Uva-DARE (Digital Academic Repository)

UvA-DARE (Digital Academic Repository) From Homer to the Harem. The art of Jean Lecomte du Nouy (1842-1923) Diederen, R.M.H. Publication date 2004 Link to publication Citation for published version (APA): Diederen, R. M. H. (2004). From Homer to the Harem. The art of Jean Lecomte du Nouy (1842-1923). in eigen beheer. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:11 Oct 2021 Listt of Illustrations 1)) Self-portrait, 1887, oil on canvas, 58 x 48 cm, oval, Musée de Grenoble. Photo © Muséee de Grenoble. 2)2) Self-portrait at the Easel, 1888, oil on canvas, 99 x 50 cm, Vic-sur-Seille, Musée départementall Georges de Latour. 3)3) Nadar, Portrait ofLecomte du Nouy, photogravure, Dahesh Museum of Art. 4)) Self-portrait in the Orient, 1881, oil on canvas, 63.1 x 38.6 cm, Moulins, Musée Annee de Beaujeu. 5)) Photograph by Auguste Giraudon, Lecomte du Nouy and an unidentified artist in hiss studio, ca. 1886. 6)6) Unidentified photographer, Lecomte du Nouy in his studio showing The God and thethe Mortal Woman (cat. 230) on the rear wall. 7)) Unidentified photographer, Lecomte du Nouy in his studio, surrounded by his late paintings,, photo Roger-Viollet, Paris (7843-4). 8)) Collaborative work by various artists, Forty-three Portraits of Painters from Gleyre'sGleyre's Atelier, ca. 1856-68, oil on canvas, 117 x 145 cm, Paris, Musée du Petit Palais. 9)) Charles Gleyre, The Evening (a.k.a. The Lost Illusions), 1843, oil on canvas, 156 xx 238 cm, Paris, Musée du Louvre. 10)) Gustave Doré, Dante and Virgil in the Ninth Circle of Hell, 1861, oil on canvas, 3111 x 428 cm, Bourg-en-Bresse, Musée de 1'Ain. 11)) Ary Scheffer, Francesco da Rimini and Paolo in Hell, 1855, oil on canvas, 171 x 2399 cm, Paris, Musée du Louvre [original 1835 version in London, The Wallace Collection]. 12)) Eugene Delacroix, Dante and Virgil, 1822, oil on canvas, 189 x 246 cm, Paris, Muséee du Louvre. 13)) Francesca da Rimini and Paolo, 1863, oil on canvas, 185 x 148 cm, Sète, Musée Paull Valéry. 14)) Gleyre, The Dance of the Bacchantes, 1849, oil on canvas, 147.3 x 241.4 cm, Lausanne,, Musée Cantonal des Beaux-Arts. 15)) Gustave Doré, Paolo and Francesca da Rimini, 1863, oil on canvas, 280.6 x 193.66 cm, Private collection. 16)) Cham, Cham au Salon de 1865, no. 1135, caption: "Francesca de Rimini n'ayant pluss a redouter de se casser le cou si elle tombait de cette hauteur, la chose se trouvantt déja faite." \l)Jacquesson\l)Jacquesson de la Chevreuse, 1864, oil on canvas, 40.6 x 32.7 cm, Toledo, Ohio, Mr.. and Mrs. Marcus. 18)) Lithograph by Charles Bargue, after a drawing by Jean Lecomte du Nouy, for the courscours de Dessin published in 3 volumes by Goupil & Cie between 1868-1872. Vol.. I, plate 47: Horse Head. Impression on gray paper, 47.1 x 61 cm, New York, Daheshh Museum of Art. 19)) Lithograph by Charles Bargue, after a drawing by Jean Lecomte du Nouy, for the courscours de Dessin published in 3 volumes by Goupil & Cie between 1868-1872. Vol.. I, plate 61: Theseus, Impression on gray paper, 47.1 x 61 cm, Bordeaux, Muséee Goupil. 20)) Lithograph by Charles Bargue, after a drawing by Jean Lecomte du Nouy, for the courscours de Dessin published in 3 volumes by Goupil & Cie between 1868-1872. Vol.. I, plate 63: The Belvedere Torso, front view. Impression on gray paper, 61 x 47.11 cm, Bordeaux, Musée Goupil. 2\)The2\)The Dancing Fellah Woman, exhibited at the Paris Salon of 1867, present location unknown. 22)) Jean-Léon Géröme, TheAlmée, 1863, oil on panel, 50 x 81.3 cm, Dayton, Ohio, Daytonn Art Institute. 23)) Love that Goes, Love that Remains, 1869, oil on canvas, 130 x 207 cm, Boulogne- sur-Mer,, Chateau-Musée. 24)) Mrs. Eglantine Pujol, 1869, oil on canvas, 146 x 89.5 cm, Lille, Musée des Beaux-Arts. 25)Hippolytee Flandrin, Madame Flandrin, Wife of the Artist, 1846, oil on canvas, 83 xx 66 cm, Paris, Musée du Louvre. 26)) Jean Auguste Dominique Ingres, Madame Paul-Sigisbert Moitessier (standing), 1851,, oil on canvas, 146.7 x 100.3 cm, Washington, National Gallery of Art. 27)) Jean Auguste Dominique Ingres, Madame Paul-Sigisbert Moitessier (seated), 1856,, oil on canvas, 120 x 92.1 cm, London, National Gallery. 28)) Jean-Léon Géröme, Ms. Durand, 1853, oil on canvas, 127 x 87 cm, Art Gallery of Hamilton,, Canada. 29)) The Charmer, Salon 1870, oil on canvas, 89.9 x 116.3 cm, Reims, Musée des Beaux-Arts. 30)) Emmanuel Frémiet, Pan and the Bears, 1867, marble, 82 x 182 x 67 cm, Paris, Muséee d'Orsay. 31)) Charles Gleyre, Minerva and the Graces, 1866, oil on canvas, 226.5 x 139 cm, Lausanne,, Musée Cantonal des Beaux Arts. 32)) Jean-Léon Géröme, The Cock Fight, 1846, oil on canvas, 143 x 204 cm, Paris, Muséee d'Orsay. 33)33) A View of Paris in Snow, 1871, oil on canvas, 30.5 x 44 cm, Paris, Private collection. 34)) The Square ofMalleval (Loire), 1870, oil on canvas, 23.2 x 31.2 cm, New York, Collectionn of Benjamin Doller. 35)) The Alps and the Dauphinè seen from Mount Pilat, ca. 1870, oil on canvas, 21 x 311 cm, New York, W.M. Brady & Co. 36)) The Departure of the Ambassadors (copy after Vittore Carpaccio), ca. 1873, oil onn canvas, 338 x 305 cm Paris, École Nationale Supérieure des Beaux-Arts. 37)) Oedipus 's Farewell to Jocasta, 1871, formerly Musée d'Arras, burnt 1915. 38)) Tracing of the composition for Oedipus's Farewell to Jocasta, 1871, pencil on tracingg paper, 27.8 x 30 cm. Paris, École Nationale Supérieure des Beaux-Arts. 39)) The Philosopher without Knowing It, 1873, oil on canvas, 36 x 18 inches, Clark University,, Worcester, MA, on loan to Worcester Art Museum. 40)) The Butchers of Venice, 1874, whereabouts unknown. 41)) Jean-Léon Géröme, The Prisoner, 1861, oil on canvas, 45 x 78 cm, Nantes, Muséee des Beaux-Arts. 42)) Eros, 1873, oil on canvas, 200 x 147 cm, Musée des Beaux-Arts de Tours. 43)) Edouard Toudouze, Eros and Aphrodite, 1872, oil on canvas, 190 x 283 cm, Rennes,, Musée des Beaux Arts. 44)) Antiope- Jupiter, 1889, charcoal and pastel on paper, 55.8 x 46.3 cm, New York, Daheshh Museum of Art. 45)) Venice, The Quarter of San Giovanni i Paolo, 1873, oil on canvas, 16.8 x 18.5 cm,, Washington, DC, Private collection. 46)) View of Venice with an Apparition of a Female Figure in the Sky, not dated, oil on canvas,, 19 x 12 cm, Aurillac, Musée d'Art et d'Archéologie (inv. 82.13.290). 47)) Adolphe Crémieux, 1878, oil on canvas, 121 x 101 cm, Paris, Musée d'Orsay, on loann to the Musée d'art et d'histoire du Judaïsme. 48)) Paul Delaroche, Count James-Alexandre de Pourtalès-Gorgier, 1846, oil on canvas,, 123 x 78 cm, Paris Musée du Louvre. 49)) My Family, 1890, oil on canvas, location unknown. 50)) The Iron that Provides Bread, Salon 1905, marble, Paris, Ministry of Agriculture 51)) For Liberty, Salon 1901, marble, location unknown. 52)) View of the Carpathian Mountains from the Royal Castle, Sinai'a, 1897, oil on canvas,, 18.5 x 30.5 cm, Aurillac, Musée d'Art et d'Archéologie (inv. 82.13.326). 53)) The Supper at Beaucaire, dated 1869-1894, oil on canvas, 76 x 110 cm, Chateaux dee Malmaison et de Bois-Préau. 54)) Dying for the Fatherland, 1892, oil on canvas, 102 x 180 cm, Angers, Musée des Beaux-Arts. 54a)) Photograph of Dying for the Fatherland, taken before pentimenti in the background. 55)) Study for Dying for the Fatherland, 1892, red chalk heightened with white on brownn wove paper, 49.8 x 32.4 cm, Detroit Institute of Arts, Gift of Mrs. Ann D. Stoddard,, 1999.35. 56)) The Toilers of the Sea, Salon 1884, destroyed by fire, formerly Musée de Caen. 57)) The Orientals, Salon 1885, destroyed by fire, formerly Musée de Caen. 58)) Contemplations - At Present, Salon 1885, destroyed by fire, formerly Musée de Caen. 59)) Contemplations - Past Times, 1885, destroyed by fire, formerly Musée de Caen. 60)) Paul Delaroche, The Hemicycle (detail), 1841, oil paint mixed with wax, 3.90 x 24.700 m, Paris, École Nationale Supérieure des Beaux-Arts. 61)) Jean Auguste Dominique Ingres, The Apotheosis of Homer, 1827, oil on canvas, 3866 x 512 cm, Paris, Musée du Louvre. 62)) Antoine Denis Chaudet, The Blind Belisarius Resting, 1791, plaster, 83 x 62 x 68 cm,, Paris, Musée du Louvre. 63)) Homer (the so-called Hellenistic blind type), Roman copy after a Greek original createdd ca.

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