Sticks & Stones Free Ebook

Total Page:16

File Type:pdf, Size:1020Kb

Sticks & Stones Free Ebook FREESTICKS & STONES EBOOK Abby Cooper | 288 pages | 19 Jul 2016 | Farrar, Straus and Giroux (BYR) | 9780374302870 | English | United States sticks and stones 是什麼意思? The special Sticks & Stones mixed reviews from critics, in part due to jokes about abuse allegations against singers Michael Jackson and R. Kellyas well as jokes about the LGBT community Sticks & Stones, among other subjects. However, it received acclaim from viewers, who praised Chappelle's opposition to cancel culture. Following this, Chappelle makes mention of the Founding Fathersspecifically referencing their role in slavery whilst drafting the Constitution of the United States. Kellywhom he described as being "different" from Jackson because Chappelle is "pretty sure he did that", [18] to which he uses to springboard the point that many individuals are molested and it's preferable if the person that does it is famous. Chappelle also took a moment to speak of Kevin Hartexplaining that he was aware it was Hart's Sticks & Stones to host the Oscars. The comedian tackles transgenderism and transracialism in which he uses a car ride analogy with LGBTQ persons. Chappelle examines pro and anti-abortion positions, and explains his position on abortion: [27] "The right to choose [abortion] is [women's] unequivocal right [ That's fair. If you can kill this [baby], I can at least abandon him. It's my money my choice. In reference to gun controlhe compares today's opioid crisis to the devastation crack wrought in the '80s, with one important distinction: Sticks & Stones epidemic gets much Sticks & Stones attention because these addicts are white—concluding the segment in advocating for decriminalisation, while highlighting addiction as an illness. But it's not Sticks & Stones either. On November 21,The Hollywood Reporter reported that Chappelle and director Stan Lathan will produce an original stand-up comedy special exclusively for Netflixand two never-before-seen specials hailed directly Sticks & Stones Chappelle's personal comedy vault; [42] with the releases being Chappelle's first concert specials in 12 years. On November 17,Variety reported that Chappelle's third Netflix stand-up special entitled Equanimity —the Sticks & Stones special Chappelle has produced exclusively for Netflix—will be released on Netflix on December 31, Film director Stan Lathan spoke of having two weeks to set up the shoot for The Bird Revelation ," with the directing adding that it was their intent "to be as intimate and inside the experience as possible", Sticks & Stones making references to The Age of Spin where Chappelle and he emptied the space to create a mini-stadium, complete with Sticks & Stones thrust that takes Chappelle, who tends to walk the stage for blocks, anyway, out into the house. He's performing for these people, not for these cameras. Instead of relying on typical audience cutaways, we included Dave in those shots whenever possible. On August 15,Sticks & Stones announced Chappelle's fifth comedy special in an announcement teaser on YouTube narrated by Morgan Freeman. The website's critics consensus reads, "Edgy, but empty, Sticks and Stones might not break any bones, but it won't elicit many laughs, either. Vanity Fair ' s Laura Bradley, in a negative review, criticized the "stale work from a comedian who was once known for truly boundary-pushing comedy", adding that "These jokes [ And what is that mark? The truth. Chappelle remains one of the most vital, and certainly among the most daring, of standups [ It's a symbiotic cycle with no Sticks & Stones in sight, and it's become the last thing a beloved provocateur should ever want to be: predictable. The special was not without its praise. Comedian Katherine Timpf remarked that Chappelle "intended his special to be a protest against cancel culture and oversensitivity". They may call themselves woke. They're barely breathing. Watkins of Salonin a positive review, felt that "dismissing Chappelle's work as simply or obstinately regressive is not unlike seeing the world through the same lens as" a Comedy Central network executive who, according to Chappelle, told him that he couldn't say a slur against gay people despite allowing him Sticks & Stones routinely use a slur against black people. He came back to make people laugh, and, once again, he has succeeded. The problem now with Dave Chappelle is he's a birdshot sniper in a buckshot society. It's a projection of relative moralitywhere those who are perceived as vulnerable must be protected at all costs from any ridicule, even the joking kind. Porter of The Good Men Projectrated the film 4 out of 5 stars, stating that, " Sticks and Stones might be Chappelle's tightest set, tempo wise. He jumps right in and moves along at a brisk and controlled pace. There isn't much fat and he ties up material quickly and effectively when he's ready to move along to other material. It's a sincere moment, leading to a sincere story from his childhood. Kellyand for his commentary on the LGBT community, including a stereotypical impression of a Chinese person which he performed during a joke about transgender people. Yet [ With all that's going on in the world, that's what he chooses to do? He isn't punching up or punching down. He's punching lines. That's his job and he's a master of his craft. At least not from Sticks & Stones interesting place, or at least not from beyond his own point of view. Maureen Callahan of The New York Postwho spoke highly of Chappelle's piece, observed that there is a conversation we're not yet having: "[ In a culture that is otherwise full of cheap provocations, from the White House to reality TV, Chappelle is a rarity: A true comic provocateur. Now, will his peers join the fight? Institutional Research Firm, told CNBC that Netflix was in "hypergrowth mode" and would not lose viewers overall Sticks & Stones "Streaming services are willing to go through some viewers being offended to bring others to the table. From Wikipedia, the free encyclopedia. Promotional release poster. Stan Lathan Dave Chappelle. Release date. Running time. This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. January Learn how and when to remove this template message. British Board of Film Classification. Retrieved September 4, The Independent. Rolling Stone. Consequence of Sound. The Atlanta Journal-Constitution. Retrieved September 7, The Atlantic. Vanity Fair. August 30, Screen Rant. FrontPage Magazine. Laura Loomer. Deadline Hollywood. The Hollywood Sticks & Stones. The Washington Post. The Philadelphia Inquirer. The Washington Examiner. Scraps from the loft. The Federalist. The Daily Dot. The Resurgent. The New York Post. National Review. World of Wonder. Retrieved September 7, — via Twitter. The New York Times. McCarthy, Sean August 29, The Comic's Comic. The Libertarian Republic. The Fader. Directors Guild of America. Berklee College of Music. Retrieved September 18, Levels Audio. Retrieved September 12, The key words there are "Netflix says. Sticks & Stones September 9, Smith, Kyle August 26, Herman, Alison August 27, The Ringer. Martin, Garrett August 28, Retrieved September 11, Dave Chappelle: Sticks & Stones | Netflix Official Site Forgot your password? Don't have an account? Sign up here. Already have an account? Log in here. By creating an account, you agree to the Privacy Policy and the Terms and Policiesand to receive email from Rotten Tomatoes and Fandango. Please enter your email address and we will email you a new password. We want to hear what you have to say but need to verify your account. Just leave us a message here and we will work on getting you verified. Edgy, but empty, Sticks and Stones won't break any bones, but it won't elicit many laughs, either. Rate this movie. Oof, that was Rotten. Meh, it passed the time. So Fresh: Absolute Must See! You're almost there! Just confirm how you got your ticket. Cinemark Coming Soon. Regal Coming Soon. By opting to have your ticket verified Sticks & Stones this movie, you are allowing us to Sticks & Stones the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie. Sticks and Stones registers as Sticks & Stones temper tantrum, the product of a man who wants it all -- money, fame, influence -- without much having to answer to Sticks & Stones. Hannah Giorgis. Melanie McFarland. Like dropping in on a rascally uncle who doesn't know, or doesn't care, how much he's disappointing you. Inkoo Kang. Chappelle is fascinating, sophisticated, and what sets him apart, fearless. Anne Brodie. There were moments in this special that I can get behind, but there were others that I'm shocked that Netflix gave the go-ahead to. Phumlani S Langa. But more importantly, I felt like in the end, the world of comedy benefited from it. Dante James. You've got our attention, pal. You just haven't delivered the funny. Roger Moore. Dan Hamamura. Ultimately, though, it feels like stale work from a comedian who was once known for truly boundary-pushing comedy - the kind that actually understood nuance, particularly where famous and powerful men were concerned. Laura Bradley. Ian Thomas Malone. He's one of the few comedians who can really touch on a lot of different sensitive topics and still make it funny. John Sticks & Stones. There's an overwhelming feeling of the now as you watch "Sticks and Stones. Jordan Ruimy. Sticks & Stones Box Office. More Top Movies Trailers. Certified Fresh Sticks & Stones. Black Mirror: Season 5. Into The Dark: Season 2. Lovecraft Country: Season 1. The Mandalorian: Season 1.
Recommended publications
  • View Centro's Film List
    About the Centro Film Collection The Centro Library and Archives houses one of the most extensive collections of films documenting the Puerto Rican experience. The collection includes documentaries, public service news programs; Hollywood produced feature films, as well as cinema films produced by the film industry in Puerto Rico. Presently we house over 500 titles, both in DVD and VHS format. Films from the collection may be borrowed, and are available for teaching, study, as well as for entertainment purposes with due consideration for copyright and intellectual property laws. Film Lending Policy Our policy requires that films be picked-up at our facility, we do not mail out. Films maybe borrowed by college professors, as well as public school teachers for classroom presentations during the school year. We also lend to student clubs and community-based organizations. For individuals conducting personal research, or for students who need to view films for class assignments, we ask that they call and make an appointment for viewing the film(s) at our facilities. Overview of collections: 366 documentary/special programs 67 feature films 11 Banco Popular programs on Puerto Rican Music 2 films (rough-cut copies) Roz Payne Archives 95 copies of WNBC Visiones programs 20 titles of WNET Realidades programs Total # of titles=559 (As of 9/2019) 1 Procedures for Borrowing Films 1. Reserve films one week in advance. 2. A maximum of 2 FILMS may be borrowed at a time. 3. Pick-up film(s) at the Centro Library and Archives with proper ID, and sign contract which specifies obligations and responsibilities while the film(s) is in your possession.
    [Show full text]
  • For Immediate Release Second Night of 2018 Creative Arts
    FOR IMMEDIATE RELEASE SECOND NIGHT OF 2018 CREATIVE ARTS EMMY® WINNERS ANNOUNCED (Los Angeles, Calif. – September 9, 2018) The Television Academy tonight presented the second of its two 2018 Creative Arts Emmy® Awards Ceremonies honoring outstanding artistic and technical achievement in television at the Microsoft Theater in Los Angeles. The ceremony honored performers, artists and craftspeople for excellence in variety, nonfiction or reality programming, reality competition programming, music, choreography, as well as documentary or nonfiction specials, informational series or specials. Executive produced by Bob Bain, the Creative Arts Emmy Awards featured presenters from the season’s most popular shows including Jane Lynch (Hollywood Game Night, The Marvelous Mrs. Maisel), Judd Apatow (Director/Executive Producer of The Zen Diaries Of Garry Shandling), Carol Burnett (The Carol Burnett Show 50th Anniversary Special), RuPaul Charles (RuPaul’s Drag Race), Derek Hough (World of Dance), Heidi Klum (Project Runway, America’s Got Talent), Tim Gunn (Project Runway) and James Corden (The Late Late Show With James Corden). Press Contacts: Stephanie Goodell breakwhitelight (for the Television Academy) [email protected], (818) 462-1150 Daina Rama breakwhitelight (for the Television Academy) [email protected], (310) 525-6496 For more information please visit emmys.com. TELEVISION ACADEMY 70TH CREATIVE ARTS EMMY AWARDS – SUNDAY The awards for both ceremonies, as tabulated by the independent accounting firm of Ernst & Young LLP, were distributed as follows: Program Individual Total HBO 4 13 17 Netflix 5 11 16 NBC 1 14 15 CNN 3 5 8 FX Networks - 7 7 National Geographic - 5 5 Hulu - 4 4 VH1 - 4 4 FOX - 3 3 Prime Video - 3 3 Adult Swim 2 - 2 Cartoon Network - 2 2 CBS 1 1 2 Starz - 2 2 Apple Music 1 - 1 BBC America - 1 1 Comedy Central - 1 1 Disney Channel - 1 1 Nickelodeon - 1 1 PBS - 1 1 TBS 1 - 1 TNT - 1 1 Vimeo - 1 1 YouTube 1 - 1 A complete list of all awards presented tonight is attached.
    [Show full text]
  • Russell Simmons Russell Simmons Has Been the Leader in Bringing The
    Russell Simmons Russell Simmons has been the leader in bringing the powerful influence of hip-hop culture to every facet of business and media since its inception in the late 1970s through current day, in which its integration into mainstream American Culture means an entirely new, post-racial, progressive America. Simmons' businesses have always been rooted in giving a powerful voice to emerging creative and social movements, and integrating them into the American psyche. His business successes have spanned music, film, television, fashion, the jewelry industry, video games, online and financial services; his activism has encompassed all of the areas touched by his businesses, including poverty, education and ignorance. From producing and/or managing such early hip-hop artists as Kurtis Blow, Run DMC, Will Smith and the Beastie Boys to signing seminal luminaries like Jay Z, LL Cool J and Ludacris to his iconic record label, Def Jam Recordings, Simmons’ groundbreaking vision and the cultural revolution became the international phenomenon now known as hip-hop. Following his departure from Def Jam, in 1999, Russell created a fashion empire in Phat Farm, which begat Baby Phat and Run Athletics, and put the definitive stake in the ground for urban streetwear, to which others followed including: Roc-A-Wear, Sean John, Derion, Enyce, Ecko and many others. His film and television production company with partner Stan Lathan, Simmons Lathan Media Group, created the wildly successful HBO series, “Def Comedy Jam “ (8 million DVDS sold), “Russell Simmons Presents Def Poetry,” and “HBO Presents Brave New Voices,” the Hollywood box office success “The Nutty Professor,” the Tony Award-winning stage production “Russell Simmons Presents Def Poetry Jam on Broadway,” the international hit on MTV “Run’s House,” and most recently the successful first season of “Running Russell Simmons.” In 2003, Simmons co-founded Unirush Financial Services with consumer debt investor David Rosenberg.
    [Show full text]
  • 125Th Street, Harlem, NY
    APOLLO ANNUAL REPORT 2016-17th 125 Street, Harlem, NY 1 TABLE OF CONTENTS APOLLO MUSIC APOLLO COMMUNITY LEADERSHIP Page 10 Page 16 Page 4 APOLLO DANCE APOLLO EDUCATION ELLA FITZGERALD Page 12 Page 18 CENTENNIAL CELEBRATION Page 6 APOLLO THEATER APOLLO IN THE MEDIA Page 13 Page 20 WOMEN OF THE WORLD Page 8 APOLLO SIGNATURE APOLLO CELEBRATIONS Page 14 Page 22 APOLLO PEOPLE STATEMENT OF Page 27 OPERATING ACTIVITY Page 24 APOLLO SUPPORTERS Page 28 STATEMENT OF FINANCIAL POSITION Page 26 JOIN THE APOLLO Page 30 “Since its inception, the Apollo Theater has been home to legendary and FROM OUR up-and-coming artists alike, serving as an ever-changing, driving force in popular music and culture, not only in Harlem but across the world.” LEADERSHIP Jonelle Procope, President and CEO of the Apollo Theater We are delighted to share this Annual Report highlighting It is an incredible honor to bring my voice to the Apollo’s the incredible accomplishments of the Apollo’s season. Key storied legacy and exciting future. My first season at the milestones from the 2016-2017 season include welcoming Apollo has been a whirlwind of inspiring and innovative Kamilah Forbes as the new Executive Producer; presenting performances and programs. I especially want to mention The First Noel, the first multi-week run of an Apollo-Presents the four-day Women of the World Festival, which was show on the iconic Mainstage; and welcoming popular anchored by a special tribute concert to the incomparable Brooklyn-based festival, Afropunk, for their first appearance artist/activist Abbey Lincoln.
    [Show full text]
  • Unbecoming Adults: Adolescence and the Technologies of Difference in Post
    Unbecoming Adults: Adolescence and the Technologies of Difference in Post-1960s US Ethnic Literature and Culture DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James K. Harris, M.A. Graduate Program in English The Ohio State University 2017 Dissertation Committee: Dr. Martin Joseph Ponce, Advisor Dr. Lynn Itagaki Dr. Jian Chen Copyright by James K. Harris 2017 Abstract Adolescence has always been a cultural construction. The designation of a separate space apart from the presumed innocence of childhood and the myths of autonomy and responsibility that come to define adulthood is a surprisingly modern phenomenon. As such, adolescence bears the traces of the ideologies of race, gender, sexuality, and nation that attend so much of the period that calls itself “modernity.” My dissertation asks how writers and artists of color imagine themselves into the archive of coming of age narratives in post-1960s US literature and culture. In thinking about the importance of identity in the period following the advent of nominal civil rights, I offer the “long(er) civil rights movement” as a way of resisting the move to periodize the struggles through which difference has historically accrued meaning in the US nation- state. Each chapter centers around a “technology,” the academy, the body, the entertainment industry, and the internet, which is essential to the formation of adolescent identity in the post-war era, alongside a key term in the lexicon of American culture that accrues added meanings when filtered through the experience of difference.
    [Show full text]
  • Television Academy
    Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Directing For A Comedy Series For a single episode of a comedy series. Emmy(s) to director(s). VOTE FOR NO MORE THAN FIVE achievements in this category that you have seen and feel are worthy of nomination. (More than five votes in this category will void all votes in this category.) 001 About A Boy Pilot February 22, 2014 Will Freeman is single, unemployed and loving it. But when Fiona, a needy, single mom and her oddly charming 11-year-old son, Marcus, move in next door, his perfect life is about to hit a major snag. Jon Favreau, Director 002 About A Boy About A Rib Chute May 20, 2014 Will is completely heartbroken when Sam receives a job opportunity she can’t refuse in New York, prompting Fiona and Marcus to try their best to comfort him. With her absence weighing on his mind, Will turns to Andy for his sage advice in figuring out how to best move forward. Lawrence Trilling, Directed by 003 About A Boy About A Slopmaster April 15, 2014 Will throws an afternoon margarita party; Fiona runs a school project for Marcus' class; Marcus learns a hard lesson about the value of money. Jeffrey L. Melman, Directed by 004 Alpha House In The Saddle January 10, 2014 When another senator dies unexpectedly, Gil John is asked to organize the funeral arrangements. Louis wins the Nevada primary but Robert has to face off in a Pennsylvania debate to cool the competition. Clark Johnson, Directed by 1 Television Academy 2014 Primetime Emmy Awards Ballot Outstanding Directing For A Comedy Series For a single episode of a comedy series.
    [Show full text]
  • Television Academy Awards
    2019 Primetime Emmy® Awards Ballot Outstanding Directing For A Comedy Series A.P. Bio Handcuffed May 16, 2019 Jack agrees to help Mary dump her boyfriend and finds the task much harder than expected, meanwhile Principal Durbin enlists Anthony to do his dirty work. Jennifer Arnold, Directed by A.P. Bio Nuns March 14, 2019 As the newly-minted Driver's Ed teacher, Jack sets out to get revenge on his mother's church when he discovers the last of her money was used to buy a statue of the Virgin Mary. Lynn Shelton, Directed by A.P. Bio Spectacle May 30, 2019 After his computer breaks, Jack rallies his class to win the annual Whitlock's Got Talent competition so the prize money can go towards a new laptop. Helen and Durbin put on their best tuxes to host while Mary, Stef and Michelle prepare a hand-bell routine. Carrie Brownstein, Directed by Abby's The Fish May 31, 2019 When Bill admits to the group that he has Padres season tickets behind home plate that he lost in his divorce, the gang forces him to invite his ex-wife to the bar to reclaim the tickets. Betsy Thomas, Directed by After Life Episode 2 March 08, 2019 Thinking he has nothing to lose, Tony contemplates trying heroin. He babysits his nephew and starts to bond -- just a bit -- with Sandy. Ricky Gervais, Directed by Alexa & Katie The Ghost Of Cancer Past December 26, 2018 Alexa's working overtime to keep Christmas on track. But finding her old hospital bag stirs up memories that throw her off her holiday game.
    [Show full text]
  • Nyc | 2010 Watch It
    Presented By SEPTEMBER 15-19 | NYC | 2010 WATCH IT. FEEL IT. REPORTING A half-hour special featuring Steve Harvey. PREMIERES SUNDAY, SEPTEMBER 26 10P/9c CONNECTING Major Guests. Big laughs. Thanks to Mo’Nique, late night feels good again. ALL-NEW EPISODES PREMIERE OcTOBER 4 WEEKNIGHTS 11P/10c REPRESENTING This awards show has the year’s best in hip hop down to a science. Watch the elements ignite. HOSTED BY MIKE EPPS PREMIERES TUESDAY, OcTOBER 12 8P/7c CELEBRATING Don’t miss this one-of-a kind tribute to our phenomenal sisters. SEPTEMBER 15-19 PREMIERES SUNDAY, NOVEMBER 7 8P/7c | NYC | 2010 UW10_ProgrammingAd.indd 1 BET.com 9/8/10 11:31 AM 2010 URBANWORLD FILM FESTIVAL FIVE YEARS LATER. FACING ANOTHER MAN-MADE DISASTER BUT STILL MARCHING ON. Festival Sponsors 4 Founder & Staff 5 Letter From The Executive Producer 6 Letter From The Presenting Sponsor 9 Schedule Of Events 14 Venues Map 15 Urbanworld Digital 16 Live Screenplay Readings 18 Special Screenings 21 Narrative Features 34 Documentary Features 41 Narrative Shorts 46 Documentary Shorts 66 Festival Jurors 72 Screening Schedule 78 Print Source Index 80 Acknowledgements 86 A SPIKE LEE JOINT ® THE FOLLOW-UP TO THE EMMY-WINNING “WHEN THE LEVEES BROKE” SEE IT ANYTIME ON HBO ON DEMAND® © 2010 Home Box Office, Inc. All rights reserved. HBO® and related channels and service marks are the property of Home Box Office, Inc. TABLE OF CONTENTS | 3 2010 URBANWORLD FILM FESTIVAL 2010 URBANWORLD FILM FESTIVAL FESTIVAL AMBASSADOR PRESENTING SPONSOR Kerry Washington FOUNDER Stacy Spikes EXECUTIVE PRODUCER
    [Show full text]
  • 2020 Primetime Emmy® Awards Nomination Press Release
    2020 Primetime Emmy® Awards Nomination Press Release Outstanding Character Voice-Over Performance Big Mouth • How To Have An Orgasm • Netflix • Netflix Maya Rudolph as Connie the Hormone Monstress Central Park • Episode One • Apple TV+ • 20th Century Fox Television Leslie Odom Jr. as Owen Crank Yankers • Bobby Brown, Wanda Sykes & Kathy Griffin • Comedy Central • Kimmelot, ITV, Central Productions, LLC Wanda Sykes as Gladys The Mandalorian • Chapter 8: Redemption • Disney+ • Lucasfilm Ltd. Taika Waititi as IG-11 The Simpsons • Better Off Ned • FOX • Gracie Films in association with 20th Century Fox Television Nancy Cartwright as Bart Simpson, Nelson, Ralph, Todd The Simpsons • Frinkcoin • FOX • Gracie Films in association with 20th Century Fox Television Hank Azaria as Professor Frink, Moe, Chief Wiggum, Carl, Cletus, Kirk, Sea Captain Outstanding Animated Program Big Mouth • Disclosure The Movie: The Musical! • Netflix • Netflix Bob's Burgers • Pig Trouble In Little Tina • FOX • 20th Century Fox Television BoJack Horseman • The View From Halfway Down • Netflix • Tornante Productions, LLC Rick And Morty • The Vat Of Acid Episode • Adult Swim • Rick and Morty, LLC The Simpsons • Thanksgiving Of Horror • FOX • Gracie Films in association with 20th Century Fox Television Outstanding Short Form Animated Program Forky Asks A Question: What Is Love? • Disney+ • Pixar Animation Studios Robot Chicken • Santa's Dead (Spoiler Alert) Holiday Murder Thing Special • Adult Swim • Stoopid Buddy Stoodios Steven Universe Future • Fragments • Cartoon Network • Cartoon Network Studios Page 1 Outstanding Production Design For A Narrative Contemporary Program (One Hour Or More) Big Little Lies • What Have They Done? • The Bad Mother • I Want To Know • HBO • HBO Entertainment in association with Blossom Films, Hello Sunshine, David E.
    [Show full text]
  • VANESSA JOY SMITH Director of Photography Vanessajoysmith.Com
    VANESSA JOY SMITH Director of Photography vanessajoysmith.com DIRECTOR OF PHOTOGRAPHY DIRECTORS STUDIOS/PRODUCERS THE CLEANING LADY Various Directors WARNER BROS. TV / FOX Season 1 Joe Lotito, Miranda Kwok MAYANS M.C. Elgin James FX DP: Season 3 Jon Paré, David Ticotin Camera Operator: Season 1–2 Elgin James, Hilton Smith THE OTHER HALF Vanessa Joy Smith FACEBOOK WATCH Docu-series Maggie Davis, Erin Ryder THE MODERN ONTRAPRENEUR Daniel Ramirez Maggie Davis, Vanessa Joy Smith Documentary VICARIOUS Mandy Fabian Prarthana Joshi, Scott Speiser MOW Jeffrey Nicholas Brown 1968 Renee Props Larry Lerner, David Rodriguez Short Film CAMERA OPERATOR Partial List BETTER THINGS Pamela Adlon FX Season 4 Joanne Toll STUMPTOWN Various Directors ABC SIGNATURE / ABC Season 1 Louisa Levy, David Rosemont GREY’S ANATOMY Daniel Willis SHONDALAND / ABC Season 16, 1 ep. James E. Williams, Lisa Taylor CHICAGO FIRE Various Directors UNIVERSAL TV / NBC Season 5 & 7 Todd Arnow, Michael Brandt BAJILLION DOLLAR PROPERTIE$ Kulap Vilaysack PLUTO TV Season 4, 1 ep. Jason Korstad DAVE CHAPPELLE: Stan Lathan NETFLIX THE BIRD REVELATION Rikki Hughes, Dave Chappelle TV Special THE COMEDY GET DOWN Henry Chan 3 ARTS / BET NETWORKS TV Special Stan Lathan Hal Olofsson, Barry Ehrmann LAW & ORDER TRUE CRIME Various Directors UNIVERSAL TV / NBC Season 1 Mark Dragin, Rene Balcer CARPOOL KARAOKE CBS James Corden NYLON NEWS Cortney L. Wilson NYLON PRODUCTIONS Season 1, 1 ep. Gabrielle Korn 12 DEADLY DAYS Joe Menendez BLUMHOUSE PRODUCTIONS Season 1 Buddy Enright REAL HUSBANDS OF HOLLYWOOD Stan Lathan BET Season 5 Carl Craig, Kevin Hart THE ERIC ANDRE SHOW Kitao Sakurai ABSO LUTELY / ADULT SWIM Season 2–4 Andrew Barchilon HBO MAX Jonathan Roig, Ollie Green INNOVATIVE-PRODUCTION.COM | 310.656.5151 .
    [Show full text]
  • The Circulation of Popular Dance on Youtube
    Social Texts, Social Audiences, Social Worlds: The Circulation of Popular Dance on YouTube Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Alexandra Harlig Graduate Program in Dance The Ohio State University 2019 Dissertation Committee Harmony Bench, Advisor Katherine Borland Karen Eliot Ryan Skinner Copyrighted by Alexandra Harlig 2019 2 Abstract Since its premiere, YouTube has rapidly emerged as the most important venue shaping popular dance practitioners and consumers, introducing paradigm shifts in the ways dances are learned, practiced, and shared. YouTube is a technological platform, an economic system, and a means of social affiliation and expression. In this dissertation, I contribute to ongoing debates on the social, political, and economic effects of technological change by focusing on the bodily and emotional labor performed and archived on the site in videos, comments sections, and advertisements. In particular I look at comments and fan video as social paratexts which shape dance reception and production through policing genre, citationality, and legitimacy; position studio dance class videos as an Internet screendance genre which entextualizes the pedagogical context through creative documentation; and analyze the use of dance in online advertisements to promote identity-based consumption. Taken together, these inquiries show that YouTube perpetuates and reshapes established modes and genres of production, distribution, and consumption. These phenomena require an analysis that accounts for their multivalence and the ways the texts circulating on YouTube subvert existing categories, binaries, and hierarchies. A cyclical exchange—between perpetuation and innovation, subculture and pop culture, amateur and professional, the subversive and the neoliberal—is what defines YouTube and the investigation I undertake in this dissertation.
    [Show full text]
  • Newsletter 06/07 DIGITAL EDITION Nr
    ISSN 1610-2606 ISSN 1610-2606 newsletter 06/07 DIGITAL EDITION Nr. 203 - März 2007 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 06/07 (Nr. 203) März 2007 editorial Hallo Laserdisc- und DVD-Fans, spielsweise den von uns in einer vori- liebe Filmfreunde! gen Ausgabe angesprochenen BUBBA Wir gehen zum Es ist vollbracht! In einer harten HO-TEP. So, aber jetzt räumen wir WIDESCREEN Nachtschicht ist es uns gelungen, Aus- das Feld um noch rechtzeitig unsere WEEKEND gabe 203 unseres Newsletters noch Koffer zu packen und Ihnen genügend rechtzeitig vor unserer Abreise nach Gelegenheit zu geben, sich durch die nach Bradford! Bradford unter Dach und Fach zu brin- Massen von amerikanischen Releases gen. Und wie bereits angekündigt ent- zu wühlen. Übrigens gelten für alle hält diese Ausgabe nur die amerikani- Vorankündigungen selbstverständlich Daher bleibt unser schen Releases, die für die nächsten wieder unsere Pre-Order-Preise, sofern Geschäft in der Zeit vom Wochen angekündigt sind. Wer also uns Ihre Bestellung spätestens eine 15. März 2007 nur an deutscher DVD-Kost interes- Woche vor dem amerikanischen Erst- siert ist, der darf diesen Newsletter verkaufstag vorliegt. Noch Fragen? Ab bis einschließlich getrost beiseite legen. Es sei denn, Sie dem 22. März sind wir wieder in ge- 21. März 2007 möchten jetzt schon wissen, was wir wohnter Weise für Sie da. zukünftig als deutsche Veröffentlichun- geschlossen. gen erwarten dürfen. Denn die Erfah- Ihr LASER HOTLINE Team rung lehrt uns, dass die Amerikaner Wir bitten um Beachtung meist nur ein paar Wochen früher mit den Titeln auf den Markt stürmen als und danken für Ihr die europäischen Vermarkter.
    [Show full text]