Clayton Eshleman
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African-American Poetry an Anthology, 1773-1930 1St Edition PDF Book
AFRICAN-AMERICAN POETRY AN ANTHOLOGY, 1773- 1930 1ST EDITION PDF, EPUB, EBOOK Joan R Sherman | 9780486296043 | | | | | African-American Poetry An Anthology, 1773-1930 1st edition PDF Book Spriggs and the term they coined "Wemembering," meaning "culturally based observations. The growth in the popularity of graduate creative writing programs has given poets the opportunity to make a living as teachers. He reminds us in a poem that "Christ washed the feet of Judas! To ask other readers questions about African-American Poetry , please sign up. A distinctly American lyric voice of the colonial period was Phillis Wheatley , a slave whose book "Poems on Various Subjects, Religious and Moral," was published in Jerome Rothenberg born is well known for his work in ethnopoetics , but he was the coiner of the term " deep image ", which he used to describe the work of poets like Robert Kelly born , Diane Wakoski born and Clayton Eshleman born Help Learn to edit Community portal Recent changes Upload file. On the surface, these two poets could not have been less alike. The final emergence of a truly indigenous English-language poetry in the United States was the work of two poets, Walt Whitman — and Emily Dickinson — O kinsmen! Best poerty book I've read so far this year. John , whose practice of poetry is a model of their maternal grandmother and grandfather "who believed the function of racism is to deny us possibility," I think of my grandparents on my mother's side. Oh, Liberty! But I behold the scalding tear, Now stealing from my eye, To think my wife—my only dear, A slave must live and die. -
Clayton Eshleman Papers
http://oac.cdlib.org/findaid/ark:/13030/tf4779n9hp No online items Clayton Eshleman Papers Special Collections & Archives, UC San Diego Special Collections & Archives, UC San Diego Copyright 2005 9500 Gilman Drive La Jolla 92093-0175 [email protected] URL: http://libraries.ucsd.edu/collections/sca/index.html Clayton Eshleman Papers MSS 0021 1 Descriptive Summary Languages: English Contributing Institution: Special Collections & Archives, UC San Diego 9500 Gilman Drive La Jolla 92093-0175 Title: Clayton Eshleman Papers Identifier/Call Number: MSS 0021 Physical Description: 66.4 Linear feet(148 archives boxes, 42 oversize folders) Date (inclusive): 1958-1993 Abstract: The papers of Clayton Eshleman, American poet, translator, and editor. Included is extensive correspondence dating from 1963 to 1992; original typescripts and manuscripts of Eshleman's prose and verse writings; travel notebooks; interviews; original typescript and manuscript drafts of original works; drafts and correspondence pertaining to Eshleman's translations of Antonin Artaud, Bernard Bador, Aime Cesaire, Michel Deguy, Juan Guzman Cruchaga, Cesar Vallejo, and others; original submissions, later drafts with editorial changes, and paste-ups, all relating to the publication of Sulfur; and various personal ephemera. The collection comprises an extensive source of information on the American, Latin American, and European poetry scene of the post-Beat era. Related Materials Eshleman Family Papers. MSS 177. Special Collections & Archives, UC San Diego. Scope and Content of Collection Accessions Processed in 1987 The Clayton Eshleman Papers document Eshleman's career as writer, editor and translator. The papers also shed light on the post-war American poetry scene which Eshleman helped to shape. Materials relating to Eshleman's journals Caterpillar and Sulfur are especially valuable in relation to the literary scene ca. -
Poetry Reading Flyers of the Mimeograph Revolution
Poetry Reading Flyers of the Mimeograph Revolution Poetry reading flyers are transitory by nature — quickly printed, locally distributed, easily discarded and thus frequently overlooked by scholars and curators when researching and documenting literary activities. They appear from time to time as fleeting one-offs in archives and collections, yet when viewed in the context of a large group these seemingly ephemeral objects take on significance as primary documents. Through close observation of this collection of poetry reading flyers, one gains insight into considerations of the development and representation of literary communities and affiliations of poets, the interplay of visual image, text and design, and the evolution of printing technology. A great many of the flyers appeared during the flowering of the mimeo revolution, an extraordinarily rich period of literary activity which was in part characterized by a profusion of poetry readings, performances, and publications documented by the flyers. This collection includes flyers from the mid-sixties to the present with a focus on the seventies, and embraces a range of poets and national venues with particular attention to activity in New York City and the San Francisco Bay Area. For a reading by Lewis Warsh and Harris Schiff, Ear Inn, New York City, December 6, n.d. Flyer. 11 x 8-1/2 inches. There are approximately 400 flyers (including a smattering of posters and cards), which are often 8 ½ x 11 – 8 ½ x 17 inches and printed as cheaply as possible, frequently via mimeograph, and often intended to be mailed. More than 250 writers and artists and nearly 100 venues are represented with a strong concentration on the Poetry Project at St. -
Jerome Rothenberg Papers
http://oac.cdlib.org/findaid/ark:/13030/tf0n39n7gk No online items Jerome Rothenberg Papers Special Collections & Archives, UC San Diego Special Collections & Archives, UC San Diego Copyright 2005 9500 Gilman Drive La Jolla 92093-0175 [email protected] URL: http://libraries.ucsd.edu/collections/sca/index.html Jerome Rothenberg Papers MSS 0010 1 Descriptive Summary Languages: English Contributing Institution: Special Collections & Archives, UC San Diego 9500 Gilman Drive La Jolla 92093-0175 Title: Jerome Rothenberg Papers Identifier/Call Number: MSS 0010 Physical Description: 93.5 Linear feet(200 archives boxes, 6 card file boxes, 1 carton, 15 flat boxes, and 1 map case folder) Date (inclusive): 1944 - 2007 Abstract: Papers of Jerome Rothenberg, American poet, performance artist, editor, translator, and teacher. Biography Jerome Rothenberg was born in New York City in 1931, the son of Morris and Estelle Lichtenstein Rothenberg. He graduated from the City College of New York in 1952 and the following year received a Master's Degree in Literature from the University of Michigan. He spent the years 1953-1955 in the U.S. Army, stationed in Mainz, Germany, and returned for further graduate studies at Columbia University from 1956 to 1959. Rothenberg's first published work, a group of translations from the German, appeared in the Winter 1957 issue of The Hudson Review. In 1958 Lawrence Ferlinghetti asked Rothenberg to translate a collection of postwar German poetry, which City Lights Books published in 1959 as New Young German Poets. This work marked the first appearance in English of such poets as Paul Celan, Gunter Grass, and Ingeborg Bachman.