DOCSLIB.ORG

Blue October Biography – 2013

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Blue October Biography – 2013 blue october Biography – 2013 “’Sway’ is an empowering record. It’s a record that I always wanted to make but didn’t know how.” – Blue October’s Justin Furstenfeld BLUE OCTOBER, the San Marcos, TX-based band known for shimmering rock songs and haunting lyrics on albums such as 2009’s Billboard Top 15 debut, Approaching Normal, 2011’s Billboard Top Ten debut Any Man In America and the Platinum-selling Foiled, makes a triumphant return with Sway (Up/Down Records), the band’s first album in two years. With lush, atmospheric songs such as “Bleed Out,” “Angels In Everything” and “Fear,” and the edgy rocker “Put It In,” the Texas four-piece comes back strong with a revitalized energy and a positive outlook. As singer Justin Furstenfeld puts it: “This album is about why life is so beautiful. It’s about facing fears and recognizing miracles every day. It’s about enjoying yourself and realizing that life is not something you can half-ass.” The band began writing the album after coming off a series of tour dates in 2012. Drummer Jeremy Furstenfeld echoes his brother’s attitude. “, “The band is in a really great space now, everyone is healthy, happy, and doing well. That’s changed our point of view, and you can hear that new perspective on the album.” Produced by Justin Furstenfeld and David Castell (who also produced the band’s History for Sale and co-produced the Platinum Foiled) and recorded at Fire Station Studios in San Marcus, TX, the writing for the new album began with Justin. “I had about 60 songs...we recorded fifteen, and then decided on thirteen of those for the album. I usually write all the songs and then we get together.” But the singer is quick to point out that Blue October’s music is a band effort. “I’ve got all these songs, songs that would be good with a piano and acoustic guitar; then Ryan comes in and he laces them together with beautiful harmonies and cellos and violins and that gives the songs that sensitive side. Matt is about structure: he makes sure the songs are tight and the sounds are good – he’s also a producer so he knows when to take something out, if a verse is going too long or a part needs to be cut. He’s a genius. And my brother, Jeremy, our drummer, is really good at locking down what works for the song.” With so many songs to choose from, Blue October focused on their favorites and channeled the band’s renewed optimism into creating one standout after the next. From the exciting and contagious “Bleed Out” to the wistful “Fear,” the upbeat “Angels In Everything,” and the beautiful “Not Broken Anymore,” Matt drives it home: “I don’t think there’s a weak song on the record.” “Bleed Out’ is one of my favorites,” says Justin. “There was a guy named Jeremy Raby who sent me some music, and when I was writing the lyrics it really inspired me to finish the song. I was pretty nailed down by addiction for a while and the song comes from my wife’s point-of-view from watching someone self-destruct. I’m always honest about the pain I’ve gone through in the past: and this album is not about that anymore. It’s recognizing the people who I might have hurt: and ‘Bleed Out’ is definitely that.” Matt agrees, “It’s definitely one of my favorites. The music was co-written by one of my very close friends and Justin heard it and turned it into a complete song. Lyrically he came in with something so strong, it reminded me of what a really special, talented guy I work with. And I think as a band, everybody shines…it’s one of those rare songs where every single instrument has a moment.” The song, with its aching melody and beautiful crescendos, surges upward to the poignant chorus, “Don’t let me bleed out here alone.” Ryan adds, “It’s a really powerful song with a great message.” Miracles and beauty abound on Sway. Justin points out the song “Angels In Everything.” “It was inspired by my wife, who showed me that that there are angels in everything you do. You don’t have to be alone; and that the heart that’s beating when we’re together is so special and something to be cherished. I think that’s one song that I love so much because it reminds me of a guy just taking his wife out to a river, under the moon, and telling her that “you’ve changed my life and thank you so much…’” After Justin formed Up/Down Records, the band elected to try a Pledge Music campaign to help fund the new album. The response overwhelmed them (to date, they’ve raised 180% of their goal). As Matt points out, “I couldn’t be more sincere when I say that our lifeblood and our fuel, flows from our fans. We’ve had concert promoters and even other bands comment about how loyal and how rabid our fans are and there’s never been a moment in our career when we’ve taken that for granted.” Justin describes the process of how the band took up this new challenge. “Our manager suggested it; he found Pledge Music where we could have 5% of the proceeds go to MusicCares, which provides financial aid for musicians without insurance who are in need of help. The platform has allowed us to get closer with our fans, and allows them to become part of the fabric of the making of the new album. We love them for it and we’re very blessed that they would do that for us. We hit our goal in a week!” For Jeremy, making music is a passion. “We’re just a bunch of guys who like to stay true and are blessed to be able to make music for so many years, even through the rough times. We’re a band of brothers who stick by each other and help each other out when we need it whether it’s music or not. As long as I can walk and as long as my hands will allow me to keep playing, and as long as we’re honest with each other, which we are, I want to keep playing and we will keep playing.” The members of Blue October are unanimous in their enthusiasm for the new record and its new direction. As Ryan puts it: “We are absolutely very much a band: we were a performing band before we ever made any records and that’s what we are today. We’re four guys who are humbled and blessed to be able to do what we dream about.” Matt is effusive. “The wonderful thing about playing in the band, for a long time, the message has always stayed the same. Which is to put out music that has a message and substance. Every single song has a purpose or a reason, even if the themes change, we always have something to say. I think that’s really special and that’s really special to be a part of.” Sway authenticates the strength of Blue October. The songs are moving, emotional and dynamic; the lyrics are poignant and the sound is breathtaking. As Justin puts it, “We’re tighter than we’ve ever been, as a band and as a family. We’ve been through so much together and it comes through in the music. We’re stronger, and I think people will hear that, because the music truly shines.” 0613 .
Load more

Recommended publications
  • Report of the Governor's Commission to Rebuild Texas
    EYE OF THE STORM Report of the Governor’s Commission to Rebuild Texas John Sharp, Commissioner BOARD OF REGENTS Charles W. Schwartz, Chairman Elaine Mendoza, Vice Chairman Phil Adams Robert Albritton Anthony G. Buzbee Morris E. Foster Tim Leach William “Bill” Mahomes Cliff Thomas Ervin Bryant, Student Regent John Sharp, Chancellor NOVEMBER 2018 FOREWORD On September 1 of last year, as Hurricane Harvey began to break up, I traveled from College Station to Austin at the request of Governor Greg Abbott. The Governor asked me to become Commissioner of something he called the Governor’s Commission to Rebuild Texas. The Governor was direct about what he wanted from me and the new commission: “I want you to advocate for our communities, and make sure things get done without delay,” he said. I agreed to undertake this important assignment and set to work immediately. On September 7, the Governor issued a proclamation formally creating the commission, and soon after, the Governor and I began traveling throughout the affected areas seeing for ourselves the incredible destruction the storm inflicted Before the difficulties our communities faced on a swath of Texas larger than New Jersey. because of Harvey fade from memory, it is critical that Since then, my staff and I have worked alongside we examine what happened and how our preparation other state agencies, federal agencies and local for and response to future disasters can be improved. communities across the counties affected by Hurricane In this report, we try to create as clear a picture of Harvey to carry out the difficult process of recovery and Hurricane Harvey as possible.
    [Show full text]
  • Aggie Heroes: Overcoming Adversity
    Utah State University DigitalCommons@USU The Utah Statesman Students 10-22-2019 The Utah Statesman, October 22, 2019 Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/newspapers Recommended Citation Utah State University, "The Utah Statesman, October 22, 2019" (2019). The Utah Statesman. 746. https://digitalcommons.usu.edu/newspapers/746 This Book is brought to you for free and open access by the Students at DigitalCommons@USU. It has been accepted for inclusion in The Utah Statesman by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Week of October 22, 2019 www.usustatesman.com (435) 797-1742 TSC Room 118 VOTING INSIDE Free single copy 2019 SPORTS | Come at the crown STUDENT LIFE | Pumpkin patch NEWS | Wrist management Utah State basketball becomes first team in MW history to North Logan’s Pumpkin Walk showcases imaginative Local USU student has career aspirations derailed by wrist be unanimously selected first in preseason poll pumpkin-ized scenes for visitors of all ages injury see PAGE 4 see PAGE 3 see PAGE 2 BUILDING FRUSTRATION Construction on Center Street in Logan has local business owners exasperated RESPECTUtah State basketball ranked 17th in AP preseason poll PHOTO BY Megan Nielsen Utah State center Neemias Queta celebrates during the Mountain West championship versus San Diego State on March 16, 2019. By Jason Walker SPORTS SENIOR WRITER For only the third time in program history, the Utah State men’s PHOTO BY Iain Laurence basketball is in the AP Top 25 preseason poll. Voters placed the Construction on Center Street in downtown Logan was scheduled for completion in October but now may not be done until mid-November.
    [Show full text]
  • Tolono Library CD List
    Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J.
    [Show full text]
  • Maryland Historical Magazine, 1963, Volume 58, Issue No. 2
    MARYLAND HISTORICAL MAGAZINE VOL. 58, No. 2 JUNE, 1963 CONTENTS PAGE The Autobiographical Writings of Senator Arthur Pue Gorman John R. Lambert, Jr. 93 Jonathan Boucher: The Mind of an American Loyalist Philip Evanson 123 Civil War Memoirs of the First Maryland Cavalry, C. S.A Edited hy Samuel H. Miller 137 Sidelights 173 Dr. James B. Stansbury Frank F. White, Jr. Reviews of Recent Books 175 Bohner, John Pendleton Kennedy, by J. Gilman D'Arcy Paul Keefer, Baltimore's Music, by Lester S. Levy Miner, William Goddard, Newspaperman, by David C. Skaggs Pease, ed.. The Progressive Years, by J. Joseph Huthmacher Osborne, ed., Swallow Barn, by Cecil D. Eby Carroll, Joseph Nichols and the Nicholites, by Theodore H. Mattheis Turner, William Plumer of New Hampshire, by Frank Otto Gatell Timberlake, Prohibition and the Progressive Movement, by Dorothy M. Brown Brewington, Chesapeake Bay Log Canoes and Bugeyes, by Richard H. Randall Higginbotham, Daniel Morgan, Revolutionary Rifleman, by Frank F. White, Jr. de Valinger, ed., and comp., A Calendar of Ridgely Family Letters, by George Valentine Massey, II Klein, ed.. Just South of Gettysburg, by Harold R. Manakee Notes and Queries 190 Contributors 192 Annual Subscription to the Magazine, t'f.OO. Each issue $1.00. The Magazine assumes no responsibility for statements or opinions expressed in its pages. Richard Walsh, Editor C. A. Porter Hopkins, Asst. Editor Published quarterly by the Maryland Historical Society, 201 W. Monument Street, Baltimore 1, Md. Second-class postage paid at Baltimore, Md. > AAA;) 1 -i4.J,J.A.l,J..I.AJ.J.J LJ.XAJ.AJ;4.J..<.4.AJ.J.*4.A4.AA4.4..tJ.AA4.AA.<.4.44-4" - "*" ' ^O^ SALE HISTORICAL MAP OF ST.
    [Show full text]
  • The Korean Tradition of Humor in Psy's “Gangnam Style”*
    Korea Journal, vol. 56, no. 1 (spring 2016): 5-32. © Korean National Commission for UNESCO, 2016 The Korean Tradition of Humor in Psy’s “Gangnam Style”* PARK Sang Kee Abstract In his carefully crafted music video, “Gangnam Style,” Psy reveals an infectiously posi- tive attitude toward life, reflecting the Korean parody tradition of haehak, as opposed to the more critical pungja. Particularly, haehak’s optimistic attitude toward life priori- tizes group enjoyment over social criticism. Psy’s video symbolizes an attempt to go through all the difficulties in life with a unique sense of humor and undaunted perse- verance. He expresses his positive attitude toward life by creatively transforming the negative to the positive. At the same time, he produces a dynamic video by subverting his audience’s expectations whenever he pokes fun at his characters and their situa- tions. Psy’s portrayal of himself as a “psycho” points to both his eccentricity and passion. His emphasis on eccentricity registers the pagyeok spirit of haehak, particularly break- ing with the conventions of the Korean music industry. His relentless pursuit of passion also registers the active attitude of haehak. As a kind of “collective sensibility,” Psy’s group entertainment goes beyond the negative aspects of other popular music, such as homophobia and misogyny. Psy actively partakes of the global creative adaptation of popular music. Creatively remixing East and West, the contemporary and the tradi- tional, he produces a unique humor that alleviates people’s distress during hard times across the globe. Keywords: Psy, Gangnam Style, Korean culture, haehak, pungja, satire, parody, pastiche * This work was supported by the Sogang University Research Grant of 2012.
    [Show full text]
  • Tony Lindsay New Solo Project for Hudson Valley Native 18 and Former Santana Singer
    Art Music Culture Revolution Erin Hanna Art Student and Singer/Songwriter set to 14 make waves at Troy River Fest Tony Lindsay New solo project for Hudson Valley native 18 and former Santana singer May 2019 Page 3 Music Art Culture Revolution Plugging In the Unplugged When 12-strings, mandolins, violins and MOOG Minitherimins attack: Acoustic Trauma and its neverending quest to redefine the words ‘Acoustic’ and ‘Trauma’ Photo by Jessica Maceli (l - r) Patrick McNulty, Paul Nunzio Maceli By Liam Sweeny a little bit of everything else, see yourself as an acoustic set, or Acoustic Trauma has been blow- was that a crown given? hen I was jamming ing minds from the cradle to the Paul: It’s actually an inter- out, my sound stage cap and gown. esting story. To give you some Wwishes and wah ped- I sit with Paul to mull over the background, my early influences al dreams in tow, I’d heard of finer points of interstellar traffic included classic rock, mostly pro- Acoustic Trauma. I’d never seen law. gressive rock and heavy metal. Tales from the Door ....................20 them, but I’d heard a bootleg RRX: You really push the In my teen years, I quit playing Observations tape, so I knew what they were envelope when it comes to an music to go to college for busi- and Ramblings ..27 laying down. That was in the late acoustic sound. In fact, I don’t ness, knowing that the only way Liats’ Almanac ...28 90s, and Acoustic Trauma has think many people hearing you I would ever get back into mu- Uncovered .........30 been laying it long since I laid my for the first time would have the sic was if I was to do something guitar to rest.
    [Show full text]
  • Schedule a - Artists Represented
    SCHEDULE A - ARTISTS REPRESENTED 10K CAASH ANGUS JULIA STONE BLACK SABBATH BRYAN FERRY 2 CELLOS ANNE-MARIE BLACK VEIL BRIDES BRYSON TILLER 2PAC ANTHRAX BLAKE SHELTON BUCKCHERRY 4 HUNNID ARIANA GRANDE BLEED FROM WITHIN BULLET FOR MY VALENTINE 5 SECONDS OF ARIZONA BLOSSOMS SUMMER BURNA BOY ASYLUM BLUE OCTOBER A BOOGIE WIT DA BUSH HOODIE ATLANTIC RECORDS BLUENOTE CABBAGE A PERFECT CIRCLE ATREYU BLUR CAGE THE ELEPHANT A STAR IS BORN AVICII BOB MARLEY CAPITOL RECORDS A&M RECORDS AXWELL INGROSSO BOB MASSE CARDI B AB61X BABYMETAL BOB SEGER CASH CASH ADELE BACKSTREET BOYS BOHEMIAN RHAPSODY CASH MONEY AFI BAD MEETS EVIL BOKASSA CATFISH AND THE A-HA BAD WOLVES BOMBAY BICYCLE CLUB BOTTLEMEN AIR BAHARI BOSTON CELINE DION AIRBOURNE BAND OF HORSES BOWLING FOR SOUP CHANTEL JEFFRIES AJR BANKS AND STEELZ BOY & BEAR CHARLIE PUTH AL MURRAY BARE NAKED LADIES BOY GEORGE & CHAS & DAVE CULTURE CLUB ALEX NEWELL BARNS COURTNEY CHEMICAL BROTHERS BOYZONE ALICE COOPER BASTILLE CHER LLOYD BRANDON FLOWERS ALICE IN CHAINS BEA MILLER CHICAGO BRANDY CLARK ALICIA KEYS BEACH BOYS CHRIS CORNELL BRANTLEY GILBERT ALL TIME LOW BEACH GOONS CHRIS ISAAK BRETT DENNEN ALLMAN BROTHERS BEASTIE BOYS CHRISTOPHER BRETT ELDREDGE ALLY BROOKE BEBE REXHA CIAN TWOMEY BRIAN MAY ALT-J BECK CITY GIRLS BRIAN WILSON ALY AND AJ BELLY CLEAN BANDIT BRIGHT LIGHT AMY WINEHOUSE BIFFY CLYRO CLIFF BURTON BRING ME THE ANDERSON EAST BILLIE EILISH HORIZON COHEED & CAMBRIA ANDRA DAY BISHOP BRIGGS BROCKHAMPTON COLD WAR KIDS ANDY BLACK BJORK BROS COLDPLAY ANDY VELO BLACK JOE LEWIS BRUCE SPRINGSTEEN COLE SWINDELL
    [Show full text]
  • Blue October – “Fear” (Lyrics) (Hate Me)
    Blue October – “Fear” (lyrics) (Hate Me) All my life Been running from a pain in me A feeling I don't understand Holding me down So rain on me Underwater All I am, getting harder A heavy weight I carry around Today I don't have to fall apart I don't have to be afraid I don't have to let the damage Consume me, My shadow see through me 'Cause fear in itself Will reel you in and spit you out Over and over again Believe in yourself And you will walk Now, fear in itself Will use you up and break you down Like you were never enough Yeah, I used to fall, now I get back up I'm up here I'm looking at the way down there I'm staring through the I don't care It's staring back at me The beauty is I'm learning how to face my beast Starting now to find some peace Set myself free, yeah Today I don't have to fall apart I don't have to be afraid I don't have to let the damage consume me My shadow see through me 'Cause fear in itself Will reel you in and spit you out Over and over again Believe in yourself And you will walk And now, fear in itself Will use you up and break you down Like you were never enough I used to fall but now I get back up I'm moving on oh God just move on Today I don't have to fall apart I don't have to be afraid Get back up Get up Feel it, fear, wow And now fear, fear in itself can use you up And then breaks you down You're never enough And I used to fall Breathe Ask for more If you're bitter still Ask him to help you carry on Album and song titles – Approaching normal, songs from an open book, rooftop sessions, the answers, consent to treatment, history for sale, I hope your happy, The band has had eleven top 40 singles over their past seven studio albums and is best known for their platinum singles " Hate Me " and " Into the Ocean " from their 2006 platinum album Foiled .
    [Show full text]
  • List: 44 When Your Heart Stops Beating ...And You Will Know Us By
    List: 44 When Your Heart Stops Beating ...And You Will Know Us By The Trail Of Dead ...And You Will Know Us By The Trail Of Dead ...And You Will Know Us By The Trail Of Dead So Divided ...And You Will Know Us By The Trail Of Dead Worlds Apart 10,000 Maniacs In My Tribe 10,000 Maniacs Our Time In Eden 10,000 Maniacs The Earth Pressed Flat 100% Funk 100% Funk 3 Doors Down Away From The Sun 3 Doors Down The Better Life 30 Seconds To Mars 30 Seconds To Mars 30 Seconds To Mars A Beautiful Lie 311 311 311 Evolver 311 Greatest Hits '93-'03 311 Soundsystem 504 Plan Treehouse Talk 7:22 Band 7:22 Live 80's New Wave 80's New Wave (Disc1) 80's New Wave 80's New Wave (Disc2) A Day Away Touch M, Tease Me, Take Me For Granted A Day To Remember And Their Name Was Treason A New Found Glory Catalyst A New Found Glory Coming Home A New Found Glory From The Screen To Your Stereo A New Found Glory Nothing Gold Can Stay A New Found Glory Sticks And Stones Aaron Spiro Sing Abba Gold Aberfeldy Young Forever AC/DC AC/DC Live: Collector's Edition (Disc 1) AC/DC AC/DC Live: Collector's Edition (Disc 2) AC/DC Back In Black AC/DC Ballbreaker AC/DC Blow Up Your Video AC/DC Dirty Deeds Done Dirt Cheap AC/DC Fly On The Wall AC/DC For Those About To Rock We Salute You AC/DC High Voltage AC/DC Highway To Hell AC/DC If You Want Blood You've Got I AC/DC Let There Be Rock AC/DC Powerage AC/DC Stiff Upper Lip AC/DC T.N.T.
    [Show full text]
  • Music 18068 Songs, 47.6 Days, 99.18 GB
    Music 18068 songs, 47.6 days, 99.18 GB Name Time Album Artist A. F. U. (Naturally Wired) 4:31 Ou812 Van Halen A.B.C. 3:52 Coolin' At The Playground Ya' Know! Another Bad Creation ABC 2:56 The Ultimate Collection The Jackson 5 Abi Gezundt (A Bee Gezindt) 2:48 The King Of Hi-De-Ho 1934-1937 Cab Calloway Abigail Beecher 2:25 The EP Collection Freddy Cannon Abilene 2:15 Billboard Top Country Hits - 1963 George Hamilton IV About You (Feat. Will.I.Am and Nina Sim... 4:05 The Breakthrough Mary J. Blige Above the Rim 3:38 Hootie Mack Bell Biv DeVoe Abracadabra 3:39 Now That's What I Call The 80s Steve Miller Abracadabra 5:06 Steve Miller Band Abscretions 7:03 Music, Inc. Big Band Music Inc. Absolutely Nothing's Changed 3:43 Twenty Four Seven Tina Turner AC 3e 7:1010000 Days Tool Acapulco 1922 2:42 Definitive Hits Herb Alpert Accidentally In Love 3:09 Shrek 2 Counting Crows Accidently On Purpose 2:23 Best of Vol. 1: Hardcore Honky George Jones According To You (Top 40 Edit) 3:20 Promo Only Mainstream Radio December Orianthi Ace in the Hole 2:35 50 Number Ones Disc 1 George Strait Ace in the Hole 5:44 One Trick Pony Paul Simon Ace Of Hearts 3:06 Here In The Real World Alan Jackson Achilles Last Stand 10:23 Boxed Set [Disc 3] Led Zeppelin Achilles Last Stand 10:23 Boxed Set [Disc 3] Led Zeppelin Aching, Breaking, Heart 2:49 Best of Vol.
    [Show full text]
  • Andy Borowitz at Hamilton a & E Calendar by Matt Nudell ’11 Performer
    A Hamilton College Student Publication, Clinton, NY April 16, 2009 Volume XLIX Number 22 THE SPECTATOR Administration: No G-Road Party on Class & Charter Day by Kerry Q. Coughlin ’11 party has “gotten completely out NEWS WRITER of control.” Unlike officially rec- ognized parties hosted in social spaces, at the G-Road party, “it is There will be no party at unclear who has provided alcohol Griffin Road on this year’s Class and there is no control over who & Charter Day. This announce- is served.” ment, much to many students’ “Every year the neighbors dismay, came in the all campus are disrupted in a variety of unac- e-mail of the Student Assembly ceptable ways,” said Thompson. (SA) minutes from April 6. Professor Karen Brewer of the The party at the Griffin Road chemistry department has lived apartment complex (G-Road) has near the Griffin Road apartments been occurring for five or six for nearly eleven years. “I know years and involves an outdoor that my neighbors and I have venue for what is essentially a dealt with increasing noise and G Roooooooooooooooaaaaaaaaaaaaaaaaaaaaaaaaaad free-for-all of alcohol consump- more litter in our yards, along tion to celebrate the year’s last with vomiting on our property or PHOTO BY LEXI NISITA ’12 day of classes. the street and students trespass- Many faculty, staff, and ing in our yards with some of The lawns and parking lots of the Griffin Road apartments will not play host students have been expressing them relieving themselves in full to the usual big party on this year’s Class & Charter Day, Friday, May 8, 2009.
    [Show full text]
  • [email protected] Laker Sports “Quick Hits”
    THE STUDENT NEWSPAPER OF MERCYHURST COLLEGE SINCE 1929 A & E SPORTS East Village Opera Women’s hockey Company to ranked No. 3 in perform in PAC United States Friday Page 8 Page 10 Vol. 80 No. 4 Mercyhurst College 501 E. 38th St. Erie Pa. 16546 October 4, 2006 THE MERCIAD Forensic students investigate homicides it, we continued with the excavation of the grave,” Dirkmaat said. The students used the same procedure for a shallow grave or a deep grave, one that Dirkmaat began developing during his time at graduate school. “We here at Mercyhurst are setting the standards for forensic archaeology for outdoor crime scenes,” he said. “The local law enforcement is starting to realize this and they benefi t from our services. I’ve been here for 15 years, and we do a few every year.” Dirkmaat believes that hands-on experience is necessary for learning forensic archaeology. “Forensic archae- ology has simulated, mock scenes, because you can talk about it in class, but you don’t actually learn it until you have the experience,” he explained. Stephanie Super, a fi rst-year forensic anthropology graduate student, agreed with Dirkmaat that there are many “This past Tuesday and Wednesday elements present at a crime scene that By Jen Helbig the coroner’s offi ce, state police and cannot be duplicated in simulation. Contributing writer district attorney’s offi ce asked us for “You can’t learn something like this help,” said Dr. Dennis Dirkmaat, associ- unless you do it. When you have a mock Students in Mercyhurst’s department ate professor of anthropology.
    [Show full text]