Bill Evans Undercurrent Mp3, Flac, Wma

Bill Evans Undercurrent mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Undercurrent Country: Europe Released: 2017 MP3 version RAR size: 1795 mb FLAC version RAR size: 1115 mb WMA version RAR size: 1496 mb Rating: 4.2 Votes: 741 Other Formats: WAV MMF MOD RA ADX VOC WMA Tracklist Hide Credits My Funny Valentine A1 Composed By – Rodgers & Hart I Hear A Rhapsody A2 Composed By – Dick Gasparre, George Fragos, Jack Baker Dream Gypsy A3 Composed By – Judith Veevers Romain B1 Composed By – Jim Hall Skating In Central Park B2 Composed By – John Lewis Darn That Dream B3 Composed By – Eddie Delange, Jimmy Van Heusen Companies, etc. Licensed From – United Artists Records Printed By – Garrod Credits Design [Package] – Gauna-Douglas Engineer [Sound] – Bill Schwartau Guitar – Jim Hall Photography By [Back Cover] – Frank Gauna Photography By [Front Cover] – Toni Frissell Photography By [Inside] – Charles Stewart* Piano – Bill Evans Producer – Alan Douglas Notes Boxed. 5'' reel with small hub. Leadered with text at both ends. Other versions Category Artist Title (Format) Label Category Country Year Bill Evans - Jim Hall - United Bill Evans UAJS 15003 Undercurrent (LP, Artists UAJS 15003 US 1962 - Jim Hall Album) Records Bill Evans - Jim Hall - Bill Evans UCCU-99019 Undercurrent (CD, Liberty UCCU-99019 Japan 2014 - Jim Hall Album, Ltd, RE) Bill Evans - Jim Hall - United Bill Evans 38.025.S Undercurrent (LP, Artists 38.025.S France Unknown - Jim Hall Album) Records United Artists Bill Bill Evans, Jim Hall - LAX-3112, UAS Records, LAX-3112, UAS Evans, Undercurrent (LP, Japan 1976 15003 United 15003 Jim Hall Album, RE) Artists Records Solid State Bill Evans / Jim Hall - SR 3084, Bill Evans Records , SR 3084, Undercurrent (LP, Japan 1970 SR-3084 / Jim Hall Solid State SR-3084 Album, RE) Records Related Music albums to Undercurrent by Bill Evans Bill Evans - The Best Of Bill Evans On Verve Bill Evans • Jim Hall - Undercurrent Bill Evans, Eddie Gomez - Intuition Bill Potts - The Jazz Soul Of Porgy & Bess Conducted, Orchestrated And Arranged By Bill Potts Bill Evans, Jim Hall - Undercurrent Bill Evans - Bill Evans Live In Tokyo Bill Evans, Jim Hall - Intermodulation Bill Evans, Shelly Manne, Eddie Gomez - A Simple Matter Of Conviction Bill Evans, Zoot Sims, Jim Hall, Ron Carter, Philly Joe Jones - Loose Blues Bill Evans, George Russell Orchestra - Living Time.

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Zoot Sims - Bob Brookmeyer Octet Stretching out Mp3, Flac, Wma
Zoot Sims - Bob Brookmeyer Octet Stretching Out mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Stretching Out Country: Japan Released: 1993 Style: Cool Jazz MP3 version RAR size: 1374 mb FLAC version RAR size: 1443 mb WMA version RAR size: 1155 mb Rating: 4.1 Votes: 997 Other Formats: ASF MP2 MOD WAV WMA MIDI DTS Tracklist 1 Stretching Out 6:07 2 Now Will You Be Good 5:27 3 Pennies From Heaven 6:14 4 King Porter 4:37 5 Ain't Misbehavin' 6:52 6 Bee Kay 6:38 Companies, etc. Manufactured By – Toshiba EMI Ltd Recorded At – Nola Recording Studios Credits Arranged By – Al Cohn, Bill Potts, Bob Brookmeyer Baritone Saxophone – Al Cohn Bass – Eddie Jones Design [Cover] – Harry Edison Directed By – Jack Lewis Drums – Charlie Persip Engineer [Recording] – Tom Nola* Guitar – Freddie Green Liner Notes – Bob Brookmeyer Piano – Hank Jones Producer – Jack Lewis Tenor Saxophone – Al Cohn, Zoot Sims Trumpet – Harry Edison Valve Trombone – Bob Brookmeyer Notes "Recorded at Nola's penthouse from 10 am to 4pm on a Saturday afternoon in December" Barcode and Other Identifiers Barcode: 4 988006 680210 Rights Society: JASRAC Other versions Category Artist Title (Format) Label Category Country Year Zoot Sims - Bob United Stretching Out (LP, UAL 4023 Brookmeyer Artists UAL 4023 US 1959 Album) Octet Records Zoot Sims - Bob Zoot Sims - Bob Brookmeyer - Wax Train WT 777 WT 777 Europe 2009 Brookmeyer Stretching Out (LP, Records Album, RE) Zoot Sims - Bob United Stretching Out (LP, 054-2602761 Brookmeyer Artists 054-2602761 Spain 1984 Album, RE) Octet
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Zoot Sims Stretching out Mp3, Flac, Wma
Zoot Sims Stretching Out mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Stretching Out Country: Europe Released: 2009 Style: Cool Jazz MP3 version RAR size: 1758 mb FLAC version RAR size: 1548 mb WMA version RAR size: 1961 mb Rating: 4.6 Votes: 944 Other Formats: VQF WMA ADX MOD AAC VOX APE Tracklist A1 Stretching Out 6:07 A2 Now Will You Be Good 5:27 A3 Pennies From Heaven 6:14 B1 King Porter 4:37 B2 Ain't Misbehavin' 6:52 B3 Bee Kay 6:38 Companies, etc. Recorded At – Nola Recording Studios Credits Arranged By – Al Cohn, Bill Potts, Bob Brookmeyer Baritone Saxophone – Al Cohn Bass – Eddie Jones Design [Cover] – Harry Edison Directed By – Jack Lewis Drums – Charlie Persip Engineer [Recording] – Tom Nola* Guitar – Freddie Green Liner Notes – Bob Brookmeyer Piano – Hank Jones Producer – Jack Lewis Tenor Saxophone – Al Cohn, Zoot Sims Trumpet – Harry Edison Valve Trombone – Bob Brookmeyer Notes "Recorded at Nola's penthouse from 10 am to 4pm on a Saturday afternoon in December" 180 gr vinyl Other versions Category Artist Title (Format) Label Category Country Year Zoot Sims - Bob United Stretching Out (LP, UAL 4023 Brookmeyer Artists UAL 4023 US 1959 Album) Octet Records Zoot Sims - Bob United Stretching Out (LP, 054-2602761 Brookmeyer Artists 054-2602761 Spain 1984 Album, RE) Octet Records Zoot Sims - Bob Brookmeyer - Zoot Sims - Bob TOCJ-50178 Stretching Out Liberty TOCJ-50178 Japan 2011 Brookmeyer (CD, Album, Ltd, RE, RM) United Zoot Sims - Bob UAL 4023, Stretching Out (LP, Artists UAL 4023, Brookmeyer Spain 1984 054-2602761
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February 2014 Newsletter
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THE JAZZ REVIEW CD The Style of John Coltrane Part II Don Redman: Jazz Composer-Arranger Wayne Shorter Muddy Waters Barnewe're proud to say... y KesseMM l• ^ firsMetronomt placee 1956,195 and Playbo7 yan polld 195s 8 Down Beat, recordexclusivelsy for Contemporary I —and has since 1953! MUSIC TO LISTEN TO BARNEY KESSEL BY "to swing or not to swing" CONTEMPORARY C3521 ',ys^.v,,,„;.;; ••• • Barney Kessel Vol. 3 contemporary C3513 Barney's first CR album, with Barney & quintet featuring Barney in a free-wheeling ses- Barney and his arrangements Bud Shank or Buddy Collette Bob Cooper, oboe & tenor sax, sion with "Sweets" Edison, Bill of standards for woodwind or- featured on alto sax & flute, on 12 favorites like My Old Perkins, Georgie Auld, Red chestra. Laura, Makin' Whoo- Red Mitchell, Claude William- Flame, Speak Low, Love Is Mitchell, Jimmie Rowles, pee, Carioca, Indian Summer, son, Shelly Manne, etc. C3511 Here To Stay, etc. C3512 Shelly Manne, etc. C3513 etc. C3521 & Stereo S7001 THDE rOU WUIIEIS IDE MUM! MINET KESSEL WITH SHOD BUSK & JUS nam CONTTMFOBARY C3s$6 CARMEN M Barney, with Shelly Manne & Barney, Shelly and Ray again Great standards from the hit The first modern jazz album Ray Brown (who also were 1st demonstrate their supremacy, movie done in modern_ jazz of an opera—Barney's adapta• in the '56, '57, and '58 Down Volar e,Be Deedle Dee Do, The Runniri Wild, Sweet Sue, etc., tion of Bizet's music with or• Beat, Metronome, Playboy Merry Go Round Broke Down, with Art Pepper, Joe Gordon, chestra & stars like Previn, polls).
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The Strange Career of Porgy and Bess The Strange Career of University of North Carolina PressChapel Hill Porgy and Bess Race, Culture, and America’s Most Famous Opera Ellen Noonan Publication of this book was supported in part by a generous gift from Eric Papenfuse and Catherine Lawrence. © 2012 Ellen Noonan All rights reserved Designed by Jacquline Johnson Set in Adobe Caslon Pro by Tseng Information Systems, Inc. Manufactured in the United States of America The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. The University of North Carolina Press has been a member of the Green Press Initiative since 2003. Library of Congress Cataloging-in- Publication Data Noonan, Ellen, 1966– The strange career of Porgy and Bess : race, culture, and America’s most famous opera / Ellen Noonan. pages cm Includes bibliographical references and index. ISBN 978-0-8078-3716-0 (cloth : alk. paper) 1. Gershwin, George, 1898–1937. Porgy and Bess. 2. Heyward, DuBose, 1885–1940. Porgy and Bess. 3. Music and race. 4. Race in opera. 5. African Americans in popular culture—20th century. 6. Charleston (S.C.)—Race relations. I. Title. ML410.G288N66 2012 782.1—dc23 2012016635 16 15 14 13 125 4 3 2 1 For Isabelle and Susannah This page intentionally left blank Contents Acknowledgments xi Introduction 1 Chapter One. A Romance of Negro Life: Porgy, 1925 13 INTERLUDE. Charleston, 1680–1900 53 Chapter Two. A Chocolate- Covered Lithograph Strip: Porgy, 1927 73 INTERLUDE. Charleston, 1920–1940 125 Chapter Three.
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TITLE COMPOSER ARRANGER Middle School/Easy High School
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Spring/Summer 2015
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Porgy and Miles* By Mark Tucker Miles Davis traced his rising fame in the 1950s to changes taking place in society. "There was a new mood coming into the country," he stated in his autobiography. "Black and white people were starting to get together, and in the music world Uncle Tom images were on their way out." Describing himself as a "nonconformist"-"cool and hip and angry and sophisticated and ultra clean"-Davis identified with others in that period who were breaking barriers and challenging authority: Martin Luther King leading the Montgomery bus boycott, Marian Anderson appearing as the first black singer at the Metropolitan Opera, Marlon Brando and James Dean gaining popularity as actors by portraying rebels (Davis 1989:197-98). Davis's bold, brash persona earned him a special degree of respect from black Americans. Writer Amiri Baraka considered the trum peter his "ultimate culture hero," someone who embodied "a black atti tude that had grown steadily more ubiquitous in the 1950s-defiance" (Baraka 1996:41, 48). Given Davis's affiliation, first with a group of postwar jazz musicians carving out a new identity for black artists, then with a larger movement engaged in transforming the nation's cultural and political landscape (in cluding the Beats, Civil Rights activists, Abstract Expressionists, and oth ers), it is remarkable that in 1958 he teamed up with arranger Gil Evans to record an album devoted to Porgy and Bess. Ever since its premiere, the opera by the Gershwins and Heyward had sparked controversy and caused Mrican Americans to speak out in protest.
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