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Special Issue
ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018. -
A Multi-Level Analysis of Songwriter Career Strategies by Rachel S
Changing Patterns of Cooperation in Occupational Communities: A Multi-Level Analysis of Songwriter Career Strategies By Rachel Skaggs Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in Sociology August 10, 2018 Nashville, Tennessee Approved: Daniel B. Cornfield, PhD Shaul Kelner, PhD Joshua Murray, PhD Copyright © 2018 by Rachel Skaggs All Rights Reserved ii To my father, Donnie Skaggs, who I’ve watched pursue his songwriting dreams. To my mother, Rose Skaggs, who supports his dreams and mine. To David Carlson. His dreams and mine are intertwined. iii ACKNOWLEDGMENTS It is an overwhelming task to think of all of the support that people have given me in support of this dissertation. My dissertation is about collaboration, and I have been unmeasurably lucky to have collaborated with wonderful people. I want to begin by thanking every songwriter I interviewed. Without their trust and insight, I could not have conducted research that is as compelling, touching, and important as the project that has emerged. The generosity and openness of these people, most of whom were total strangers to me, is inspiring. Next, I must acknowledge the support of the Robert Penn Warren Center for the Humanities. As a dissertation fellow at the Warren Center, I was able to truly develop my ideas and focus on the work of writing a good dissertation. My fellow fellows at the Warren Center challenged me and supported me. Danielle Picard, Wietske Smeele, Sara Kollner, Alexandra Alekseyeva, David Vila, and James Phelan all contributed to the ways I think about my own work as I try to present it in a manner that is intelligible and meaningful to an interdisciplinary audience. -
Key Music Books You Must Read
KEY MUSIC BOOKS YOU MUST READ This selection of books is divided into two categories – essential reading for anyone wanting to commit to a career in the music industry; and entertaining reads which are informative and enjoyable but are essentially geared at all music enthusiasts. ESSENTIAL READING FOR MUSIC STUDENTS “How music works” by David Byrne Chapter 7 of this book is entitled “Business and Finances (distribution and survival options for music artists)” and it is absolutely essential reading for any songwriter or musician. David Byrne of legendary rock group Talking Heads explains the detailed financial ins and outs of one of his album releases. He outlines the various costs involved and who gets the various percentages. He uses colour-coded diagrams to convey how the money pie is shared. At the same time, he describes the complex financial mechanisms of the modern music business. This is unmissable information. Few working musicians take the time to explain the money trail to newcomers who usually believe there is a pot of gold at the end of the rainbow. What Byrne explains is how a musician who is willing to keep a lid on costs can make a modest living recording albums and touring. The rest of the book has a lot of interesting material, some of it a bit academic, some of it needing effort to persevere. But Byrne's enthusiasm for music usually carries you along. I liked the following bits in particular: Music as social glue, as a self- empowering social agent (pages 291-293); the value of music education (pages 295- 296); eight rules about how to create a music scene (pages 251-263); how recording technology is now incredibly accessible and cheap so there is no need for albums to be costly to record (pages 180-181); and the mp3 – poorer sound quality but maybe it is better to value convenience over sound (pages 124-126). -
Musica House Dance 2014
Musica house dance 2014 The Best New Best Dance Music || Electro & House Dance Club Mix || Vol (Electro House. Best dance music new electro house The latest in electronic dance music. Get the latest from. The Best Electronic Dance Music Sessions (Electro House, Progressive House, Tech House, EDM). Always. Best Dance Music Electro House Dance Club Mix. ▻More Free Music: See als our. Best Dance Music Electro House Dance Club Mix Tracklist: 1. Phunk Investigation - Let The Bass Kick. More Videos from Best Dance Music | Electro & House. CLUB MUSIC MIXES Free Download: ▸Follow us on Instagram for Models: https://www. TO CHANNEL!!! SEGUIMI ANCHE SU FACEBOOK More Free Music: Facebook: Create your own Electro House - EDM. It's been an eventful year in dance music, to say the least. Kudos to French house wunderkind Wilfred Giroux for being the tough-love friend. CLUB & DANCE songs New House Music Mix [Club Party Lover's] Maximal Electro House Stream New Best Dance Music Electro & House Dance Club Mix By Gerrard #1 by Anthony Gerrard from desktop or your mobile device. Listen to the best Electro house dance club music track remix mix shows. Romyyca89 @ Night Party Mix _Vol.1_-_(Dance-Club Edition). Free with Apple Music subscription. Just Dance - 50 EDM Club Electro House Hits. Various Artists Roar (Glee Free Dance Edit). Electro House Special Dance Mix Electro House Progressive usa, axwell, hits , great club, bass, collection, love house music. Vários/House - Best of Dance (2CD). Compre as novidades de música na House music is a genre of electronic music created by club DJs and music producers in House music developed in Chicago's underground dance club culture in the early s, as DJs (re-issue of a November article). -
Creative Entrepreneurship & Business At
Creative Entrepreneurship & Business at ACM Nick Gatfield ACM AMBASSADOR Nick Gatfield is one of the most experienced and celebrated executives in the global music industry. He started his career as a member of Dexys Midnight Runners, and has held President and/ or Chairman positions at Universal (Universal Island UK), EMI (UK & North America), and most recently Chairman and CEO at Sony Music UK, where he oversaw the launch of the world’s current biggest act, One Direction. During his career as an A&R executive, his signings included groundbreaking artists such as Radiohead, Blur, and Amy Winehouse. He was awarded the Major Label Executive of the Year Award in 2013 at the Worldwide Radio Summit in Los Angeles, and nominated for the Industry Icon Award in 2014. Nick is CEO and Founder of Twin Music Inc, an angel investment provider for artists and entrepreneurs. “I have watched the growth and development of ACM over the years gone by, from its beginnings in Guildford to a multi- campus organisation that now includes locations in London and Birmingham. I am delighted to be the Ambassador for Creative Entrepreneurship at ACM in its next exciting chapter, and look forward to working with the team at ACM to ensure that its business programmes and modules continue to link the real world into education at every opportunity, bringing together undergraduates and professionals as mentors for interdisciplinary programmes focused on creativity and entrepreneurship.” 2 Contents Nick Gatfield, ACM Ambassador ................................................. 2 Foreword ..................................................................................... 4 The Leadership Team ................................................................... 6 Spotlight On: The Leadership Team (Business) ............................. 8 Message From Metropolis CEO Richard Connell ..................... -
A GUIDE to INCOME STREAMS for SONGWRITERS Compiled by Seán Silke and Rohan Healy
A GUIDE TO INCOME STREAMS FOR SONGWRITERS Compiled by Seán Silke and Rohan Healy If you are a working or aspiring musician, you will know by now that getting your head around how money is earned in the industry pretty much requires a Ph.D. Generally, musicians pick up bits and pieces of knowledge on a relatively informal basis. Workshops and seminars can be a good source of information. But acquiring an overall understanding of intellectual property rights and the attendant income streams seems to be a lifelong process. One would have thought that the Internet would have solved this problem for us, but sadly this is not the case. Information on the world wide web is equally bitty. We therefore hope that “A guide to income streams for songwriters” will prove useful. Although the article is mostly written from the songwriter's point of view, there is also a good deal of relevant information for the performing artist. We recommend that you read the report in its entirety to get an overview; you can then re-read it to grasp the detail. A QUICK SUMMARY Let's kick off with a tight summary of the areas of importance. What are the five main income streams? (1) Performing rights royalties – This includes radio/tv airplay. Income under this heading which is payable to the songwriter is collected by IMRO (Irish Music Rights Organisation); while income under this heading which is payable to the performer is collected by RAAP (Recorded Artists Actors Performers). RAAP collects the income from PPI (Phonographic Performance Ireland). -
The Year's Best Music Marketing Campaigns
BROUGHT TO YOU COURTESY OF 05 Tools Leaf Grow 06–07 Campaigns Chainsmokers, TuneMoji, Meek Mill, Now United ™ 08–12 Behind The Campaign- Superorganism AMP IN ASSOCIATION WITH sandbox NOVEMBER 28 2018 MUSIC MARKETING FOR THE DIGITAL ERA ISSUE 217 thE year’s best music marketing campaigns SPONSOR PAGE SANDBOX 2018 SURVEY thE year’s best music marketing campaigns very year we are overwhelmed by the number and the quality of Contents 16 ... FRANZ FERDINAND 30 ... BARBORA POLÁKOVÁ Eentries for sandbox’s round up 03 ... 5 SECONDS OF SUMMER 17 ... JERRY GARCIA 31 ... RAY BLK of the best marketing campaigns. 04 ... AMAZON MUSIC 18 ... TOM GRENNAN 32 ... RED HOT CHILI PEPPERS That is not just hot air; there were a 05 ... THE BEATLES 19 ... GUNSHIP 33 ... ROBYN staggering number of submissions 06 ... TONY BENNETT & DIANA KRALL 20 ... CALVIN HARRIS 34 ... SIGALA this year, making the picking of a final 07 ... ANDREA BOCELLI 21 ... ISLAND CO. LAB 35 ... JORJA SMITH 40 an especially arduous task this 08 ... BRING ME THE HORIZON 22 ... MYLES KENNEDY 36 ... ROD STEWART time around. Here, then, are the best 09 ... BRIT AWARDS 2018 23 ... DAN MANGAN 37 ... SUPERORGANISM 40 campaigns of the year – listed in 10 ... BURY TOMORROW 24 ... KARA MARNI 38 ... TANK & THE BANGAS alphabetical order but with special 11 ... JOHN COLTRANE 25 ... METALLICA 39 ... TROJAN 50 awards for the ones that had that 12 ... DEEZER 26 ... M.O 40 ... TWENTY ONE PILOTS something extra, that something 13 ... DISNEY 27 ... NICK MULVEY 41 ... THE WOMBATS unique, that something new. It is, we 14 ... GEORGE EZRA 28 .. -
RVW Final.Ps - 6/21/2005 13:40 PM
1-28.ps - 6/21/2005 2:17 PM Journal of the No.33 June 2005 EDITOR RVW William Hedley Society Albion Records plans four CDs In this issue... The RVW Society is to go ahead with its own CD label called Albion Records. A dedicated fund has been set up to support this exciting venture and money has been provided by The VW and Religion: Garland Appeal to get things going. Our first recording project will be the complete songs of Ralph Vaughan Williams ● John Barr on Religion Over 100 songs will be included in the four CDs and they will be grouped as follows: page 2 Songs from the Operas ● Byron Adams on Religion Youth and Beauty – The early years Songs of Romance and Nobility page 4 Songs of Maturity ● RVW: What might have been There will be many world premiere recordings in these CDs including Willow Wood, for baritone by Colin Lees and piano – this work was recently recorded by Roderick Williams and conducted by David Lloyd- Jones in the orchestral version for Naxos. The Dirge for Fidele will be recorded in the original page 10 version for two mezzo-sopranos. Some of the early Tennyson songs will also be world premieres. ● A “Desert Island” List Do but look on her eyes We will launch our CD project with the Songs from the Operas. This includes: by Jeffrey Davis Page 15 Ten songs from Hugh the Drover Two songs from Sir John in Love Seven songs from The Pilgrim’s Progress and more . Eleven of these songs will be world premiere recordings in this format. -
Karaoke Song List
Pirate Radio Productions Songs by Artist Booking: 701-799-5672 Title Title Title 10 Years Aaliyah Adam Sandler Beautiful Try Again Chanukah Song, The 10cc Aaron Lewis Adamski Dreadlock Holiday Country Boy Killer I'm Not In Love Aaron Neville Adele 3 Doors Down Everybody Plays The Fool Chasing Pavements Away From The Sun Tell It Like It Is Make You Feel My Love Be Like That Aaron Tippin Rolling In The Deep Citizen Soldier If Her Lovin' Don't Kill Me Rumour Has It Duck And Run It's Way Too Close To Christmas To Be Set Fire To The Rain Here By Me This Far From You Skyfall Here Without You Kiss This Someone Like You It's Not My Time (I Won't Go) Ready To Rock Turning Tables Kryptonite There Ain't Nothin' Wrong With The Aerosmith Let Me Be Myself Radio Dream On Let Me Go What This Country Needs I Don't Want To Miss A Thing Live For Today Where The Stars And Stripes And The Walk This Way Eagle Fly When I'm Gone Afrojack Feat Wrabel Workin' Man's PH.D When You're Young Ten Feet Tall You've Got To Stand For Something 38 Special Afroman Aaron Tippin (W Thea Tippin) Back Where You Belong Because I Got High Love Like There's No Tomorrow Hold On Loosely A-Ha Abba If I'd Been The One Take On Me Dancing Queen Rockin' Into The Night Air Supply Does Your Mother Know Second Chance All Out Of Love Fernando 3LW Even The Nights Are Better Knowing Me Knowing You No More (Baby I'ma Do It Right) Every Woman In The World Mamma Mia 4Him Here I Am (Just When I Thought I Was Super Trouper For Future Generations Over You) Take A Chance On Me The Basics Of Life Just As I Am The Winner Takes It All 5 Seconds Of Summer Making Love Out Of Nothing At All Waterloo Amnesia One That You Love, The Abc Don't Stop Sweet Dreams The Look Of Love She Looks So Perfect Two Less Lonely People In The World ACDC 5 Stairsteps, The Akon Back In Black O-O-H Child Angel Highway To Hell 5th Dimension, The Be With You Moneytalks Aquarius Let The Sun Shine In Lonely You Shook Me All Night Long One Less Bell To Answer Right Now (Na Na Na) Ace Of Base Up Up And Away Akon Ftg. -
Music-Week-2001-02-1
FOR EVERYOHE Si THE BUSINESS OF MUSIC ito Hj (VW • music week Now that her début album is No. 1, and bas gone platinum maybe we should release a single... ...and it's just the begmning k Spécial video enhanced UK édition CD AIUSTA 1 FOR EVERVOHE IN THE BUSINESS OF MUSIC Majors remain divided on Napster Hardlng SchmidtEcommerce has defied Group's indus- ingAOl o d Parsons and 3 by insisting major label Warne executived suggestions Roger still facing légal action %r-Ai , including BMG. A décision from followed Bertelsmann CEO Thomas «th1 them, US onCircuit whether Court to ofuphold Appeals an inRIAA the viableMidelhoff's Napster earlier subsoription déclaration modelthat a Ames: continuing lawsuits tel that puts reality around that,"' the end of the' month,' now expected by wouldThe bétwo ready Bertelsmann by June thisexecutives' year. mergedAmes i thatpanies," his companyAmes said. intended He tostre: co îBN the Amro industry analyst is now Helen facing Snell the homeUS independentto artists includingTVT Records Snoop - company'scontinuing confidence ability to in theshape German the tionalready servi at isubscrip- feature Napster.ue with its copyright lawsuit ag! ;icreal space. challenge "A huge inamount the onlineof co- dropDoggy its Dogg suit - againstlast month Napster agreed and to timefuture when of digital at least music one cornes other atrival a reliable"faster qune md more Bertelsmann'sIn contrast Schmidtto claims f ration is needed, but we seem to beginreleases making available new single to users. and album The music company looks increasingly "Lawsui ts have a way of keeping werethat hisreceiving company's "a very Napster po plans before"So far, this it's isjust sorted been out," about she reactive says. -
13 Sample Libraries 1278-1375
Section13 PHOTO - VIDEO - PRO AUDIO Sample Libraries Big Fish Audio ................1280-1295 EastWest..........................1296-1321 Ilio ...................................1322-1343 Sound Ideas ....................1344-1375 BIG FISH AUDIO R’n’B & HIP HOP Abstract Hip Hop XTc Files of Hip Hop Prepare yourself for the deepest Hip Hop CD Packed with phat breaks, sloppy fills, ghetto on the market. Caspar returns with some bass, funky licks, crackling Rhodes and wild- deep, vibey turntable phunk, packing out this style FX. Plenty of loops and samples from disc with pure Hip Hop and R&B nastiness. the masters of ol' dirty Wu Boy beats* con- From the producers of Strictly Hip Hop, struction kits, master cuts, drumloops from Strictly RnB & XTcFiles of Hip Hop, this joint 77-121 bpm, horror FX, guitars, strings, brass, is jammed with deep, groovy, dubby, smooth bass, fills, vinyl FX, keys, pads, ambience, & jazzy construction kits, music loops, drum- drum hits and more! loops, beats & breaks, sounds, chords, vocals, drums, guitars, bass Format: Acid, AKAI MPC2000, AKAI S1000, AKAI S2000/3000, loops, FX & tons of the phunkiest kicks, toms & percussion hits. AKAI S5000, AKAI Z4/Z8, Audio CD Player, Cakewalk, Cubase, E- Format: Acid, AKAI S5000, AKAI Z4/Z8, Cakewalk, Cubase, Digital mu E4, Ensoniq, EXS24, GigaSampler, HALion, Kontakt, Kurzweil, Performer, EXS24, GigaSampler, HALion, Kurzweil, Live, Logic Live, Logic Audio, Mac, PC, ProTools, Reason, Roland 700 Series, Audio, ProTools, Reason, Sonar, Triton, Unity, WAV Sonar, Triton, Unity, -
Msmi.2017.2-1
MSMI 11:1 Spring 17 https://doi.org/10.3828/msmi.2017.2 ‘Comparable to MTV – but Better’ The Impact of The Chart Show on British Music Video Culture, 1986–1998 JUSTIN SmiTH ‘Comparable to MTV – but Better’ The Chart Show was a weekly UK TV programme showcasing music videos from the Media Research Information Bureau (MRIB) Network Chart and a range of independent and specialist pop music charts. It began broadcasting on Friday evenings on Channel 4 in April 1986 and ran for three series until September 1988. Its production company, Video Visuals, subsequently found a new home for The Chart Show with Yorkshire Television on ITV, where it went out on Saturday mornings between January 1989 and August 1998. What made the show unique in the British broadcasting context was that it was the first presenter-less pop chart programme that showcased popular music exclusively in video form. Beginning at a time when MTV was still unavailable in the UK, The Chart Show was innovatory in consolidating music video as the lingua franca of the pop singles market. Drawing on archival sources from Channel 4, and the trade and popular music presses, this article shows how The Chart Show helped shape the form of music video, contributed to its commercial status, boosted singles sales, and drove industry demand and production schedules. It argues that an appreciation of music video is dependent upon the historical specificity of its broadcast context. Origins Writing about the ‘uneasy relationship’ between popular music and television, Simon Frith argues that it was only with the emergence of cable television in the 1980s that a music television service was developed with anything like the day-to-day significance of music radio.