DOCSLIB.ORG

Download Press Release

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download Press Release SATSANGH HEALTHWIRE.FM MAY 2016 HEALTHWIRE.FM releases Satsangh, community gatherings hosted at ABC Home’s Deepak Homebase. In the 7 part series, Deepak Chopra provokes a dialogue & meditation with a 250+ audience in an effort to soothe our contemporary anxiety with the greatest questions of our time. During the century when humanity is facing difficult, painful, and mysterious questions, a sacred conversation is more relevant than ever. Produced by Martine Dubin & Paulette Cole and with original music by Moby, Dr Chopra shares the mic with academics Dr Rudy Tanzi, Michael O’Neill, Eddie Stern, Josh Fox, Rabbi Ilan Askenazi and Rabbi Ingber, allowing for topics varying from climate change, neuroplasticity & epigenetics, Judaic & Vedic cognition, collective consciousness to take center stage. Deepak Chopra Satsangh gives me the ideal stage to discuss and share the absolute truth. At a time when humanity is so connected yet so unattached with the world, Satsangh illustrates the role of a sacred conversation for our inner peace and tranquility. Martine Dubin I am honored to be instrumental in spreading deeper knowledge around a better global mindset, peace and spirituality, to our viewers through the Satsangh series. DEEPAK CHOPRA Dubbed as one of “The top 100 heroes and icons of the century “ and credited as “the poet-prophet of alternative medicine”, by Time Magazine. Deepak Chopra is the author of more than 75 books with twenty-one New York Times Bestsellers, published in more than 35 languages. He is also a Distinguished Executive Scholar at Columbia Business School, an Adjunct Professor Of Executive Programs At The Kellogg School Of Management, A Fellow Of The American College Of Physicians, A Member Of The American Association Of Clinical Endocrinologists, and A Senior Scientist at The Gallup Organization. MOBY Moby is an electronic singer, songwriter, DJ & photographer. He has sold 20+ million albums worldwide, and co-written, produced, and remixed music for Michael Jackson, David Bowie, Daft Punk, Brian Eno, Pet Shop Boys, Britney Spears, New Order, Public Enemy, Guns N' Roses, Metallica, Soundgarden and his music was featured as the soundtrack of many movies incl. The Bourne Identity and James Bond’s Tomorrow Never Dies. MARTINE DUBIN is a media entrepreneur. She is the vision behind multiple original productions and passionate about redefining media by means of producing honest and relevant content that contains no hidden agendas. Her company has also created original series with NYC’s Lincoln Center Institute, John Hendricks’ CuriosityStream.com, NATO and Ashoka Foundation. Martine is in addition the founder of the digital broadcast networks NEWSWIRE.FM & HEALTHWIRE.FM. PAULETTE COLE & ABC CARPET & HOME - CEO and Creative Director of abc carpet & home, Paulette Cole envisioned the love in action series as a vehicle to engage social action around these critical causes. Elevating abc as a platform for positive change, she and the abc team created Deepak Homebase, a center to integrate the elements of healing, education, sanctuary, theatre, art, and mindfulness. As Deepak Homebase continues to host a myriad of groundbreaking events, abc carpet & home continue to champion commerce as a vehicle for insight and for action. www.abchome.com HEALTHWIRE.FM is the digital broadcast reaching viewers across 200+ countries, 8300+ cities. HEALTHWIRE.FM connects your body, mind & spirit with exercises for your whole being, starring well-known names in health & wellness incl. Deepak Chopra & Eddie Stern. MEDIA CONTACT [email protected] .
Load more

Recommended publications
  • Eminem 1 Eminem
    Eminem 1 Eminem Eminem Eminem performing live at the DJ Hero Party in Los Angeles, June 1, 2009 Background information Birth name Marshall Bruce Mathers III Born October 17, 1972 Saint Joseph, Missouri, U.S. Origin Warren, Michigan, U.S. Genres Hip hop Occupations Rapper Record producer Actor Songwriter Years active 1995–present Labels Interscope, Aftermath Associated acts Dr. Dre, D12, Royce da 5'9", 50 Cent, Obie Trice Website [www.eminem.com www.eminem.com] Marshall Bruce Mathers III (born October 17, 1972),[1] better known by his stage name Eminem, is an American rapper, record producer, and actor. Eminem quickly gained popularity in 1999 with his major-label debut album, The Slim Shady LP, which won a Grammy Award for Best Rap Album. The following album, The Marshall Mathers LP, became the fastest-selling solo album in United States history.[2] It brought Eminem increased popularity, including his own record label, Shady Records, and brought his group project, D12, to mainstream recognition. The Marshall Mathers LP and his third album, The Eminem Show, also won Grammy Awards, making Eminem the first artist to win Best Rap Album for three consecutive LPs. He then won the award again in 2010 for his album Relapse and in 2011 for his album Recovery, giving him a total of 13 Grammys in his career. In 2003, he won the Academy Award for Best Original Song for "Lose Yourself" from the film, 8 Mile, in which he also played the lead. "Lose Yourself" would go on to become the longest running No. 1 hip hop single.[3] Eminem then went on hiatus after touring in 2005.
    [Show full text]
  • BUG: Moby Special at BFI Southbank
    PRESS RELEASE: May 2011 11/38 BUG: Moby Special at BFI Southbank On June 1 the smash hit, audio visual event BUG will celebrate the career of the multi-award- winning and internationally renowned musician Moby, with an exclusive event dedicated to his work, to date, at BFI Southbank. This month BUG is delighted to mark the arrival of Moby’s new album Destroyed, with a retrospective of the artist’s output and involvement in moving image, including memorable videos such as Natural Blues, We Are All Made of Stars, Bodyrock, Run On and Honey. This dedicated evening will reflect on Moby’s remarkable career and his collaborations with such directors as David Lynch, David LaChapelle, Mike Mills, Jonas Åkerlund and Roman Coppola. BUG host Adam Buxton will also reveal some of the videos made for the new album and talk to Moby on stage at BFI Southbank. Festivities continue into the evening with DJs and music in the benugo bar. After 4 years of sell-out shows at BFI Southbank and further afield, BUG continues to celebrate music video creativity and innovation with another artist-led special show. Previous artist specials have celebrated the work of Massive Attack, UNKLE and most recently, Royksopp. Now celebrating its fifth successful year, BUG events are presented on a bi-monthly basis at BFI Southbank, hosted by Adam Buxton and featuring leading guest directors from the world of music video. Tickets for this special event are in huge demand. Tickets are £13, with concessions at £9.75 (Members pay £1.50 less) at www.bfi.org.uk/southbank or by calling 020 7928 3232.
    [Show full text]
  • "Name That Song!" a Probabilistic Approach to Querying on Music And
    “Name That Song!”: A Probabilistic Approach to Querying on Music and Text Eric Brochu Nando de Freitas Department of Computer Science Department of Computer Science University of British Columbia University of British Columbia Vancouver, BC, Canada Vancouver, BC, Canada [email protected] [email protected] Abstract We present a novel, flexible statistical approach for modelling music and text jointly. The approach is based on multi-modal mixture models and maximum a posteriori estimation using EM. The learned models can be used to browse databases with documents containing music and text, to search for music using queries consisting of music and text (lyrics and other contextual information), to annotate text documents with music, and to automatically recommend or identify similar songs. 1 Introduction Variations on “name that song”-types of games are popular on radio programs. DJs play a short excerpt from a song and listeners phone in to guess the name of the song. Of course, callers often get it right when DJs provide extra contextual clues (such as lyrics, or a piece of trivia about the song or band). We are attempting to reproduce this ability in the context of information retrieval (IR). In this paper, we present a method for querying with words and/or music. We focus on monophonic and polyphonic musical pieces of known structure (MIDI files, full music notation, etc.). Retrieving these pieces in multimedia databases, such as the Web, is a problem of growing interest [1, 2]. A significant step was taken by Downie [3], who applied standard text IR techniques to retrieve music by, initially, converting music to text format.
    [Show full text]
  • Restaurateur Elevates Culinary Scene
    Restaurateur elevates culinary scene before throwing it out in frustration and, in a fit of anger, making a joke about broccoli hot dogs and then realizing that, yes, of course. Broccoli hot dogs. Q. For parents struggling to get their kids to eat vegetables, what dish would you recommend and how is it prepared? A. It’s not just kids. Everyone’s struggling to eat vegetables because they feel like they should be eating them, but you can’t cook vegetables like meat and expect them to turn out delicious. A few small tips: • Fat carries flavor. Vegetables have no natural fat, so make sure that you use oil or butter when you cook Restaurant owner/chef Amanda Cohen is a champion of “the vegetables. And if you use oil, cook some onions vegetable-forward movement.” Photo by Georgi Richardson at Maggie Marguerite and garlic in it first to flavor it. • Salt your salads. No one salts salads and it makes a New York City’s Lower East Side is home to Dirt huge difference. Candy, the city’s premiere vegetable-focused • Shock and blanch. Drop your vegetables in boiling restaurant. At the helm is chef/owner Amanda Cohen, water for 20 to 30 seconds, then drop them in ice a prominent advocate of what’s known as “the water. Sometimes that’s all the cooking they need vegetable-forward movement.” and this will preserve their color and keep them looking pretty on the plate. While at its previous location, the restaurant received • Grill your greens. Grilling hearty greens like kale and two stars from The New York Times – making it the collards gives them a meaty, rich flavor.
    [Show full text]
  • UFO Music Video Promotion Details
    Andy Gesner HIP Video Promo (732)-613-1779 [email protected] Music Video Promoter ‘UFO’ Cole Phoenix- USA, Canada, Latin America & International Web !Distribution/Servicing List- MTV VH1… is below proposal and company info. Here at HIP, we've had the great honor and privilege to promote over 1600 music videos over our thirteen year history. I encourage you to check out our client list, and there you can see we are not a promo company that just takes on any client no matter what the video looks like. Unlike others that do what we do, we are extremely selective about the videos we promote and are constantly searching for artists like Cole Phoenix to get in on the ground floor with. ! We will take all the necessary precautions to assure you that the Cole Phoenix "UFO" music video arrive to all of our programmers 100% ready for immediate programming. Here's the full national music video promotion proposal for you to check out, including both !internet and terrestrial television outlets in Canada and Latin America.! !Proposal:! At HIP Video Promo, music video promotion is the only thing we do! My staff and I are your guides through the treacherous terrain of music video promotion, and are here to make it as easy as possible for you to achieve maximum exposure for your video. We are fearless when it comes to promoting cliche-defying artists outside the mainstream, while always remaining highly selective in the projects we promote. Our constant goal is to supply our programmers with the videos their viewers really want to see.! HIP Video Promo has built the most impressive client roster in the industry, promoting videos by such epic talents as Pearl Jam, The B-52's, The Blind Boys of Alabama, Johnny Cash, Moby, Elvis Costello, and Motley Crue, as well being on the ground floor with artists like The Lumineers, Brooke Fraser, Iron and Wine, Death Cab For Cutie, Armin Van Buuren, Sharon Jones and the Dap Kings, Maroon 5, Bon Iver, and others on their way to stardom.
    [Show full text]
  • From Mocha Dick to Moby Dick: Fishing for Clues to Moby's Name and Color
    From Mocha Dick to Moby Dick: Fishing for Clues to Moby's Name and Color Ben Rogers University of Delaware Melville's fictional whale Moby Dick appears to derive from the real whale Mocha Dick, yet the differences in names and colors between these two suggest that Moby's name may be intimately connected to his symbolic role. One meaning of mob is 'to wrap in a cowl or veil'. Creating an adjective by adding -y produces moby 'having the qualities of being hooded, especially about the head', a definition reflected in Ishmael's "grand hooded phantom." Dick may be a shortening of Dickens, a euphemism for the devil. Dick may also suggest Dicky 'an officer acting on commission', an appropriate meaning for Ahab' s and Starbuck's conception of Moby as God or an agent of God. Lexicons available to Melville reveal the meaning of the name and illuminate the characteriza- tion of Moby as both commodity and Zeus of the sea, both "dumb brute" and divine Leviathan. The 1929 discovery of a narrative about a white whale named Mocha Dick began 70 years of speculation as to the extent of Mocha as Moby's prototype. The narrative, written by J.R. Reynolds in 1839, described a "renowned monster, who had come off victorious in a hundred fights ... [and was] white as wool." Typical of the reaction of literary critics at the time was Garnett's remark that "Moby Dick ... was but Mocha Dick in faery fiction dressed" (1929, 858). Critical editions of Moby-Dick often include the Reynold's narrative and today scholars generally agree that Melville probably knew of Mocha.1 The obvious sibling qualities of the two whales has tended to center onomastic study on the name Mocha Dick, and subsequent research has attempted to demonstrate that Melville knew of Mocha Dick or, assuming this, to explain why Mocha changed to Moby.
    [Show full text]
  • Pursuing the White Whale: Why Christians Should Read Moby-Dick," Pro Rege: Vol
    Volume 47 Number 4 Article 4 June 2019 Pursuing the White Whale: Why Christians Should Read Moby- Dick Raymond Ide Follow this and additional works at: https://digitalcollections.dordt.edu/pro_rege Part of the Christianity Commons, and the Higher Education Commons Recommended Citation Ide, Raymond (2019) "Pursuing the White Whale: Why Christians Should Read Moby-Dick," Pro Rege: Vol. 47: No. 4, 9 - 13. Available at: https://digitalcollections.dordt.edu/pro_rege/vol47/iss4/4 This Feature Article is brought to you for free and open access by the University Publications at Digital Collections @ Dordt. It has been accepted for inclusion in Pro Rege by an authorized administrator of Digital Collections @ Dordt. For more information, please contact [email protected]. Pursuing the White Whale: Why Christians Should Read Moby-Dick he was the head of the church, Pastor Melville had the audacity to tell the king to his face that he was only “God’s silly vassal” while Christ was really head of the church.4 Melville was eventu- ally imprisoned for his disagreements with the king.5 At age twenty-one Herman Melville showed some of the same audacity as his Scottish ancestor by signing aboard a whaling ship, The Acushnet, which sailed out of Fairhaven, Massachusetts, in 1841. But before he departed, he visited The Seamen’s Chapel in nearby New Bedford.6 Visitors to that church on Johnny Cake Hill can by Raymond Ide still see this small church, which used to have a plaque outside the door, saying that Melville, in This year marks the 200th anniversary of his great novel, made the greatest journey of all— Herman Melville’s birth—August 1, 1819.
    [Show full text]
  • Bio Files/D. Sharp CV.Pdf
    dean sharp drummersoundscapistREmixerlooperproducer 845.464.0515 [email protected] Tours/Sideman/Live Work (selected) Moby, David Torn, Rachael Sage, Jane Siberry, Brad Mehldau, Liz Gorill (kazzrie jaxon), Cameron Brown, Joe Lovano, Hugh Brodie, Michael Bisio, Shunzo Ono, Steve Swallow, Marc Ribot, Avram Fefer, Todd Sickafoose, Russ Johnson, Michael Bisio, Tony Levin, Elliott Sharp, Mario Pavone, Hermeto Pascoal, Greg Brown, Jill Sobule, John Hall, Rick Danko, Ellis Paul, Fish Love That, Curtis Bahn, Louise Taylor, Christina Wheeler’s Blowout, Zoe B Zak, White Boys on Swing, Francis Dunnery, Scott Weiss Band, Lunch- meat, Donna Lewis, Stephen Vitiello, Defiant Ones (Bad Brains), Nona Hendryx, MACHAN, Leslie Ritter, Happy Rhodes, Artie Traum, Robbie Dupree, Josh Colow, Gwen Laster/Damon Banks, Eugene Ruffolo, Daryl Hall, Billy Ocean, Saphire, Latoya Jackson, Brenda Starr, PUC, ARI UP Discography (•....denotes production/writing credits) Bond Berglund - “Unearth” - Pathfinder Records • Elliott Sharp/ David Fulton - “State of the Union” - Atavistic • “Real Estate” - Ear Rational Records Dawntown(CharlElie Cotour) - Crysalis Records/ France • Lunchmeat - “Woodstock ‘94 Vol.II” - A&M Records Happy Rhodes - “The Keep” - Aural Gratification Records Artie Traum - “The View from Here” - Shanachie Records “Meetings With Remarkable Friends” - Narada Records “The Last Romantic” - Narada Records “South of Lafayette” - Roaring Stream Music Eric Garrison - “Looking For Egypt” - China Moon Music Robbie Dupree - “Smoke and Mirrors” - Miramar Records
    [Show full text]
  • Old-School Techno Adds a Touch of Vulnerability to His Latest Project
    ISSUE #29 MMUSICMAG.COM up listening to the same records,” says Moby. “His background is with bands like Throbbing Gristle and a lot of weird electronic music in the 1980s, and then Massive Attack and Björk.” Moby’s trajectory similarly went from ’80s punk rocker to international techno auteur to highly licensed hit-maker whose song “Extreme Ways” runs over the closing credits of all four of the Bourne films. Another new turn on the moody, soulful Innocents is its abundance of guest vocalists—the Flaming Lips’ Wayne Coyne, Skylar Grey, Cold Specks, Damien Jurado and Screaming Trees’ Mark Lanegan. “It wasn’t deliberate,” Moby says of the star-power recruiting. “The vocalists we used were the ones who could add to the emotion of the song.” The last thing Moby and Stent wanted tills S to create was a polished pop record. To that end they brought in old analog gear, leanor E hissing tape machines, wobbly reverb units and offbeat drum machines. “When Spike and I started, he was clear that it had to have a strong quality of vulnerability,” says Moby. “Which seems contrary to the way most electronic music is made these days, which is big and bombastic—and I’m not saying that in a negative way. But I wanted MOBY to make a record that was vulnerable and humble. If I was a 22-year-old pop star, I Old-school techno adds a touch of vulnerability might have felt differently. But I’m 47 and to his latest project making a record that likely won’t be played on the radio.” “I’m an oNLY CHILD WHO LIVES ALONE “I like to work by myself,” he says, “but I lose For Moby, the dodgy equipment was and usually works alone,” declares Moby objectivity.
    [Show full text]
  • NEW RELEASE GUIDE May 15 May 22 ORDERS DUE APRIL 10 ORDERS DUE APRIL 17
    ada–music.com @ada_music NEW RELEASE GUIDE May 15 May 22 ORDERS DUE APRIL 10 ORDERS DUE APRIL 17 2020 ISSUE 11 May 15 ORDERS DUE APRIL 10 MOBY All Visible Objects Street Date: 5/15/20 Mute is excited to announce the release of Moby’s Massive Attack, David Bowie, Air, dance-heavy album, All Visible Objects, out May 15 FOR FANS OF: UNKLE, Chemical Brothers, Orbital on CD, double gatefold vinyl, and all digital platforms. 2xLP: 724596993811 Recorded in the legendary EastWest studios, Moby SLRP: 27.98 created this album in Studio 3 where Pet Sounds was File Under: Electronic recorded, using the same board that was used in the Box Lot: 25 making of Ziggy Stardust and the same piano that LP Non-Returnable Sinatra used to record some of his most notable hits. NOT FOR EXPORT CD: 724596993828 Keeping with Moby’s history of donating to charity (in SLRP: 14.98 2018, he started selling off his records and collection of File Under: Electronic synthesizers and drum machines, donating the proceeds Box Lot: 30 to charity), he is using this album as a sounding board NOT FOR EXPORT to bring attention to a long list of charities dedicated to preserving our planet and all its inhabitants. Digital UPC: 724596993859 Moby Supports Many Charities Including... TRACKLISTING: Brighter Green Mercy For Animals 1) Morningside 7) Forever Rainforest Action Network (RAN) 2) My Only Love 8) Too Much Change Extinction Rebellion (Roxy Music Cover) 9) Separation The American Civil Liberties Union (ACLU) 3) Refuge 10) Tecie Animal Equality 4) One Last Time 11) All Visible Objects The Humane League 5) Power Is Taken The Physicians Comittee 6) Rise Up In Love International Anti-Poaching Foundation The Good Food Institute The Indivisible Project ALSO AVAILABLE FROM MOBY: Moby will be performing a live concert in LA in early 2020.
    [Show full text]
  • Moby Dick Contents
    HERMAN MELVILLE MOBY DICK CONTENTS I. Loomings II. e carpet-bag III. e Spouter-Inn IV. e counterpane V. e street VI. e chapel VII. e pulpit VIII. e sermon IX. A bosom friend X. Nightgown XI. Biographical XII. Wheelbarrow XIII. Nantucket XIV. Chowder XV. e ship XVI. His mark XVII. e prophet i XVIII. All astir XIX. Going aboard XX. Merry Christmas XXI. e Lee shore XXII. e advocate XXIII. Postscript XXIV. Knights and squires XXV. Knights and squires XXVI. Ahab XXVII. Enter Ahab; to him, Stubb XXVIII. e pipe XXIX. Queen Mab XXX. Cetology XXXI. e Specksynder XXXII. e cabin-table XXXIII. e mast-head XXXIV. e quarter-deck XXXV. Sunset XXXVI. Dusk XXXVII. First night-watch XXXVIII. Midnight, forecastle XXXIX. Moby Dick XL. e whiteness of the whale ii XLI. Hark! XLII. e Chart XLIII. e affidavit XLIV. Surmises XLV. e mat-maker XLVI. e hyena XLVII. Ahab’s boat and crew. Fedallah XLVIII. e spirit-spout XLIX. e albatross L. e gam LI. e town-ho’s story LII. Of the monstrous pictures of whales LIII. Of the less erroneous pictures of whales, and the pictures of whaling scenes LIV. Of whales in paint; in teeth; in wood; in sheet; in stone; in mountains; in stars LV. Brit LVI. Squid LVII. e line LVIII. Stubb kills a whale LIX. e dart LX. e crotch LXI. Stubb’s supper LXII. e whale as a dish iii LXIII. Cutting in LXIV. e blanket LXV. e funeral LXVI. e sphynx LXVII. e monkey rope LXVIII. Stubb and Flask kill a right whale; and then have over him LXIX.
    [Show full text]
  • A Long-Forgotten Art”: Two M Ori Flutes in the Peabody Essex Museum
    Lucy Mackintosh “A Long-Forgotten Art”: Two M ori Flutes in the Peabody Essex Museum Already we are boldly launched upon the deep, but soon we shall be lost in its unshored, harborless immensities. Herman Melville, 18511 In May 1807, Captain William Richardson and the crew of the Eliza sailed into the harbor at Salem, Massachusetts, after an absence of two years. The Eliza, laden with luxury goods from Canton, docked at one of the dozens of wharfs lining the harbor, alongside other trading vessels recently returned from the East Indies and China. But while most trading captains had followed the well-established trade routes to the East, Richardson had taken a longer, less familiar route, around the bottom of Australia and into Oceania. In the cargo hold of the Eliza, among the silk, cotton, tea, porcelain, and spices, lay a collec- tion of objects that Richardson had acquired on the journey. His collection, now held in the Peabody Essex Museum, contains a number of early, significant, and impressive Māori objects from New Zealand, including a pare (door lintel), papahou (treasure box), 1 2 Pūtōrino (flute), n.d. and a shark-tooth knife. But it is two small, delicate flutes that have Wood, 16 ¼ × 1 ½ in. caught and held my attention. (41.2 × 4 cm). Peabody Traders such as Richardson were among the first Americans Essex Museum, Salem, to enter the Pacific and exchange goods, objects, and ideas with Massachusetts. Gift of Captain William Polynesians, yet little is known about these early commercial voyages, Richardson, 1807, E5515. which were not as well documented as scientific expeditions to the 26 27 Pacific.3 The early experiences of these people from different worlds, separated by the vast Pacific Ocean and encountering each other for the first time, have largely vanished.
    [Show full text]