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The Second Circuit and the Development of Intellectual Property Law: the First 125 Years
Fordham Law Review Volume 85 Issue 1 Article 7 2016 The Second Circuit and the Development of Intellectual Property Law: The First 125 Years Kenneth A. Plevan Skadden, Arps, Slate, Meagher & Flom LLP Follow this and additional works at: https://ir.lawnet.fordham.edu/flr Part of the Intellectual Property Law Commons Recommended Citation Kenneth A. Plevan, The Second Circuit and the Development of Intellectual Property Law: The First 125 Years, 85 Fordham L. Rev. 143 (2016). Available at: https://ir.lawnet.fordham.edu/flr/vol85/iss1/7 This Article is brought to you for free and open access by FLASH: The Fordham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Law Review by an authorized editor of FLASH: The Fordham Law Archive of Scholarship and History. For more information, please contact [email protected]. THE SECOND CIRCUIT AND THE DEVELOPMENT OF INTELLECTUAL PROPERTY LAW: THE FIRST 125 YEARS Kenneth A. Plevan* INTRODUCTION There is no question that the Second Circuit has had a significant influence on the development of U.S. intellectual property law, especially copyright law, and the reasons are evident. Historically, many of the business segments for which intellectual property rights were key assets, or at the heart of the endeavor, were concentrated in the New York area, including television, music, advertising, publishing, and theater. Regardless of the reasons, it is inarguable that the Second Circuit has had a profound impact on copyright law. Judge Learned Hand’s decision in Nichols v. Universal Pictures Corp.1 helped define for later generations the fundamental idea/expression dichotomy. -
Biographies of Universal Stars and Featured Players 1933
LIBRARY OF MODERN ART Received: Scanned from the collection of The Museum of Modern Art Library Coordinated by the Media History Digital Library www.mediahistoryproject.org Funded by a donation from John McElwee Digitized by the Internet Archive in 2014 https://archive.org/details/biographiesofuniOOunse ( BIOGRAPHIES OP UNIVERSAL STARS AND FEATURED PLAYERS LET AYRSS CLYDE BEATTY m NOAH BEERY JR. TALA BIRLLL ••TOM BROV'N — ANDY DEVINE m KARL OFF -r JUNE KNIGHT -» PAUL LUKAS KEN MAYNARD tm TOM MIX m CHARLIE MURRAY PAT O'BRIEN -mm ZASU PITTS GEORGE SIDNEY «- ONSLOW STEVENS ^ GLORIA STUART SLIM SUMMER VI LL NOTE: Any further information about these players, photos, mats on feature stories can be ob- tained promptly by writing to Universal Pictures Corp'. 730 Fifth Ave., New York City. Paul Gulick Publicity Director : I k ; 1 i 81 LEW AYRES "All Quiet on the Western Front" gave Lew Ayres the opportunity that three years of hope, striving and often downright starvation had richly earned* He was born December 29, 1909, in Minneapolis, Minnesota, where he attended the Lake Harriet School until he was ten. After Lew completed his high School education in San Diego, Calif,, where the Ayres family had moved from Minneapolis, he entered the University of Arizona to study medicine,, Ayres f interest in music manifested itself when he "was sixteen in San Diego, Then he learned to play the banjo, the guitar and to sing. He played in the high school orchestra and with the jazz band at the University, Leaving the University, Lew found a place as a musician with various orchestras In West Coast cities. -
NPRC) VIP List, 2009
Description of document: National Archives National Personnel Records Center (NPRC) VIP list, 2009 Requested date: December 2007 Released date: March 2008 Posted date: 04-January-2010 Source of document: National Personnel Records Center Military Personnel Records 9700 Page Avenue St. Louis, MO 63132-5100 Note: NPRC staff has compiled a list of prominent persons whose military records files they hold. They call this their VIP Listing. You can ask for a copy of any of these files simply by submitting a Freedom of Information Act request to the address above. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. -
P-26 Motion Picture Collection Repository: Seaver Center For
P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings. -
Auction —Sale—
B-10 THE E VEXING STAR, WASHINGTON, T). C„ SATURDAY, DECEMBER 27, 1930. 1 TODAY’S AMUSEMENTS. AMUSEMENTS. AMUSEMENTS. AMUSEMENTS. Shubert-Belasco —“Bird in Hand,” at From Front 2:30 and 8:30 p.m. PARK AND PLANNING BROOKHART I the Row Gayety—“Girls in Blue,” at 2:15 and SPEECH I 8:15 p.m. RIALTO Fox—“Tcm Sawyer,” at 12:30, 2:40, 9TN ATGEE Reviews and News of Washington s Theaters. 5:14. 7:55 and 10:29 p.m. IS RADIO FEATURE Columbia —“Hell’s Angels.” at 10:20 GROUP SEEKS TO AID am.. 12:30, 2:45, 4:50, 7:05 and 9:15 "Tom Sawyer” « of the music, is average and maudlin p.m. Treat for Young; and Old. “love interest.” However, the laughs Rialto—“The Cohens and Kellys in Gunner’s Eadie to Tell in this are more luxurious than the 1:50, 3:50, 5:50, Commission Says Often It Is tOHEfftAND Mate Africa." at 11:50 a.m., SAWYER," in its cel- average, and Eddie Cantor’s exhi- //‘T'OM•• 7:50 and 9:50 p.m. luloid metamorphosis at bitions of operations Episodes I and operatics Nurse," Not Notified of Projects Thrilling of the Fox is one King un- - are hilariously sprinkled throughout. Palare —“War at 11 a.m., Un- delight. is, 1:08, 3:22, 5:32. 7:42 and 9:56 p.m. X ending It The debut of Maetro Zeigfeld KfUYf | great in Career. furthermore, a the screen world thus proves that Earle—"Kismet,” at 12, 2:10, 4:45, til Action Is Begun. -
Universal Pictures: Restorations and Rediscoveries, 1928–1937 Screening Schedule May 13–June 15, 2016 the Roy and Niuta Titus Theaters
Universal Pictures: Restorations and Rediscoveries, 1928–1937 Screening Schedule May 13–June 15, 2016 The Roy and Niuta Titus Theaters King of Jazz. 1930. USA. Directed by John Murray Anderson. In his push to establish Universal as a first-rank studio, Junior Laemmle put two super-productions on the schedule at once: the Oscar-winning All Quiet on the Western Front and this spectacular musical revue built around the popular band leader Paul Whiteman. We’re proud to present the world premiere of Universal’s brand-new digital restoration of King of Jazz, now restored to its full length, with its two-color Technicolor burnished to its original glory. “Rhapsody in Blue,” which Whiteman commissioned from George Gershwin, provides a lavish centerpiece—and a problem for “color supervisor” Natalie Kalmus, since blue was one hue early Technicolor could not reproduce. 98 min. FRI, MAY 13, 7:00 T1; SAT, MAY 14, 2:00 T1; TUE, JUN 14, 7:00 T3 Law and Order. 1932. USA. Directed by Edward L. Cahn. Adapting a novel by W. R. Burnett (Little Ceasar), director Cahn delivers a stylistically innovative, early anti-Western shot through with the violence and cynicism of the gangster era. Walter Huston (whose son, John, contributed to the screenplay) plays a Wyatt Earp–like figure pressed into cleaning up the town of Tombstone—clearly a hopeless task. Harry Carey, star of many early Universal Westerns, lends support. 57 min. SAT, MAY 14, 4:30 T2; SAT, MAY 21, 5:00 T1 Broadway. 1929. USA. Directed by Paul Fejos. The great Hungarian stylist Paul Fejos (Lonesome) received a million-dollar budget for this adaptation of George Abbott’s stage success, a backstage musical with a gangster twist. -
National Archives National Personnel Records Center (NPRC) VIP List, 2009
Description of document: National Archives National Personnel Records Center (NPRC) VIP list, 2009 Requested date: December 2007 Released date: March 2008 Posted date: 04-January-2010 Updated 19-March-2010 (release letter added to file) Source of document: National Personnel Records Center Military Personnel Records 9700 Page Avenue St. Louis, MO 63132-5100 Note: NPRC staff has compiled a list of prominent persons whose military records files they hold. They call this their VIP Listing. You can ask for a copy of any of these files simply by submitting a Freedom of Information Act request to the address above. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. -
100 YEARS at the PHOENIX Archive of an Oxford Cinema 1913 – 2013
100 YEARS AT THE PHOENIX Archive of an Oxford Cinema 1913 – 2013 Hiu M Chan Dedicated to the Phoenix and Oxford with love This archive is part of a post-graduate research project and so is work-in-progress. While every effort has been made to weed out errors and inconsistencies – derived from the source material (newspaper microfi che archives) – some will have inevitably slipped through. If you spot any errors and omissions please get in touch via the website http://phoenixcentenary.wordpress.com and we will update the database. The publishers are not responsible for the verifi cation of the entries; that is my remit. Thank you. Hiu M Chan and the Phoenix Centenary Project Published in conjunction with the centenary of the Oxford Phoenix Picture, 57 Walton Street, Oxford OX2 6AE © Hiu M Chan, 2013 All right reserved No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form by any means, electronic or mechanical, without prior written permission of the author. ISBN 978-0-9567405-5-7 Design: Nick Withers Associate Editor: James Harrison Film lists typeset in Helvetica Neue Digitally printed and bound in England by Charlesworth Press, Wakefi eld, Yorkshire A special limited hardback edition was also published exclusively for use in the cinema on the 100th anniversary, 15th March 2013. For further details, research feedback, or to input any updates, corrections or amendments please contact: www.hiuandfi lm.com Oxfordfolio, 100A Cowley Road, Oxford OX4 1JE Preface 15th March 2013 marks the 100th anniversary of the Phoenix Picturehouse Cinema in Oxford. -
Guide to the George Sidney Collection
Guide to the George Sidney Collection NMAH.AC.0867 Franklin A. Robinson, Jr. 2005-2010 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 4 Scope and Contents........................................................................................................ 4 Names and Subjects ...................................................................................................... 5 Container Listing ............................................................................................................. 6 Series 1: Photographs, Photographic Negatives, and Slides, 1914-1996, undated..................................................................................................................... 6 Series 2: Production Ephemera, Posters, and Scripts, 1930-1991........................ 78 Series 3: Office Files and Personal Material, 1903-2002, undated........................ 84 Series 4: