Examples of Gold Standard Workforce Development Partnerships
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Okeh Album Discography Okeh Album Discography by David Edwards and Mike Callahan Last Update: June 9, 2003
OKeh Album Discography OKeh Album Discography By David Edwards and Mike Callahan Last update: June 9, 2003 The OKeh Record label was founded in Germany in 1910, by Carl Linstrom, a German who owned record labels in several countries. In 1918 the OKeh label was established in the United States under Otto Heineman, who was backed by Linstrom. During World War I, the OKeh Label was reorganized as a US company called General Phonograph Corporation, based in New York City. OKeh recorded all types of music, but in 1920 it started the black music recording industry by recording and releasing Mamie Smith's "Crazy Blues." In the following decade it distinguished itself by recording blues and jazz, including Louis Armstrong's Hot Five and Hot Seven Combos. In 1926, the General Phonograph Corporation was sold to the Columbia Phonograph Company. Eight years later, the Columbia Phonograph Company itself was purchased by the American Record Corporation (ARC). The new company kept the Columbia and Vocalion label names but dropped the OKeh label. In 1938, the Columbia Broadcasting System purchased ARC, and two years later, CBS revived the OKeh name by changing the name of the Vocalion label to OKeh. OKeh, as a division of record giant Columbia, was independently distributed and used for rhythm and blues releases. Columbia knew that their mainstream distribution network could not handle rhythm and blues effectively, so they farmed out the distribution of the OKeh label to distributors more in tune with the record shops, clubs, disc jockeys and radio stations involved with rhythm and blues. -
Rhythm & Blues S E U L B & M H T Y
68 RHYTHM & BLUES JOHNNY GUITAR WATSON CLOVERS: Good Lovin’ RUTH BROWN : Wild Wild Young Men RAY YOU NEED IT - THE ANTHOL - CHARLES : Mess Around JOE TURNER : Honey Hush LAVERN OGY 2-CD CD CMED 537 € 19.90 BAKER : Soul On Fire CLYDE McPHATTER & DRIFT ERS: Money Honey CLOVERS: Lovey Dovey CLYDE McPHATTER & DRIFT ERS: BRENTON WOOD Such A Night PROFES SOR LONG HAIR: Tipitina CLYDE BEST CD BW 001 € 15.50 McPHATTER & DRIFT ERS: White Christ mas- Honey Love- Whatcha VARIOUS ARTISTS Gonna Do JOE TURNER : Shake, Rattle And Roll CHORDS: NASHVILL E JUMPS, 1945-1955 Sh-Boom RUTH BROWN : Oh, What A Dream TOMMY RIDG LEY : 8-CD-BOX &272-BO0K BCD 15864 € 168.73 Jam Up AL HIBBLER : After Teh Lights Go Down Low LAVERN BAKER : CLASSIC S THAT ROCKED THE Tomor row Night- Tweedle Dee RAY CHARLES : I Got A Woman- JUKEBO X IN 1945 BCD 16700 € 20.00 Green backs CLASSIC S THAT ROCKED THE & (2006/WARNER) 26 tracks JUKEBO X IN 1946 BCD 16701 € 20.00 VOL.3, ATLAN TIC R&B CLASSIC S THAT ROCKED THE 8 1955-1957 CD 77578 € 7.90 JUKEBO X IN 1947 BCD 16702 € 20.00 CARDI NALS: The Door Is Still Open JOE TURNER : Flip, Flop And Fly CLASSIC S THAT ROCKED THE RAY CHARLES : A Fool For You- This Little Girl Of Mine LAVERN JUKEBO X IN 1948 BCD 16703 € 20.00 BAKER : Play It Fair DRIFT ERS: Ador able ROBINS: Smokey Joe’s CLASSIC S THAT ROCKED THE Cafe DRIFT ERS: Ruby Baby COOK IES: In Paradise JOE TURNER : JUKEBO X IN 1949 BCD 16704 € 20.00 The Chicken And The Hawk CLOVERS: Devil Or Angel RAY CLASSIC S THAT ROCKED THE CHARLES : Drown In My Own Tears- Halle lu jah, I Love Her So -
AUCTION CLOSES MIDNIGHT SUNDAY 29Th OCTOBER 2017
OFFERS INVITED by Mark Berresford Rare Records The Chequers, Chequer Lane, Shottle, Derbyshire, DE56 2DR, England. Tel: (+44) 1773 550275 Email: [email protected] Postage and packing in purpose-built new boxes extra. Winners only notified. Condition, as ever, guaranteed. Minimum bid unless stated £8/$10, however I reserve the right to refuse bids I consider unrealistic. HOW TO BID Basically, there are two ways of bidding; first is the simple Straight Bid - you offer a fixed amount for an item and if yours is the high - est bid, you win. Secondly, and easier for those more familair with internet auctions, and for those collectors unsure of what to offer, is the Maximum Bid. You offer a bid to a maximum amount, which will be increased in 10% increments over the nearest bid up to your maximum amount. For example, you bid to a maximum of $100 on an item, but the next highest bid is $20 - you will pay $22, i.e. 10% over the the next highest bid. In the event of a tie the fixed bidder, or earliest-placed bid wins. IMPORTANT! Please make clear the system of bidding you are using and currency you are bidding in (Pounds Sterling, Euros or US Dollars). If you have a maximum budget to spend, please advise with your bids. Please also double check your item numbers when bidding - I do not use titles or issue numbers on my auction spreadsheet, so if you bid on the wrong number and win it, it’s yours! Payment by all major Credit and Debit Cards (not AmEx or Diners) as well as £ and US$ personal checks and Paypal and Transferwise. -
Moving up Steep Climb
Moving Up is a Steep Climb Parents’ Work and Children’s Welfare in the Annie E. Casey Foundation’s Jobs Initiative Roberta Rehner Iversen 701 St. Paul Street • Baltimore, MD 21202 410-547-6600 • fax: 410-547-6624 www.aecf.org April 2002 Copyright © 2002 The Annie E. Casey Foundation is a private charitable organization dedicated to helping build better futures for disadvantaged children in the United States. It was established in 1948 by Jim Casey, one of the founders of United Parcel Service, and his siblings, who named the Foundation in honor of their mother. The primary mission of the Foundation is to foster public policies, human-service reforms, and community supports that more effectively meet the needs of today's vulnerable children and families. In pursuit of this goal, the Foundation makes grants that help states, cities, and neighborhoods fashion more innovative, cost-effective responses to these needs. For more information, visit www.aecf.org Author: Roberta Iversen Production Managers: The Hatcher Group Design & Layout: NITETRAIN Studios Printing: Pavsner Press, Inc. Moving Up is a Steep Climb Parents’ Work and Children’s Welfare in the Annie E. Casey Foundation’s Jobs Initiative Roberta Rehner Iversen April 2002 Moving Up is a Steep Climb ACKNOWLEDGEMENTS he Annie E. Casey Foundation generously funded this independent research project. I bear full responsibility for the interpre- Ttations, conclusions, and errors. Many dedicated people contributed to this ethnography.I am particularly indebted to Susan Gewirtz,Assistant Project Director of the Annie E. Casey Foundation’s Jobs Initiative,for her vision that led to the ethnographic project and generous encouragement throughout; and to Robert Giloth,Annie E. -
Post-World War II Rhythm and Blues: Jump Blues, Club Blues, and Roy Brown Rob Bowman
Document généré le 27 sept. 2021 10:07 Canadian University Music Review Revue de musique des universités canadiennes Post-World War II Rhythm and Blues: Jump Blues, Club Blues, and Roy Brown Rob Bowman Volume 17, numéro 1, 1996 Résumé de l'article The classification of different styles of North American popular music has URI : https://id.erudit.org/iderudit/1014691ar often been problematic. This paper investigates some of the music referred to DOI : https://doi.org/10.7202/1014691ar as rhythm and blues (r & b) in the late 1940s and early 1950s by specifically looking at the works of one of the music's leading practitioners of the time, Roy Aller au sommaire du numéro Brown. Brown recorded both jump and club blues between 1947 and 1955, placing fifteen records in the Top 20 of the Billboard rhythm and blues charts. For the purposes of this paper fifty-four of the seventy-four songs that Brown Éditeur(s) recorded in this period were analyzed with respect to structure, performing force, performance style, tempo, arrangement, bass lines, approach to the beat, Canadian University Music Society / Société de musique des universités rate of singing, vocal ornamentation, and lyric content and structure. Three canadiennes main subdivisions were found within Brown's repertoire, all connected to social behaviour, namely, dance. In the process, a basic biography of Brown is ISSN provided and his influence on many subsequent rhythm and blues and rock and roll performers is contextualized. 0710-0353 (imprimé) 2291-2436 (numérique) Découvrir la revue Citer cet article Bowman, R. (1996). Post-World War II Rhythm and Blues: Jump Blues, Club Blues, and Roy Brown. -
CBS Newsletter October Print 2-2017
October 2017 BLUES NEWS CBS FALL PICNIC The CBS Board would like to thank everyone the Best Group Category. who attended our Fall picnic on Sunday, September 24th at Camp Forbes. Blues DeVille entertained us Elaine DeStephano and Diane Mocniak, the with an awesome performance for CBS members committee chairpersons of the picnic, would like to and many new friends. thank everyone for volunteering, the musicians, members and new friends who came to hear some There was plenty of food and fellowship. What great Blues on a Sunday. a great way to spend a Sunday then with your Blues Friends! Each attendee received a reusable CBS Thank you to all our volunteers, Bill Koteles, shopping tote. Anthony Lovano, John Adams, Susanne Mayer, Robert Dickow, Becky Francen, Mike Kormos, We also held our annual meeting outlining all Michael Henighan, Penny Holycross, Linda Calkins, the accomplishments that the current board has Rick Aquilano, Emily Murphy, Jody Turano, Gordon completed or in the process of completing. Mocniak and Lloyd Braun. CBS also gave Blues DeVille their award for More Pictures on Page 2 winning the CBS Members Blues Choice Award for Cleveland Blues Society 10/8/2017 1 Inside this FALL PICNIC i s s u e : CBS 1-2, Fall Picnic 9 Blues You Should Know 3-5 September Jam Pics 6 Upcoming Jams 7 Special Press Release 8 Announcment 10 Do you have an idea for an article?—email Elaine [email protected] Newsletter Contributors News Director:...Elaine DeStephano Layout Editor: ……………….Kris Diehl Columnists: ……………..…..Bob Frank Photographers: …………………....Elaine DeStephano ………………………………..Bill Koteles 2 Cleveland Blues Society 10/8/2017 Blues You Should Know by Bob Frank THREE LADIES I LOVE The first blues singers to record were women, all of them. -
The University of Chicago Recollecting Isleño
THE UNIVERSITY OF CHICAGO RECOLLECTING ISLEÑO DÉCIMAS: LOUISIANA’S LOST TRADITION OF SPANISH BALLAD A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF MUSIC BY WILLIAM D. BUCKINGHAM CHICAGO, ILLINOIS DECEMBER 2018 Copyright © 2018 by William D. Buckingham All rights reserved. Table of Contents List of Figures.................................................................................................................................iv Abstract............................................................................................................................................v Acknowledgments..........................................................................................................................vi Introduction......................................................................................................................................1 1. Reimagining Isleño Music History............................................................................................21 2. Collecting Décimas: Samuel G. Armistead and the Isleño Heritage Revival............................60 3. Cleaning up the Corpus: Silencing, Aporia, and the End of a Tradition....................................94 4. Recollecting Décimas: The Shape of Musical Absence in Post-Katrina St. Bernard..............136 5. Décima Spatialities..................................................................................................................176 Epilogue.......................................................................................................................................216 -
In the United States District Court for the Western
IN THE UNITED STATES DISTRICT COURT FOR THE WESTERN DISTRICT OF WISCONSIN - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - FREEDOM FROM RELIGION FOUNDATION, INC., ANNIE LAURIE GAYLOR, ANNE NICOL GAYLOR and DAN BARKER, OPINION AND ORDER Plaintiffs, 11-cv-626-bbc v. UNITED STATES OF AMERICA, Defendant. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Plaintiffs Freedom from Religion Foundation, Inc., Annie Laurie Gaylor, Anne Nicol Gaylor and Dan Barker brought this lawsuit under the Administrative Procedure Act, 5 U.S.C. § 702, to challenge the constitutionality of 26 U.S.C. § 107, which gives a tax exemption to any “minister of the gospel” for compensation received related to certain housing expenses. In particular, plaintiffs contend that § 107 violates their rights under the establishment clause of the First Amendment and the equal protection component of the Fifth Amendment. They seek to enjoin the government from “continuing to grant or allow preferential and discriminatory tax benefits under §107 of the Internal Revenue Code exclusively to religious clergy.” Am. Cpt., dkt. #13, at 12. In an order dated June 28, 2012, dkt. #24, I questioned whether plaintiffs could sue under § 702 because that statute is limited to challenges of “agency action” and requires the 1 plaintiffs to name “the Federal officer or officers (by name or by title), and their successors in office, personally responsible for compliance” with plaintiffs’ proposed injunction. I agree with the parties that any failure by plaintiffs to comply with § 702 may be resolved by naming as defendants Timothy Geithner (Secretary of the Department of the Treasury) and Douglas Shulman (Commissioner of the Internal Revenue Service), who are in charge of the agencies responsible for administering § 107. -
The Christian Griot April 2012 St
Volume 6, Issue 7 The Christian Griot April 2012 St. Luke C.M.E. Church Patricia McKinney Lewis, Editor Email: 809 N. Fifth Street [email protected] Champaign, Illinois 61820 Phone: 217-356-4922 Rev. Dr. Clarence Buchanan, Pastor Elder Karen Walker McClure, Presiding Elder Bishop Paul Stewart, Presiding Prelate Rev. Dr. Clarence and Mrs. Christine Buchanan Who’s Who at St. Luke CME: Sister Tressa Easley “St. Luke has always been known as a friendly church. I love my church.” Sister Tressa Easley April Sister Tressa G. Easley has lived in the Champaign-Urbana area all of her EVENTS life. She attended Willard and Lawhead Grade Schools and graduated from Champaign Jr. and Sr. High Schools. 1 Palm Sunday Tea 8 Easter Sunrise Service Tressa G. Easley is presently active with the Missionary Society, but as a lifelong St. Luke 8 Easter Program member, she is a former member of the Kennedy Club and the Progressive Club. Growing 15 Annual Stewardess Day up in Champaign has afforded her to see many changes over the years. When wanting to 19-20 Spring Convocation know anything about St. Luke C.M.E. Church, she has always been one of the people to go 28 Young Adult Car Wash as a source of information. During one recent conversation with her, she recalled the fun she had during her childhood and teenage years. Some of her fondest memories were when the April church went on hayrides and church picnics that were held with other churches (Baptists) in the community such as Mt. Olive, Freewill and Pilgrim. -
Ramblings & the Staff of ALLSTATE RECORD DIST
Record Congratulations EARL GLICKEN hom PAUL GLASS Ramblings & The Staff Of ALLSTATE RECORD DIST. CO. (Continued from page 78) TO CHICAGO: The turnout for the Bastille Day celebration held in the French Village was The Staff Of really great. Hosts of the gala affair were local niterys Le Bistro, Kismet, Le Coq De La Rue, La Femme, Cafe Milano, Sasha’s and Absinthe House. Before taking off for sunny Florida last week to attend the Columbia Records THE CASH DOX convention at the Americana Hotel, John Doumanian buzzed word of two hot slicings on the label that are gaining ground steadily, namely, “Sealed With A Kiss” by the Four Voices and Mitch Miller’s “Marching Down To Washington”. Apex topper Dempsey Nelson, very pleased to announce that Bob Heller, ALLSTATE RECORD dFsTRIDUTING CO. Heller Distributing Co.) is handling Philly’s flying distrib, (Bob now Apex 1450 So. Michigan Ave., Chicago 16, III. line. His intro is two going singles “Come Home, Come Home” by The Sheppards (Apex) and “I Never Get Enough” by Billy “The Kid” Emerson (Phone: WT 9-3675) (Mad). Wayne Muir and his ork, long time favorites at the Glass Hat of the Congress Hotel, were recently signed by Orchestras, Inc. and are now in the fourth week of an indefinite engagement at the New Martinique in suburban Evergreen Park. Mel London, Chief Records topper, tells us a group of women visited the recording studio while the Four Duchess’ were cutting their A NEW LABEL . big wailer “Cry For Me Baby” and the visitors really did just that, shedding HOME OF THE BLUES RECORD CO., INC. -
In the United States District Court for the Western
IN THE UNITED STATES DISTRICT COURT FOR THE WESTERN DISTRICT OF WISCONSIN - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - FREEDOM FROM RELIGION FOUNDATION, INC., ANNE NICOL GAYLOR, ANNIE LAURIE GAYLOR and DAN BARKER, OPINION AND ORDER Plaintiffs, 00-C-617-C v. SCOTT McCALLUM, JENNIFER REINERT, RICHARD GARTNER, GEORGE LIGHTBOURN and JON E. LITSCHER, Defendants, and FAITH WORKS, MILWAUKEE, INC. Defendant-Intervenor. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - This is a civil action for declaratory and injunctive relief brought pursuant to 42 U.S.C. § 1983. Plaintiffs Freedom From Religion Foundation, Inc., Anne Nicol Gaylor, Annie Laurie Gaylor and Dan Barker contend that defendants violated the establishment clause of the First Amendment to the Constitution by funding defendant-intervenor Faith 1 Works, Milwaukee, Inc., a faith-based, long-term alcohol and other drug addiction treatment program. Specifically, plaintiffs contend that two of Faith Works’ funding streams violate the establishment clause: a grant from the Department of Workforce Development and a contract with the Department of Corrections. In an order entered January 8, 2002, I determined that the Department of Workforce Development’s funding of Faith Works violated the establishment clause of the First Amendment to the Constitution, granted plaintiffs’ motion for summary judgment as to this funding and denied defendant-intervenor Faith Works’s motion for summary judgment as to this funding. In the same order, I denied both plaintiffs’ and defendant-intervenor Faith Works’ motions for summary judgment as to the Department of Corrections’ funding of Faith Works, finding that the undisputed facts did not establish whether offenders under the supervision of the department who participate in the Faith Works program do so of their own independent, private choice.