DOCSLIB.ORG

GRIT Program Schedule Listings in Eastern Time

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
GRIT Program Schedule Listings in Eastern Time GRIT Program Schedule Listings in Eastern Time Week Of 08-06-2018 Grit 8/6 Mon 8/7 Tue 8/8 Wed 8/9 Thu 8/10 Fri 8/11 Sat 8/12 Sun Grit 06:00A Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Movie: The Gunfighter Movie: A Big Hand For The Little Lady 06:00A 06:30A Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC TV-PG V; 1950 TV-PG L; 1966 06:30A CC CC 07:00A Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC 07:00A 07:30A Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC 07:30A 08:00A The Life And Legend Of Wyatt Earp: The Life And Legend Of Wyatt Earp: The Life And Legend Of Wyatt Earp: The Life And Legend Of Wyatt Earp: The Life And Legend Of Wyatt Earp: Movie: The Tin Star 08:00A 08:30A TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: TV-PG V; 1957 Movie: McLintock! 08:30A CC 09:00A TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: TV-PG V; 1963 09:00A CC 09:30A TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: 09:30A 10:00A Laramie:TV-PG; CC TV-PG L, V; CC Laramie:TV-PG V; TV-PG CC L, V; CC Laramie:TV-PG V; TV-PG CC L, V; CC Laramie:TV-PG V; TV-PG CC L, V; CC Laramie:TV-PG V; TV-PG CC L, V; CC E/I: Jack Hanna's Wild Countdown: TV- 10:00A 10:30A E/I:PG; JackCC Hanna's Wild Countdown: TV- 10:30A 11:00A Laramie: TV-PG L, V; CC Laramie: TV-PG L, V; CC Laramie: TV-PG L, V; CC Laramie: TV-PG L, V; CC Laramie: TV-PG L, V; CC E/I:PG; OceanCC Treks With Jeff Corwin: TV-G; 11:00A 11:30A E/I:CC Sea Rescue: TV-PG; CC Movie: Yellowstone Kelly 11:30A 12:00P Movie: Run For Cover Movie: Fort Dobbs Movie: The Naked Spur Movie: The Fastest Gun Alive Movie: Tall Man Riding E/I: Sea Rescue: TV-PG; CC TV-PG L, V; 1959 12:00P CC 12:30P TV-PG V; 1955 TV-PG V; 1958 TV-PG V; 1953 TV-PG V; 1956 TV-PG L, V; 1955 E/I: Rock The Park: TV-PG; CC 12:30P CC CC CC CC CC 01:00P Movie: Cimarron 01:00P 01:30P TV-PG V; 1960 01:30P CC 02:00P Laramie: TV-PG L, V; CC Laramie: TV-PG L, V; CC Laramie: TV-PG L, V; CC Laramie: TV-PG L, V; CC Movie: Will Penny 02:00P 02:30P Death Valley Days: TV-PG L, V; CC TV-PG D, L, V; 1968 02:30P CC 03:00P Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC 03:00P 03:30P Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC 03:30P 04:00P Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC 04:00P 04:30P Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Movie: Drum Beat Movie: Firecreek 04:30P 05:00P Laramie: TV-PG L, V; CC Laramie: TV-PG L, V; CC Laramie: TV-PG L, V; CC Laramie: TV-PG L, V; CC Laramie: TV-PG L, V; CC TV-PG V; 1954 TV-14 D, V; 1968 05:00P 05:30P CC CC 05:30P 06:00P Laramie: TV-PG L, V; CC Laramie: TV-PG L, V; CC Laramie: TV-PG L, V; CC Laramie: TV-PG L, V; CC Laramie: TV-PG L, V; CC 06:00P 06:30P 06:30P 07:00P Movie: The Hanging Tree Movie: Riding Shotgun Movie: Cattle King Movie: Fort Worth Movie: Arrow In The Dust Movie: Wichita Movie: How The West Was Won 07:00P 07:30P TV-PG V; 1959 TV-PG V; 1954 TV-PG L, V; 1963 TV-PG V; 1951 TV-PG V; 1954 TV-PG V; 1955 TV-PG V; 1962 07:30P 08:00P CC CC CC CC CC CC CC 08:00P 08:30P 08:30P 09:00P Movie: Colt .45 Movie: The Law And Jake Wade Movie: Heaven With A Gun Movie: Westbound Movie: Santa Fe Trail 09:00P 09:30P Movie: Drum Beat TV-PG V; 1950 TV-PG V; 1958 TV-14 L, S, V; 1969 TV-PG V; 1959 TV-PG L, V; 1940 09:30P 10:00P TV-PG V; 1954 CC CC CC CC CC 10:00P CC 10:30P Movie: Across The Wide Missouri Movie: Colorado Territory 10:30P 11:00P Movie: Quantrill's Raiders Movie: Westbound TV-PG V; 1951 TV-PG V; 1949 11:00P CC CC 11:30P TV-PG V; 1958 TV-PG V; 1959 Movie: Twilight In The Sierras Movie: Dallas 11:30P CC CC 12:00A Movie: The Iron Mistress TV-PG V; 1950 TV-PG V; 1950 12:00A CC CC 12:30A TV-PG V; 1952 Movie: Showdown At Boot Hill Movie: Firecreek Movie: Adios Amigo 12:30A CC 01:00A TV-PG V; 1958 TV-14 D, V; 1968 Movie: The Wild Bunch TV-PG L, S, V; 1976 Movie: Run For Cover 01:00A 01:30A CC CC TV-14 D, L, S, V; 1969 CC TV-PG V; 1955 01:30A CC CC 02:00A Movie: A Big Hand For The Little Lady Movie: Springfield Rifle 02:00A 02:30A TV-PG L; 1966 Movie: El Condor TV-PG V; 1952 02:30A CC CC 03:00A Movie: The Gunfighter Movie: The Badlanders TV-14 L, V; 1970 Movie: Sunset In The West 03:00A 03:30A TV-PG V; 1950 TV-PG L, V; 1958 CC TV-PG V; 1950 03:30A 04:00A CC CC CC 04:00A 04:30A Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC 04:30A 05:00A Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC 05:00A 05:30A Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC 05:30A As of 08/06/18 GRIT Program Schedule Listings in Eastern Time Week Of 08-13-2018 Grit 8/13 Mon 8/14 Tue 8/15 Wed 8/16 Thu 8/17 Fri 8/18 Sat 8/19 Sun Grit 06:00A Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Movie: El Condor Movie: Seven Alone 06:00A 06:30A Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC TV-14 L, V; 1970 TV-PG V; 1974 06:30A CC CC 07:00A Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC 07:00A 07:30A Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC 07:30A 08:00A The Life And Legend Of Wyatt Earp: The Life And Legend Of Wyatt Earp: The Life And Legend Of Wyatt Earp: The Life And Legend Of Wyatt Earp: The Life And Legend Of Wyatt Earp: Movie: Arrow In The Dust Movie: Adios Amigo 08:00A 08:30A TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: TV-PG V; 1954 TV-PG L, S, V; 1976 08:30A CC CC 09:00A TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG; Life CC And Legend Of Wyatt Earp: 09:00A 09:30A TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: 09:30A 10:00A Laramie:TV-PG V; TV-PG CC L, V; CC Laramie:TV-PG V; TV-PG CC L, V; CC Laramie:TV-PG V; TV-PG CC L, V; CC Laramie:TV-PG V; TV-PG CC L, V; CC Laramie:TV-PG V; TV-PG CC L, V; CC E/I: Jack Hanna's Wild Countdown: TV- Movie: Escape From Fort Bravo 10:00A 10:30A E/I:PG; JackCC Hanna's Wild Countdown: TV- TV-PG V; 1953 10:30A CC 11:00A Laramie: TV-PG L, V; CC Laramie: TV-PG L, V; CC Laramie: TV-PG L, V; CC Laramie: TV-PG L, V; CC Laramie: TV-PG L, V; CC E/I:PG; OceanCC Treks With Jeff Corwin: TV-G; 11:00A 11:30A E/I:CC Sea Rescue: TV-PG; CC 11:30A 12:00P Movie: 4 For Texas Movie: Cattle King Movie: Guns Of Diablo Movie: The Big Trees Movie: Susanna Pass E/I: Sea Rescue: TV-PG; CC 12:00P 12:30P TV-PG L, S, V; 1963 TV-PG L, V; 1963 TV-PG S, V; 1965 TV-PG V; 1952 TV-PG V; 1949 E/I: Rock The Park: TV-PG; CC Movie: The Sheepman 12:30P CC CC CC CC CC 01:00P Zane Grey Theatre: TV-PG L, V; CC TV-PG V; 1958 01:00P CC 01:30P Movie: Sunset In The West Movie: Westbound 01:30P 02:00P Laramie: TV-PG L, V; CC Laramie: TV-PG L, V; CC Laramie: TV-PG L, V; CC TV-PG V; 1950 TV-PG V; 1959 02:00P CC CC 02:30P Movie: At Gunpoint 02:30P 03:00P Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley
Load more

Recommended publications
  • A Transcultural Perspective on the Casting of the Rose Tattoo
    RSA JOU R N A L 25/2014 GIULIANA MUS C IO A Transcultural Perspective on the Casting of The Rose Tattoo A transcultural perspective on the film The Rose Tattoo (Daniel Mann, 1955), written by Tennessee Williams, is motivated by its setting in an Italian-American community (specifically Sicilian) in Louisiana, and by its cast, which includes relevant Italian participation. A re-examination of its production and textuality illuminates not only Williams’ work but also the cultural interactions between Italy and the U.S. On the background, the popularity and critical appreciation of neorealist cinema.1 The production of the film The Rose Tattoo has a complicated history, which is worth recalling, in order to capture its peculiar transcultural implications in Williams’ own work, moving from some biographical elements. In the late 1940s Tennessee Williams was often traveling in Italy, and visited Sicily, invited by Luchino Visconti (who had directed The Glass Managerie in Rome, in 1946) for the shooting of La terra trema (1948), where he went with his partner Frank Merlo, an occasional actor of Sicilian origins (Williams, Notebooks 472). Thus his Italian experiences involved both his professional life, putting him in touch with the lively world of Italian postwar theater and film, and his affections, with new encounters and new friends. In the early 1950s Williams wrote The Rose Tattoo as a play for Anna Magnani, protagonist of the neorealist masterpiece Rome Open City (Roberto Rossellini, 1945). However, the Italian actress was not yet comfortable with acting in English and therefore the American stage version (1951) starred Maureen Stapleton instead and Method actor Eli Wallach.
    [Show full text]
  • Delmer Daves ̘​Í™” ˪…˶€ (Ìž'í'ˆìœ¼ë¡Œ)
    Delmer Daves ì˜í​ ™” 명부 (작품으로) The Hanging https://ko.listvote.com/lists/film/movies/the-hanging-tree-1193688/actors Tree Demetrius and https://ko.listvote.com/lists/film/movies/demetrius-and-the-gladiators-1213081/actors the Gladiators Dark Passage https://ko.listvote.com/lists/film/movies/dark-passage-1302406/actors Never Let Me https://ko.listvote.com/lists/film/movies/never-let-me-go-1347666/actors Go The https://ko.listvote.com/lists/film/movies/the-badlanders-1510303/actors Badlanders Cowboy https://ko.listvote.com/lists/film/movies/cowboy-1747719/actors Kings Go https://ko.listvote.com/lists/film/movies/kings-go-forth-2060830/actors Forth Drum Beat https://ko.listvote.com/lists/film/movies/drum-beat-2081544/actors Jubal https://ko.listvote.com/lists/film/movies/jubal-2481256/actors Hollywood https://ko.listvote.com/lists/film/movies/hollywood-canteen-261550/actors Canteen Rome https://ko.listvote.com/lists/film/movies/rome-adventure-319170/actors Adventure Bird of https://ko.listvote.com/lists/film/movies/bird-of-paradise-3204466/actors Paradise The Battle of https://ko.listvote.com/lists/film/movies/the-battle-of-the-villa-fiorita-3206509/actors the Villa Fiorita The Red https://ko.listvote.com/lists/film/movies/the-red-house-3210438/actors House Treasure of the Golden https://ko.listvote.com/lists/film/movies/treasure-of-the-golden-condor-3227913/actors Condor Return of the https://ko.listvote.com/lists/film/movies/return-of-the-texan-3428288/actors Texan Susan Slade https://ko.listvote.com/lists/film/movies/susan-slade-3505607/actors
    [Show full text]
  • GRIT Program Schedule Listings in Eastern Time
    GRIT Program Schedule Listings in Eastern Time Week Of 07-09-2018 Grit 7/9 Mon 7/10 Tue 7/11 Wed 7/12 Thu 7/13 Fri 7/14 Sat 7/15 Sun Grit 06:00A Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Movie: The Redhead And The Cowboy Movie: Westbound 06:00A 06:30A Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC Zane Grey Theatre: TV-PG L, V; CC TV-PG V; 1951 TV-PG V; 1959 06:30A CC CC 07:00A Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC 07:00A 07:30A Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG L, V; CC Death Valley Days: TV-PG; CC Death Valley Days: TV-PG L, V; CC Movie: Across The Wide Missouri 07:30A 08:00A The Life And Legend Of Wyatt Earp: The Life And Legend Of Wyatt Earp: The Life And Legend Of Wyatt Earp: The Life And Legend Of Wyatt Earp: The Life And Legend Of Wyatt Earp: Movie: Colt .45 TV-PG V; 1951 08:00A CC 08:30A TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt Earp: TV-PG V; 1950 08:30A CC 09:00A TheTV-PG Life V; And CC Legend Of Wyatt Earp: TheTV-PG Life V; And CC Legend Of Wyatt
    [Show full text]
  • FILM POSTER CENSORSHIP by Maurizio Cesare Graziosi
    FILM POSTER CENSORSHIP by Maurizio Cesare Graziosi The first decade of the twentieth century was the golden age of Italian cinema: more than 500 cinema theatres in the country, with revenues of 18 million lire. However, the nascent Italian “seventh art” had to immediately contend with morality, which protested against the “obsolete vulgarity of the cinema”. Thus, in 1913 the Giolitti government set up the Ufficio della Revisione Cinematografica (Film Revision Office). Censorship rhymes with dictatorship. However, during the twenty years of Italian Fascism, censorship was not particularly vigorous. Not out of any indulgence on the part of the black-shirted regime, but more because self-censorship is much more powerful than censorship. Therefore, in addition to the existing legislation, the Testo Unico delle Leggi di Pubblica Sicurezza (Consolidation Act on Public Safety Laws - R.D. 18 June 1931, n° 773) was sufficient. And so, as far as film poster censorship is concerned, the first record dates from the period immediately after the Second World War, in spring 1946, due to the censors’ intervention in posters for the re-release of La cena delle beffe (1942) by Alessandro Blasetti, and Harlem (1943) by Carmine Gallone. In both cases, it was ordered that the name of actor Osvaldo Valenti be removed, and for La cena delle beffe, the name of actress Luisa Ferida too. Osvaldo Valenti had taken part in the Social Republic of Salò and, along with Luisa Ferida, he was sentenced to death and executed on 30 April 1945. This, then, was a case which could be defined as a “censorship of purgation”.
    [Show full text]
  • Le Cas De Broken Arrow (La Flèche Brisée, 1950) De Delmer Daves
    Mémoire de master 1 / juin 2018 Parcours - Cultures de l’ Mention – Histoire, Civilisations, Patrimoine Domaine - Sciences humaines et sociales Diplôme national de master Maître de conférence – ENSSIB Et de Fabienne Henryot Professeur d'histoire et d'anthropologie culturelles Sousd'direction la (XX IglesiasLauriane Delmer Daves Arrow américain en France La patrimonialisation d'un western ( La Flèche brisée É velyneCohen É crit et de l’Image : le cas de , 1950) de e siècle) – ENSSIB Broken Remerciements Mes remerciements vont tout d'abord à mes directrices de mémoire. Je remercie ainsi Mme Cohen qui m'a décidée à choisir ce sujet et m'a accordé sa confiance pour corriger mes erreurs d'orientation. Je remercie aussi Mme Henryot pour l'attention particulière qu'elle a accordée à mon travail, pour ces remarques et conseils qui m'ont aidée, rassurée et encouragée. Je tiens également à remercier Mmes Hammerli et Oolingen d'avoir répondu avec enthousiasme à mes questions et, au-delà, je remercie tous mes autres professeurs de classe préparatoire, particulièrement ceux de ma « prépa de cœur » du lycée Mistral à Avignon. Sans eux et tout ce qu'ils m'ont appris et fait découvrir, ce mémoire n'aurait jamais vu le jour. Enfin, je remercie ma famille qui a bien voulu m'écouter patiemment déblatérer sur ce projet et m'a assuré un soutien inconditionnel. IGLESIAS Lauriane | MASTER 1 HCP parcours CEI | Mémoire | Juin 2018 - 3 - Droits d’auteur réservés. Résumé : De prime abord, patrimonialiser en France un western américain comme Broken Arrow (La Flèche brisée) de Delmer Daves paraît aberrant.
    [Show full text]
  • Synchronizing Sequencing Software to a Live Drummer
    Andrew Robertson and Mark D. Plumbley Synchronizing Sequencing School of Electronic Engineering and Computer Science Queen Mary University of London Software to a Live Drummer Mile End Road London E1 4NS, UK {andrew.robertson, mark.plumbley} @eecs.qmul.ac.uk Abstract: This article presents a method of adjusting the tempo of a music software sequencer so that it remains synchronized with a drummer’s musical pulse. This allows music sequencer technology to be integrated into a band scenario without the compromise of using click tracks or triggering loops with a fixed tempo. Our design implements real-time mechanisms for both underlying tempo and phase adjustment using adaptable parameters that control its behavior. The aim is to create a system that responds to timing variations in the drummer’s playing but is also stable during passages of syncopation and fills. We present an evaluation of the system using a stochastic drum machine that incorporates a level of noise in the underlying tempo and phase of the beat. We measure synchronization error between the output of the system and the underlying pulse of the drum machine and contrast this with other real-time beat trackers. The software, B-Keeper, has been released as a Max for Live device, available online at www.b-keeper.org. Introduction and Motivation MIDI messages. Commercial sequencers include Ableton Live, Pro Tools, Logic Studio, Nuendo, and One challenge currently faced by rock and pop bands others. These programs provide an optional click is how to incorporate electronic and pre-recorded track when recording, thereby providing audible musical parts when playing live.
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]
  • September 24, 2013 (XXVII:5) Delmer Daves, 3:10 to YUMA (1957, 92 Min)
    September 24, 2013 (XXVII:5) Delmer Daves, 3:10 TO YUMA (1957, 92 min) National Film Registry—2012 Directed by Delmer Daves Written by Halsted Welles (screenplay) and Elmore Leonard (story) Music by George Duning Cinematography by Charles Lawton Jr. Edited by Al Clark Glenn Ford...Ben Wade Van Heflin...Dan Evans Felicia Farr...Emmy Richard Jaeckel...Charlie Prince DELMER DAVES (director)(b. Delmer Lawrence Daves, July 24, 1904, San Francisco, California—d. August 17, 1977, La Jolla, California) Daves wrote 50 films, among them 1965 The Battle of the Villa Fiorita, 1964 Youngblood Hawke, 1963 Spencer's Alma, Michigan—d. January 24, 1990) wrote 44 films and Mountain, 1959 A Summer Place, 1957 An Affair to Remember television shows, including 1976 “Doctors' Hospital” (TV (screenplay), 1956 The Last Wagon (screenplay), 1955 White series), 1973-1974 “Kojak” (TV series), 1971-1973 “Rod Feather (screenplay), 1954 Drum Beat (screenplay and story), Serling's Night Gallery” (TV series), 1969 “Mannix” (TV series), 1947 Dark Passage (screenplay), 1943 Destination Tokyo 1966 “12 O'Clock High” (TV series), 1965-1966 “The (screenplay), 1943 Stage Door Canteen (screenplay), 1940 The Virginian” (TV series), 1959-1962 “Alfred Hitchcock Presents” Farmer's Daughter (story), 1936 The Petrified Forest (TV series), 1960 “Bonanza” (TV series), 1957 3:10 to Yuma (screenplay), 1932 Divorce in the Family (screenplay and story), (screenplay), 1957 “The George Sanders Mystery Theater” (TV and 1929 Queen Kelly. In addition to writing, Daves directed 30 series), 1957 “Playhouse 90” (TV series), 1955 “Lux Video films, including 1965 The Battle of the Villa Fiorita, 1964 Theatre” (TV series), and 1949 The Lady Gambles (adaptation).
    [Show full text]
  • La Flèche Brisée
    Delmer Daves DOSSIER 171 La Flèche brisée COLLÈGE AU CINÉMA Avec la participation de votre Conseil général Les Fiches-élèves ainsi que des Fiches-films sont disponibles sur le site internet : www.lux-valence.com/image Base de données et lieu interactif, ce site, SYNOPSIS conçu avec le soutien du CNC, est un outil au service des actions pédagogiques, et de la diffusion d’une culture cinématographique En 1870, époque des « guerres apaches », le chercheur d'or Tom Jeffords, destinée à un large public. ancien éclaireur, se rend à Tucson (Arizona), appelé par le colonel Bernall. En chemin, il soigne un jeune Apache qui a été blessé par des soldats. Le Edité par le : garçon lui donne un talisman pour le remercier, quand quelques Apaches Centre National de la Cinématographie conduits par Goklia surgissent mais laissent la vie sauve à Jeffords. Un Ce dossier a été rédigé par : moment immobilisé, celui-ci assiste impuissant à l'embuscade improvisée Michel Cyprien, romancier et essayiste, que les Apaches tendent à des Blancs qui sont massacrés ou torturés. critique cinématographique. Frédéric Strauss, critique cinématographique À l'auberge de Tucson, Jeffords trouve Duffield le postier, le rancher Ben et auteur d'ouvrages sur le cinéma. Slade et son fils, le commerçant Lowry, et le seul rescapé de l'embuscade. Le colonel Bernall voudrait que Jeffords soit son éclaireur dans la guerre Les textes sont la propriété du CNC. contre les Apaches de Cochise. Mais Jeffords préfère aller rencontrer Remerciements : Cochise, qui lui promet que les Apaches n'attaqueront plus les courriers. Au Arthur Mas, Swashbuckler Films village apache, Jeffords tombe amoureux de la belle Sonseeahray.
    [Show full text]
  • Drum Beat Construction by Eddie Bazil 1
    Drum Beat Construction by Eddie Bazil 1 Drum Beat Construction: Demo Chapter This is an excerpt taken from Eddie Bazilʼs book, ʻDrum Beat Constructionʼ. To download the complete book with all audio examples, please go to: http://www.mpc-samples.com/product.php/212/drum-beat- construction/ Table of Contents Foreword 000 How to Use This Book 001 Beat Construction 002 Dynamics 003 Quantize 004 Slices & Hit Points 005 Filters 006 Frequencies & Tuning 007 Shadowing Beats & Ghost Notes 008 Modulators 009 Motion 010 Automation 011 MIDI Control & Templates 012 Ripping Beats 013 Ripping Timing Elements 014 Ripping Drum Elements 015 Creative Ripping 016 Profiling 017 Creative Tools & Processes 018 Dance 019 Urban Final Word Drum Beat Construction by Eddie Bazil 3 Foreword I decided to write this book in the form of a hands-on manual, rather than a book laden with theory and historical white papers. The goal is to share with you some of the processes and techniques used in our industry to create, shape, and manage drum beats. This book will not teach you secret drumming techniques. It is about using existing principles and techniques to improve your beat construction processes. Equally important is the fact that we need to define what beat construction is. It is not the writing and producing of a song, to which the term ʻbeat productionʼ is often applied. This distinction is important, because this book is about constructing drum beats, and processing all the elements within, and not about song production. There are some musicians and producers who have natural rhythm and a detailed understanding of how a percussive instrument needs to be portrayed.
    [Show full text]
  • Rhythm, Beat, Drum Pattern
    FH SBG MMA – Rhythm, Beat and Drum Pattern – Page 1 of 13 AUDITIVE GESTALTUNG Rhythm, Beat and Drum Pattern 1. Rhythm 1.1 Origins 1.2 Early Notation 1.3 Metrical foot 1.4 Modern Notation 1.5 Time signature (meter), beat and tempo 1.6 Beat, Downbeat, Upbeat, Backbeat, Breakbeat 1.7 Groove 1.8 Drum Pattern 1 Rhythm Rhythm (from Greek ῥυθμός – rhythmos, "any regular recurring motion, symmetry") is defined by the Oxford English Dictionary as a "movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions." Rhythm is the timing of musical sounds and silences, as well as speech syllables. While rhythm most commonly applies to sound, such as music and spoken language, it may also refer to visual presentation, as "timed movement through space", such as in dance, video or film arts. 1.1 Origins At the most basic level, rhythm relates to our body: how we walk, our heartbeat, our breathing. Our urge to move in rhythm (dance) is probably designed to boost our energy level to prepare for a chase, a fight or a flight. Perceiving rhythm is the ability to master the 4th invisible dimension: time, and appears to be a unique trait in humans (animals show no similar appreciation of rhythm). 1.2 Early Notation In Western music, notation specifying longer and shorter note values evolved from the “Neume” notation type, prior to the invention of five-line staff. The earliest neumes were inflective marks which originally indicated the general shape and duration, but not necessarily the exact notes or rhythms to be sung.
    [Show full text]
  • Anatomy of a Drum Beat There Are Many Different Kinds of Drum Beats and Most of Them Follow Similar Rules
    Anatomy Of A Drum Beat There are many different kinds of drum beats and most of them follow similar rules. The hihat or ride cymbal plays either twice a beat (eighth note subdivision) or four times a beat (sixteenth note subdivision). The snare drum, clap, or side stick usually plays on beats two and four which is also known as the back beat. It can also be played on beat three of every other measure to create a half time feel. The bass drum plays on at least one strong beat (one and three) and can be played on one or more subdivision to change the character of the beat. Beat Maps and The Basic Rock Pattern A beat map is used to visualize different drum patterns. The subdivision is written on the top row, and instruments are written in the left more column. X’s are placed in boxes to represent what subdivision different instruments should. Here is a beat map of a basic rock pattern 1 + 2 + 3 + 4 + Subdivision Hihat X X X X X X X X Instruments Snare X X Kick X X Bass Drum Variation The bass drum is the conversational instrument in a rock pattern. Adding notes on subdivisions and subtracting one of the strong beats are examples of ways to vary a pattern. Here is a rock beat with a bass drum variation. 1 + 2 + 3 + 4 + Hihat X X X X X X X X Snare X X Kick X X X Sixteenth Note Subdivision. The beat can be divided into four equal parts to create a sixteenth note subdivision.
    [Show full text]