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Ray Evans Papers Ms
Ray Evans papers Ms. Coll. 860 Finding aid prepared by Finding aid prepared by Juliette L. Appold; additions and editing by John F. Anderies. Last updated on June 23, 2020. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2011 Ray Evans papers Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 5 Administrative Information........................................................................................................................... 6 Related Materials........................................................................................................................................... 7 Controlled Access Headings..........................................................................................................................7 Collection Inventory...................................................................................................................................... 9 Correspondence........................................................................................................................................9 Sheet music........................................................................................................................................... -
No.3: Folklore & Fairytales
MOUNT ISLAND No.3: Folklore & Fairytales OUNT SLAND MAGAZINEM I No.3 Folklore & Fairytales Editor Desmond Peeples Poetry Editor GennaRose Nethercott Music Editor Sadie Holliday Associate Editors Anna Meister (poetry) Isabel Lachenauer (prose) Readers Nena Kelley (prose) Graphic Design Consultant Bethany Warnock Front cover (A Doe Bride) & back cover (Twilit Owl Child) by Maria Pugnetti Mount Island is published biannually, in spring and fall. ISSN 2373-521X (online). Printed in the United States. To subscribe, submit, or read online visit www.mountisland.com. Send inquiries to [email protected]. © 2015, Mount Island Magazine and its contributors i — Editor’s Note — “If there is one ‘constant’ in the structure and theme of the wonder tale, it is transformation.” “...fairy tales measure to what extent we are losing the struggle against alienation and exploitation.” - Jack Zipes Whether or not you agree with those Zipes quotes above (Jack Zipes is a fairytale scholar and the author of numerous yummy books on the subject, if you were wondering), let’s take a moment to run with them: If fairytales revolve around transformation, then the “wonder” we feel in reading them comes from questions of cause and effect that the writers of so many such tales gloss over or omit. Therein lies the second Zipes quote—if a society’s standard fairytales reveal the progress of their struggle for justice, then the reveal depends on questioning the causes and effects of the depicted transformation. Exactly who or what was transformed—what were they to begin with, and what did they become? Who or what caused the transfor- mation, and why? Who does the transformation benefit, and who does it leave to suffer? And, lest we forget our lives off the page, how might the transformation affect our own narrative and the stories we tell each other? Consider this: fairytales begin in and return to the collective storytelling of the people - folktales. -
RCA Camden Label Discography the RCA Camden Label Was Started in 1953 As a Budget Label
RCA Discography Part 57 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Camden Label Discography The RCA Camden label was started in 1953 as a budget label. It was named after Camden New Jersey which was the manufacturing and distribution center of RCA Victor records. Much of the material released by Camden were reissues of albums released by RCA Victor, usually with a few less songs. Initially the label was used for classical releases but soon started releasing popular, country and comedy albums. Albums released by Camden included ones released by RCA of Canada using the same numbering system. These RCA of Canada albums were only distributed in Canada and were not listed in the Schwann catalogs. CAL 100 – Tchaikovsky: Nutcracker Suite/Saint-Saens: Carnival of the Animals – Warwick Symphony Orchestra [195?] CAL 101 – Prokofieff: Peter and the Wolf/Richard Strauss: Till Eulenspiegel’s Merry Pranks – Boston Symphony Orchestra [195?] CAL 102 – Beethoven: Symphony No. 3 in E-Flat (Eroica) – London Philharmonic Orchestra [195?] CAL 103 – Symphonies No. 5 Op. 67, C Minor (Beethoven) – Stattford Symphony Orchestra (London Philharmanic Orchestra) [1960] CAL 104 – Dvorak: Symphony No. 5 in E-Minor (New World) – Philadelphia Orchestra [195?] CAL 105 – Concert Classics – Warwick Symphony Orchestra [195?] Sibelius: Finlandia/Boccherini: Minuet/Haydn: 18th Century Dance/Bach: Fugue in G minor/Wagner: Lohengrin Act 1 Prelude; Magic Fire Music/Handel: Pastoral Symphony CAL 106 – Schubert: Symphony No. 8 Unfinished/Symphony No. 5 – Serge Koussevitzky, Boston Symphony Orchestra [195?] CAL 107 – Franck: Symphony in D Minor – San Francisco Symphony [195?] CAL 108 - Sibelius Symphony No. -
Name That Tune Requires 4 “AA” Batteries
1 INSERT NEW BATTERIES Push to open Batteries compartment door AA Batteries Name That Tune requires 4 “AA” batteries. To insert the batteries, remove the battery compartment cover on the back of the unit by pushing the two finger tabs toward the top of the game and lifting the cover off. Insert 4 x 1.5V “AA”/”UM-3”/”LR6” batteries or equivalent (not included) making sure to align “+” and “-“ as shown. Tiger recommends Duracell batteries. INSERTING THE BATTERIES 2 To ensure proper function: INSERTING THE BATTERIES • DO NOT MIX OLD AND NEW BATTERIES • DO NOT MIX ALKALINE, STANDARD OR RECHARGEABLE BATTERIES • BATTERY INSTALLATION SHOULD BE DONE BY AN ADULT • NON-RECHARGEABLE BATTERIES ARE NOT TO BE RECHARGED • RECHARGEABLE BATTERIES ARE TO BE REMOVED FROM THE TOY BEFORE BEING CHARGED (IF REMOVABLE) • RECHARGEABLE BATTERIES ARE ONLY TO BE CHARGED UNDER ADULT SUPERVISION (IF REMOVABLE) • ONLY BATTERIES OF THE SAME OR EQUIVALENT TYPE AS RECOMMENDED ARE TO BE USED • BATTERIES ARE TO BE INSERTED WITH THE CORRECT POLARITY • EXHAUSTED BATTERIES ARE TO BE REMOVED FROM THE TOY • THE SUPPLY TERMINALS ARE NOT TO BE SHORT-CIRCUITED 3 1.TURN ON THE UNIT Press the ON button to turn on the game "ON" BUTTON 2.SELECT GAME HOW TO PLAY 4 When the unit is turned on the game will ask you to choose the type of game you want to play, “Name That Tune” or “Melody Countdown”. “Name That Tune” includes three exciting games “Melody Roulette”, “Guess a Tune”, and “Melody Countdown”. If you choose “Melody Countdown” HOW TO PLAY you will only play this game. -
San Francisco Traditional Jazz Foundation Collection ARS.0030ARS.0030
http://oac.cdlib.org/findaid/ark:/13030/c8vt1zt8 Online items available Guide to the San Francisco Traditional Jazz Foundation Collection ARS.0030ARS.0030 Franz Kunst, Erin Hurley, and Frank Ferko Archive of Recorded Sound 2012-2019 [email protected] URL: http://library.stanford.edu/ars Guide to the San Francisco ARS.0030 1 Traditional Jazz Foundation Collection ARS.0030ARS.0030 Language of Material: English Contributing Institution: Archive of Recorded Sound Title: San Francisco Traditional Jazz Foundation Collection Identifier/Call Number: ARS.0030 Physical Description: 371 box(es) Date (inclusive): 1930-2006 Language of Material: English Stanford Archive of Recorded SoundStanford University LibrariesStanford, California 94305-3076 Access Open for research; material must be requested at least two business days in advance of intended use. Contact the Archive for assistance. Publication Rights Property rights reside with repository. Publication and reproduction rights reside with the creators or their heirs. To obtain permission to publish or reproduce, please contact the Head Librarian of the Archive of Recorded Sound. Preferred Citation San Francisco Traditional Jazz Foundation Collection, ARS-0030. Courtesy of the Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, Calif. Source The San Francisco Traditional Jazz Foundation Collection was donated to the Stanford Archive of Recorded Sound by the San Francisco Traditional Jazz Foundation in 2008-2009. Sponsor This finding aid was produced, in part, with generous financial support from the National Historical Publications and Records Commission. Box numbers Box numbers have gaps. Also some contents of boxes were removed and placed in oversize folders, so the Extent includes the combination of the total box count and oversize folder count. -
Aaron Copland/Appalachian Spring - Leonard Bernstein LA Philharmonic
What’s on Prez Marc’s iPod? Aaron Copland/Appalachian Spring - Leonard Bernstein LA Philharmonic Alan Copeland Singers/If Love Comes With It Alberto Iglesias/Talk To Her (OST) America/America Andy Williams/Warm And Willing + Shadow Of Your Smile Anton Dvorak/American Quartet Le Quator Talich Art Garfunkel/Fate For Breakfast Arthur Prysock/Late Night Ballads & Blues Association/Renaissance Astrud Gilberto/Gilberto with Turrentine Barbara/Bobino 67 - Barbara Singt Barbara Barbra Streisand/Nuts (OST) Barbra Streisand/The Essential Barbra Streisand Barbra Streisand/Yentl (OST) Bernard Herrmann/The Ghost And Mrs. Muir (OST) Bill Evans/Waltz For Debby Billy Eckstine/Imagination Blossom Dearie/Whisper For You Brad Mehldau/The Art Of The Trio, Vol. 3 Songs Byrds/Younger Than Yesterday Caetano Veloso/Qualquer Coisa Carpenters/Carpenters Chad & Jeremy/Distant Shores Rotary Club of Los Angeles November 2009 page 1 What’s on Prez Marc’s iPod? Chamaeleon Church/Chamaeleon Church Charles Tolliver/The Ringer Chet Baker/Chet Baker With Fifty Italian Strings Chet Baker/She Was Too Good To Me Chet Baker/The Italian Sessions Chicago/Chicago II Chicago/Chicago III Chicago/Chicago Transit Authority Chris Montez/The More I See You ~ Call Me Chuck Mangione/Land Of Make Believe Classics IV/The Very Best Of Classics IV Colin Blunstone/One Year Compilations/'s Bossa Nova 1 Compilations/'s Bossa Nova 2 Compilations/'s Bossa Nova 3 Compilations/'s Bossa Nova 4 Compilations/'s Bossa Nova 5 Compilations/Bar Jazz Compilations/Blue Box - Blue Note's Best Compilations/Bossa -
Capitol Records Discography, Continued
Capitol Records Discography, Continued Main Series (Continued from Part 4): EAP 1 600 – Jane Froman Sings – Jane Froman [1955] This is a 7 inch extended play 45 rpm record. The Song from Desiree (We Meet Again)/The Finger of Suspicion Points at You/I Wonder/I’ll Never Be the Same EAP 1 601 – Hank Thompson and the Brazos Valley Boys – Hank Thompson and the Brazos Valley Boys [1955] This is a 7 inch extended play 45 rpm record. New Green Light/If Lovin’ You is Wrong/Annie Over/Wake Up/Irene EAP 1 602 – Louvin Brothers – Louvin Brothers [1955] This is a 7 inch extended play 45 rpm record. Family Who Prays/I Love God's Way Of Living/Born Again/If We Forget God S 603 – Plain and Fancy (Original Cast) – Various Artists [1955] Overture/You Can't Miss It – Richard Derr and Shirl Conway/It Wonders Me – Gloria Marlowe/Plenty of Pennsylvania – Nancy Andrews, Douglas Fletcher Rodgers, Elaine Lynn/Young and Foolish – David Daniels and Gloria Marlowe/Why Not Katie? – Douglas Fletcher Rodgers/It's a Helluva a Way to Run a Love Affair – Shirl Conway//This Is All Very New to Me – Barbara Cook/Plain We Live – Stefan Schnabel/How Do You Raise a Barn?/Follow Your Heart – David Daniels, Gloria Marlowe and Barbara Cook/City Mouse, Country Mouse – Nancy Andrews/I'll Show Him – Barbara Cook/Take Your Time and Take Your Pick – Barbara Cook, Richard Derr and Shirl Conway/Finale 604 605 EAP 1 606 – Jimmy Heap – Jimmy Heap [1955] This is a 7 inch extended play 45 rpm record. -
RPM-1987-03-21.Pdf
- - ISNX-1127-J Island -73020-F B Capitol 264-4-0 830 - Mercury -76254-Q MS - Mercury Tree Joshua The Brothers Partland Wet When Slippery Jovi Bon U2 HONEY ELECTRIC JOVI BON PRAYER A ON LIVIN' PICK ALBUM PICK SINGLE ALBUM No.1 SINGLE No.1 ***************** Kamen Nick HEART MY BREAK - YOU TIME EACH 7 Page "sheen". commercial a donning him sees that one it's enough, U2 YOU WITHOUT OR WITH Interestingly career. musical his of phase next the yet on out set to Red Simply about is Cope Julian him, behind far THING RIGHT THE days, Explodes Teardrop his With "G" Miker M.C. RAP HOLIDAY ***************** Bangles STREET YOUR DOWN WALKING Stores And Songs Warehouse Tiger Glass DU HUSKER THERE BE WILL I Revolution Private Gowan PARTY WORLD DESIRES MOONLIGHT Not Or Ready Broadcast GRAMM LOU Happiness Of Pursuit CREW CUTTING NOW ADULT AN I'M House Crowded Blah Blah Blah HOUSE CROWDED Hart Corey POP IGGY MIRROR MY WITH DANCING Persuader Strong Pain & Love Life, CRAY ROBERT Expose NOUVEAU CLUB ME WITH GO COME From Greetings Women And Men 3 TIMBUK Genesis RED SIMPLY TONIGHT TONIGHT, TONIGHT, Midnight To Midnight Tree Joshua The FURS PSYCHEDELIC Nouveau Club U2 ME ON LEAN CHOOSE Songs Night WE WATCH TO CINDERELLA Michael Franklin/George Aretha Me) (For WAITING ALBUMS Me Touch WERE YOU KNEW I FOX SAMANTHA Barbusters Vannelli Gino Moon The Of Light The By THE HORSES WILD DAY OF LIGHT LOBOS LOS Turner Tina Nevil Robbie Countdown Final The SEE YOU WHAT DOMINOES EUROPE IS GET YOU WHAT Crew Cutting ARMS YOUR IN DIED Just) SINGLES Winwood Steve THINGS FINER THE -
Press Release
Contact Information Jimmy McHugh Music 9229 Sunset Blvd. Suite 503 Los Angeles, CA 90069 (310) 271-1967 fax (310) 858-0523 www.jimmymchughmusic.com MySpace www.myspace.com/jimmymchugh Facebook www.facebook.com/pages/Jimmy-McHugh/203195520719 Twitter twitter.com/jmchughmusic I. JIMMY McHUGH: A BIOGRAPHY The story of Jimmy McHugh began in Boston on July 10, 1894, when he was one of seven children born to a working class Irish Catholic family. His father was a plumber and his mother a semi-professional pianist, who encouraged his love for music and gave him his first piano lessons. Inspired to pursue his career in music, McHugh’s first job in show business came as an office boy at the Boston Opera House. He was soon promoted to rehearsal pianist. Declining a scholarship to the New England Conservatory of Music, he turned from classical to pop music and talked his way into a job as a junior song plugger in the Boston office of Irving Berlin Music Publishing. McHugh knew that his best hope for getting his own songs published lay in New York. So in 1921, he moved to Manhattan and landed a job at the prestigious Mills Music Company. He worked as a song plugger by day and a songwriter by night. Before long, he’d been hired as a house composer at Harlem’s legendary Cotton Club, which throughout the Roaring Twenties showcased the best black perform- ers in the country, including Duke Ellington, Count Basie and Louis Armstrong among them. Spending the next eight years in that creative hotbed, McHugh contributed to nine different Cotton Club revues, writing such hits as “When My Sugar Walks Down the Street”, “I Can’t Believe That You’re In Love with Me” and “The Lonesomest Girl in Town”. -
Classic Tunes
LP Inventory item type artist title condition price quantity LP ...Self Titled VG+poor 10.95 111 Lloyd Thaxton Presents The Land Of 10 C.C. 1000 Dances Round Robin LP VG+VG+ 25.95 111 LP 10 C.C. Bloody Tourists VG+VG+ 22.95 111 LP 10 C.C. Rockin' Into The Night VG+vg+ 24.95 111 2record set 10 C.C. Live And Let Live VG+vg+ 30.95 111 LP 10 C.C. Harmony VG+vg+ 18.95 222 LP 10 C.C. Deceptive Bends VG+vg+ 19.95 111 LP 10 C.C. Deceptive Bends VG+VG+ 22.95 111 LP 10 C.C. How Dare You ! VG+VG+ 22.95 111 LP 10 C.C. Live And Let Live VG+VG+ 31.95 111 LP 10 C.C. 100 C.C. VG+VG+ 22.95 111 10 Major Help Yourself Folk/Country Artist LP M-/m- 15.99 111 10 Major When We'Re Together With Folk Folk/Country Artist Sound LP M-/m- 15.99 111 When We'Re Together With Folk 10 Major Pop Artist LP Sound M-/m- 15.99 111 10 Major Pop Artist When We'Re Together Remembering LP M-/m- 15.99 111 LP 10,000 Maniacs Self Titled VG+VG+ 25.95 111 LP 10,000 Maniacs Blind Man'S Zoo VG+VG+ 25.95 111 101 Strings The Best Of The Best Of 101 Strings LP M- 15.99 111 101 Strings Night In Vienna LP Orchestra VG+ 12.95 111 17 Dixieland Greats Dixieland -Three Different Schools LP VG+ 22.95 111 Page 1 LP Inventory 2001 A Space Soundtrack From Movie 2001 A Space LP Odyssey Odyssey poor/VG+ 8.95 111 LP 38 Special Greetings From Timbuk 3 VG+vg 22.95 222 LP 38 Special Strength In Numbers VG+poor 22.95 111 LP 38 Special Special Forces poor/poor 22.95 111 LP 38 Special Special Forces VG+vg 24.95 333 LP 38 Special Wide Eyed Southern Boys poor/poor 22.95 111 LP 38 Special Wide Eyed Southern -
December 4, 2006 Artist Nat King Cole
SHIPPING DATE: OCTOBER 30, 2006 (estimated) STREET DATE: DECEMBER 4, 2006 ARTIST NAT KING COLE TITLE L.O.V.E The Complete Capitol Recordings 1960 - 1964 LABEL Bear Family Records CATALOG # BCD 16717 PRICE-CODE KL EAN-CODE 4000127 167170 ISBN-CODE 3-89916-153-X FORMAT 11-CD Box Set (LP-size) with 184-page hardcover book GENRE Pop TRACKS 292 PLAYING TIME 787:34 SALES NOTES Nat King Cole (1919-1965) was the most popular male singer of his generation, and, along with Bing Crosby, Frank Sinatra and Elvis Presley, one of the four best known male vocalists of all time. Making Cole's story all the more remarkable, he began his career not as a pop singer but as one of the greatest of all jazz pianists. Yet by the time he had made the transition from jazz to pop, he had sold more records and racked up more hit singles than anyone in the immediate post-war era, even Frank Sinatra. He was also the first Afro-American pop music superstar - and still the greatest. Cole's baritone voice was sweet and pretty, and most of his greatest successes were with love songs. Still, he had the greatest time of any singer ever, and was equally well-versed in swinging rhythm numbers and blues. In his combination of tenderness and bluesy energy, Cole was a founding father of R&B and a major influence on the soul movement – as cited by Charles Brown, Ray Charles and many other later stars. Like Frank Sinatra, he collaborated closely with the greatest pop orchestrators of all time, particularly Gordon Jenkins, Billy May, Ralph Carmichael, and in particular, Nelson Riddle.