear-Hunting and the "Big Bear" Southwestern Humorists....... 75 V. "Drunk with the Chase": The Savage Hunting Impulse in Francis Parkman's The Oregon Trail and Herman Melville's Moby-Dick 77 ....... 98 VI. "Chaplain to the Hunters": Henry David Thoreau's Ambivalence toward Hunting........ 113 VII. "We've Got 'Em on the Run, Boys!": Hunting Slaves and Indians as Animals............... 143 VIII. "Always Aims and Shoots to Kill": "Buffalo Bill" Cody and the Ritual Dramatization of Hunting in the West........................ 177 IX. "The Heart of Things Primordial": Hunting as Atavism in Jack London's The Call of the Wild and The Sea-Wolf......................... 189 vi TRANSITION X. "All Hunters Should Be Nature Lovers": Theodore Roosevelt and the Emergence of the American Hunter-Naturalist Ideal......... 205 PART II: The Last Hunt: Hunting Tradition and Receding Wilderness in Twentieth-Century America........................................ 221 XI. "The Lost Good Country": Hunting Tradition and Receding Wilderness in Ernest Heming­ way's Nick Adams Stories..................... 224 XII. "The Best of All Breathing": The Wilderness Career of Isaac McCaslin in William Faulkner's "The Old People," "The Bear," and "Delta Autumn".................. 240 XIII. "It War Some": Hunting Tradition and Receding Wilderness in Five Represent­ ative Western Regionalist Novels........... 266 XIV. "Mallards and Messerschmitts": American Hunting Magazines and the War Effort during World War II......................... 293 EPILOGUE XV. "Going-for the Grizzer": Hunting in Norman Mailer's Why Are We in Vietnam?.......... 309 BIBLIOGRAPHY............................................. 325 vii INTRODUCTION In early September, 1975* Columbia Broadcasting System (CBS) broadcast a special program about sport-hunting titled "The Guns of Autumn." The program included footage of some hunters shooting bears that they had fed only three days previously, scenes of other animal shootings, and interviews with various hunters, who were largely inarticulate on the screen. Contrary to announced intentions of objectivity, the show displayed a distinct anti-hunting bias. Neglecting unfortunately any of the mythic, anthropological, social, and ecological aspects of sport-hunting, "The Guns of Autumn" pictured hunting as the sadistic and profitable frivolity of social degenerates who chant the rhetoric of the National Rifle Association. At CBS's request and of their own will, thousands of hunters and many hunters' groups, and many non­ hunters such as this writer, wrote and protested what they considered a gross distortion of present-day hunting in America. CBS ran a sequel in late September, 1975t titled "Echoes of the Guns of Autumn." This sequel showed dis­ gusted hunters watching the original program and featured panel discussions by opposing
Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • Deadlands: Reloaded Core Rulebook
    This electronic book is copyright Pinnacle Entertainment Group. Redistribution by print or by file is strictly prohibited. This pdf may be printed for personal use. The Weird West Reloaded Shane Lacy Hensley and BD Flory Savage Worlds by Shane Lacy Hensley Credits & Acknowledgements Additional Material: Simon Lucas, Paul “Wiggy” Wade-Williams, Dave Blewer, Piotr Korys Editing: Simon Lucas, Dave Blewer, Piotr Korys, Jens Rushing Cover, Layout, and Graphic Design: Aaron Acevedo, Travis Anderson, Thomas Denmark Typesetting: Simon Lucas Cartography: John Worsley Special Thanks: To Clint Black, Dave Blewer, Kirsty Crabb, Rob “Tex” Elliott, Sean Fish, John Goff, John & Christy Hopler, Aaron Isaac, Jay, Amy, and Hayden Kyle, Piotr Korys, Rob Lusk, Randy Mosiondz, Cindi Rice, Dirk Ringersma, John Frank Rosenblum, Dave Ross, Jens Rushing, Zeke Sparkes, Teller, Paul “Wiggy” Wade-Williams, Frank Uchmanowicz, and all those who helped us make the original Deadlands a premiere property. Fan Dedication: To Nick Zachariasen, Eric Avedissian, Sean Fish, and all the other Deadlands fans who have kept us honest for the last 10 years. Personal Dedication: To mom, dad, Michelle, Caden, and Ronan. Thank you for all the love and support. You are my world. B.D.’s Dedication: To my parents, for everything. Sorry this took so long. Interior Artwork: Aaron Acevedo, Travis Anderson, Chris Appel, Tom Baxa, Melissa A. Benson, Theodor Black, Peter Bradley, Brom, Heather Burton, Paul Carrick, Jim Crabtree, Thomas Denmark, Cris Dornaus, Jason Engle, Edward Fetterman,
    [Show full text]
  • To Download a Sample Song List
    Please note this is a sample song list, designed to show the style and range of music the band typically performs. This is the most comprehensive list available at this time; however, the band is NOT LIMITED to the selections below. Please ask your event producer if you have a specific song request that is not listed. TOP 40 AND DANCE HITS Fetty Wap My Way Ariana Grande Fifth Harmony Thank You Next Work From Home Beyonce Flo Rida Love On Top Low The Black Eyed Peas G-Easy I Gotta Feeling No Limit Bruno Mars Ginuwine Finesse Pony That’s What I Like Gnarls Barkley Calvin Harris Crazy This Is What You Came For Halsey Camila Cabello Without Me Havana Icona Pop Cardi B I Love It I Like It Iggy Azalea Carly Rae Jepsen Fancy Call Me Maybe Imagine Dragons Clean Bandit Thunder Rather Be Jason Derulo Cupid Talk Dirty To Me Cupid Shuffle The Other Side Want To Want Me Daft Punk Get Lucky Jennifer Lopez Dinero David Guetta On The Floor Titanium Jeremih Demi Lovato Oui Neon Lights Jessie J Desiigner Bang Bang Panda Jidenna DNCE Classic Man Cake By The Ocean John Legend Drake Green Light God’s Plan Nice For What Justin Timberlake Can’t Stop This Feeling Echosmith Filthy Cool Kids Say Something Ellie Goulding Katy Perry Burn Dark Horse Firework Teenage Dream Kelly Clarkson Sam Smith Stronger Latch Stay With Me Kevin Gates 2 Phones T. Pain All I Do Is Win Lady Gaga Shallow Taylor Swift Delicate Lil’ Jon Shake It Off Turn Down For What Trey Songz Macklemore Bottoms Up Can’t Hold Us Usher Magic! DJ Got Us Falling In Love Rude Good Kisser Yeah Maroon 5
    [Show full text]
  • AWARDS 3X PLATINUM ALBUM February // 2/1/17 - 2/28/17
    RIAA GOLD & PLATINUM HAMILTON//BROADWAY CAST AWARDS 3X PLATINUM ALBUM February // 2/1/17 - 2/28/17 BRUNO MARS//24K MAGIC PLATINUM ALBUM In February 2017, RIAA certified 70 Digital Single Awards and 22 Album Awards. All RIAA DIERKS BENTLEY//BLACK GOLD ALBUM Awards dating back to 1958, plus #RIAATopCertified tallies for your favorite artists, are available at DAVID BOWIE//BLACKSTAR GOLD ALBUM riaa.com/gold-platinum! KENNY CHESNEY//THE BIG REVIVAL SONGS GOLD ALBUM www.riaa.com //// //// GOLD & PLATINUM AWARDS FEBRUARY // 2/1/17 - 2/28/17 MULTI PLATINUM SINGLE // 13 Cert Date// Title// Artist// Genre// Label// Plat Level// Rel. Date// X 21 Savage & Metro R&B/ 2/22/2017 Slaughter Gang, LLC 7/15/2016 (Feat. Future) Boomin Hip Hop R&B/ Waverecordings/Empire/ 2/3/2017 Broccoli D.R.A.M. 4/6/2016 Hip Hop Atlantic R&B/ Waverecordings/Empire/ 2/3/2017 Broccoli D.R.A.M. 4/6/2016 Hip Hop Atlantic 2/22/2017 This Is How We Roll Florida Georgia Line Country BMLG Records 12/4/2012 Jidenna Feat. Ro- R&B/ 2/2/2017 Classic Man Epic 2/3/2015 man Gianarthur Hip Hop Last Friday Night 2/10/2017 Katy Perry Pop Capitol Records 8/24/2010 (T.G.I.F) 2/3/2017 I Don’t Dance Lee Brice Country Curb Records 2/25/2014 Lil Wayne, Wiz Khal- ifa & Imagine Drag- R&B/ 2/1/2017 Sucker For Pain ons With Logic And Atlantic Records 6/24/2016 Hip Hop Ty Dolla $Ign (Feat. X Ambassadors) My Chemical 2/15/2017 Teenagers Alternative Reprise 10/20/2006 Romance 2/21/2017 Bad Blood Taylor Swift Pop Big Machine Records 10/27/2014 2/21/2017 Die A Happy Man Thomas Rhett Country Valory Music Group 9/18/2015 2/17/2017 Heathens Twenty One Pilots Alternative Atlantic Records 6/17/2016 Or Nah R&B/ 2/1/2017 (Feat.
    [Show full text]
  • Have Gun, Will Travel: the Myth of the Frontier in the Hollywood Western John Springhall
    Feature Have gun, will travel: The myth of the frontier in the Hollywood Western John Springhall Newspaper editor (bit player): ‘This is the West, sir. When the legend becomes fact, we print the legend’. The Man Who Shot Liberty Valance (dir. John Ford, 1962). Gil Westrum (Randolph Scott): ‘You know what’s on the back of a poor man when he dies? The clothes of pride. And they are not a bit warmer to him dead than they were when he was alive. Is that all you want, Steve?’ Steve Judd (Joel McCrea): ‘All I want is to enter my house justified’. Ride the High Country [a.k.a. Guns in the Afternoon] (dir. Sam Peckinpah, 1962)> J. W. Grant (Ralph Bellamy): ‘You bastard!’ Henry ‘Rico’ Fardan (Lee Marvin): ‘Yes, sir. In my case an accident of birth. But you, you’re a self-made man.’ The Professionals (dir. Richard Brooks, 1966).1 he Western movies that from Taround 1910 until the 1960s made up at least a fifth of all the American film titles on general release signified Lee Marvin, Lee Van Cleef, John Wayne and Strother Martin on the set of The Man Who Shot Liberty Valance escapist entertainment for British directed and produced by John Ford. audiences: an alluring vision of vast © Sunset Boulevard/Corbis open spaces, of cowboys on horseback outlined against an imposing landscape. For Americans themselves, the Western a schoolboy in the 1950s, the Western believed that the western frontier was signified their own turbulent frontier has an undeniable appeal, allowing the closing or had already closed – as the history west of the Mississippi in the cinemagoer to interrogate, from youth U.
    [Show full text]
  • History That Promotes Understanding in a Diverse Society 145 View
    The Future of History The Future of History HISTORIANS, HISTORICAL ORGANIZATIONS, AND THE PROSPECTS FOR THE FIELD Conrad Edick Wright & Katheryn P. Viens, editors, Published by the Massachusetts Historical Society, Boston 2017 © 2017 Massachusetts Historical Society Contributors retain rights for their essays. Designed by Ondine Le Blanc Library of Congress Cataloging-in-Publication Data Names: Wright, Conrad Edick, editor of compilation. | Viens, Katheryn P., 1962- editor of compilation. Title: The future of history : historians, historical organizations, and prospects for the field / Conrad Edick Wright and Katheryn P. Viens, editors. Other titles: Historians, historical organizations, and prospects for the field Description: Boston : Massachusetts Historical Society, [2017] | Includes bibliographical references. Identifiers: LCCN 2017019926 | ISBN 9781936520114 (pbk.) Subjects: LCSH: History--Study and teaching. | Historians. | History--Societies, etc. Classification: LCC D16.2 .F87 2017 | DDC 907.1--dc23 LC record available at https://lccn.loc.gov/2017019926 Digital editions of this title are available at the MHS website. www.masshist.org/publications/future_history Katheryn P. Viens | Introduction: 1 Finding Meaning in the Past John Stauffer | History Is 8 the Activist’s Muse Richard Rabinowitz | History in Every 20 Sense: Public and Academic History Paul J. Erickson | History and the 31 Future of the Digital Humanities Louise Mirrer | What Does History 47 Cost and How Can We Pay for It? Gretchen Sullivan Sorin | The Future 57 of History: Egg Rolls, Egg Creams and Empanadas Debra Block | History Education 68 in the (Mis)Information Age Manisha Sinha | History 79 and Its Discontents John Lauritz Larson | The Feedback 89 Loop: Sharing the Process of Telling Stories Robert Townsend | Academic History’s 98 Challenges and Opportunities Stephen A.
    [Show full text]
  • Woodrow Wilson Fellows-Pulitzer Prize Winners
    Woodrow Wilson Fellows—Pulitzer Prize Winners last updated January 2014 Visit http://woodrow.org/about/fellows/ to learn more about our Fellows. David W. Del Tredici Recipient of the 1980 Pulitzer Prize for Music In Memory of a Summer Day Distinguished Professor of Music • The City College of New York 1959 Woodrow Wilson Fellow Caroline M. Elkins Recipient of the 2006 Pulitzer Prize for General Nonfiction Imperial Reckoning: The Untold Story of Britain's Gulag in Kenya (Henry Holt) Professor of History • Harvard University 1994 Mellon Fellow Joseph J. Ellis, III Recipient of the 2001Pulitzer Prize for History Founding Brothers: The Revolutionary Generation (Alfred A. Knopf) Professor Emeritus of History • Mount Holyoke College 1965 Woodrow Wilson Fellow Eric Foner Recipient of the 2011Pulitzer Prize for History The Fiery Trial: Abraham Lincoln and American Slavery (W.W. Norton) DeWitt Clinton Professor of History • Columbia University 1963 Woodrow Wilson Fellow (Hon.) Doris Kearns Goodwin Recipient of the 1995 Pulitzer Prize for History No Ordinary Time: Franklin and Eleanor Roosevelt: The Home Front in World War II (Simon & Schuster) Historian 1964 Woodrow Wilson Fellow Stephen Greenblatt Recipient of the 2012 Pulitzer Prize for General Nonfiction The Swerve: How the World Became Modern (W.W. Norton) Cogan University Professor of the Humanities • Harvard University 1964 Woodrow Wilson Fellow (Hon.) Robert Hass Recipient of one of two 2008 Pulitzer Prizes for Poetry Time and Materials (Ecco/HarperCollins) Distinguished Professor in Poetry and Poetics • The University of California at Berkeley 1963 Woodrow Wilson Fellow Michael Kammen (deceased) Recipient of the 1973 Pulitzer Prize for History People of Paradox: An Inquiry Concerning the Origins of American Civilization (Alfred A.
    [Show full text]
  • Ned Buntline
    STEREO7, PON " i "rClN HCR .- 6. monuments and statues including the Revolutionary Monu- ment, erected in 1799 in honor of the 8 minutemen killed here. Then Keystone view $11680 by B.L. Singley, was copyrighted in 1901. The modem view was taken in March, 1982 using a Realist camera. Although some things have changed over the span of more than 80 years, at least one of the trees ap- pears in both views. In the background is the house of Jonathan Harrington, a minuteman who was wounded on by Neal Bullington the green. Legend has it that he managed to drag himself to his door where he died at his wife's feet. This pair of views from Neal Bullington shows the Lex- Comic, historical, or scenic subjects are all welcome in ington, Massachusetts town green, the site of the skirmish THEN & NOW. If you have any combinations of stereo- between minutemen and British forces which initiated the graphs you'd like to share, send them with a brief descrip- Revolutionary War, April 19, 1775. The green, listed on tion to THEN & NOW, c/o John Dennis, 4329 SE 64th, the National Register of Historic Places, contains various Portland, OR 97206. NATIONAL STEREOSCOPIC ASSOCIATION Copyright@ 1983 By the National Stereoscopic Association, Inc. ISSN 0191 - 4030 IN THIS ISSUE VOL. 10, NO. 3 JULYIAUG. 1983 Hung from Wires ...................................... 6 Board of Directors by A.F. Schear CHAIRMAN Louis H. Smaus Washington City, D.C. .................................. 14 MEMBERS Paul Wing and T.K. Treadwell 1850-1984, The Great California Stereo Search .............. 22 Officers by Peter E.
    [Show full text]
  • Promise Beheld and the Limits of Place
    Promise Beheld and the Limits of Place A Historic Resource Study of Carlsbad Caverns and Guadalupe Mountains National Parks and the Surrounding Areas By Hal K. Rothman Daniel Holder, Research Associate National Park Service, Southwest Regional Office Series Number Acknowledgments This book would not be possible without the full cooperation of the men and women working for the National Park Service, starting with the superintendents of the two parks, Frank Deckert at Carlsbad Caverns National Park and Larry Henderson at Guadalupe Mountains National Park. One of the true joys of writing about the park system is meeting the professionals who interpret, protect and preserve the nation’s treasures. Just as important are the librarians, archivists and researchers who assisted us at libraries in several states. There are too many to mention individuals, so all we can say is thank you to all those people who guided us through the catalogs, pulled books and documents for us, and filed them back away after we left. One individual who deserves special mention is Jed Howard of Carlsbad, who provided local insight into the area’s national parks. Through his position with the Southeastern New Mexico Historical Society, he supplied many of the photographs in this book. We sincerely appreciate all of his help. And finally, this book is the product of many sacrifices on the part of our families. This book is dedicated to LauraLee and Lucille, who gave us the time to write it, and Talia, Brent, and Megan, who provide the reasons for writing. Hal Rothman Dan Holder September 1998 i Executive Summary Located on the great Permian Uplift, the Guadalupe Mountains and Carlsbad Caverns national parks area is rich in prehistory and history.
    [Show full text]
  • History in the Age of Fracture L
    Program on American Citizenship History in the age of fracture By Wilfred M. McClay June 2015 KEY POINTS . The discipline of history is in serious decline, as both practitioners and the public lack confidence that it can be a truth-seeking enterprise or provide a coherent account of the past. The so-called “age of fracture” in our current culture means that the broad commonalities of shared history are becoming less important than individual experience. To overcome its current decline, history must address the public’s common past and future in a way meant to contribute to a healthy foundation for our common civic existence. uiuiuii ike so many of the disciplines making up much on the belief that the road we have traveled L the humanities, the field of history has for to date offers us only a parade of negative some time been experiencing a slow examples of oppression, error, and dissolution, a decline that may be approaching a obsolescence—proof positive that the past has no critical juncture. Students of academic life lessons applicable to our unprecedented age. express this decline quantitatively, citing This loss of faith in the central importance of shrinking enrollments in history courses, the history pervades all of American society. Gone are disappearance of required history courses in the days when widely shared narratives about the university curricula, and the loss of tenurable past provided a sense of civilizational unity and faculty positions in all history-related areas.1 forward propulsion. Instead, we live, argues But even more disturbing indications of history’s historian Daniel T.
    [Show full text]
  • Maryland Historical Magazine, 1963, Volume 58, Issue No. 2
    MARYLAND HISTORICAL MAGAZINE VOL. 58, No. 2 JUNE, 1963 CONTENTS PAGE The Autobiographical Writings of Senator Arthur Pue Gorman John R. Lambert, Jr. 93 Jonathan Boucher: The Mind of an American Loyalist Philip Evanson 123 Civil War Memoirs of the First Maryland Cavalry, C. S.A Edited hy Samuel H. Miller 137 Sidelights 173 Dr. James B. Stansbury Frank F. White, Jr. Reviews of Recent Books 175 Bohner, John Pendleton Kennedy, by J. Gilman D'Arcy Paul Keefer, Baltimore's Music, by Lester S. Levy Miner, William Goddard, Newspaperman, by David C. Skaggs Pease, ed.. The Progressive Years, by J. Joseph Huthmacher Osborne, ed., Swallow Barn, by Cecil D. Eby Carroll, Joseph Nichols and the Nicholites, by Theodore H. Mattheis Turner, William Plumer of New Hampshire, by Frank Otto Gatell Timberlake, Prohibition and the Progressive Movement, by Dorothy M. Brown Brewington, Chesapeake Bay Log Canoes and Bugeyes, by Richard H. Randall Higginbotham, Daniel Morgan, Revolutionary Rifleman, by Frank F. White, Jr. de Valinger, ed., and comp., A Calendar of Ridgely Family Letters, by George Valentine Massey, II Klein, ed.. Just South of Gettysburg, by Harold R. Manakee Notes and Queries 190 Contributors 192 Annual Subscription to the Magazine, t'f.OO. Each issue $1.00. The Magazine assumes no responsibility for statements or opinions expressed in its pages. Richard Walsh, Editor C. A. Porter Hopkins, Asst. Editor Published quarterly by the Maryland Historical Society, 201 W. Monument Street, Baltimore 1, Md. Second-class postage paid at Baltimore, Md. > AAA;) 1 -i4.J,J.A.l,J..I.AJ.J.J LJ.XAJ.AJ;4.J..<.4.AJ.J.*4.A4.AA4.4..tJ.AA4.AA.<.4.44-4" - "*" ' ^O^ SALE HISTORICAL MAP OF ST.
    [Show full text]
  • Teddy Roosevelt's Trophy: History and Nostalgia
    Proceedings Master_FINAL.qxp 7/06/2005 10:19 AM Page 89 THE AUSTRALIAN ACADEMY OF THE HUMANITIES § Annual Lecture 2004 TEDDY ROOSEVELT’S TROPHY: HISTORY AND NOSTALGIA Iain McCalman President, Australian Academy of the Humanities Delivered at Dechaineaux Theatre (School of Art), University of Tasmania, Hobart 19 November 2004 Australian Academy of the Humanities, Proceedings 29, 2004 Proceedings Master_FINAL.qxp 7/06/2005 10:19 AM Page 90 Australian Academy of the Humanities, Proceedings 29, 2004 Proceedings Master_FINAL.qxp 7/06/2005 10:19 AM Page 91 t the end of every Christmas dinner during my boyhood in Central Africa my A mother used to bring out from the sideboard what she called bon bon dishes containing lollies and nuts. These dishes, beautiful in their way, looked to be made of lacquered tortoiseshell with silver rims and silver ball feet. But their special status in the family had nothing to do with aesthetics. Scratched crudely on their honey- coloured sides were the initials ‘LJT from TR’, and they were actually the toenails of the first bull elephant shot by ex-President Theodore Roosevelt on his famous Kenya safari of 1909–10. He had given them as a commemorative trophy to my Australian great-uncle Leslie Jefferies Tarlton in gratitude for organising and leading the safari. I like to think that as soon as my sister and I learnt that these delicate objets d’art had been hacked from a stately wild elephant they became grotesque in our eyes, but this would be to read back from later adult perspectives. In fact, for some years after our migration to Australia in the mid-1960s the dishes were magnets for multiple secret nostalgias – they reminded my father of his Kenyan boyhood, my mother of being a white Dona in the Central African Raj, and my sister and me of African Christmases past.
    [Show full text]