Mayorga 1 Daniel Mayorga Dear Professor Belli, I Learned a Lot
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Pseudoscience and Science Fiction Science and Fiction
Andrew May Pseudoscience and Science Fiction Science and Fiction Editorial Board Mark Alpert Philip Ball Gregory Benford Michael Brotherton Victor Callaghan Amnon H Eden Nick Kanas Geoffrey Landis Rudi Rucker Dirk Schulze-Makuch Ru€diger Vaas Ulrich Walter Stephen Webb Science and Fiction – A Springer Series This collection of entertaining and thought-provoking books will appeal equally to science buffs, scientists and science-fiction fans. It was born out of the recognition that scientific discovery and the creation of plausible fictional scenarios are often two sides of the same coin. Each relies on an understanding of the way the world works, coupled with the imaginative ability to invent new or alternative explanations—and even other worlds. Authored by practicing scientists as well as writers of hard science fiction, these books explore and exploit the borderlands between accepted science and its fictional counterpart. Uncovering mutual influences, promoting fruitful interaction, narrating and analyzing fictional scenarios, together they serve as a reaction vessel for inspired new ideas in science, technology, and beyond. Whether fiction, fact, or forever undecidable: the Springer Series “Science and Fiction” intends to go where no one has gone before! Its largely non-technical books take several different approaches. Journey with their authors as they • Indulge in science speculation—describing intriguing, plausible yet unproven ideas; • Exploit science fiction for educational purposes and as a means of promoting critical thinking; • Explore the interplay of science and science fiction—throughout the history of the genre and looking ahead; • Delve into related topics including, but not limited to: science as a creative process, the limits of science, interplay of literature and knowledge; • Tell fictional short stories built around well-defined scientific ideas, with a supplement summarizing the science underlying the plot. -
NVS 3-1-5 M-Perschon
Steam Wars Mike Perschon (Grant MacEwan University/University of Alberta, Canada) Abstract: While steampunk continues to defy definition, this article seeks to identify a coherent understanding of steampunk as an aesthetic. By comparing and contrasting well-known cultural icons of George Lucas’s Star Wars with their steampunk counterparts, insightful features of the steampunk aesthetic are suggested. This article engages in a close reading of individual artworks by digital artists who took part in a challenge issued on the forums of CGSociety (Computer Graphics Society) to apply a steampunk style to the Star Wars universe. The article focuses on three aspects of the steampunk aesthetic as revealed by this evidentiary approach: technofantasy, a nostalgic interpretation of imagined history, and a willingness to break nineteenth century gender roles and allow women to act as steampunk heroes. Keywords: CGSociety (Computer Graphics Society), digital art, gender roles, George Lucas, Orientalism, Star Wars , steampunk, technofantasy, visual aesthetic ***** It has been over twenty years since K.W. Jeter inadvertently coined the term ‘steampunk’ in a letter to Locus magazine in 1987. Jeter jokingly qualified the neo-Victorian writings he, James P. Blaylock, and Tim Powers were producing with the ‘-punk’ appendix, playing off the 1980s popularity of cyberpunk. Ironically the term stuck, both as descriptor for nearly every neo-Victorian work of speculative fiction since Jeter’s Infernal Devices (1987), while retroactively subsuming works such as Keith Roberts’s Pavane (1968), Michael Moorcock’s The Warlord of the Air (1971) , the 1960s television series Wild, Wild West (1965-1969, created by Michael Garrison), and even the writings of H.G. -
Cassette Books, CMLS,P.O
DOCUMENT RESUME ED 319 210 EC 230 900 TITLE Cassette ,looks. INSTITUTION Library of Congress, Washington, D.C. National Library Service for the Blind and Physically Handicapped. PUB DATE 8E) NOTE 422p. AVAILABLE FROMCassette Books, CMLS,P.O. Box 9150, M(tabourne, FL 32902-9150. PUB TYPE Reference Materials Directories/Catalogs (132) --- Reference Materials Bibliographies (131) EDRS PRICE MF01/PC17 Plus Postage. DESCRIPTORS Adults; *Audiotape Recordings; *Blindness; Books; *Physical Disabilities; Secondary Education; *Talking Books ABSTRACT This catalog lists cassette books produced by the National Library Service for the Blind and Physically Handicapped during 1989. Books are listed alphabetically within subject categories ander nonfiction and fiction headings. Nonfiction categories include: animals and wildlife, the arts, bestsellers, biography, blindness and physical handicaps, business andeconomics, career and job training, communication arts, consumerism, cooking and food, crime, diet and nutrition, education, government and politics, hobbies, humor, journalism and the media, literature, marriage and family, medicine and health, music, occult, philosophy, poetry, psychology, religion and inspiration, science and technology, social science, space, sports and recreation, stage and screen, traveland adventure, United States history, war, the West, women, and world history. Fiction categories includer adventure, bestsellers, classics, contemporary fiction, detective and mystery, espionage, family, fantasy, gothic, historical fiction, -
Introduction to the Retro Hugo Awards for 1953
Retro Hugo Awards for 1953 1 Introduction to the Retro Hugo Awards for 1953 to be presented at Noreascon 4 September 2-6, 2004 2 Noreascon 4 1953 Retro Hugo Awards Table of Contents An Introduction by Andrew I. Porter......................................... 3 Identifying Items to Nominate by Joe Siclari ............................ 4 The Year of the Hugos by Juanita Coulson ............................... 5 Additional comments by Robert Silverberg.......................... 9 1953: The Good Ones by Don D’Ammassa.............................11 Short Fiction of 1953 by Mark L. Olson & Jim Mann ............ 15 Artists of 1953 by Alex Eisenstein .......................................... 17 Dramatic Presentations by Daniel M. Kimmel ........................ 27 Editor: Andrew I. Porter Asst. Editor & Layout: Joe Siclari Staff: Edie Stern From the WSFS Constitution: Section 3.13: Retrospective Hugos. (http://worldcon.org/bm/const-2002.html) A Worldcon held 50, 75, or 100 years after a Worldcon at which no Hugos were presented may conduct nominations and elections for Hugos which would have been presented at that previous Worldcon. Procedures shall be as for the current Hugos. Categories receiving insufficient numbers of nominations may be dropped. Once retrospective Hugos have been awarded for a Worldcon, no other Worldcon shall present retrospective Hugos for that Worldcon. “World Science Fiction Convention” “Worldcon” and “Hugo Award” are service marks of the World Science Fiction Society, an unincorporated literary society. “Noreascon” is a service mark of Massachusetts Convention Fandom, Inc. The Noreascon 4 logo uses a picture taken by the Hubble Space Telescope, made available by NASA and STScl. Copyright © 2003 by Massachusetts Convention Fandom, Inc. All Rights Reserved. Rights to all material are returned to the contributors upon publication. -
Bcsfazine #545 – Oct 2020
BCSFAZINE Clubzine of the British Columbia Science Fiction Association (Issue #545 – October, 2020) (Issue #545 – October, 2020 – Vol.46 #10 WN545 – ISSN 1490-6406) Dedicated to The Fellowship of The Greater BCSFA. BCSFAzine is a Canadian non-profit Science Fiction online PDF Clubzine published by the British Columbia Science Fiction Association twelve times a year. Distribution of this PDF clubzine is free, either by E-mail or via download. Copyright belongs to the contributors bylined, and no portion of this magazine may be reproduced without consent from the individual Author, Poet, or Artist. To submit articles, art work, or letters of comment, contact God-Editor R. Graeme Cameron at: < [email protected] > Anyone interested in tons of back issues, please go to: < https://efanzines.com/BCSFA/ > CURRENT BCSFA EXECUTIVE Chair: Position open Vice Chair: Position open. Treasurer: Kathleen Moore. Secretary: Barb Dryer. BCSFAzine Editor: R. Graeme Cameron. Keeper of the FRED Book: Ryan Hawe. FRED Organizer: Michael Bertrand. VCON Ambassador for Life: Steve Forty. FRED DINNER – (FRED = “Forget Reality! Enjoy Drinking!”) A local Vancouver area meet-up founded circa 1986. Usually held every second Sunday, but currently on hold due to the Coronavirus Pandemic. FRED ZOOM MEETINGS – (The Graeme’s SF Fen Confab Meetings) — Every Monday 3:00 PM (PST) to 9:00 PM (PST). All SF Fen welcome. Contact me at < [email protected] > and I’ll send you the link. SUBMISSION DEADLINE Midnight, October 30th, My simple layout design ensures it will get into the following month’s issue to be published no later than November 2nd. -
Liu Cixin's Wandering Path to Apocalyptic Transcendence
Liu Cixin‘s Wandering Path to Apocalyptic Transcendence: Chinese SF and the Three Poles of Modern Chinese Cultural Production An honors thesis for the Department of German, Russian, and Asian Languages & Literatures Philip A. Ballentine Tufts University, 2014 Table of Contents INTRODUCTION ........................................................................................................................................ 1 WHAT IS SCIENCE FICTION (SF)? .............................................................................................................. 4 SF AND CHINA‘S REVOLUTIONARY MODERNIZATION MOVEMENTS ..................................................... 11 THE THREE POLES OF MODERN CHINESE CULTURAL PRODUCTION ...................................................... 15 THE DIDACTIC POLE .............................................................................................................................. 18 DIDACTIC CHINESE SF IN THE LATE QING AND MAY FOURTH ERAS ..................................................... 20 DIDACTIC SF IN THE SOCIALIST PERIOD ................................................................................................. 24 DIDACTIC ―REFORM LITERATURE‖ ......................................................................................................... 27 CHINESE SF‘S MOVE TOWARDS THE ANTI-DIDACTIC POLE ....................................................... 30 ―DEATH RAY ON A CORAL ISLAND:‖ A STUDY IN DIDACTIC ‗REFORM‘ SF .......................................... 33 CHINESE SF‘S -
1966 NASA Document Reveals Goal of Engineered “Climate Modification” | 502Tatianaaklimenkokostanian's Blog
HOME CATEGORIES November 10, 2014 Search Select Category 1966 NASA Document Reveals Goal BLOGROLL of Engineered “Climate TWITTER ** MENU ** Modification” 16 Gainesville Florida Commission Selects New City Auditor wp.me/p4KQj2-1c (:-) 1 day ago Chemtrail, Global Warming • Tags: chemtrails, climate change, CLimate-Gate, david ARCHIVES BY keith, geoengineeing, IPCC, Ken Caldeira Follow @Hsaive MONTH Select Month MOST RECENT POSTS ADMIN ICE AGE COMETH? North Pole Frozen Solid – South Pole Re-Freezing Register February 28, 2015 Log in Scientist Investigates How Carbon Black Entries RSS Aerosols Melt Arctic Ice February 28, 2015 Comments RSS Two Primary Documents Featured in this Story ETC Group Launches Geoengineering Monitor WordPress.com Watchdog Site “Present and Future Plans of Federal Agencies in Weather February 26, 2015 Climate Modification” Aircraft Electromagnetic Interference Could This set of documents from 1966 reveals a network of government Accidentally Fire a Missile agencies in perpetual and secret collaboration and the military to February 24, 2015 Modify the Global climate . Created by the elitist National Academy Carnicom Institute: Environmental Filament Next of Sciences – decades of an interagency culture of secrecy explains Phase Research Begins why the issue of covert aerosol Geoengineering (chemtrails) is a taboo topic to be degraded to the status of “conspiracy theory” by a matrix of February 18, 2015 complicit bureaucrats at every opportunity. This is why the FAA, Carbon Black Chemtrails is Owning The NOAA, NASA and your local TV “meteorologist” refuse to employ Weather in 2025 scientific observation when asked to comment on an unusual sky filled February 17, 2015 with bizarre aircraft spraying. -
Rethinking Dystopia: the Influence of W. Gibson's Neuromancer On
© 2021 Journal of International and Advanced Japanese Studies Vol. 13, March 2021, pp. 129-141 Master’s and Doctoral Program in International and Advanced Japanese Studies, Degree Programs in Humanities and Social Sciences, Graduate School of Business Sciences, Humanities and Social Sciences, University of Tsukuba Research Note Rethinking Dystopia: The Influence of W. Gibson’sNeuromancer on Japanese Cyberpunk Olga ILINA University of Tsukuba, Graduate School of Humanities and Social Sciences, PhD Student In this article, we examine the development of the cyberpunk genre as a continuation of the dystopian genre, and also consider the novel by William Gibson, Neuromancer (1984), as a source that set a model for the development of the plot and the heroes and heroines in further works of this genre. In particular, we consider the futuristic image of Japan depicted in Neuromancer. Japan in the 1980s reached the level of a world economic power and thus made a huge impression on the rest of the world. We also look at how Japanese fashion influenced Gibson’s perception of Japan. In addition, we analyze a new type of heroine that appears in Neuromancer; the creation of such an image of the heroine allows us to call Gibson a feminist author, and his heroines influenced the further development of the cyberpunk genre (in particular, Japanese cyberpunk). Keywords: Dystopia, Cyberpunk, Feminism, Techno-orientalism, Japanese Studies Introduction At the beginning of the twentieth century, humankind cherished great hopes: the majority of the planet had been put on maps, science was actively developing, and advanced countries entered a new socio-economic formation, capitalism. -
Science Fiction Before and After World War II
Western Washington University Western CEDAR WWU Honors Program Senior Projects WWU Graduate and Undergraduate Scholarship Spring 6-2018 The Fear of Things to Come: Science Fiction Before and After World War II Scott St. Clair Western Washington University Follow this and additional works at: https://cedar.wwu.edu/wwu_honors Part of the Higher Education Commons Recommended Citation St. Clair, Scott, "The Fear of Things to Come: Science Fiction Before and After World War II" (2018). WWU Honors Program Senior Projects. 89. https://cedar.wwu.edu/wwu_honors/89 This Project is brought to you for free and open access by the WWU Graduate and Undergraduate Scholarship at Western CEDAR. It has been accepted for inclusion in WWU Honors Program Senior Projects by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. Running Head: THE FEAR OF THINGS TO COME 1 The Fear of Things to Come Science Fiction Before and After World War II Scott St. Clair Western Washington University THE FEAR OF THINGS TO COME 2 Ever more increasingly the human experience, is intimately tied to our technology. From smartphones to surveillance states the technology we use permeates our lives. As the nature of our technology changes our relationship with it shifts from suspicion to assured and back again. These shifts are responses to new inventions, social movements, and great conflicts. This paper will explore the intimate link between a society’s relationship with technology and how this relationship manifests in the science fiction literature produced by that culture. We need to define science fiction in order to constrain what literature will be addressed in this paper. -
File 770: 152
March 2008 1 2 File 770: 152 1983, when members collated and mailed the whole thing while I was in Boston for IRS training. Now that’s hospitality. In 2002, Alan White celebrated the birth of my daughter, Sierra, by publishing and sending me File 770’s first color cover. Thank you! The zine has paced the changes in pub- lishing technology since 1978. My hand- crank mimeo lasted as long as it did with the help of a mimeo repairman located by Marty Cantor, who staved off the inevitable ‘til my Gestetner finally became more proficient at spewing ink than printing it. Then Gordon Garb did me a great favor by giving me his late father’s motorized mimeo equipment so File 770 could keep going. In the dawning age of computers I discov- ered how to cut stencils with a dot-matrix printer. The late Irene Danziger created File 770’s first true desktop publishing layouts in 1991 to take better advantage of the cheap photocopying Gavin Claypool clued me onto at CalTech. (It didn’t stay cheap for long. They must have worked the math.) Once I made the transition to Xerox, fa- nartists no longer had to take a deep breath before peeking at their art inside the latest Editorial Notes by Mike Glyer File 770 . This is the 71 st issue to feature art by Brad Foster. There are artists I have been Do you think you’re living in the Prime nearly every zine they get, not only this one. publishing since before this zine began, in- Timeline? Here’s proof you’re living in a Thank you subscribers, including the fans cluding Alan White, Taral, Grant Canfield, slice of alternate history. -
Technofantasies in a Neo-Victorian Retrofuture
University of Alberta The Steampunk Aesthetic: Technofantasies in a Neo-Victorian Retrofuture by Mike Dieter Perschon A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Comparative Literature © Mike Dieter Perschon Fall 2012 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Dedicated to Jenica, Gunnar, and Dacy Abstract Despite its growing popularity in books, film, games, fashion, and décor, a suitable definition for steampunk remains elusive. Debates in online forums seek to arrive at a cogent definition, ranging from narrowly restricting and exclusionary definitions, to uselessly inclusive indefinitions. The difficulty in defining steampunk stems from the evolution of the term as a literary sub-genre of science fiction (SF) to a sub-culture of Goth fashion, Do-It-Yourself (DIY) arts and crafts movements, and more recently, as ideological counter-culture. Accordingly, defining steampunk unilaterally is challenged by what aspect of steampunk culture is being defined. -
Science, Expertise, and Everyday Reality in 1926 by Brian S. Matzke
All Scientific Stuff: Science, Expertise, and Everyday Reality in 1926 by Brian S. Matzke A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in The University of Michigan 2013 Doctoral Committee: Professor Eric S. Rabkin, Chair Professor John S. Carson Professor June M. Howard Professor Alan M. Wald Copyright © Brian S. Matzke 2013 Dedication To my parents, Charles Matzke and Janice Beecher, who taught me to read, to write, to think, and to question. ii Acknowledgements Many scholars have mentored and advised me over the years, and I am grateful to all of them for the insights that they have provided and the knowledge that they have imparted. This project began as a paper in John Whittier-Ferguson’s graduate seminar on modernism, and from that beginning, numerous professors’ influences have shaped this book. I would like to thank George Bornstein, John Carson, Gregg Crane, Paul Edwards, Gabrielle Hecht, June Howard, Steve Jackson, Howard Markel, Susan Parrish, Eric Rabkin, Paddy Scannell, Derek Vaillant, Alan Wald, and Patricia Yaeger. In addition to the faculty at the University of Michigan, I received tremendous insights and support from my colleagues both at Michigan and other institutions. Their comments on drafts and their recommendations at every stage of the writing process were invaluable to me. I am grateful to Alex Beringer, Geremy Carnes, MicKenzie Fasteland, Molly Hatcher, Korey Jackson, Chung-Hao Ku, Konstantina Karageorgos, Corinne Martin, Karen McConnell, Nathaniel Mills, Daniel Mintz, and Michael Tondre. Some ideas from the chapter on Amazing Stories have their basis in my work with the Genre Evolution Project, and I am thankful to the members of the project for their inspiration, in particular, Eric Rabkin, Carl Simon, Rebecca Adams, Zach Wright, Meg Hixon, and Dayna Smith.