Günter Steinke

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Günter Steinke Günter Steinke photo OPERAS 1 OPERAS 1 OPERAS Die Welt auf dem Mond (Il mondo della luna / The World on the Moon) Franz Joseph Haydn, arranged by Günter Steinke 1994-95 1 hr 30 min Chamber opera in two acts and a prologue, after the opera by Joseph Haydn (1777), in a new musical version by Günter Steinke 2colS,A,2T,Bar,B; 1.0.1.0-1.0.1.0-perc-pft-strings World Premiere: 30 Mar 1995 Stuttgart, Germany Ulrich Greb, director; Ensemble der Staatsoper Stuttgart Conductor: Francesco Corti Availability: This work is available from Boosey & Hawkes for the world OPERAS 2 OPERAS 2 FULL ORCHESTRA Innen bewegt 2001 17 min for orchestra and CD Availability: This work is available from Boosey & Hawkes for the world Terrain Availability: This work is available from Boosey & Hawkes for the world FULL ORCHESTRA 3 FULL ORCHESTRA 3 ENSEMBLE AND CHAMBER WITHOUT VOICE(S) String Trio 1988 13 min Annäherungen 1996 13 min Availability: This work is available from Boosey & Hawkes for the world for ensemble Availability: This work is available from Boosey & Hawkes for the world AREA 2008/9 15 min for ensemble 1.1.0.0-0.0.1.0-perc(1)-pft-1.0.1.1.1 Availability: This work is available from Boosey & Hawkes for the world Durchbrochene Räume 1994 13 min for flute, cello and piano 9790202521380 Flute, Cello, Piano (Playing-Score) Availability: This work is available from Boosey & Hawkes for the world Fusion Availability: This work is available from Boosey & Hawkes for the world Nachklang 1991 13 min for baritone saxophone, percussion and double bass 9790202520819 Baritone Saxophone, Double Bass, Percussion Availability: This work is available from Boosey & Hawkes for the world Randgewächse-brüchige Wucherungen 1990 8 min for ensemble Availability: This work is available from Boosey & Hawkes for the world String Quartet Availability: This work is available from Boosey & Hawkes for the world ENSEMBLE AND CHAMBER WITHOUT VOICE(S) 4 ENSEMBLE AND CHAMBER WITHOUT VOICE(S) 4 INSTRUMENTAL Arcade 1991-92 12 min for cello and live electronics 9790202521373 Cello, Live-Electronics Availability: This work is available from Boosey & Hawkes for the world C-Arco 1988 10 min for solo cello 9790202521410 Cello Availability: This work is available from Boosey & Hawkes for the world ... kaum einen Hauch 1991 10 min for solo bass flute 9790202521359 Double Bass Flute 9790202521366 Octobass Flute RHO 1986 7 min for solo contrabassoon 9790202521342 Double Bassoon Availability: This work is available from Boosey & Hawkes for the world INSTRUMENTAL 5 INSTRUMENTAL 5.

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A Countertenor's Reference Guide to Operatic Repertoire
A COUNTERTENOR’S REFERENCE GUIDE TO OPERATIC REPERTOIRE Brad Morris A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC May 2019 Committee: Christopher Scholl, Advisor Kevin Bylsma Eftychia Papanikolaou © 2019 Brad Morris All Rights Reserved iii ABSTRACT Christopher Scholl, Advisor There are few resources available for countertenors to find operatic repertoire. The purpose of the thesis is to provide an operatic repertoire guide for countertenors, and teachers with countertenors as students. Arias were selected based on the premise that the original singer was a castrato, the original singer was a countertenor, or the role is commonly performed by countertenors of today. Information about the composer, information about the opera, and the pedagogical significance of each aria is listed within each section. Study sheets are provided after each aria to list additional resources for countertenors and teachers with countertenors as students. It is the goal that any countertenor or male soprano can find usable repertoire in this guide. iv I dedicate this thesis to all of the music educators who encouraged me on my countertenor journey and who pushed me to find my own path in this field. v PREFACE One of the hardships while working on my Master of Music degree was determining the lack of resources available to countertenors. While there are opera repertoire books for sopranos, mezzo-sopranos, tenors, baritones, and basses, none is readily available for countertenors. Although there are online resources, it requires a great deal of research to verify the validity of those sources.
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Carlo Goldoni and the Dramma Giocoso Per Musica XXX S
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Jay Harvey Upstage Wednesday, April 9, 2014 Butler Artsfest: Parental Control and the Moon's Allure Make for Musical Fun at Holcomb Observatory
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Berlioz's Orchestration Treatise
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A Bow on the Couch
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4532.Pdf (166.8Kb)
PROGRAM PART ONE PART TWO Jonathan Pasternack, conductor Peter Erös, conductor Overture to LA FORZA DEL DESTINO ..... GIUSEPPE VERDI (1813-1901) from DIE WALKÜRE ..............................RICHARD WAGNER (1813-1883) Aria: “LEB’ WOHL” David Borning, baritone from LES CONTES D’HOFFMANN ... JACQUES OFFENBACH (1819-1880) Aria: “LES OISEAUX DANS LA CHARMILLE” Cecile Farmer, soprano from THE BARTERED BRIDE ............... BEDRICH SMETANA (1824-1884) Aria: “NOW, NOW MY DEAR” (VASHEK’S STUTTERING SONG) URELY YOU MUST BE THE BRIDEGROOM OF RU INA S ARIE from LA TRAVIATA ..................................................................... G. VERDI Duet: “S K ’ M ” Aria: “DE’ MIEI BOLLENTI SPIRITI” Nataly Wickham, soprano / Thomas Harper, tenor Duet: “UN DÌ FELICE” Aria: “AH FORS’ È LUI…SEMPRE LIBERA” from DIE ZAUBERFLÖTE ................................................. W. A. MOZART Tess Altiveros, soprano / David Margulis, tenor Aria: “EIN MÄDCHEN ODER WEIBCHEN” Duet: “PAPAGENA, PAPAGENO” from DIE ZAUBERFLÖTE ..................... WOLFGANG AMADEUS MOZART Faina Morozov, soprano / Drew Dresdner, baritone Aria: “ACH, ICH FÜHL’S” (1756-1791) Arian Ashworth, soprano from AÏDA .................................................................................. G. VERDI Duet: “CIEL! MIO PADRE” from CAVALLERIA RUSTICANA ........... PIETRO MASCAGNI (1863-1945) Rebecca Paul, soprano / David Borning, baritone Aria: “VOI LO SAPETE” Brittany Hines-Hill, soprano from DER ROSENKAVALIER ................ RICHARD STRAUSS (1864-1949) Trio: “MARIE THERES! HAB’
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