DOCSLIB.ORG

Daytime People

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Daytime People 2 - FOCUS, August 2, 1978 D A Y T IM E n"‘ ( il izon W e e k d a y s MORNING m (T2 DEFINITION 11:00 (T)Q SESAME STREET O AMERICA ALIVE 5:47 NEWS FOR THE FARMER I I YOUNG AND THE 6:00 VARIOUS PROGRAMMING RESTLESS tfi UNIVERSITY OF THE ® (T2 KAREEN'S YOGA I 11:30 Q SEARCH FOR TOMORROW 6:05 VARIOUS PROGRAMMING u) 32 rr’Syour move jirttKtninmEnr 6:30 , SUMMER SEMESTER 102 ROMPER ROOM J) 7:00 I TODAY ) FL1NTSTONES AFTERNOON |(li CANADA AM Focus is published in Prince George every Wednesday as 7:30 I J.P. PATCHES part of The Citizen's Mid-Week supplement 8:30 ) i ) CELEBRITY COOKS 12:00CL)G IDREAMOFJEANNIE........ ....................... .. I CAPTAIN KANGAROO i HOiOLLYWOOD----------- SQUARES 9:00 ) 0 IN TOUCH „ J1 © NEWS I SEATTLE TODAY 12:30 RYAN'S HOPE TELEVISION LISTINGS PHIL DONAHUE SHOW 5AYS OF OUR LIVES I <5% ART OF COOKING AS THE WORLD TURNS Daytim e.............................................2 0:30 PRICE IS RIGHT (EX- (JJ MOVIE 'Scream, Pretty THUR.) August Magazine 'eggy' (WED), 'Shootout In A Wednesday......................................5 (THUR.) One Dog Town' (THUR.), 'The Thursday.......................................... 6 JOYCE DAVIDSON Strangers In 7A' (FRI.), 'Hot Rod Action’ (MON.), 'Art Of Friday................................................7 10:00 IQ BONJOUR Crime' (TUE.) Saturday.......................................8,9 HIGH ROLLERS BOB MCLEAN SUMMER Sunday......................................10,11 12 JEAN CANNEM SHOW 10:15 FRIENDLY GIANT • DOCTORS Monday.......................................... 13 10:30 MR.DRESSUP GUIDING LIGHT Tuesday......................................... 14 7HEEL OF FORTUNE 1 HOLLYWOOD SOUAES LdVEOFLIFE S (T2 ANOTHER WORLD 1 EDGE OF NIGHT 1L IN THE FAMILY O HIGH HOPES &40VIE 'The Ladies Man' f O w (WED.), 'Les Miserables’ (THUR.), 'So Big' (FRI.), COVER 'Countdown' (MON.), ‘Seven PEOPLE Women' (TUE.) Drummer scott Hilliard pro­ Q DINAH vides much of the power be­ ABIQUIU, N.M. (AP) — Artist ffi © ALAN HAMEL SHOW hind Steamer. The rock band Georgia O Keeffe is appealing 3:30 3 ) 0 TAKE THIRTY 4:00 uf) O VARIOUS recently completed a stint at a judge's ruling that she can­ PROGRAMMING the Playgirl Cabaret and will not regain three of her paint­ EMERGENCYONE be returning to Prince ings stolen more than 30 years SESAME STREET LUCYSHOW George August 10 tor a con­ ago from a New York City art 4:30 t EMERGENCYONE cert at the Prince George gallery. 5:00 FLINTSTONES WLYWEDGAME Exhibition. Steamer will be Judge Hervey Moore of NEWS the opening act at the new Trenton, N.J., recently denied MISTER ROGERS Guess Who concert. 5:30 Q MARY TYLER MOORE Miss O'Keeffe's suit because NEWS he said the statute of limita­ . ELECTRIC COMPANY tions on the theft had run out. )HZ GONGSHOW fiT ii ■ liin wwik r r r r r r m The 91-year-old artist sought to regain possession of the MOVIE RATINGS paintings from Barry Snyder, N.M. (Tex) HOLOBOFF owner of the Princeton Gallery of Fine Arts, who bought the paintings in March, 1975. * * * * Excellent (don’t miss this one) Miss O'Keeffe’s lawyer said * * * Good (worth watching) the works were stolen in 1946 ♦ * Fair (has its moments) from the American Place Gal­ * lery, owned by Miss O Keeffe s Poor (disaster) late husband, Alfred Stieglitz, a pioneer U.S. photographer. CHANNELS LISTED IN FOCUS Household Realty C2) 0 CKPG (CBC), Prince George SECOND MORTGAGES 0 KING (NBC), Seattle No bonuses No brokerage fees Looking for a new or used vehi­ O KIRO (CBS), Seattle cle? I offer no obligation, per­ No finder's fee O KCTS (PBS), Seattle sonalized service backed by over 25 years experience in the au­ (D (IX BCTV (CTV), Vancouver , FAST SERVICE tomotive field. Come on in or coll the nearest Television listings are provided by the office of Household Finance Rice Chev Olds. Ltd. Ask for Mortgage Services networks and stations and The Citizen 20th & Victoria 564-4466 cannot be responsible for errors or 1272 ifiird Avenue D.l.N. 00560A omissions. Prince George 562-1261 , Res. 562-1012.
Load more

Recommended publications
  • Elementary Speech 3Rd Grade Poetry
    ELEMENTARY SPEECH 3RD GRADE POETRY Student Activities 3rd Grade Poetry Handbook 2 Contents Introduction 3 Arithmetic 32 The Pancake Collector 60 Abraham Lincoln 4 The Gift of Friendship 33 Puppy and I 61 Afternoon with Grandmother 5 F. Scott Fitzgerald to His Daughter 34 A Sea-Song from the Shore 62 America Was Schoolmasters 6 The Good Little Girl 35 The Secret Cavern 63 The American Flag 7 Grace at Evening 36 Sermons We See 64 Animal Crackers 8 Hide and Seek 37 Spring 65 Ask Daddy, He Won’t Know 9 Hiding 38 The Story of the Baby Squirrel 66 At the Zoo 10 I Am an American 39 The Story of Flying Robert 67 Be Kind 11 If You Were 40 Tell Him So 68 Benjamin Franklin 12 An Introduction to Dogs 41 This and That 69 The Bluebird 13 It Is Raining 42 Three Little Kittens 70 The Boy We Want 14 I Meant to Do My Work Today 43 Tiger-Cat Tim 71 Busy 15 Jonathan Bing 44 Trees 72 The Boy Who Never Told a Lie 16 Kindness to Animals 45 Trees 73 A Boy’s Mother 17 The Lamb 46 Two Little Maids 74 A Boy Wonders 18 The Lamplighter 47 The Unwinged Ones 75 The Chameleon 19 The Land of Storybooks 48 Us Two 76 Circus 20 The Library 49 Very Early 77 A Circus Garland 21 Lincoln 50 Vespers 78 Columbus 22 Lincoln’s Story 51 The Wayfaring Song 79 Come Out with Me 23 I Looked in the Mirror 52 What Have We Done Today? 80 The Creation 24 The Lost Shoe 53 What Is a Teacher 81 The Crocodile 25 A Mortifying Mistake 54 The Wind 82 Daniel Boone 26 Mummy Slept Late and Daddy Fixed Which Loved Best 83 Breakfast 55 The Duck 27 Work 84 My Dog 56 The Egg 28 The World’s Bible 85 My Shadow 57 Every Time I Climb a Tree 29 A Wrecker or a Builder 86 My Speech 58 The Friendly Beasts 30 Written in March 87 The Owl and the Pussycat 59 Foreign Lands 31 Yesterday in Oxford Street 88 Please note: These are not required poems, but examples of acceptable material.
    [Show full text]
  • NOVEMBER 18-23, 2014 GAT127.13-Nashvilleartsad 7.125X10.875 FINAL.Indd 1 One Contact
    NOVEMBER 18-23, 2014 Grand Avenue takes me everywhere. — DON MACLACHLAN Tennessee Titans, Executive Vice President One Contact. 450 Cities Worldwide. Download OUR APP Call us today at 615.714.5466 or toll-free at 866.455.2823 to book on the go! or visit G RANDA VENUEW ORLDWIDE.COM GAT 127.13 | NA&E 7/13 GAT GAT127.13-NashvilleArtsAd_7.125x10.875_FINAL.indd 1 7/2/13 9:42 AM EVOLVED ESSENTIAL EPIC APPLE • ATHLETA • BURBERRY • THE CHEESECAKE FACTORY THE CONTAINER STORE • DAVID YURMAN • FREE PEOPLE • GUS MAYER JIMMY CHOO • KATE SPADE NEW YORK • LOUIS VUITTON MICHAEL KORS • OMEGA • RESTORATION HARDWARE • SEPHORA STUART WEITZMAN • TIFFANY & CO. • TORY BURCH • TUMI NORDSTROM • DILLARD’S • MACY’S OVER 100 SPECIALTY SHOPS & RESTAURANTS HILLSBORO PIKE, I-440 EXIT 3 • NASHVILLE, TN • SHOPGREENHILLS.COM GH235.SeptPaybillAdFpg.indd 1 6/16/14 9:58 AM At Bridgestone Americas, performance is in our blood. That’s why we’re proud to call Nashville home. You’ll fi nd more than 2,300 Bridgestone teammates hard at work and play in Nashville’s communities. Being involved is an important part of our business. It’s our passion. It’s our home. Find out more at www.BridgestoneAmericas.com B:7.375” T:7.125” S:6.625” BMW 528i Sedan bmwofnashville.com 615-850-4040 B:11.125” S:10.375” T:10.875” SETTLE FOR MORE. The BMW 528i goes from 0 to 60 in 6.1 seconds, gets a class-leading 34 mpg highway* and comes with no-cost maintenance, which can save you thousands in maintenance costs.
    [Show full text]
  • Television Programs
    WEEK'S C PLETE TELEVISION PROGRAMS THE SUNDAY NORTH JERSEY'S ONLY WEEKLY PICTORIAL MAGAZINE News Highlightsof • ** * Clifton i _• __ East Paterson Fair Lawn ..... C arfield Haledon Hawthorne Lodi L'ffle Falls =====================...................... -.": ?:!:!:!:%i•iiiiii?.i•!ii...;:.:.•ii.i!:i•!i:i:..'.-:::::::::..•!:!-'.:: ounfain.View ================================:.-'.::::..'::p.::•;- orfh Haledon P•erson Passaic ....... Pompton Lakes ........... ...................... ..,....... Prospect Park ....... ::.-.:•:::•:::•::!!i!iiii•!i!•!•iii•i•i•;i?:i•i•!•iiii!i•i!!!iiiii•!iiiiii•iii?•i:•ii•... ..........................................:.... ......... ................... Singac ........... Tofowa ........... '"':"??!i?::;i:i'7.COURTESY'OF::.TFIE: G'AœL'ERY::OF,FINEARTS,.'YALE UNIVERS _ Wayne West Paterson ULY 3, 1960 VOL. XXXII, No. 27 Mother's the One on the Left 435 STRAIGHT STREET PA'fEKSON, N.J. M•berry 4-7880 Gift Department Living Roo• Bedrooms- Bedding Dining Rooms . ?•'* C•rpe-ting .appliances THE IDEAL PLACE TO DINE AND WINE ßKITCHEN- '., ..Id , •, i••i .• ..... !•. i'::i:i BROILED LOBSTER • -- DAILY fROGS' L,•GS - •rT SHB'•b CRAu•- B.•UErl8H - RAINBOW TROUT - HALIBUT - SAbMON - SHRi•P8- ECAbbOPB- OTST•S - CLAM - COD •I•H - •WORO •lffiM - DAlbT -.•.•..x•.,.:::.::.::::::::::::::::::::::::::::::::::::::::::::: ..•:. ..-%.'.,%.: -:-. "-: •.•.• -.-----::::.:.:...-...::':.:: .-.•.-..-. :::.;-..:: ::•: . ,.-.---.•::::,-- -•: .• :: .... BELMONTAVE. ICor. Barbansi, HALEDON - - - ;.-'.•-.•i•%1•:-.i:.-.•?".:•.......¾• •:'.-- ß:'.i:•'
    [Show full text]
  • Emotional Geographies of Everyday Life with Diabetes
    ”Are You High?”: Emotional Geographies of Everyday Life with Diabetes by Gentry Hanks Athesissubmittedtothe Department of Geography and Planning in conformity with the requirements for the degree of Doctor of Philosophy Queen’s University Kingston, Ontario, Canada September 2018 Copyright c Gentry Hanks, 2018 Abstract Geographies of everyday life intersect diabetes in interesting ways with emotional and physical consequences. How do those with diabetes seek and create spaces of freedom from these consequences in everyday life? Looking to archival materials and social media discourse, I use a geographical, feminist lens to argue that the diabetic body is a place, a site, for historical and current applications of biomedical technologies that have embodied, emotional consequences for lifeworlds of people with diabetes. Before the discovery of insulin, everyday life with diabetes consisted of persistent high blood glucose levels, starvation diets, calorie counting, hopelessness, diminished lifeworlds, and early death. Now, nearly a century later, for those with access, treatment of diabetes may include the use of an increasing number of pharmaceutical innovations and technological devices to quantify and manage life with diabetes. These pro- grammed/programmable devices are interfaced with human flesh, described as part of an individual’s body and identity, creating diabetic cyborgs. Those embodying these devices seek liberation from negative consequences by hacking them, meaning to use or program the devices in ways not intended or against medical advisement, in order to individualize improvements to the device’s function. Management of dia- betes produces personal biomedical waste from daily use of ‘disposable’ items. I use reddit data to show how some seek freedom from the burden of waste management, while others seek freedom from guilt within a framework of biocitizenship.
    [Show full text]
  • Hollywood Pantages Theatre Los Angeles, California
    ® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA PLAYBILL.COM HOLLYWOOD PANTAGES THEATRE ANNE GAREFINO SCOTT RUDIN ROGER BERLIND SCOTT M. DELMAN JEAN DOUMANIAN ROY FURMAN IMPORTANT MUSICALS STEPHANIE P. M CCLELLAND KEVIN MORRIS JON B. PLATT SONIA FRIEDMAN PRODUCTIONS EXECUTIVE PRODUCER STUART THOMPSON PRESENT BOOK, MUSIC AND LYRICS BY TREY PARKER, ROBERT LOPEZ AND MATT STONE WITH GABE GIBBS CONNER PEIRSON PJ ADZIMA MYHA’LA HERROLD STERLING JARVIS RON BOHMER OGE AGULUÉ RANDY AARON DAVID BARNES JOHNNY BRANTLEY III C HRISTOPHER BRASFIELD MELANIE BREZILL JORDAN MATTHEW BROWN BRYCE CHARLES KEVIN CLAY JAKE EMMERLING KENNY FRANCOEUR JOHN GARRY ERIC GEIL KEISHA GILLES JACOB HAREN DARYN WHITNEY HARRELL ERIC HUFFMAN K RISTEN JETER KOLBY KINDLE TYLER LEAHY WILL LEE- WILLIAMS MONICA L. PATTON CJ PAWLIKOWSKI J NYCOLE RALPH JAMARD RICHARDSON TYRONE L. ROBINSON CLINTON SHERWOOD LEONARD E. SULLIVAN BRINIE W ALLACE SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN SCOTT PASK ANN ROTH BRIAN MACDEVITT BRIAN RONAN HAIR DESIGN ORCHESTRATIONS CASTING PRODUCTION STAGE MANAGER JOSH MARQUETTE LARRY HOCHMAN & CARRIE GARDNER JOYCE DAVIDSON STEPHEN OREMUS DANCE MUSIC ARRANGEMENTS MUSIC DIRECTOR MUSIC COORDINATOR ASSOCIATE PRODUCER GLEN KELLY ALAN BUKOWIECKI MICHAEL KELLER ELI BUSH TOUR BOOKING AGENCY TOUR PRESS AND MARKETING PRODUCTION MANAGEMENT GENERAL MANAGEMENT THE BOOKING ALLIED LIVE AURORA THOMPSON TURNER GROUP/ PRODUCTIONS PRODUCTIONS/ MEREDITH BLAIR ADAM J. MILLER MUSIC SUPERVISION AND VOCAL ARRANGEMENTS STEPHEN OREMUS CHOREOGRAPHED BY CASEY
    [Show full text]
  • Fanny Brice, Funny Girl, and “The Streisand Phenomenon”
    ____________________________________________________________________ Glorifying the Jewish-American Girl: Fanny Brice, Funny Girl, and “The Streisand Phenomenon” ____________________________________________________________________ ____________________________________________________________________ “What makes [a contemporary production of Funny Girl] all the more impressive is that few actors, or theater companies outside of summer stock, dare to attempt Jule Styne's and Bob Merrill's grand spectacle that propelled Barbra Streisand's career nearly 40 years ago.” Jillian Hornbeck Ambroz, The New York Times (April 2001) “Our renewed fondness, even adoration, of Streisand is evidence of a nostalgia for a time when striving for excellence was at least as important as making a buck, and when originality was prized over focus- grouped packaging. In the early 1960s, Streisand reset the cultural parameters when she walked onstage in Funny Girl and said ‘Hello, Gorgeous’ to herself in the mirror – a slender, unusual girl who wouldn’t compromise on appearance, performance, or integrity. Fifty years later, she still matters, and for all the same reasons.” William Mann, Hello, Gorgeous (2012) ____________________________________________________________________ Alexandra Strycula Thesis submitted in partial fulfillment of the requirements for the major in American Studies, Barnard College April 25, 2014 Thesis Advisers: Elizabeth Esch and Severin Fowles Abstract Rarely has there been a marriage of actress-and-role as lasting and profound as that
    [Show full text]
  • Annals of the Rheumatic Diseases 2017 5.Pdf
    Downloaded from http://ard.bmj.com/ on April 20, 2017 - Published by group.bmj.com Contents Volume 76 Issue 5 | ARD May 2017 ARDThe Eular Journal May 2017 Volume 76 Issue 5 76 Impact Factor 5 Editorial Clinical and epidemiological research 12.384 Volume 76 Volume Issue 5 779–934 Pages 779 Lesinurad combination therapy with allopurinol 811 Lesinurad in combination with allopurinol: a in gout: do CLEAR studies make the treatment randomised, double-blind, placebo-controlled study of gout clearer? in patients with gout with inadequate response to AnnAls of RheuMAtIc DIseAses of RheuMAtIc AnnAls J A Singh standard of care (the multinational CLEAR 2 study) T Bardin, R T Keenan, P P Khanna, J Kopicko, Criteria M Fung, N Bhakta, S Adler, C Storgard, 782 2016 American College of Rheumatology/ S Baumgartner, A So May 2017 May European League Against Rheumatism Criteria for 821 Development of the autoinflammatory disease Minimal, Moderate, and Major Clinical Response damage index (ADDI) in Juvenile Dermatomyositis: An International N M ter Haar, K V Annink, S M Al-Mayouf, Myositis Assessment and Clinical Studies Group/ G Amaryan, J Anton, K S Barron, S M Benseler, Editor Paediatric Rheumatology International Trials P A Brogan, L Cantarini, M Cattalini, A-V Cochino, Tore K Kvien Organisation Collaborative Initiative F De Benedetti, F Dedeoglu, A A De Jesus, Associate Editors L G Rider, R Aggarwal, A Pistorio, N Bayat, B Erman, O Della Casa Alberighi, E Demirkaya, P Dolezalova, Francis Berenbaum B M Feldman, A M Huber, R Cimaz, R J Cuttica, K L Durrant,
    [Show full text]
  • Vol. 17, No. 0, September 25, 2018
    (/en/dashboard/index/) (http://freshmail.com/guide/how-Autosaved(/en/designer/ajax- 36s ago create-Restoreshortcuts/? from autosave (/en/designer/ajaxautosave/?id_hash=hpbpjqwmvp&template_hash=0) Layout Images template-id_hash=hpbpjqwmvp) (/en/designer/ajax-Go back (/en/library/?id_hash=hpbpjqwmvp) Save Next responsive-using- Save the template (/en/designer/ajax-new-save-templates/?id_hash=hpbpjqwmvp&template_hash=0) preview/?freshmail- id_hash=hpbpjqwmvp)designer/what- exactly- is- freshmail- designer- and- where- can- you- find- this- tool/) END OF SUMMER NEWSLETTER DEPARTMENT NEWS UC San Diego Theatre & Dance starts Fall Quarter Incoming graduate class, photo: Jim Carmody This newsletter is a recap of various projects department alumni, students and staff were involved with this past summer. We plan to put out a newsletters in weeks 1 - 3 of highlights of faculty, staff and students work and research from this past summer. If you have info you would like to share please send it to us at [email protected] and we will post in the next couple weeks. ALUMNI NEWS This summer professor Natalie Griffith Robichaux directed Arabesque No. 1 at the She L.A. Summer Theater Festival at the Zephyr Theatre in Hollywood. MFA II actor Garrett Schulte was cast in this two person play. The production won as Best Production and Garrett won as Best Lead Actor at the Festival! You can read their show spotlight and hear from them here (https://www.shenycarts.org/single- post/2018/07/19/Show-Spotlight- Arabesque-no-1-by-Cambria-Denim). You can read about the SheNYCArts here (https://www.shenycarts.org/). The Heart of Rock & Roll, featuring music from Huey Lewis and the News is playing at the Old Globe through October 21, 2018.
    [Show full text]
  • Sensing the City – Mapping the Beat
    Sensing the City – Mapping the Beat A rhythmanalysis of music-making in Wellington and Copenhagen By Katie Rochow A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington (2017) Abstract The idea of rhythm has figured as a key conceptual and empirical motif in current research on (urban) space, place and everyday life. Urban spaces are considered polyrhythmic fields, a compound of varied everyday life and spatial rhythms, which produce a particular, but ever-changing, complex mix of heterogeneous social interactions, mobilities, imaginaries and materialities (Edensor 2010). Music-making in the city therefore constitutes and is constituted by a plurality of urban rhythms including the movement between different locations as well as regular temporal patterns of events, activities, experiences and practices as well as energies, objects, flora and fauna which shape the music-maker’s mundane ‘pathways’ through the city. Based on current ethnographic fieldwork in the urban spaces of Wellington (Aotearoa/New Zealand), and Copenhagen (Denmark) this project proposes a way of capturing, understanding and interpreting the multi-faceted rhythmical layout of urban spaces. It will do so by introducing a rhythmanalytical methodology, which draws on interviews, participant generated photographs and mental maps as analytical tools for capturing the interwovenness of socialities, atmospheres, object, texts and images in people’s everyday lives and in this way affords opportunities for attending to the multiple rhythms underlying music-making in the city. The use of cartographic and photographic means of representing these rhythmical dimensions allows us to better attend to an affective register that is often overlooked in studies of music-making.
    [Show full text]
  • Celebrating 60 Years: the ACTRA STORY This Special Issue Of
    SPECIAL 60TH EDITION 01 C Celebrating 60 years: THE ACTRA STORY This special issue of InterACTRA celebrates ACTRA’s 60th Anniversary – 60 years of great performances, 60 years of fighting for Canadian culture, 4.67 and 60 years of advances in protecting performers. From a handful of brave and determined $ 0256698 58036 radio performers in the ‘40s to a strong 21,000-member union today, this is our story. ALLIANCE ATLANTIS PROUDLY CONGRATULATES ON 60 YEARS OF AWARD-WINNING PERFORMANCES “Alliance Atlantis” and the stylized “A” design are trademarks of Alliance Atlantis Communications Inc.AllAtlantis Communications Alliance Rights Reserved. trademarks of “A” design are Atlantis” and the stylized “Alliance 1943-2003 • actra • celebrating 60 years 1 Celebrating 60 years of working together to protect and promote Canadian talent 401-366 Adelaide St.W., Toronto, ON M5V 1R9 Ph: 416.979.7907 / 1.800.567.9974 • F: 416.979.9273 E: [email protected] • W: www.wgc.ca 2 celebrating 60 years • actra • 1943-2003 SPECIAL 60th ANNIVERSARY ISSUE 2003 VOLUME 9, ISSUE 3 InterACTRA is the official publication of ACTRA (Alliance of Canadian Cinema, Television and Radio Artists), a Canadian union of performers affiliated to the Canadian Labour Congress and the International Federation of Actors. ACTRA is a member of CALM (Canadian Association of Labour Media). InterACTRA is free of charge to all ACTRA Members. EDITOR: Dan MacDonald EDITORIAL ADVISORY COMMITTEE: Thor Bishopric, Stephen Waddell, Brian Gromoff, David Macniven, Kim Hume, Joanne Deer CONTRIBUTERS: Steve
    [Show full text]
  • Fanny Brice, Funny Girl, and “The Streisand Phenomenon”
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Columbia University Academic Commons ____________________________________________________________________ Glorifying the Jewish-American Girl: Fanny Brice, Funny Girl, and “The Streisand Phenomenon” ____________________________________________________________________ ____________________________________________________________________ “What makes [a contemporary production of Funny Girl] all the more impressive is that few actors, or theater companies outside of summer stock, dare to attempt Jule Styne's and Bob Merrill's grand spectacle that propelled Barbra Streisand's career nearly 40 years ago.” Jillian Hornbeck Ambroz, The New York Times (April 2001) “Our renewed fondness, even adoration, of Streisand is evidence of a nostalgia for a time when striving for excellence was at least as important as making a buck, and when originality was prized over focus- grouped packaging. In the early 1960s, Streisand reset the cultural parameters when she walked onstage in Funny Girl and said ‘Hello, Gorgeous’ to herself in the mirror – a slender, unusual girl who wouldn’t compromise on appearance, performance, or integrity. Fifty years later, she still matters, and for all the same reasons.” William Mann, Hello, Gorgeous (2012) ____________________________________________________________________ Alexandra Strycula Thesis submitted in partial fulfillment of the requirements for the major in American Studies, Barnard College April 25, 2014 Thesis Advisers:
    [Show full text]
  • This Half Hour
    TGIF to THIS HALF HOUR TGIF Fri 2:30-3:00 p.m., 5 Jan-11 May 1973 Fri 2:30-3:00 p.m., 5 Oct 1973-29 Mar 1974 A production of CBLT and circulated in the Ontario region, T.G.I.F. included interviews, reports on local activities, and suggestions for the weekend in the Toronto area. The show featured hosts for each day of the weekend, including announcer Alex Trebek, the program's producer Agota Gabor, and cartoonist Ben Wicks. Regulars also included Doug Lennox, Sol Littman on art, Brenna Brown on restaurants and dining, and Harold Town on movies. The executive producer was Dodi Robb. Tabloid Mon-Sat 7:00-7:30 p.m., 9 Mar 1953-26 Jun 1954 Mon-Fri 6:30-7:00 p.m., 6 Sep 1954- Mon-Fri 7:00-7:30 p.m., 3 Jul 1955-31 Sep 1960 Tabloid was the eclectic half-hour of news, public affairs, and interviews pioneered by producer Ross McLean at Toronto's CBLT. It also established the tendency of Canadian television to draw its stars from news programming as much as from variety or dramatic programs. The host of the show was Dick MacDougal, a veteran radio host with a portly figure, basset hound eyes, and an affable manner. The first live human being to appear on CBC television in Toronto, the lean, bespectacled, and garrulous Percy Saltzman had forecast the weather on Let's See before McLean moved him from the puppet show to Tabloid. Saltzman, a meteorologist with the Dominion Weather Service, had started a parallel, second career in writing and broadcasting for radio in 1948, and since developed a healthy following among listeners and television viewers.
    [Show full text]