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Hubbard Street Dance Chicago One Thousand Pieces Cathy Levy Executive Producer • Productrice générale A World of Dance in Ottawa Unique au monde, la danse à Ottawa Hubbard Street Dance Chicago One Thousand Pieces November 23 novembre 2013 SALLE SOUTHAM HALL Duration: 1 hour 30 minutes, including intermission Durée : 1 heure 30 minutes, avec entracte Peter A. Herrndorf President and Chief Executive Officer / Président et chef de la direction Message de la productrice générale © Brigitte Bouvier © Brigitte C’est un immense plaisir de retrouver Message from the Hubbard Street Dance Chicago à l’affiche Executive Producer de Danse CNA, cette fois dans une œuvre It’s a pleasure to welcome Hubbard Street intégrale très spéciale, One Thousand Dance Chicago back to the NAC Dance Pieces, créée par le chorégraphe en season with this very special full evening résidence de la compagnie, Alejandro work, One Thousand Pieces, created by Cerrudo, dont les œuvres sont courues the company’s Resident Choreographer, partout aux États-Unis. Pour souligner le Alejandro Cerrudo. Alejandro – whose 35e anniversaire de la vénérable troupe de work is now in demand all over the US danse américaine, le directeur artistique – was asked by Hubbard Street Artistic de Hubbard Street, Glenn Edgerton, a Director Glenn Edgerton to mark the 35th commandé à M. Cerrudo une pièce inspirée anniversary of this venerable American d’America Windows de Marc Chagall, dance troupe by creating a work inspired offertes à l’Art Institute of Chicago en by Marc Chagall’s famous America 1977. Le résultat est une œuvre complexe, Windows, donated to the Art Institute of émouvante et visuellement riche, réglée Chicago in 1977. The result is a complex, sur la musique iconique de Philip Glass, moving and visually rich work set to the qui met merveilleusement en évidence iconic music of Philip Glass that beautifully les talents lyriques de ce remarquable showcases the lyrical talents of this ensemble. Tout au long de la saison de stunning ensemble.Throughout the Danse 2013-2014, nous proposons des 2013-14 Dance season we are featuring spectacles variés, créés aussi bien par des both established and new artists, both chorégraphes établis que des artistes de within and outside of the NAC. I invite you la relève, au CNA et sur d’autres scènes. to delve into a broad range of styles and Je vous invite à vous intéresser au large ideas that this season has to offer. Thank éventail d’idées et de styles mis de l’avant. you from all of us at NAC Dance. L’équipe de Danse CNA vous remercie. Cathy Levy Executive Producer, Dance • Productrice générale, Danse 2 Go behind the scenes with nac-cna.ca/stories One Thousand Pieces ALEJANDRO CERRUDO Choreography / Chorégraphie PHILIP GLASS Music / Musique MICHAEL KORSCH Lighting Design / Conception des éclairages THOMAS MIKA Set and Costume Design / Conception des costumes et scénographie TERENCE MARLING & Assistants to the Choreographer / Adjoints au chorégraphe TARYN KASCHOCK RUSSELL “For me, a stained glass window is a « Pour moi, un vitrail, c’est une partition transparent partition between my heart and transparente entre mon cœur et le cœur the heart of the world. Stained glass has to du monde. Le vitrail doit être une œuvre be serious and passionate. It is something sérieuse et passionnée. C’est un art exaltant elevating and exhilarating.” qui élève l’esprit. » —Marc Chagall —Marc Chagall Cast / Distribution Part I / 1ère partie Full Company / Toute la compagnie Interlude JONATHAN FREDRICKSON Part II / 2e partie ALICE KLOCK, QUINN B WHARTON, BRYNA PASCOE, JASON HORTIN JACQUELINE BURNETT, ANA LOPEZ, JESSICA TONG GARRETT PATRICK ANDERSON, JESSE BECHARD INTERMISSION / ENTRACTE Part III / 3e partie Full Company / Toute la compagnie Entrez dans les coulisses au cna-nac.ca/histoires 3 About The Work / À propos de l’œuvre One Thousand Pieces was created in One Thousand Pieces a été créée pour celebration of Hubbard Street Dance souligner le 35e anniversaire de Hubbard Chicago’s 35th anniversary in 2012. Created Street Dance Chicago en 2012. Cette œuvre by resident choreographer Alejandro Cerrudo, du chorégraphe en résidence Alejandro Cerrudo this piece was inspired by Marc Chagall’s est inspirée d’America Windows de America Windows, stunning panels of glowing Marc Chagall, œuvre saisissante sur panneaux stained glass donated to the Art Institute of de verre donnée à l’Art Institute of Chicago Chicago in 1977 – the same year Hubbard en 1977 – l’année même de la fondation Street was founded – to commemorate de Hubbard Street – pour commémorer le America’s bicentennial. bicentenaire des États-Unis. 4 Follow us: facebook.com/NACDanceDanseCNA Acknowledgements / Remerciements One Thousand Pieces was created with funds from One Thousand Pieces a vu le jour grâce à une the Prince Prize for Commissioning Original Work, subvention du Prince Prize for Commissioning which was awarded to Alejandro Cerrudo and Original Work, attribuée à Alejandro Cerrudo et Hubbard Street Dance Chicago in 2012. Hubbard Street Dance Chicago en 2012. Individual Sponsors are Meg and Tim Callahan, Les commanditaires sont Meg et Tim Callahan, Dirk Denison and David Salkin, Marc Miller and Dirk Denison et David Salkin, Marc Miller et Chris Horsman, Lauren Robishaw, Richard L. Rodes, Chris Horsman, Lauren Robishaw, Richard L. Bill and Orli Staley, and Richard and Ann Tomlinson. Rodes, Bill et Orli Staley, ainsi que Richard et Ann Additional support is provided by Choreographer’s Tomlinson. Les membres du Choreographer’s Circle Circle members John and Caroline Ballantine, John et Caroline Ballantine, Joyce Chelberg, Marge Joyce Chelberg, Marge and Lew Collens, Linda et Lew Collens, Linda Hutson, Jane et Michael Hutson, Jane and Michael Strauss, Liz and Don Strauss, Liz et Don Thompson, ainsi que Sallyan Thompson and Sallyan Windt. The development Windt ont également apporté leur soutien. Le of One Thousand Pieces was supported in part by développement du spectacle One Thousand Pieces the Choreographic Development Initiative, made a bénéficié en partie de l’appui de la Choreographic possible by a gift from The Davee Foundation. Development Initiative, rendue possible grâce à un This project is partially supported by a grant don de la Davee Foundation. from the Illinois Arts Council Agency. Ce projet est appuyé en partie par une bourse Created for and premiered by Hubbard Street de l’Illinois Arts Council. Dance Chicago at the Harris Theater for Music and Créée Hubbard Street Dance Chicago la pièce Dance October 18, 2012. a été présentée pour la première fois le 18 octobre Technical support provided by the Harris 2012 au Harris Theater for Music and Dance. Theater. Soutien technique fourni par le Harris Theater. All music by Philip Glass: Musique de Philip Glass : “Tissue No. 7,” from the album Songs & Poems « Tissue No. 7 », de l’album Songs & Poems for Solo for Solo Cello as recorded by Wendy Sutter Cello enregistré par Wendy Sutter pour Orange for Orange Mountain Music. “Renfield,” “When Mountain Music. « Renfield », « When the Dream the Dream Comes,” “Seward Sanatorium,” “The Comes », « Seward Sanatorium », « The Crypt », Crypt,” “Renfield in the Drawing Room,” “Carriage « Renfield in the Drawing Room », « Carriage without a Driver,” and “Dr. Van Helsing & Dracula,” without a Driver » et « Dr. Van Helsing & Dracula » from the motion picture soundtrack Dracula as de la bande sonore du film Dracula, enregistrée recorded by The Kronos Quartet for Universal par le Kronos Quartet pour Universal Pictures. Pictures. “The Illusionist,” from the motion picture « The Illusionist », de la bande sonore du film soundtrack The Illusionist for Bob Yari Music. The Illusionist, pour Bob Yari Music. « Knee 5 », “Knee 5,” as performed and recorded by Jay Park. interprété et enregistré par Jay Park. « Song VII », “Song VII,” from the album Songs & Poems for Solo de l’album Songs & Poems for Solo Cello, enregistré Cello as recorded by Wendy Sutter for Orange par Wendy Sutter pour Orange Mountain Music. Mountain Music. “Movement II,” from the album « Movement II », de l’album Portraits – Bruce Portraits – Bruce Levingston as recorded by Bruce Levingston, enregistré par Bruce Levingston Levingston for Orange Mountain Music. “‘The Land’ pour Orange Mountain Music. « “The Land” – – Movement III” from the album Concerto Project Mouvement III », de l’album Concerto Project Vol. 2 as recorded by Paul Barnes & The Northwest Vol. 2, enregistré par Paul Barnes et le Northwest Chamber Orchestra for Orange Mountain Chamber Orchestra pour Orange Mountain Music. Music. “Mad Rush,” from the album Glass Cage « Mad Rush », de l’album Glass Cage, interprété par as performed by Bruce Brubaker for Arabesque Bruce Brubaker, pour Arabesque Recordings. Tous Recordings. All songs used with the permission of les morceaux sont utilisés avec l’autorisation de Dunvagen Music Publishing. Dunvagen Music Publishing. Suivez-nous : facebook.com/NACDanceDanseCNA 5 About The Company / À propos de la compagnie Hubbard Street Dance Chicago’s core purpose La compagnie Hubbard Street Dance is to bring artists, art and audiences together Chicago se donne pour objectif principal de to enrich, engage, educate, transform and rapprocher les artistes, l’art et les auditoires change lives through the experience of dance. afin de proposer une expérience de la danse Celebrating its 36th Season in 2013- qui contribue à enrichir notre existence 2014, Hubbard Street continues to be an en favorisant l’engagement, l’éducation, la innovative force, supporting its creative transformation et le changement. talent while presenting repertory by major Célèbrant cette saison son 36e international artists. anniversaire, Hubbard Street continue Hubbard Street Dance Chicago grew out d’être une force novatrice en développant of the Lou Conte Dance Studio at LaSalle and le talent de ses jeunes chorégraphes tout Hubbard Streets in 1977, when Lou Conte en présentant le répertoire d’éminents gathered an ensemble of four dancers to chorégraphes de la scène internationale. perform in senior centers across Chicago. Hubbard Street Dance Chicago voit le Barbara G.
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