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Interaction of Colour & Light in the Arts and Sciences Midterm Meeting of the International Colour Association (AIC) 7–10 June 2011 Zurich, Switzerland Book of Abstracts Conference Proceedings on CD Editors: Verena M. Schindler, Stephan Cuber International Colour Association Internationale Vereinigung für die Farbe Association Internationale de la Couleur © 2011 pro/colore www.procolore.ch All rights reserved DISCLAIMER Matters of copyright for all images and text associated with the abstracts contained within the AIC 2011 Book of Abstracts are the responsibility of the authors. The AIC and pro/colore does not accept responsibility for any liabilities arising from the publication of any of the submissions. COPYRIGHT Reproduction of this document or parts thereof by any means whatsoever is prohibited without the written permission of pro/colore – Swiss Colour Association. All copies of the individual articles remain the intellectual property of the individual authors and/or their affiliated institutions. Please use the following format to cite material from the AIC 2011 Book of Abstracts: Author(s). “Title of abtract”. AIC 2011, Interaction of Colour & Light in the Arts and Sciences, Midterm Meeting of the International Color Association, Zurich, Switzerland, 7-10 June 2011: Book of Abstracts, edited by Verena M. Schindler and Stephan Cuber. Zurich: pro/colore, 2011, page number(s). This Book of Abstracts contains abstracts of the technical programme cited in the cover and title page of this volume. They reflect the author’s opinions and are published as presented. The full papers from the technical programme are published in the AIC 2011 Proceedings on CD. Editors: Verena M. Schindler, Stephan Cuber Design: Florian Bachmann, Zürich Layout: Stephan Cuber, Bern Print: Publikation Digital AG, CH-4563 Obergerlafingen, www.publikation-digital-com Printed in Switzerland ISBN 978-3-033-02929-3 Contents AIC 2011 6 AIC, International Colour Association 7 pro/colore, Swiss Colour Association 8 Interaction of Colour & Light in the Arts and Sciences 9 Committees 10 Judd Award lecture 11 Invited lectures, oral papers 15 Posters in alphabetical order by presenting author 65 Index of names 211 Partner, Sponsors, Supporters 217 AIC 2011 The beginnings of the AIC 2011 Conference in As for the social programme, a welcome recep- Zurich, Switzerland, occurred during a visit to tion at Zurich University of the Arts (ZHdK) and the Alhambra for the 10th AIC Congress in conference dinner at the ‘Zunfthaus zur Meisen’ Granada Spain in 2005. A small Swiss group provide an opportunity for the participants to get began discussions there and then successfully to know each other and develop an exchange pre pared – together with the members of the and network. As well, an excursion exploring AIC 2011 Organising Committee – an exciting new urban development and colour planning in programme on the theme of the ‘Interaction of Zurich that has been organised by Haus der Colour & Light in the Arts and Sciences.’ At AIC Farbe Zurich is an optional event open to all AIC 2011, which will take place from June 7–10, 2011 participants and accompanying guests. a total of forty-five oral papers, three invited Further a walking tour to experience the historic lectures and one Judd Award lecture will be city core and its plan lumière has been orga- given. As well, 150 posters will be presented in nised by NCS Colour Centre Schweiz, one of our two successive poster exhibits and discussed main sponsors. during the poster sessions. I would like to extend my warmest thanks to our I would like to thank the members of the AIC partner, sponsors and supporters for their 2011 International Scientific Committee for re- generosity; their precious support has made this viewing the 325 submissions. The devotion and conference a successful endeavour. hard work of the AIC 2011 Organising Commit- I wish you all a captivating AIC 2011 Midterm tee ensured that this adventure has turned out Meeting and an exciting time in Zurich! to be a great success. It is perhaps the first time that an AIC Midterm Meeting has been fully booked by the early registration deadline with 290 participants from almost forty countries Verena M. Schindler, working in many different research fields. AIC 2011 General Conference Chair www.aic2011.org 6 AIC 2011 MIDTERM MEETING, ZURICH – INTERACTION OF COLOUR & LIGHT IN THE ARTS AND SCIENCES AIC International Colour Association AIC Executive Committee President: Berit Bergström | Vice-President: Prof. Dr. Javier Romero | Secretary/Treasurer: Nick Harkness | Committee Members: Prof. Lindsay MacDonald | María Luisa Musso | Verena M. Schindler | Prof. Shoji Tominaga Member Countries Argentina: Grupo Argentino del Color | Australia: Colour Society of Australia | Brazil: Associação Pró-Cor do Brasil | Bulgaria: Colour Group of Bulgaria | Chile: Asociación Chilena del Color | China: Color Association of China | Finland: Suomen Väriyhdistys Svy Ry | France: Centre Français de la Couleur | Germany: Deutscher Verband Farbe | United Kingdom: The Colour Group (Great Brit ain) | Hungary: Hungarian National Colour Committee | Italy: Associazione Ottica Italiana | Japan: Color Science Association of Japan | Korea: Korean Society of Color Studies | Mexico: Asociación Mexicana de Investigadores del Color | Netherlands: Nederlandse Vereniging voor Kleurenstudie | Portugal: Associação Portugesa da Cor | Slovenia: Drustvo Koloristov Slovenije | Spain: Comité Español del Color | Sweden: Stiftelsen Svenskt Färgcentrum | Switzerland: Pro Colore | Taiwan: Color Association of Taiwan | Thailand: The Color Group of Thailand | United States: Inter-Society Color Council Associate Members International Association of Color Consultants/Designers North America (IACC–NA) Gruppo del Colore AIC Study Groups Colour Education (CE): Dr. Robert Hirschler, chair | Environmental Colour Design (ECD): Verena M. Schindler, chair | Visual Illusions and Effects (VIE): Prof. Dr. Osvaldo da Pos, chair | Colour Perception of the Elderly (CPE): Dr. Katsunori Okajima, chair | The Language of Colour (LC): Prof. Dr. Jinsook Lee, chair www.aic-colour.org AIC 2011 MIDTERM MEETING, ZURICH – INTERACTION OF COLOUR & LIGHT IN THE ARTS AND SCIENCES 7 pro/colore Swiss Colour Association The Swiss Colour Association pro/colore is an The main goals are to further the exchange of independent, non-profit colour association that experience, spread information and support aims to serve as a general and professional cooperation between members of different spe- platform for dealing with colour design, dyes, cialization. A further aim is also to encourage colour reproduction and colour communication. international cooperation and exchange with pro/colore is actively dedicated to promoting other colour associations, e.g., the German co- more conscious ways of understanding and lour association Deutsches Farbenzentrum. As dealing with colour, not only in the way it is used well, pro/colore is a member of the International creatively, but also in terms of its production Colour Association (AIC) being one of the signa- and reproduction. tories of the founding act of the AIC in 1967. Collective and individual membership is open to affiliates of trade unions and companies, educa- www.procolore.ch tional, public and professional organisations and institutions, as well as private persons. Current- ly pro/colore has more than 300 members. pro/colore organizes colour events four times a year. On these occasions it sends out a letter including a whole range of information on colour and colour events to its individual and collective members. 8 AIC 2011 MIDTERM MEETING, ZURICH – INTERACTION OF COLOUR & LIGHT IN THE ARTS AND SCIENCES Interaction of Colour & Light in the Arts and Sciences How do coloured surfaces change their appear- Conference Topics and Sub-Topics ance with coloured light? How does light interact Submissions were accepted for consideration in with materials? How does light interact with any of the topics mentioned below. colours in our environment, on stage, on digital 1. SPACE: a. visual culture; b. photography; screens and in daily life? Do we have tools to c. design; d. lighting; e. interior architecture; teach about the interaction of colour and light? f. architecture; g. urbanism; h. environment; How can we best explore the effects of the i. landscaping; j. visionary projects interaction of light and colour in relation to 2. STAGE: a. performance; b. art; c. museo - people? The fields of inquiry include education, graphy; d. scenography; e. techniques of design, art, media, lighting, theatre, architec- staging; f. theatre, performing body; g. dance, ture, urbanism, and landscaping as well as movement; h. music, sound; i. virtual projects psychology, colour science and technology. 3. EDUCATION: a. teaching aids; b. methodo - The AIC 2011 Midterm Meeting in Zurich that logy; c. theory; d. terminology; e. static and will take place from June 7–10 aims to further electronic media; f. multimedia discussion and nurture the latest findings in 4. PSYCHOLOGY: a. colour perception; b. har- these various fields from both theoretical and monious interactions; c. emotional interactions; practical points of view. d. illusions resulting through light and colour interaction The AIC 2011 conference presentations demon- 5. SCIENCE & TECHNOLOGY: a. colour science; strate the productive nature of the theme of the b. physiology and psychophysics; c. colour Interaction of Colour & Light in the Arts and appearance and measurement; d. materiality,
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