Duane's Impassioned Plea Scores
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Discography of the Mainstream Label
Discography of the Mainstream Label Mainstream was founded in 1964 by Bob Shad, and in its early history reissued material from Commodore Records and Time Records in addition to some new jazz material. The label released Big Brother & the Holding Company's first material in 1967, as well as The Amboy Dukes' first albums, whose guitarist, Ted Nugent, would become a successful solo artist in the 1970s. Shad died in 1985, and his daughter, Tamara Shad, licensed its back catalogue for reissues. In 1991 it was resurrected in order to reissue much of its holdings on compact disc, and in 1993, it was purchased by Sony subsidiary Legacy Records. 56000/6000 Series 56000 mono, S 6000 stereo - The Commodore Recordings 1939, 1944 - Billy Holiday [1964] Strange Fruit/She’s Funny That Way/Fine and Mellow/Embraceable You/I’ll Get By//Lover Come Back to Me/I Cover the Waterfront/Yesterdays/I Gotta Right to Sing the Blues/I’ll Be Seeing You 56001 mono, S 6001 stereo - Begin the Beguine - Eddie Heywood [1964] Begin the Beguine/Downtown Cafe Boogie/I Can't Believe That You're in Love with Me/Carry Me Back to Old Virginny/Uptown Cafe Boogie/Love Me Or Leave Me/Lover Man/Save Your Sorrow 56002 mono, S 6002 stereo - Influence of Five - Hawkins, Young & Others [1964] Smack/My Ideal/Indiana/These Foolish Things/Memories Of You/I Got Rhythm/Way Down Yonder In New Orleans/Stardust/Sittin' In/Just A Riff 56003 mono, S 6003 stereo - Dixieland-New Orleans - Teagarden, Davison & Others [1964] That’s A- Plenty/Panama/Ugly Chile/Riverboat Shuffle/Royal Garden Blues/Clarinet -
Showcase Brochure
TENTH ANNUAL THESIS SHOWCASE APRIL 1 4, 2021 • ALL ONLINE! galleries.sva.edu/socdocshowcase10 Thesis Showcase Spotlight Selected filmmakers have the opportunity to share their films with a group of documentary industry advisors who can potentially help further their projects—and careers. The filmmakers will also receive career strategy consultations from the industry advisors. All graduates receive a membership in the International Documentary Association and a fee waiver for the 2021 DOC NYC Film Festival; Showcase Spotlight filmmakers obtain a membership to The Gotham Film & Media Institute. 2020 and 2021 have been years of remarkable them. In this volatile time, we are proud to foster a di- loss for words when losing ones’s mother, from do- change in our global landscape. Lives have been for- verse set of filmmakers whose unique perspectives mestic violence and abuse in Russia to a traditional Showcase Industry Advisors ever altered, and the entire world has been a ected are needed, wanted and accepted. The platforms handloom artist in India weaving a story of hope and Dana Merwin, Program O cer, Enterprise Fund, International Documentary Association with more than two million lives lost to the pandemic. available for documentaries are growing exponen- aspiration in a world where he is deemed “untouch- The change in how we live and communicate will re- tially. From long-form series to feature documenta- able.” All of this work is stunning, informative and Sara Rodriguez, Senior Vice President for Documentary, HBO verberate for generations to come. For documentary ries to documentary shorts, the audience is hungry emotionally resonant. Charlotte Reekers, Senior Program Manager, Documentary, The Gotham Film & Media Institute filmmakers, to live through such a time of transition, and present in large numbers, flocking to the land- Many thanks, as always, to the SVA SocDoc fac- Milton Tabbot, Senior Director of Programming, The Gotham Film & Media Institute with dramatic shifts in culture and behavior, in and scape of real life. -
Download This Issue As A
MICHAEL ROTHFELD ’69 GEMMA TARLACH ‘90 BENEFICIARIES RECEIVES ALEXANDER PROVIDES A TOUCH OF REMEMBER HAMILTON MEDAL HOME IN ANTARCTICA JOHN W. KLUge ’37 PAGE 14 PAGE 72 PAGE 22 Columbia College January/February 2011 TODAY CCE Internships Prepare Students for the Future Students in Singapore spent the summer working at various businesses, learning about another culture and developing contacts through the Columbia network hoose as many as you like. C� Business n etworking � Social mixers for all ages � Lectures and presentations � Meet the author � Concerts � Special meals and wine tastings � Young alumni events � Events with other Ivy clubs � Private museum tours � Family fun events � Sporting events � Special interest groups � Broadway shows and of all kinds… backstage tours � …or start your own group It’s always your choice at the Columbia Club. Come see how the club’s many stimulating activities and events could fit into your life. For more information or to apply, visit www.columbiaclub.org or call (212) 719-0380. The Columbia University Club of New York in residence at 15 West 43 St. New York, N Y 10036 Columbia’s SocialIntellectualCulturalRecreationalProfessional Resource in Midtown. Columbia College Today Contents 14 22 16 34 30 80 38 COVER STORY ALUMNI NEWS DEPARTMENTS 42 2 CCE INT E RNSH I PS PR E PAR E B OO K SH E LF LE TT E RS TO TH E 16 Featured: History professor ED I TOR S TUD E NTS FOR TH E FUTUR E Samuel Moyn’s new book, The 3 Students get real-world experience before graduation Last Utopia: Human Rights in WI TH I N TH E FAM I LY through the Center for Career Education’s domestic History, traces the movement’s 4 AROUND TH E QUADS timeline as an ideology and and international internships. -
Hermann NAEHRING: Wlodzimierz NAHORNY: NAIMA: Mari
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hermann NAEHRING: "Großstadtkinder" Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; Henry Osterloh -tymp; recorded 1985 in Berlin 24817 SCHLAGZEILEN 6.37 Amiga 856138 Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; recorded 1985 in Berlin 24818 SOUJA 7.02 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Volker Schlott -fl; recorded 1985 in Berlin A) Orangenflip B) Pink-Punk Frosch ist krank C) Crash 24819 GROSSSTADTKINDER ((Orangenflip / Pink-Punk, Frosch ist krank / Crash)) 11.34 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; recorded 1985 in Berlin 24820 PHRYGIA 7.35 --- 24821 RIMBANA 4.05 --- 24822 CLIFFORD 2.53 --- ------------------------------------------ Wlodzimierz NAHORNY: "Heart" Wlodzimierz Nahorny -as,p; Jacek Ostaszewski -b; Sergiusz Perkowski -d; recorded November 1967 in Warsaw 34847 BALLAD OF TWO HEARTS 2.45 Muza XL-0452 34848 A MONTH OF GOODWILL 7.03 --- 34849 MUNIAK'S HEART 5.48 --- 34850 LEAKS 4.30 --- 34851 AT THE CASHIER 4.55 --- 34852 IT DEPENDS FOR WHOM 4.57 --- 34853 A PEDANT'S LETTER 5.00 --- 34854 ON A HIGH PEAK -
2015 Full Program (PDF)
2015 Women in Dance Leadership Conference! ! October 29 - November 1, 2015! ! Manship Theatre, Baton Rouge, Louisiana, USA! ! Conference Director - Sandra Shih Parks WOMEN IN DANCE LEADERSHIP CONFERENCE 10/29/2015 - 11/1/2015 "1 Women in Dance Leadership Conference ! Mission Statement ! ! To investigate, explore, and reflect on women’s leadership by representing innovative and multicultural dance work to celebrate, develop, and promote women’s leadership in dance making, dance related fields, and other! male-dominated professions.! Conference Overview! ! DATE MORNING AFTERNOON EVENING Thursday 10/29/2015 !Registration/Check In! !Reception! Opening Talk -! Kim Jones/Yin Mei Karole Armitage and guests Performance Friday 10/30/2015 Speech - Susan Foster! Panel Discussions! Selected ! ! Choreographers’ Speech - Ann Dils !Master Classes! Concert Paper Presentations Saturday 10/31/2015 Speech - Dima Ghawi! Panel Discussions! ODC Dance Company ! ! ! Performance Speech - Meredith Master Classes! Warner! ! ! Ambassadors of Women Master Classes in Dance Showcase Sunday 11/1/2015 Master Class THODOS Dance Chicago Performance ! ! ! ! WOMEN IN DANCE LEADERSHIP CONFERENCE 10/29/2015 - 11/1/2015 "2 October 29th 2015! !Location 12 - 4 PM 4:30 PM - 6 PM 6 PM - 7:30 PM 8 PM - 9:30 PM !Main Theatre Kim Jones, Yin Mei ! and guests ! performance ! !Hartley/Vey ! Opening Talk by! !Studio Theatre Karole Armitage !Harley/Vey! !Workshop Theatre !Josef Sternberg ! Conference Room Jones Walker Foyer Registration! ! Conference Check In Reception Program Information! -
Days and Nights Waiting Keith Jarrett on the Trail Ferde Grofe/Oscar
Days and Nights Waiting Keith Jarrett On The Trail Ferde Grofe/Oscar Peterson Good Morning Heartache Fisher/Higgenbotham/Drake Bebop Dizzy Gillespie They Say It's Wonderful Irving Berlin Desafinado Antonio Carlos Jobim Ornithology Charlie Parker Matrix Chick Corea Long Ago and Far Away Jerome Kern Yours is My Heart Alone Franz Lehar Remember Irving Berlin You Must Believe in Spring Michel Legrand (Bill Evans) On a Clear Day (You Can See Forever) Lane & Lerner Melancholy Baby Ernie Burnett Out of Nowhere Johnny Green & Edward Heyman Sweet Georgia Brown Bernie, Finkard & Casey Daahoud Clifford Brown Mayreh Horace Silver The Song is You Jerome Kern & Oscar Hammerstein Autumn in New York Vernon Duke Nemesis Aaron Parks Satin Doll Duke Ellington & Billy Strayhorn End of a Love Affair Edward Redding Senor Blues Horace Silver Memories of Tomorrow Keith Jarrett My Ship Kurt Weill Mack the Knife Kurt Weill Almost Like Being in Love Lerner & Loewe What's New Robert Sherwood Haggart Night Train Duke Ellington Come Rain or Come Shine Harold Arlen/Johnny Mercer I Can't Give you Anything but Love Jimmy McHugh/Dorothy Fields Pfrancing (No Blues) Miles Davis Dance of the Infidels Bud Powell Laura David Raksin Manteca Dizzy Gillespie If I Didn't Care Jack Lawrence Blue in Green Bill Evans/Miles Davis Some Day my Prince will Come Frank Churchill One for my Baby (And One More for the Road) Harold Arlen Coral Keith Jarrett Solar Miles Davis Tangerine Victor Schertzinger/Johnny Mercer Sidewinder Lee Morgan Dexterity Charlie Parker Cantaloupe Island Herbie -
Rose La Rose and the Re-Ownership of American Burlesque, 1935-1972
TAUGHT IT TO THE TRADE: ROSE LA ROSE AND THE RE-OWNERSHIP OF AMERICAN BURLESQUE, 1935-1972 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Elizabeth Wellman Graduate Program in Theatre The Ohio State University 2015 Dissertation Committee: Jennifer Schlueter, Advisor Beth Kattelman Joy Reilly Copyright by Elizabeth Wellman 2015 ABSTRACT Declaring burlesque dead has been a habit of the twentieth century. Robert C. Allen quoted an 1890s letter from the first burlesque star of the American stage, Lydia Thompson in Horrible Prettiness: Burlesque and American Culture (1991): “[B]urlesque as she knew it ‘has been retired for a time,’ its glories now ‘merely memories of the stage.’”1 In 1931, Bernard Sobel opined in Burleycue: An Underground History of Burlesque Days, “Alas! You will never get a chance to see one of the real burlesque shows again. They are gone forever…”2 In 1938, The Billboard published an editorial that began, “On every hand the cry is ‘Burlesque is dead.’”3 In fact, burlesque had been declared dead so often that editorials began popping up insisting it could be revived, as Joe Schoenfeld’s 1943 op-ed in Variety did: “[It] may be in a state of putrefaction, but it is a lusty and kicking decomposition.”4 It is this “lusty and kicking decomposition” which characterizes the published history of burlesque. Since its modern inception in the late nineteenth century, American burlesque has both been framed and framed itself within this narrative of degeneration. -
English Songs
English Songs 18000 04 55-Vũ Luân-Thoại My 18001 1 2 3-Gloria Estefan 18002 1 Sweet Day-Mariah Carey Boyz Ii M 18003 10,000 Promises-Backstreet Boys 18004 1999-Prince 18005 1everytime I Close My Eyes-Backstr 18006 2 Become 1-Spice Girls 18007 2 Become 1-Unknown 18008 2 Unlimited-No Limit 18009 25 Minutes-Michael Learns To Rock 18010 25 Minutes-Unknown 18011 4 gio 55-Wynners 18012 4 Seasons Of Lonelyness-Boyz Ii Me 18013 50 Ways To Leave Your Lover-Paul S 18014 500 Miles Away From Home-Peter Pau 18015 500 Miles-Man 18016 500 Miles-Peter Paul-Mary 18017 500 Miles-Unknown 18018 59th Street Bridge Song-Classic 18019 6 8 12-Brian McKnight 18020 7 Seconds-Unknown 18021 7-Prince 18022 9999999 Tears-Unknown 18023 A Better Love Next Time-Cruise-Pa 18024 A Certain Smile-Unknown 18025 A Christmas Carol-Jose Mari Chan 18026 A Christmas Greeting-Jeremiah 18027 A Day In The Life-Beatles-The 18028 A dear John Letter Lounge-Cardwell 18029 A dear John Letter-Jean Sheard Fer 18030 A dear John Letter-Skeeter Davis 18031 A dear Johns Letter-Foxtrot 18032 A Different Beat-Boyzone 18033 A Different Beat-Unknown 18034 A Different Corner-Barbra Streisan 18035 A Different Corner-George Michael 18036 A Foggy Day-Unknown 18037 A Girll Like You-Unknown 18038 A Groovy Kind Of Love-Phil Collins 18039 A Guy Is A Guy-Unknown 18040 A Hard Day S Night-The Beatle 18041 A Hard Days Night-The Beatles 18042 A Horse With No Name-America 18043 À La Même Heure Dans deux Ans-Fema 18044 A Lesson Of Love-Unknown 18045 A Little Bit Of Love Goes A Long W- 18046 A Little Bit-Jessica -
Internationale Evergreens
Internationale Evergreens: A Banda Amapola (First Love) [Lacalle, Joseph M.] Bad Bad Leroy Brown A Child Is Born Amazing Grace Ballade Pour Adeline A Day In The Life Of A Fool (Manha De Carnaval) American Patrol Basin Street Blues A Felicidade Amor (Amor, Amor, Amor) Beautiful Dreamer A Fine Romance (Swing Time) [Kern, Jerome] Amorada Beautiful in My Eyes A Foggy Day And I Love Her Bei mir bist du schön A Groovy Kind Of Love Anema E Core (with All My Heart) Bésame Mucho (Kiss Me Much) A Guy Is A Guy Angel Eyes Bewitched [Joey, Pal] A Man And A Woman (Un Homme Et Une Femme) Anna Beyond The Sea (Beyond The Sea) [Trenet, Charles] [Lai, Francis] Another Time, Another place Big Spender A Nightingale Sang In Berkeley Square Answer Me My Love Bill Bailey Won't You Please Come Home A Pretty Girl Is Like A Melody Are You Lonesome Tonight Black Orpheus A Room With A View Around The World Blame It On My Youth A String Of Pearls Arrivederci Roma (goodbye To Rome) Blowin' In The Wind A Sunday Kind Of Love Arthurs Theme (Best That You Can Do) Blue And Sentimental A Swinging Safari As Long As He Needs Me Blue Moon A Taste Of Honey As Tears Go By Blue Velvet A Time For Us (Romeo And Juliet) [Rota, Nino] As Time Goes By (Casablanca) [Hupfield, Herman] Blueberry Hill A Whiter Shade Of Pale [Procol Harum] At Sundown Bluesette Adiós Muchachos! At The Jazzband Ball Body And Soul After You've Gone Auld Lang Syne Brazil Again Aura Lee Breaking Up is Hard To Do Água De Beber (water To Drink) Autumn In New York Bridge Over Troubled Water Ain't Misbehavin' AUTUMN -
NJPAC Report to the Community (2013)
NEW JERSEY PERFORMING ARTS CENTER THE HISTORY, PERFORMED NIGHTLy… CENTER OF IT NEW JERSEY PERFORMING ARTS CENTER ALL REPORT TO THE COMMUNITY • 2013 2 3 4 MESSAGE FROM THE CONTENTS MESSAGE FROM 5 PRESIDENT & CEO CO-CHAIRS OF THE BOARD “Welcome to what I know you’ll “The Center of It All continues to define NJPAC The Center of it All find to be an informative and as the hub for the best entertainment—as well entertaining year in review…” as a forum for social discourse, an incubator for creativity, a meeting place…” 6 SEASON HIGHLIGHTS GREAT PERFORMANCES Last year brought new broadcast 15 opportunities, exciting collaborations In 2013, NJPAC hosted more than with public television, vital community 400 performances and events forums, and much more featuring every possible genre of the arts 21 NEW JERSEY SYMPHONY ORCHESTRA The NJSO welcomed new leadership ARTS EDUCATION 24 when it named James Roe its President To gauge the impact of & CEO and Susan Stucker its COO NJPAC’s Arts Education Department, just look within the Arts Center’s own walls 30 CONTRIBUTIONS In a remarkable act of generosity and loyalty, Vanguard Society donors Women’s ASSOCIATION 33 donated $3 million in 2013 OF NJPAC The dazzling Spotlight Gala 2103 conjured a bewitching Oz, complete with a yellow brick road 36 COMMUNITY ENGAGEMENT Last year, NJPAC kept the conversations flowing with Movies That Matter, a new VOLUNTEERS 39 film series designed to entertain, educate and inspire, presented in collaboration “Service is an essential part with Participant Media of our community—this form of giving back is what will help Newark reach its full potential…” 42 WHO ARE WE? FAMILY OF DONORS 51 44 BUDGET PICTURE STAFF AND ADMINISTRATION 58 Cover Photo of Prudential Hall: © 2013 Steve Hockstein/HarvardStudio.com NJPAC Exterior: ©2008 Chris Lee 46 NJPAC LEADERSHIP SEASON FUNDERS/ACKNOWLEDGMENTS 59 2 3 A MESSAGE FROM A MESSAGE FROM JOHN SCHREIBER WILLIAM J. -
New Mexico Musician Vol 20 No 1 (October 1972)
New Mexico Musician Volume 20 | Number 1 Article 1 10-1-1972 New Mexico Musician Vol 20 No 1 (October 1972) Follow this and additional works at: https://digitalrepository.unm.edu/nm_musician Part of the Music Education Commons Recommended Citation . "New Mexico Musician Vol 20 No 1 (October 1972)." New Mexico Musician 20, 1 (1972). https://digitalrepository.unm.edu/ nm_musician/vol20/iss1/1 This Full Issue is brought to you for free and open access by UNM Digital Repository. It has been accepted for inclusion in New Mexico Musician by an authorized editor of UNM Digital Repository. For more information, please contact [email protected]. VEW MEXICO OFFICIAL PUBLICATION NEW MEXICO MUSIC EDUCATORS ASSN. VOLUME XX ■ oat o ,972 NUMBER I Introducing ^hn iji). diidtt The newest nieinber of our staff, John lias a B.M. degree in tuba from the University of Wyoming, has done graduate work at UNM and Indiana Univei’sity where he studied tuba with the late liill UrOi |f,\ tearhimr experience includes graduate assistant duties at UNM, Immanuel lAitheran School in Albuquerque, and the summer hand camp at the University of Wyoming. John has had a wide range of professional playing including a sumrnei- with a Dixieland group in Florence, Italy. He is currently organizing a tour of .several cultural centers in Mexico to take place in .\pril and May. John will be available throughout the state for clinics. This is another way we hope to .serve music education. Bob Farley ~ music center 2312 Wisconsin N E • Albuquerque, New Mexico 87110 phone (505) 298-7474 7lj)w A sM inq a ll o f Thao T yisxia) 7Ac TUtiv Tyistxko President's Message pre.sented their findings and a recom W j u U k k i o i n mendation to proceed with plans to >FFICIAL PUBLICATION purchase land and build our own build of the ing. -
Ella Fitzgerald Collection of Sheet Music, 1897-1991
http://oac.cdlib.org/findaid/ark:/13030/tf2p300477 No online items Ella Fitzgerald collection of sheet music, 1897-1991 Finding aid prepared by Rebecca Bucher, Melissa Haley, Doug Johnson, 2015; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2002 The Regents of the University of California. All rights reserved. Ella Fitzgerald collection of sheet PASC-M 135 1 music, 1897-1991 Title: Ella Fitzgerald collection of sheet music Collection number: PASC-M 135 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 13.0 linear ft.(32 flat boxes and 1 1/2 document boxes) Date (inclusive): 1897-1991 Abstract: This collection consists of primarily of published sheet music collected by singer Ella Fitzgerald. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. creator: Fitzgerald, Ella Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.