The Dust-Pressed Process
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On Top of the World, 1830 to 1914 Transcript
On Top of the World, 1830 to 1914 Transcript Date: Wednesday, 7 March 2012 - 6:00PM Location: Museum of London 7 March 2012 On Top of the World 1830 - 1914 Professor Simon Thurley Tonight we turn to the nineteenth century. What a vast subject, what a broad canvass, how to make sense of an age when so much was built and so much architectural diversity created. Well, somehow I will have to, and that’s why, of course, I’m standing here. However Gresham College have made my job quite a lot easier as, since my last lecture, I have been invited to continue my visiting professorship for another year. So this allows me a bit of headroom. Despite its advertised title I have decided to make tonight’s lecture, which deals with the period 1830 to 1914, part one of two. In October I will deliver 1830 to 1914 part II which will deal with Victorian cities and their infrastructure. Tonight I’m going to address the issue of architectural style in Victorian England. The complexity of explaining and understanding English architecture after 1760 derives essentially from three things. These are not in any order or causal juxtaposition: the first is, changing demands - new types of building for new types of activity: railway stations, post offices, law courts, factories, warehouses, pumping stations for example. The second is rapidly developing technology in materials and techniques: iron, steel, glass, terracotta etc. The third is historicism, the fact that there were many styles to choose from, everything from Egyptian and Hindu to Ottoman and Elizabethan. -
QUES in ARCH HIST I Jump to Today Questions in Architectural History 1
[email protected] - QUES IN ARCH HIST I Jump to Today Questions in Architectural History 1 Faculty: Zeynep Çelik Alexander, Reinhold Martin, Mabel O. Wilson Teaching Fellows: Oskar Arnorsson, Benedict Clouette, Eva Schreiner Thurs 11am-1pm Fall 2016 This two-semester introductory course is organized around selected questions and problems that have, over the course of the past two centuries, helped to define architecture’s modernity. The course treats the history of architectural modernity as a contested, geographically and culturally uncertain category, for which periodization is both necessary and contingent. The fall semester begins with the apotheosis of the European Enlightenment and the early phases of the industrial revolution in the late eighteenth century. From there, it proceeds in a rough chronology through the “long” nineteenth century. Developments in Europe and North America are situated in relation to worldwide processes including trade, imperialism, nationalism, and industrialization. Sequentially, the course considers specific questions and problems that form around differences that are also connections, antitheses that are also interdependencies, and conflicts that are also alliances. The resulting tensions animated architectural discourse and practice throughout the period, and continue to shape our present. Each week, objects, ideas, and events will move in and out of the European and North American frame, with a strong emphasis on relational thinking and contextualization. This includes a historical, relational understanding of architecture itself. Although the Western tradition had recognized diverse building practices as “architecture” for some time, an understanding of architecture as an academic discipline and as a profession, which still prevails today, was only institutionalized in the European nineteenth century. -
The Governors of Connecticut, 1905
ThegovernorsofConnecticut Norton CalvinFrederick I'his e dition is limited to one thousand copies of which this is No tbe A uthor Affectionately Dedicates Cbis Book Co George merriman of Bristol, Connecticut "tbe Cruest, noblest ana Best friend T €oer fia<T Copyrighted, 1 905, by Frederick Calvin Norton Printed by Dorman Lithographing Company at New Haven Governors Connecticut Biographies o f the Chief Executives of the Commonwealth that gave to the World the First Written Constitution known to History By F REDERICK CALVIN NORTON Illustrated w ith reproductions from oil paintings at the State Capitol and facsimile sig natures from official documents MDCCCCV Patron's E dition published by THE CONNECTICUT MAGAZINE Company at Hartford, Connecticut. ByV I a y of Introduction WHILE I w as living in the home of that sturdy Puritan governor, William Leete, — my native town of Guil ford, — the idea suggested itself to me that inasmuch as a collection of the biographies of the chief executives of Connecticut had never been made, the work would afford an interesting and agreeable undertaking. This was in the year 1895. 1 began the task, but before it had far progressed it offered what seemed to me insurmountable obstacles, so that for a time the collection of data concerning the early rulers of the state was entirely abandoned. A few years later the work was again resumed and carried to completion. The manuscript was requested by a magazine editor for publication and appeared serially in " The Connecticut Magazine." To R ev. Samuel Hart, D.D., president of the Connecticut Historical Society, I express my gratitude for his assistance in deciding some matters which were subject to controversy. -
To Enlarge the Machinery of Government Hoffer, Williamjames Hull
To Enlarge the Machinery of Government Hoffer, Williamjames Hull Published by Johns Hopkins University Press Hoffer, Williamjames Hull. To Enlarge the Machinery of Government: Congressional Debates and the Growth of the American State, 1858–1891. Johns Hopkins University Press, 2007. Project MUSE. doi:10.1353/book.3490. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/3490 [ Access provided at 25 Sep 2021 08:37 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. To Enlarge the Machinery of Government Reconfiguring American Political History Ronald P. Formisano, Paul Bourke, Donald DeBats, and Paula M. Baker Series Founders To Enlarge the Machinery of Government Congressional Debates and the Growth of the American State, 1858–1891 Williamjames Hull Hoffer The Johns Hopkins University Press Baltimore © 2007 The Johns Hopkins University Press All rights reserved. Published 2007 Printed in the United States of America on acid-free paper 987654321 The Johns Hopkins University Press 2715 North Charles Street Baltimore, Maryland 21218-4363 www.press.jhu.edu Library of Congress Cataloging-in-Publication Data Hoffer, Williamjames Hull. To enlarge the machinery of government : congressional debates and the growth of the American state, 1858–1891 / Williamjames Hull Hoffer. p. cm. — (Reconfiguring American political history) Includes bibliographical references and index. isbn-13: 978-0-8018-8655-3 (hardcover : alk. paper) isbn-10: 0-8018-8655-4 (hardcover : alk. paper) 1. United States—Politics and government—19th century. 2. Federal government—United States. 3. United States. Congress. 4. Debates and debating—United States. -
Theodore John Baptiste Phyffers C.1821-76
Theodore John Baptiste Phyffers c.1821-76 http://www.victorianweb.org/sculpture/phyffers/index.html [c.1821] [born Leuvan (Louvan), Belgium] c1844 Wood carving, Palace of Westminster, London [19.07.1847] [marriage to Maria Colquohoun] [Westminster] [1849] [birth of son Theodore James Phyffers Benyon] [Chelsea] [31.08.1849] [birth of son Felix Phyffers] [Westminster] 1850 Bust of John Watkins, Esq (RA 1365) Address: 44 Arthur Street, Chelsea 1850 High Altar and reredos for A.W.N. Pugin for the Chapel of St Joseph, at the Cathedral Church of St Marie, Norfolk Row, Sheffield, architects John Grey Wightman and Matthew Ellison Hadfield (partnership until 1858). 1850 The first lesson of the Bible, sculptural relief, untraced 1850 Unidentified subject (bust) 1850 Unidentified subject, statue, untraced [30.03.1851] Census: occ. sculptor / stone carver Westminster RC Cathedral [Address: Holywell Street, Westminster (in-laws)] "This small and unpretentious building in Horseferry-road was erected in 1813… It was enlarged and beautified in 1852… The sculpture over the alter represents the Annunciation of our Lady, and is said to possess great artistic merit. The sculptor was Phyffers.” ['St John the Evangelist, Westminster: parochial memorials’, 1892] 1852 [04.02.1853] [birth of daughter Alice Phyffers] [St Pancras] 1854 Bust of H. S. Parkman, Esq (RA 1475) Address: Landsdowne Yard, Guildford Street Henry Spurrier Parkman (1814-1864), portrait painter, Bristol 1854 Bust of J. R. Clayon, Esq (RA 1484) Address: Landsdowne Yard, Guildford Street John Richard Clayton (1827-1913), stained glass artist, sculptor, architect. Trained by George Gilbert Scott and later in partnership with Alfred Bell (1832-1895). -
Henry L. Ellsworth Circular, 1837
Indiana Historical Society - Manuscripts & Archives HENRY L. ELLSWORTH CIRCULAR, 1837 Collection # SC 2378 Table of Contents User information Biographical sketch Scope and Content note Cataloguing information Processed by Charles Latham 21 May 1993 USER INFORMATION VOLUME OF COLLECTION: 1 item COLLECTION DATE: 1837 PROVENANCE: Thomas J. Moebs, Williamsburg VA, 19 May 1992 REPRODUCTION RIGHTS: Permission to reproduce or publish material in this collection must be obtained in writing from the Indiana Historical Society RELATED HOLDING: pam f F 532 .W2 E39 (printed circular without attached letter) ACCESSION NUMBER: 92.0253 BIOGRAPHICAL SKETCH Henry Leavitt Ellsworth (1791-1858) was born in Windsor, Connecticut, the son of Chief Justice Oliver Ellsworth. He graduated from Yale in 1810, and married Nancy Goodrich. In 1819-1821 he was president of Aetna Insurance Company. In 1832 he was commissioner to supervise the settlement of Indian tribes west of Arkansas. He was Commissioner of Patents from 1835 to 1845. An agriculturist as well as a federal functionary, he has been called the father of the United States Department of Agriculture. Source: Who Was Who in America (Historical Volume) SCOPE AND CONTENT This collection consists of one item, a printed circular with attached conjugate leaf. The circular, signed by Henry L. Ellsworth on 20 February 1837, announces the partnership of John Curtis and Edward A. Ellsworth, in Lafayette, Indiana, to act as a land and loan agency in the Wabash and Maumee valley. This area was expected to be opened up by construction of the Wabash and Erie Canal. On the second page is a letter from Curtis and Ellsworth to Swepson Whitehead of Norfolk, Virginia, enclosing seventeen land certificates, and a receipt from Henry Ellsworth for $2,000 in payment. -
Greece and Rome at the Crystal Palace: Classical Sculpture and Modern Britain, 1854–1936 by Kate Nichols
Katherine Faulkner book review of Greece and Rome at the Crystal Palace: Classical Sculpture and Modern Britain, 1854–1936 by Kate Nichols Nineteenth-Century Art Worldwide 14, no. 3 (Autumn 2015) Citation: Katherine Faulkner, book review of “Greece and Rome at the Crystal Palace: Classical Sculpture and Modern Britain, 1854–1936 by Kate Nichols,” Nineteenth-Century Art Worldwide 14, no. 3 (Autumn 2015), http://www.19thc-artworldwide.org/autumn15/faulkner- reviews-greece-and-rome-at-the-crystal-palace. Published by: Association of Historians of Nineteenth-Century Art. Notes: This PDF is provided for reference purposes only and may not contain all the functionality or features of the original, online publication. Faulkner: Greece and Rome at the Crystal Palace Nineteenth-Century Art Worldwide 14, no. 3 (Autumn 2015) Kate Nichols, Greece and Rome at the Crystal Palace: Classical Sculpture and Modern Britain, 1854-1936. Oxford: Oxford University Press, 2015. 328 pp.; 33 b&w illus.; bibliography; index. $110.00 / £70.00 (cloth) ISBN: 9780199596461 In the summer of 2013, Ni Zhaoxing, the owner of Shanghai-based real estate company ZhongRong holdings, announced plans to build an exact replica of Joseph Paxton’s Crystal Place in Sydenham where the original structure had burned down in 1936. Instead of showcasing the latest developments in British technology and industry and didactic displays telling the history of art and architecture, the new 900,000 square foot glass and steel structure would now contain a sports centre, and, somewhat inevitably, -
Out and About in Halifax 1863-2013
Out and About in Halifax 1863-2013 John A. Hargreaves The 150th anniversary of Halifax Town Hall in 2013 provides an opportunity to explore the rich heritage of this Pennine town as did its first British royal visitor in 1863 The former Victorian carpet and worsted mills of the Crossleys and Akroyds dominate this photograph of Dean Clough, now an interface for business and the arts, whilst the soaring spire of George Gilbert Scott’s masterpiece, All Souls’ Church penetrates the skyline. ©English Heritage t was unusual for the national press in the view of the Chartist historian press with the Illustrated London News Ito descend on Halifax, as they did F.C. Mather, regular troops had come reporter commenting disparagingly on 3 and 4 August 1863, but The Times, nearer to being overwhelmed by the on the muddy streets surrounding the Illustrated London News and the rioters in Halifax than anywhere else the Piece Hall. Indeed, The Times Illustrated Times were determined to in the Chartist era. Indeed, twenty-one reporter was prompted to opine that cover the first official visit to a northern years later, a superintendent of police Halifax might be considered to have mill town of the newly married Prince was imported from London with twelve been ‘deficient, as a general rule, in and Princess of Wales for the opening inspectors, 200 hand-picked officers and what Londoners would call streets’ of Halifax’s magnificent new Town additional police reinforcements drafted except perhaps for those recently Hall. This imposing neo-renaissance in from across the West Riding and the improved by the carpet manufacturer, building had been designed by no less North West to strengthen security for the John Crossley, the Mayor of Halifax, a figure than Sir Charles Barry, the royal visit, which occurred just ten years in the immediate vicinity of the Town architect of the reconstructed Palace of after the final Chartist demonstration Hall. -
On the Arts of Decoration at the International Exhibition at Paris, A.D
Digitized by the Internet Archive in 2018 with funding from Getty Research Institute https://archive.org/details/onartsofdecoratiOOwyat J- JH • ON THE ARTS OF DECORATION AT THE INTERNATIONAL EXHIBITION AT PARIS, A.D. 1867, CONSISTING OF EFFORTS, TO THE BRITISH GOVERNMENT ON CLASS XV. DECORATION, &c. CLASS XVIIL CARPETS, TAPESTRIES, &c. CLASS XIX. PAPER LIANGINGS, &c. BY M. DIGBY WYATT, ARCHITECT AND BRITISH JURER FOR CLASS XV. AND TO THE FRENCH GOVERNMENT ON “OUVIUGE^DE TAPISSIER ET DE DECORATEUR,” BY JULES DIETERLE & M. DIGBT WYATT. LONDON 1868. COLLECTED AND REPRINTED FOR PRIVATE CIRCULATION ONLY. Mr. T)ighy Wyatt on Decoration, &e. 1 Report on Decorative Work and Upholstery.- Me. Digby Wyatt (Class 15.)—By M. Digby Wyatt, Architect. ON Decoka- TION, &C. Theke is, probably, no class of the community upon Benefits conferred whom international exhibitions confer greater benefits than by Inter¬ national the individuals who act as jurors on such occasions ; since the Exhibitions, opportunities afforded to them of taking stock,"’ as it were, not only of the material, but of the intellectual, progress made by each nation in special branches of industry, are of the most favourable kind. Such opportunities obviously include an unrestrained interchange of ideas and com¬ parison of impressions and experiences between those in each country who may have been selected to represent, and may therefore be assumed as likely to exercise a marked influence upon, the particular branches of in¬ dustry with reference to which they may have been on jurors -
Female Journey Experiences Into Ohio, 1790-1820. Honors Research
Female Journey Experiences into Ohio, 1790-1820. Honors Research Thesis Presented in Partial Fulfillment of the Requirements for graduation with Honors Distinction in History in the undergraduate colleges of The Ohio State University by Megan Cromwell The Ohio State University April 2014 Project Advisor: Associate Professor Lucy Murphy, Department of History 1 Introduction. How did female journey experiences into Ohio differ from males between 1790 and 1820 and why were their experiences important? Women and men’s travel narratives of their journey into Ohio recorded different activities, due to differing opportunities for economic and social success within society. Accepted societal roles, educational, economic, and social opportunities, differed between women and men and as such changed their travel constraints, common inn behavior, and evaluations of travel companions and passing communities. The foundation for Ohio life was built not only through male experiences; but through the interactions of women, men, and children of many cultures.1 Early women’s journeys to the land which became Ohio and their written accounts which describe their lives and expectations for future life have not been fully analyzed. Women’s experiences and expectations for travel from 1790 through 1820 into the Northwest Territory differed from males’ in significant ways. Expectations, both for and by women, shaped female journeys through acceptable societal limitations, successes, and guided judgments of the people and communities which created main differing experiences and effects from male journeys. Of all the female accounts of early Ohio, two of the lengthiest are written by Margaret Van Horn Dwight and Emily Nash.2 These women’s accounts give insight into female expectations and experiences into Ohio and can be sharply contrasted with other male accounts of 1 Hurt, Douglas. -
The Supreme Court and Superman
THE SUPREME COURT AND SUPERMAN THE JUSTICES AND THE FAMOUS PEOPLE IN THEIR FAMILY TREES Stephen R. McAllister† HILE EXAMINING a photograph of the 1911 U.S. Supreme Court, I spotted Joseph Rucker Lamar, but was initially confused because I thought Justice Lamar served on the Court in the nineteenth century. I quickly discovered that Joseph was the cousin (distant, it turns out) of an earlier Justice, Lu- W 1 cius Quintus Cincinnatus Lamar II. I was aware of two other family rela- tionships between Justices who served on the Court: John Marshall Harlan and his grandson, John Marshall Harlan II, and Stephen Johnson Field and his nephew, David Josiah Brewer,2 with the service of only Field and Brewer overlapping.3 † Stephen McAllister is United States Attorney for the District of Kansas, and on leave of absence from the University of Kansas where he is the E.S. & Tom W. Hampton Distinguished Professor of Law. 1 His namesake presumably is Lucius Quinctius Cincinnatus, the Roman farmer-statesman who legend holds was appointed dictator and left his farm in 458 B.C. to defend Rome against an attacking army, quickly defeated the enemy, and then immediately gave up his power and returned to his farm. 2 The Kansas Justice, David Josiah Brewer, 19 Green Bag 2d 37 (2015). 3 A particularly observant reader of the chart that accompanies this article, or a knowl- edgeable student of Supreme Court history, might wonder whether some other Justices 21 GREEN BAG 2D 219 Stephen R. McAllister Justice John Marshall Harlan, left (1833-1911) and right (1899-1971). -
Ornamental Design Is… a Kind of Practical Science’ Theories of Ornament at the London School of Design and Department of Science and Art1
‘Ornamental design is… a kind of practical science’ Theories of ornament at the London School of Design and Department of Science and Art1 Elena Chestnova ‘When Semper came to England he fell in with the wrong people’ – wrote Joseph Rykwert in his commentary to Semper’s first public lecture delivered at the Metropolitan School of Design in Marlborough House.2 The ‘wrong people’ implied those associated with the Department of Science and Art: 3 Henry Cole, Richard Redgrave, the closely connected Owen Jones and Matthew Digby Wyatt, William Dyce, Ralph Wornum and other instructors linked with the controversial Design Reform of the early 1850s. Semper had been employed at the school between 1852 and 1855, and while his time in London generally is considered to have been pivotal for his theoretical work, the impact of his associations at the school has been appraised negatively and the importance of his intellectual links with the Cole circle has been downplayed.4 This approach, however, ignores a host of significant issues that formed the context for the development of Semper’s theory of design as well as 1 This article is an outcome of the workshop ‘Gottfried Semper in London 1850–55’ held at the Accademia di architettura, Università della Svizzera italiana (USI), Mendrisio, on February 26, 2014, as part of the research and edition project ‘Architecture and the Globalization of Knowledge in the 19th Century: Gottfried Semper and the Discipline of Architectural History’ headed by Sonja Hildebrand (USI, responsible) and Philip Ursprung (ETH Zurich, co-responsible) with the support of the Swiss National Science Foundation (SNSF).