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1 BBC Four Biopics
BBC Four biopics: Lessons in Trashy Respectability The broadcast of Burton and Taylor in July 2013 marked the end of a decade- long cycle of feature-length biographical dramas transmitted on BBC Four, the niche arts and culture digital channel of the public service broadcaster. The subjects treated in these biopics were various: political figures, famous cooks, authors of popular literature, comedians and singers. The dramas focused largely on the unhappy or complex personal lives of well-loved figures of British popular culture. From the lens of the 21st century, these dramas offered an opportunity for audiences to reflect on the culture and society of the 20th century, changing television’s famous function of ‘witness’ to one of ‘having witnessed’ and/or ‘remembering’ (Ellis, 2000). The programmes function as nostalgia pieces, revisiting personalities familiar to the anticipated older audience of BBC Four, working in concert with much of the archive and factual content on the digital broadcaster’s schedules. However, by revealing apparent ‘truths’ that reconfigure the public images of the figures they narrate, these programmes also undermine nostalgic impulses, presenting conflicting interpretations of the recent past. They might equally be seen as impudent incursions onto the memory of the public figures, unnecessarily exposing the real-life subjects to censure, ridicule or ex post facto critical judgement. Made thriftily on small budgets, the films were modest and spare in visual style but were generally well received critically, usually thanks to writerly screenplays and strong central performances. The dramas became an irregular but important staple of the BBC Four schedule, furnishing the channel with some of their highest ratings in a history chequered by low audience numbers. -
From Baking Bread to Making Dough: Legal and Societal Restrictions on the Employment of First Ladies Sara Krausert
The University of Chicago Law School Roundtable Volume 5 | Issue 1 Article 9 1-1-1998 From Baking Bread to Making Dough: Legal and Societal Restrictions on the Employment of First Ladies Sara Krausert Follow this and additional works at: http://chicagounbound.uchicago.edu/roundtable Recommended Citation Krausert, Sara (1998) "From Baking Bread to Making Dough: Legal and Societal Restrictions on the Employment of First Ladies," The University of Chicago Law School Roundtable: Vol. 5: Iss. 1, Article 9. Available at: http://chicagounbound.uchicago.edu/roundtable/vol5/iss1/9 This Article is brought to you for free and open access by Chicago Unbound. It has been accepted for inclusion in The nivU ersity of Chicago Law School Roundtable by an authorized administrator of Chicago Unbound. For more information, please contact [email protected]. COMMENTS From Baking Bread to Making Dough: Legal and Societal Restrictions on the Employment of First Ladies SARA KRAUSERT t The paradigmatic First Lady' embodies the traditional role played by women in the United States. Since the position's creation, both Presidents and the public have wanted First Ladies to be seen and not heard. Some First Ladies have stayed within these confines, either by doing no more than simply supporting their husbands, or by taking care to exercise power only behind the scenes. Several First Ladies in this century, however have followed the lead of Eleanor Roosevelt, who broke barriers in her vigorous campaigns for various social causes, and they have brought many worthy issues to the forefront of the American consciousness.' Most recently, with the rumblings of discontent with the role's limited opportunities for independent action that accompanied the arrival of the women's movement, Rosalynn Carter and Hillary Clinton attempted to expand the role of the First Lady even further by becoming policy-makers during their husbands' presidencies.3 This evolution in the office of First Lady parallels women's general progress in society. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Ugly Rumours: a Mockumentary Beyond the Simulated Reality
International Journal of Research in Humanities and Social Studies Volume 4, Issue 11, 2017, PP 22-29 ISSN 2394-6288 (Print) & ISSN 2394-6296 (Online) Ugly Rumours: A Mockumentary beyond the Simulated Reality Kağan Kaya Faculty of Letters English Language and Literature, Cumhuriyet University, Turkey *Corresponding Author: Kağan Kaya, Faculty of Letters English Language and Literature, Cumhuriyet University, Turkey ABSTRACT Ugly Rumours was the name of a rock band which was co-founded by Tony Blair when he was a student at St John's College, Oxford. In the hands of two British dramatists, Howard Brenton and Tariq Ali, it transformed into a name of the satirical play against New Labour at the end of the last century. The play encapsulates the popular political struggle of former British leaders, Tony Blair and Gordon Brown. However, this work aims at analysing some sociological messages of the play in which Brenton and Ali tell on media and reality in the frame of British politics and democracy. Through the analyses of this unfocussed local mock-epic, it precisely points out ideas reflecting the real which is manipulated for the sake of power in a democratic atmosphere. Thereof it takes some views on Simulation Theory of French philosopher, Jean Baudrillard as the basement of analyses. According to Baudrillard, our perception of things has become corrupted by a perception of reality that never existed. He believes that everything changes with the device of simulation. Hyper-reality puts an end to the real as referential by exalting it as model. (Baudrillard, 1983:21, 85) That is why, establishing a close relationship with the play, this work digs deeper into the play through the ‘Simulation Theory’ and analysing characters who are behind the unreal, tries to display the role of Brenton and Ali’s drama behind the fact. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Championing the Talent and Potential of Women Leaders in Law
Championing the talent and potential of women leaders in law Championing the talent and potential of women leaders in law 1 Women Who Will 2020 Contents Contents & Methodology 2 Introduction 3 Foreword 4 Women in law: a snapshot 6 10 Women Who Will - in-house 8 10 Women Who Will - in private practice 13 10 Women Who Will - change makers 17 Women leaders in law: a call to action 20 About the Next 100 Years project 24 The Inspirational Women Awards at a glance 25 References 27 METHODOLOGY In compiling this report the teams at Obelisk Support and Next Hundred Years invited nominations from senior General Counsel and other senior leaders in law, as well as including women recognised by the judges of the First Hundred Years/Next Hundred Years Inspirational Women Awards and doing our own research across published and social media. Space only permits us to shout out 30 brilliant women in this report. We know there are many, many more Women Who Will out there, and we hope this prompts greater recognition of all the talented women across the legal industry. 2 Women Who Will 2020 INTRODUCTION A letter from Dana Denis- Smith, our CEO Back in 2019, as we celebrated 100 years of women being able to practise law in England & Wales, my team and I had the idea of inviting legal leaders in the FTSE 100 to champion some of the talented women they work with. As well as shining a light on talented individuals, we also wanted to reflect on the gender diversity of leadership in law forces with the Next 100 Years project and their and why it matters. -
Literaturliste
Rheinische Friedrich-Wilhelms-Universität Sommersemester 2007 Institut für Politische Wissenschaft und Soziologie Hauptseminar für den Magister-Studiengang: Tony Blair und New Labour. Was bleibt? Dr. Brigitte Seebacher Literaturliste Signatur Titel A 06-07035 Astle, Julian (Ed.): Britain after Blair : a Liberal agenda. London 2006 POL 500 GROS Beck Becker, Bernd: Politik in Großbritannien. Paderborn 2002 X 08480/2001, 5 Suppl. Bischoff, Joachim / Lieber, Christoph: Epochenbegriff. „Soziale Gerechtigkeit“. Hamburg 2001 A 98-00618 Blair, Tony: Meine Vision. London 1997 A 05-04584 Coates, David: Prolonged labour : the slow birth of New Labour in Britain. Basingstoke 2005 A 06-03088 Coughlin, Con: American Ally. Tony Blair and the War on Terror. London 2006 A 00-04093 Dixon, Keith: Ein würdiger Erbe. Anthony Blair und der Thatcherismus. Konstanz 2000 C 06-00792 Haworth, Alan / Hayter, Dianne: Men Who Made Labour. 2006 A 06-07010 Hennessy, Peter: The prime minister. The office and its holders since 1945. London 2001 POL 500 GROS Hüb Hübner, Emil: Das politische System Großbritannien. Eine Einführung. 1999 [im Bestand nur die Auflage von 1998] A 06-07017 Jenkins, Simon: Thatcher & Sons: A Revolution in Three Acts. London 2006 A 06-00968 Kandel, Johannes: Der Nordirland Konflikt. Bonn 2005 POL 900 GROS Kaste Kastendiek, H / Sturm, R: (Hrsg): Länderbericht Großbritannien, Bonn 2006 (3. Aktualisierte und neu bearbeitete Auflage der Bundeszentrale für politische Bildung. POL 500 GROS Krumm Krumm, Thomas/ Noetzel, Thomas: Das Regierungssystem Großbritanniens. Eine Einführung. München 2006. POL 500 GROS Leach Leach, Robert/ u.a.: British politics. Basingstoke 2006 A 05-04568 Leonard, Dick: A century of premiers. Salisbury to Blair. -
Cultura Inglesa Proficiency Test Version: Test A
CULTURA INGLESA PROFICIENCY TEST VERSION: TEST A PAPER - Reading TEMPO: 2h00min INSTRUÇÃO AOS CANDIDATOS Só abra este caderno quando o fiscal autorizar. Escreva seu nome e data de da prova abaixo. Leia as instruções para cada parte corretamente. É permitido o uso de dicionário físico. Responda a prova à caneta. HÁ 2 QUESTÕES NESSA PROVA Student: ____________________________________________ Date: _____________ Teacher: ____________________________________________ Grade: ____________ 1 Reading – Text A Questions 1 - 6 Marque a resposta correta de acordo com o texto abaixo. The Politician, The Wife, The Citizen, and her Newspaper Rethinking women, democracy, and media(ted) representation Charlotte Adcock Introduction Our understanding of the problems of “real” women cannot lie outside the “imagined” constructs in and through which “women” emerge as subjects. (Rajeswari Sunder Rajan 1993, p. 10) On May 8, 1997, Britain's New Labour party chose to celebrate its first day in government by staging a photocall of its female MPs gathered around the new Prime Minister, Tony Blair. This image of a record number of 120 women elected to Westminster was initially widely interpreted as a fitting symbol of Labour's modernisation and commitment to a new, inclusive style of representative politics. In contrast to a Conservative Party many regarded as incompetent, sleazy or out-of-touch, these women appeared to embody a new political force. May 1997, declared one commentator, “promised the dawn of a new era in gender relations” (Wilkinson 1998, p. 58). “Blair's got a huge ‘girl power’ boost,” proclaimed The Sun newspaper, while The Guardian described the doubling of women in the House of Commons as an “irreversible trend” in the “slipstream” of the larger electoral revolution that “transforms absolutely every possibility on the political landscape.”1 “At the heart of this new Britain,” the Mirror's Woman page predicted, “will be the issues that affect women: child care, health and education. -
HUNT LAUDA DRAFT 1 APR 25.Fdx
RUSH By Peter Morgan April 25th 2011 1 EXT. CLOUDY SKY - GERMANY - DAY Dark clouds passing overhead. The bad weather that has hovered over the Eifel mountains, (in Germany), the past three days is on it’s way out.. AN EYE FLICKERS - WIDE OPEN - STARING INTENTLY A pupil dilates and contracts in the light. The eye stares. Blinks. Thinks. Making evaluations.. EXT. CLOUDY SKY - GERMANY - DAY The rain begins to subside, and the first rays of sunshine are breaking through. CAPTION: “AUGUST 1st, 1976” INT. FERRARI - DAY The eye belongs to a 27 year old Formula 1 RACING DRIVER wearing a fireproof balaclava... Highly intelligent, he also happens to be World Champion. His name is painted on the side of his Ferrari. NIKI LAUDA. NIKI stares up at the clouds. His eyelids flicker. Thinking. Agonizing. Wrestling with an all important decision... Is it going to carry on raining? Or become dry? CAPTION: “NURBURGRING, GERMANY” EXT. STARTING GRID - DAY We widen to find ourselves on the starting grid of a major Grand Prix. All around us... Engines ROAR into life as DRIVERS start their cars. An OFFICIAL walks through the cars holding aloft a sign, “One Minute”... Deafening, angry thunder as engines rev impatiently. A Ferrari MECHANIC rushes towards NIKI, and shouts in Italian above the noise, (we see sub-titles)... (CONTINUED) 2 CONTINUED: MECHANIC Mass usa slicks. Le vuoi cambiare anche tu? (Mass is going on slicks. You want to change?) NIKI looks in his wing-mirror back to see a red McLaren, white helmet, number 12, several rows behind him. -
University Library 11
I ¡Qt>. 565 MAJOR LEAGUE BASEBALL PRINCIPAL PLAY-BY-PLAY ANNOUNCERS: THEIR OCCUPATION, BACKGROUND, AND PERSONAL LIFE Michael R. Emrick A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY June 1976 Approved by Doctoral Committee DUm,s¡ir<y »»itti». UNIVERSITY LIBRARY 11 ABSTRACT From the very early days of radio broadcasting, the descriptions of major league baseball games have been among the more popular types of programs. The relationship between the ball clubs and broadcast stations has developed through experimentation, skepticism, and eventual acceptance. The broadcasts have become financially important to the teams as well as the advertisers and stations. The central person responsible for pleasing the fans as well as satisfying the economic goals of the stations, advertisers, and teams—the principal play- by-play announcer—had not been the subject of intensive study. Contentions were made in the available literature about his objectivity, partiality, and the influence exerted on his description of the games by outside parties. To test these contentions, and to learn more about the overall atmosphere in which this focal person worked, a study was conducted of principal play-by-play announcers who broadcasted games on a day-to-day basis, covering one team for a local audience. With the assistance of some of the announcers, a survey was prepared and distributed to both announcers who were employed in the play-by-play capacity during the 1975 season and those who had been involved in the occupation in past seasons. -
Developing Comic Book and Graphic Novel Collections in Libraries Sara Dianne Ray University of Tennessee - Knoxville, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Tennessee, Knoxville: Trace University of Tennessee, Knoxville Trace: Tennessee Research and Creative Exchange Masters Theses Graduate School 12-2010 Developing Comic Book and Graphic Novel Collections in Libraries Sara Dianne Ray University of Tennessee - Knoxville, [email protected] Recommended Citation Ray, Sara Dianne, "Developing Comic Book and Graphic Novel Collections in Libraries. " Master's Thesis, University of Tennessee, 2010. https://trace.tennessee.edu/utk_gradthes/828 This Thesis is brought to you for free and open access by the Graduate School at Trace: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of Trace: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Sara Dianne Ray entitled "Developing Comic Book and Graphic Novel Collections in Libraries." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Science, with a major in Information Sciences. Edwin M. Cortez, Major Professor We have read this thesis and recommend its acceptance: Kimberly L. Black-Parker, Cindy C. Welch Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official student records.) To the Graduate Council: I am submitting herewith a thesis written by Sara Dianne Ray entitled “Developing Comic Book and Graphic Novel Collections in Libraries.” I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Science, with a major in Information Sciences.