Beauty Is Only Skin-Deep, but So Was This Film
10 1G T Wednesday August 14 2019 | the times television & radio Beauty is only skin-deep, but so was this film Burke’s bugbear, understandably, is popularised “heroin chic”. “You have Chris the obscene beauty standard foisted to look at fashion as fantasy — what on women by Love Island, Instagram you are seeing in a magazine is not and the like, jostling more and more real,” were his weasel words. These Bennion young people into therapy or under things look pretty real — in the knife. She began with a visit to the magazines, on television, on social Love Island alumna Megan Barton- media — to teenage girls. Burke said TV review Hanson, a woman not afraid of that heroin chic was “repulsive”. But scalpels. “I don’t want young girls to she said it to the camera, not Rankin. have unrealistic expectations,” said An opportunity missed. Barton-Hanson, a walking unrealistic Beauty is only skin-deep was the expectation. Burke frowned. message Burke kept falling back on, Would a visit to a different idea of but everywhere she turned there were feminine beauty help? Burke has a lot young women desperate to conform to of time for Sue Tilley, the model for a homogenised physical ideal. Burke’s Lucian Freud’s 1995 painting Benefits well-meaning film, alas, was skin-deep Kathy Burke’s All Woman Supervisor Sleeping, a woman entirely too, amounting to an hour of fretting Channel 4 comfortable with her “magnificent and beautifully phrased Burkeisms. {{{(( piles of flesh”. Freud, said Tilley, “Where does this insecurity come Inside the Factory thought that libraries should be from?” Burke asked.
[Show full text]