Continental Drift
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Three Adaptations of the Japanese Comic Book Boys Over Flowers In
The Qualitative Report Volume 19 Number 1 Article 2 1-6-2014 Three Adaptations of the Japanese Comic Book Boys Over Flowers in the Asian Cultural Community: Analyzing Fidelity and Modification from the Perspective of Globalization and Glocalization Soo Jung Hong Pennsylvania State University, [email protected] Follow this and additional works at: https://nsuworks.nova.edu/tqr Part of the Quantitative, Qualitative, Comparative, and Historical Methodologies Commons, and the Social Statistics Commons Recommended APA Citation Hong, S. J. (2014). Three Adaptations of the Japanese Comic Book Boys Over Flowers in the Asian Cultural Community: Analyzing Fidelity and Modification from the Perspective of Globalization and Glocalization. The Qualitative Report, 19(1), 1-18. https://doi.org/10.46743/2160-3715/2014.1290 This Article is brought to you for free and open access by the The Qualitative Report at NSUWorks. It has been accepted for inclusion in The Qualitative Report by an authorized administrator of NSUWorks. For more information, please contact [email protected]. Three Adaptations of the Japanese Comic Book Boys Over Flowers in the Asian Cultural Community: Analyzing Fidelity and Modification from the Perspective of Globalization and Glocalization Abstract A wide variety of cultural products have been adapted into a brand new text in the process of globalization. The three adaptations of the Japanese cartoon, Boys over Flower, in the following countries: Japan, South Korea, and Taiwan have very similar storylines. The three storylines, although similar, have several modifications due ot the differing audiences and goals of each series. Based on the idea of globalization; fidelity in the adaptation can be understood as emphasizing the shared values and community spirit between cultures while modifications can be interpreted as organizational gatekeeping. -
Janus-Faced Hana Yori Dango : Transnational Adaptations in East Asia and the Globalization Thesis
Lingnan University Digital Commons @ Lingnan University Staff Publications Lingnan Staff Publication 3-2014 Janus-faced Hana yori dango : Transnational Adaptations in East Asia and the Globalization Thesis Tak Hung, Leo CHAN Lingnan University, Hong Kong Follow this and additional works at: https://commons.ln.edu.hk/sw_master Part of the Translation Studies Commons Recommended Citation Chan T.H.L (2014). Janus-faced Hana yori dango: Transnational Adaptations in East Asia and the Globalization Thesis. Asian Cultural Studies, 40, 61-77. This Journal article is brought to you for free and open access by the Lingnan Staff Publication at Digital Commons @ Lingnan University. It has been accepted for inclusion in Staff Publications by an authorized administrator of Digital Commons @ Lingnan University. Janus-faced Hana yori dango: Transnational Adaptations in East Asia and the Globalization Thesis Leo Tak-hung Chan Theories of regional formation need to be rigorously examined in relation to East Asian popular culture that has been in circulation under the successive “waves” of Japanese and Korean TV dramas from the 1990s onward. Most overviews of the phenomenon have concentrated on the impact on the region of Japanese, then Kore- an, TV products as they spread southward to the three Chinese communities of Taiwan, Hong Kong and Mainland China. In the voluminous studies devoted to the subject, most conspicuously represented by those of Iwabuchi Koichi, two outstand- ing points of emphasis are noteworthy.1) First, the majority of evidence is drawn from the so-called “trendy” love dramas, like Tokyo Love Story (1991), Long Vacation (1996), Love Generation (1996) and Beautiful Life (2000) from Japan as well as Autumn Tale (2000) and Winter Sonata (2002) from Korea.2) Many of them were so successful that they altered TV drama production in the receptor communities. -
Journal of Asian Studies Contemporary Chinese Cinema Special Edition
the iafor journal of asian studies Contemporary Chinese Cinema Special Edition Volume 2 – Issue 1 – Spring 2016 Editor: Seiko Yasumoto ISSN: 2187-6037 The IAFOR Journal of Asian Studies Volume 2 – Issue – I IAFOR Publications Executive Editor: Joseph Haldane The International Academic Forum The IAFOR Journal of Asian Studies Editor: Seiko Yasumoto, University of Sydney, Australia Associate Editor: Jason Bainbridge, Swinburne University, Australia Published by The International Academic Forum (IAFOR), Japan Executive Editor: Joseph Haldane Editorial Assistance: Rachel Dyer IAFOR Publications. Sakae 1-16-26-201, Naka-ward, Aichi, Japan 460-0008 Journal of Asian Studies Volume 2 – Issue 1 – Spring 2016 IAFOR Publications © Copyright 2016 ISSN: 2187-6037 Online: joas.iafor.org Cover image: Flickr Creative Commons/Guy Gorek The IAFOR Journal of Asian Studies Volume 2 – Issue I – Spring 2016 Edited by Seiko Yasumoto Table of Contents Notes on contributors 1 Welcome and Introduction 4 From Recording to Ritual: Weimar Villa and 24 City 10 Dr. Jinhee Choi Contested identities: exploring the cultural, historical and 25 political complexities of the ‘three Chinas’ Dr. Qiao Li & Prof. Ros Jennings Sounds, Swords and Forests: An Exploration into the Representations 41 of Music and Martial Arts in Contemporary Kung Fu Films Brent Keogh Sentimentalism in Under the Hawthorn Tree 53 Jing Meng Changes Manifest: Time, Memory, and a Changing Hong Kong 65 Emma Tipson The Taste of Ice Kacang: Xiaoqingxin Film as the Possible 74 Prospect of Taiwan Popular Cinema Panpan Yang Subtitling Chinese Humour: the English Version of A Woman, a 85 Gun and a Noodle Shop (2009) Yilei Yuan The IAFOR Journal of Asian Studies Volume 2 – Issue 1 – Spring 2016 Notes on Contributers Dr. -
Meteor Garden 2 Download
Meteor garden 2 download F4 graduates from Ying De Xue Yuan. Dao Ming Si invites Shan Cai to go on F4's graduation trip with them to Spain, which is actually F4's way of letting Shan. videos Play all Meteor garden season 2filipina camagay · F4 Meteor Garden season 1 ep Meteor Garden 2 Full Episode Download >>> Ha Ji-Won Hyun-Bin Yoon Sang-Hyun Kim Sa-Rang Phillip Lee Kil. I couldnt find the upload for the whole series of Meteor Garden 2 can someone give me the website where I can download this series? (I mean. Fell in love with Jerry) Trying to complete Meteor Garden 2 (no seeders: () Anyone know where i can download Meteor Rain i heard it gives. free download meteor garden with english subtitle .. Watch online and Download free Meteor Garden 2 - 流星花園II - Episode 31 END. Spanish Meteor Garden Tagalog Version Full Movie full song download. Download meteor garden 2 tagalog version torrent Some Ji Hoo interference, which I. try this site! and download it.. hope this helps you. Related Content Meteor Garden 2 (Sequel) Hana Yori Dango (Parent Story) Let's Go Watch Meteor Shower (Adaptation) Meteor Rain (Side. nonton film Meteor Garden 2 () subindo download gratis layarkaca lk21 serial tv. nonton film Meteor Garden () episode 01 subindo download gratis layarkaca lk21 serial tv. Meteor Garden 2 () episode Download Film Meteor Garden 2 Sub Indonesia. 0 Comments. uchamireesor · @uchamireesor a year ago. Download Film Meteor Garden 2. 2- Tagalog Dub METEOR GARDEN - TAGALOG DUB (File size=mb only) Meteor Garden - Tagalog Dub Episode 2 · Meteor Garden . -
Consuming Representations of Korean TV Dramas Among Indonesian Muslim Youth
Jurnal The Messenger, Vol. 12, No. 2, July 2020, pp. 111-121 P-ISSN: 2086-1559, E-ISSN: 2527-2810 DOI: 10.26623/themessenger.v12i2.2115 111 Consuming Representations of Korean TV Dramas among Indonesian Muslim Youth Imron Rosidi1 1Faculty of Dakwah and Communication, Universitas Islam Negeri Sultan Syarif Kasim Riau, Jl. HR. Soebrantas KM. 15 Pekanbaru, Riau 28293, Indonesia *Corresponding author, e-mail: [email protected] Abstract This article dealt with Korean TV dramas consumption among Muslim youth in Pekanbaru. It aimed to undestand their interpretations on the television dramas. The values of being a Muslim was constantly under scrutiny by the image representation in Korean TV Dramas. As transnational cultural products, they were considered as reducing Islamic values for Muslim youth. Using ethnographic study, forty two informants were selected based on a purposive sampling technique in which they loved on consuming Korean TV dramas. This article found that Muslim youth were active audiences consuming and interpreting Korean TV dramas. This can be seen from two characteristics. The first is that Muslim youth consumption of Korean TV dramas was not dominantly done through television medium, but through their lapptop. As a result, their position as an active audiences or viewers was obvious. This was because the dramas to be watched were not interrupted by some advertisements. The audiences could also actively watch them without depending on the schedule decided by television stations. The second is that young Muslims watching Korean TV dramas did not accept some representations contradictory with their Islamic identity. However, some of Korean TV dramas were accepted due to their proximity with Islamic values. -
Talk Shows and Language Attitudes: a Sociolinguistic Investigation of Language Attitudes Towards Taiwan Mandarin Among Chinese Mainlanders
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2016 Talk Shows and Language Attitudes: A Sociolinguistic Investigation of Language Attitudes Towards Taiwan Mandarin Among Chinese Mainlanders Chun-Yi Peng The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1510 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] TALK SHOWS AND LANGUAGE ATTITUDES: A SOCIOLINGUISTIC INVESTIGATION OF LANGUAGE ATTITUDES TOWARDS TAIWAN MANDARIN AMONG CHINESE MAINLANDERS By CHUN-YI PENG A dissertation submitted to the Graduate Center Faculty in Linguistics in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 CHUN-YI PENG All Rights Reserved ii This manuscript has been read and accepted by the Graduate Faculty in Linguistics in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Dr. Cecelia Cutler __________________ _______________________________ Date Chair of the Examining Committee Dr. Gita Martohardjono __________________ _______________________________ Date Executive Officer Dr. William Haddican Dr. Michael Newman Dr. Qing Zhang Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Talk Shows and Language Attitudes: A Sociolinguistic Investigation of Language Attitudes towards Taiwan Mandarin Among Chinese Mainlanders By Chun-Yi Peng Advisor: Professor Cecelia Cutler This dissertation looks at the effects of media exposure and language ideologies on Mandarin speakers’ acceptability judgments. -
Global Cities, Local Knowledge
Formatting and Change in East Asian Television Industries: Media Globalization and Regional Dynamics Lim, Wei Ling Tania Patricia BSocSc (Hons), MSc (Media & Comms) Creative Industries Research and Applications Centre Queensland University of Technology Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy 2005 Keywords Circuit of cultural production, East Asian popular culture, Television industries, Field of broadcasting, Formatting, Local knowledge, Media capitals, Neo-networks, Regional dynamics, TV Formats, martial arts dramas, teenage idol soap operas, game-shows. ii Abstract Television is increasingly both global and local. Those television industries discussed in this thesis transact in an extensive neo-network of flows in talents, financing, and the latest forms of popular culture. These cities attempt to become media capitals but their status waxes and wanes, depending on their success in exporting their Asian media productions. What do marital arts dramas, interactive game-shows, children’s animation and teenage idol soap operas from East Asian television industries have in common? Through the systematic use of TV formatting strategies, these television genres have become the focus for indigenous cultural entrepreneurs located in the East Asian cities of Hong Kong, Singapore and Taipei to turn their local TV programmes into tradable culture. This thesis is a re-consideration of the impact of media globalisation on Asian television that re-imagines a new global media order. It suggests that there is a growing shift in perception and trade among once-peripheral television industries that they may be slowly de-centring Hollywood’s dominance by inserting East Asian popular entertainment into familiar formats or cultural spaces through embracing global yet local cultures of production. -
East Asian TV Dramas in Indonesia Charlotte SETIJADI Singapore Management University, [email protected] DOI
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Institutional Knowledge at Singapore Management University Singapore Management University Institutional Knowledge at Singapore Management University Research Collection School of Social Sciences School of Social Sciences 12-2005 Questioning proximity: East Asian TV Dramas in Indonesia Charlotte SETIJADI Singapore Management University, [email protected] DOI: https://doi.org/10.1080/01296612.2005.11726797 Follow this and additional works at: https://ink.library.smu.edu.sg/soss_research Part of the Asian Studies Commons, and the Film and Media Studies Commons Citation SETIJADI, Charlotte.(2005). Questioning proximity: East Asian TV Dramas in Indonesia. Media Asia, 32(4), 197-205. Available at: https://ink.library.smu.edu.sg/soss_research/2785 This Journal Article is brought to you for free and open access by the School of Social Sciences at Institutional Knowledge at Singapore Management University. It has been accepted for inclusion in Research Collection School of Social Sciences by an authorized administrator of Institutional Knowledge at Singapore Management University. For more information, please email [email protected]. Questioning Proximity East Asian TV Dramas in Indonesia The study of transnational cultural flows has been of continuing interest among media and communication researchers, with recent studies focusing on cultural flows within geographically and culturally adjacent nations. It is often suggested that the level of “cultural proximity” that exists determines the success of cultural exchange between countries regarded to possess similar cultural traits. This notion, that local audiences will have preference for cultural commodities from countries with which they share cultural ties in recognition of their own culture, has enjoyed much intellectual currency in recent times, especially in relation to analyses of regional media markets. -
Androgynous Beauty, Virtual Sisterhood Stardom, Fandom, and Chinese Talent Shows Under Globalization Hui Faye Xiao
5 Androgynous Beauty, Virtual Sisterhood Stardom, Fandom, and Chinese Talent Shows under Globalization hui faye xiao In the future, everyone will be world-famous for 15 minutes. —Andy Warhol, exhibition catalog (1968) [P]opular culture always has its base in the experiences, the pleasures, the mem- ories, the traditions of the people. Hence, it links with what Mikhail Bakhtin calls “the vulgar”—the popular, the informal, the underside, the grotesque. —Stuart Hall, “What Is Th is ‘Black’ in Black Popular Culture?” (1993) Th ree decades of post-1978 rapid economic growth have made China the world’s second-largest economy. Its 2002 integration into the World Trade Organization further affi rmed its place in the global capitalist order. Th e accelerating marketization and globalization of the Chinese economy have changed every aspect of contemporary Chinese society, including its gender ideology and cultural politics. Transnational capital and cultural fl ows have brought in a variety of imported television programs broad- casting to the single largest national audience in the world. Th e threat of foreign cultural invasion has propelled a reform of the Chinese television broadcasting system that, combined with an emerging Internet culture and regionalization of visual culture, aff ects its youthful audience’s per- ceptions of beauty, gender, and sexuality. In the recent frenzied competition among Chinese television stations in adapting various Euro-American reality shows into localized programs, an arguably fi rst made-in-China idol has been produced. Th e craze for the androgynous beauty of this unlikely new star has spread from mainland China to Taiwan, Hong Kong, and overseas Chinese communities mainly 104 Androgynous Beauty, Virtual Sisterhood | 105 through the medium of the Internet. -
K-Drama Dan Penyebaran Korean Wave Di Indonesia
ProTVF, Volume 3, No. 1, 2019, hlm. 68-80 68 K-Drama dan Penyebaran Korean Wave di Indonesia Idola Perdini Putri1, Farah Dhiba Putri Liany2, dan Reni Nuraeni3 1,2,3Program Studi Ilmu Komunikasi, Fakultas Komunikasi dan Bisnis, Universitas Telkom, Bandung ABSTRAK Korean wave adalah istilah yang diberikan untuk penyebaran budaya populer Korea melalui produk- produk hiburan seperti drama, musik, style. Keberadaan Korean wave di Indonesia menjadi fenomena yang menarik untuk diteliti. Penelitian ini membahas tentang peranan kebudayaan populer Korea, Korean Drama (K-Drama) dalam fenomena Korean wave yang terjadi di Indonesia. Drama Korea atau K-Drama menjadi awal kemunculan dari Korean wave di Indonesia. Penggunaan metode kualitatif dengan pendekatan historis pada penelitian ini, bertujuan untuk dapat merekonstruksi K-Drama yang muncul di Indonesia, khususnya di Stasiun TV Indosiar dari tahun 2002 hingga tahun 2013. Melalui analisis data-data serial TV Korea yang tayang di Indonesia, penelitian ini menjelaskan tentang perkembangan K-Drama sebagai pemicu dari munculnya Korean wave, perkembangan K-Drama di Indonesia, hingga dampak yang ditimbulkan dari K-Drama seperti kemunculan eksistensi produk budaya pop Korea lainnya, yaitu K-Pop dan K-Style di Indonesia. K-Drama memiliki peranan yang cukup penting atas Korean wave di Indonesia. Di mana hal-hal tersebut dapat terlihat pada dampak K-Drama di Indonesia, seperti kemunculan komunitas-komunitas pecinta K-Drama, hadirnya situs dari Indonesia yang menyajikan informasi seputar Korea, bahkan hingga maraknya acara-acara yang mengundang aktor, penyanyi, idola-idola Korea ke Indonesia. Korean Wave sendiri menjadi soft power Korea Selatan melalui budaya populernya yang diekspor ke berbagai negara dalam bentuk K-Drama, K-Pop, K-Style, kuliner dan teknologi. -
Perbandingan Antara Drama Boys Before Flowers, Hana Yori Dango, Dan Meteor Garden Dilihat Dari Alur Cerita Dan Karakter Tokoh
PERBANDINGAN ANTARA DRAMA BOYS BEFORE FLOWERS, HANA YORI DANGO, DAN METEOR GARDEN DILIHAT DARI ALUR CERITA DAN KARAKTER TOKOH Karya Tulis Akhir Ini Diajukan Untuk Melengkapi Pernyataan Kelulusan Program Diploma Tiga Akademi Bahasa Asing Nasional NURUL ISTIQOMAH NIM 153450100550061 PROGRAM STUDI BAHASA KOREA AKADEMI BAHASA ASING NASIONAL JAKARTA 2018 PERBANDINGAN ANTARA DRAMA BOYS BEFORE FLOWERS, HANA YORI DANGO, DAN METEOR GARDEN DILIHAT DARI ALUR CERITA DAN KARAKTER TOKOH NURUL ISTIQOMAH NIM 153450100550061 PROGRAM STUDI BAHASA KOREA AKADEMI BAHASA ASING NASIONAL JAKARTA 2018 KATA PENGANTAR Puji syukur penulis ucapkan kepada Allah SWT atas segala rahmat serta hidayah-Nya sehingga penulis dapat menyelesaikan karya tulis akhir yang berjudul “PERBANDINGAN ANTARA DRAMA BOYS BEFORE FLOWERS, HANA YORI DANGO, DAN METEOR GARDEN DILIHAT DARI ALUR CERITA DAN KARAKTER TOKOH” tepat waktu. Tugas akhir ini merupakan salah satu persyaratan untuk kelulusan pendidkan Diploma III Program Studi Bahasa Korea di Akademi Bahasa Asing Nasional. Dalam menyelesaikan tugas akhir ini, penulis tidak lepas dari bantuan, bimbingan dan pengarahan dari berbagai pihak baik orang tua, dosen dan teman-teman yang selalu memberikan motivasi. Maka dari itu, penulis mengucapkan rasa hormat dan terima kasih kepada: 1. Ibu Dra. Ruraini Adinda, M.Ed. selaku Wakil Direktur Akademi Bahasa Asing Nasional. 2. Ibu Fitri Meutia, S.S., M.A. selaku Ketua Prodi Jurusan Bahasa Korea, Akademi Bahasa Asing Nasional. 3. Bapak Zaini S.Sos., M.A. selaku dosen pembimbing yang senantiasa membantu dan membimbing penulis dengan sabar sehingga penulis dapat menyelesaikan tugas akhir ini. 4. Dosen-dosen dan Staf Program Studi Bahasa Korea ABANAS : Bapak Heri Suheri, S.S., Bapak Fahdi Sachiya,, S.S., M.A., Ibu Yayah Cheriyah S.E., M.A, i Ibu Ndaru Catur Rini, M.I.Kom., Ibu Goo Yu Kyeong, Ibu Kwon Young-sun, Ibu Im Kyung-ae, Bapak Faisal, Bapak Park Kyeong Jae, Bapak Yusuf dan Ibu Ade selaku Kepala Staf Administrasi Akademi Bahasa Asing Nasional. -
Economic Diplomacy, Soft Power, and Taiwan's Relations with Indonesia
Contemporary Chinese Political Economy and Strategic Relations: An International Journal Vol. 2, No. 3, Dec. 2016, pp. 1173-1194 __________________________________________________________ Economic Diplomacy, Soft Power, and Taiwan’s Relations with Indonesia Paramitaningrum* Bina Nusantara University, Indonesia Johanes Herlijanto** ISEAS Yusof Ishak Institute, Singapore Abstract This paper seeks to discuss the recent developments of Taiwan-Indonesia relations. It especially aims to identify the diverse efforts that Taiwan has made to secure an improved position in its relation with Indonesia, amid an increasingly cordial relation between Indonesia and China. Among the efforts that Taiwan has conducted is using the attractiveness of its economic resources to achieve a better recognition from Indonesia. However, this practice of “economic diplomacy” has been combined with an attempt to invest soft power through various means. They include, among others, promoting Taiwanese education attraction among middle-class Indonesians, particularly Chinese Indonesians, attracting Indonesian students to pursue a higher degree in Taiwan through various scholarship programs, and establishing a network between the Taiwanese and Indonesian scholars. While the above efforts have arguably enabled Taiwan to have a better recognition among certain segments of the 1173 1174 Paramitaningrum and Johanes Herlijanto Indonesian public and government, it still faces a number of challenges. Keywords: Taiwanese soft power, economic diplomacy, Indonesia Taiwan relations, “Go South” policy, Taiwanese educational promotion, Taiwanese popular culture in Indonesia 1. Introduction Despite the absence of a diplomatic relation with Indonesia, Taiwan has enjoyed a cordial relationship with this archipelagic country since early 1970s. However, roughly a decade after Indonesia and China normalized their diplomatic ties in 1990, a phenomenon that potentially affects Taiwan’s position in its relation with this largest Southeast Asian country began to emerge.