Star Wars (George Lucas)
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Transforming Lives
Brooklyn College Foundation Annual Report 2007–2008 Transforming Lives The First Step The doors to Brooklyn College are the doors to opportunity. Compared with other institutions of higher education, a great many of our students shoulder substantial responsibilities, and many are the first in their family to attend college. Diverse in background, interests, and ambition, they share the certainty that higher education is the way to a productive and rewarding future. For many, that future will be secured with the help of the Brooklyn College Foundation Dear Friends of Brooklyn College For students—past and present—Brooklyn College stands as a gateway to a rewarding life. They come because they want to become effective leaders in their chosen profession and engaged citizens of the world. They come because they have heard of our commitment to academic quality and to helping them reach their goals. This commitment is at the heart of who we are and what we do. We have held firm to this principle throughout my presidency and, as I leave Brooklyn College this summer, I am especially proud of what we have done together to give it life and to sustain it. Last fall, we admitted a freshman class larger and better than the year before and we were joined by forty new faculty members, bringing the number of scholars and artists we have recruited over the last nine years to 273, more than half the teaching faculty and more than we appointed in the previous three decades. We also welcomed a new Provost, Dr. William A. Tramontano, who brings proven leadership in initiating and implementing new academic programs. -
BF2 Manual-English.Pdf
BF2_PC_DVD_ManCvr_UK 30/9/05 7:19 pm Page 2 ™ ™ www.empireatwar.com Key Code LucasArts and the LucasArts logo are trademarks of Lucasfilm Ltd. Star Wars Battlefront is a trademark of Lucasfilm Entertainment Company Ltd. © 2004, 2005 Lucasfilm Entertainment Company Ltd. or Lucasfilm Ltd. & TM as indicated. All rights reserved. 41133.260.UK TABLE OF CONTENTS INSTALLATION . 2 CONTROLS . 3 INTRODUCTION . 6 CREATING A PROFILE. 6 WAGING WAR. 6 MAIN MENU . 7 OPTIONS . 7 GAME SCREEN . 9 PAUSE SCREEN . 10 MAP . 11 COMMAND POSTS. 12 REINFORCEMENTS. 13 UNITS . 14 HEROES . 18 VEHICLES . 19 SINGLE PLAYER . 20 RISE OF THE EMPIRE . 20 GALACTIC CONQUEST . 20 INSTANT ACTION . 20 MULTIPLAYER . 21 SAVING AND LOADING . 23 MEDALS AND AWARDS . 24 CREDITS . 25 CUSTOMER SUPPORT . 28 SOFTWARE LICENSE AGREEMENT . 30 2 3 INSTALLATION CONTROLS To Install Star Wars Battlefront II, insert the DVD into your DVD-ROM drive. If you have Autorun enabled, the game’s Launcher will appear. Click the Install button to install the game onto your computer. If your computer does not have INFANTRY / JEDI Autorun enabled, open My Computer from your Windows desktop and double- Mouse Button 1 Primary Attack / Lightsaber Attack (Jedi) click on the DVD-ROM drive showing the Star Wars Battlefront II icon. Double-click on the program icon top start installing the program. Once Mouse Button 2 Secondary Attack / Use Force Power (Jedi)s started, a series of onscreen instructions will guide you through the rest of Space Bar / Num 0 Jump (tap twice for Jet Pack or Force Jump) the installation procedure. If you experience problems with the installation, click Help on the game’s launcher screen, and then click View Troubleshooting C / Right Ctrl Crouch Guide. -
Temuera Morrison MNZM
Profile Temuera Morrison MNZM Vitals Gender Male Age Range 45 - 59 Height 173cm Base Location Auckland Available In Auckland, Christchurch, International, Queenstown, Wellington Skills Actor, Corporate, Presenter, Voice Artist Eye Dark Brown Memberships SAG/AFTRA Agent New Zealand The Robert Bruce Agency Agent Phone +64 (0)9 360 3440 Email [email protected] Agent Web robertbruceagency.com Australian The Robert Bruce Agency (Aus) Agent Phone +61 (0)406 009 477 Email [email protected] Agent Web robertbruceagency.com Credits Type Role Production Company Director 2020 Television Boba Fett The Mandalorian S2 (Post- Fairview Entertainment (US) for Various production) Disney+ Feature Peter Bartlett Occupation Rainfall (Post- Occupation Two Productions Luke Sparke Film production) (AU) 2019 Feature Eddie Jones The Brighton Miracle Eastpool Films (AUS) Max Mannix Film Feature Powell Dora and the Lost City of Gold Paramount Players (US) James Bobin Film Feature Warfield (Voice) Mosley (Animation) Huhu Studios (NZ)/China Film Kirby Atkins Film Animation 2018 Television Te Rangi (4 x eps) Frontier (2016 - ) S3 Take the Shot Productions (CA) Various Feature Peter Bartlett Occupation Sparke Films Luke Sparke Film Copyright © 2020 Showcast. All rights reserved. Page 1 of 7 Feature Tom Curry Aquaman DC Comics James Wan Film 2017 Feature Chief Toi (Voice) Moana (Te Reo Maori) Matewa Media Trust/Walt Ron Clements/John Film Disney Animation Musker Television Jack Te Pania (Voice) Barefoot Bandits - Series 2 Mukpuddy Animation Ryan Cooper, -
Star Wars Insider Nov 2018 (Usps 003-027) (Issn 1041-5122)
UP TO SPEED: THE GALACTIC HOT RODS OF STAR WARS TARKIN ™ THE HORROR STAR BEHIND STAR WARS’ THEH E OFFICIALOFF FFII CCII A L MAGAZINEMAGAZINI N E FINEST VILLAIN! + WIN! A STAR WARS PRIZE WORTH $400! DROID UPRISING! L3-37 leads the fi ght for freedom! JON KASDAN Exclusive interview with the co-writer of Solo: A Star Wars Story! SHOOTING SOLO Behind the scenes on the making of the smash-hit movie! IN CONCERT Star Wars goes live with the London Symphony Orchestra! GALACTIC GEOGRAPHIC: EXPLORING THE COLORFUL worlds of STAR WARS A MESSAGE FROM THE EDITOR ™ NOV 2018 TITAN EDITORIAL Editor / Chris Cooper Senior Editor / Martin Eden WELCOME... Assistant Editors / Tolly Maggs, Jake Devine Art Editor / Andrew Leung Whenever you hear the first note of John Williams’ LUCASFILM Star Wars main title theme, I’m willing to bet that the Senior Editor / Brett Rector hairs on the back of your neck still tingle. That opening Art Director / Troy Alders Creative Director / Michael Siglain fanfare triggers so many fond memories for me, often Asset Management / Tim Mapp, entirely unrelated to actually watching one of the movies. Erik Sanchez, Bryce Pinkos, For those of us ancient enough to remember vinyl Nicole LaCoursiere, Shahana Alam Story Group / Pablo Hidalgo, Leland Chee, records before hyper-cool hipsters and audiophiles Matt Martin brought them back, the Star Wars Original Soundtrack CONTRIBUTORS album was a very special thing—it was literally the closest Tricia Barr, Tara Bennett, Natalie Clubb, you could get to experiencing the film at home, the tracks Megan Crouse, Michael Kogge, Tom Miller, on that double-LP a visceral link to the movie itself. -
Study Guide for Once Were Warriors (1994) Facts 1994, New Zealand
Study Guide for Once Were Warriors (1994) Facts 1994, New Zealand, 90 mins Director Lee Tamahori Producer Robin Scholes Director of Photography Stuart Dryburgh Summary A raw, uncompromising working-class drama, Once were Warriors is compelling film-making. This extremely violent, yet deeply moving tale of the Hekes, an alienated Maori family living in an urban New Zealand wasteland, is as powerful as it is disturbing. The film’s tense, gritty, hard-edged, feel perfectly matches the family’s disintegration under the burdens of domestic violence, alcohol abuse, unemployment and poverty. Jake (“the Muss” – for muscle), the father of the family, has an extremely volatile personality and likes to prove his machismo with his fists. Often bearing the brutal brunt of this is Beth, his wife of eighteen years, who, despite their blighted relationship, still loves him. Beth comes from a noble Maori lineage, but abandoned her tribe for her love of Jake, a descendant of intertribal slavery. Although this practice was abandoned long before Jake was even born, its slur has left in him a bitter rejection of his Maori heritage. Unvalidated also in mainstream, pakeha (white) culture, Jake is a man with a chip on both shoulders – angry, confused and unanchored. Unsurprisingly, the couple’s five children are variously emotionally damaged. Nig, the oldest, despises his father and seeks a substitute family in a Maori street gang, the violence of whose initiation rituals, ironically, match anything Jake can dish out. Second son, Boogie, is involved in petty street crime, and is remanded into Social Welfare custody (placed in protective care) when Beth is unable to show up to speak on his behalf at a court appearance, due to the severe beating Jake had given her the previous night. -
Identity and Whakapapa a Curriculum for the Gifted Maori Child Melinda
Identity and Whakapapa A curriculum for the gifted Maori child Melinda Webber, Faculty of Education, University of Auckland. Abstract: The importance of identifying and nurturing the gifts and talents of all tamariki in Aotearoa is widely accepted in education circles. The continued under-representation of Maori students in Gifted and Talented programmes indicates the need to ensure our understandings about the way children learn, and the corresponding curriculum content, reflect Maori conceptions, values and practices. Research shows that cultural practice, tribal structures and whakapapa are all significant in the development of Maori identity (Durie, 2002; Murchie, 1984; Broughton, 1993; Moeke-Pickering, 1996). Where Maori children are encouraged to use their own whanau/hapu/tribe as a starting point for better understanding what giftedness means for both their cultural and educational lives, they will feel empowered to embrace the gifts they possess and use them to progress educationally, culturally and spiritually. This paper presents a story from a classroom teacher of Ngati Whatua descent regarding his teaching philosophy for Ngati Whatua tamariki. I then suggest a curriculum centred on Ngati Whakauue whakapapa as a model for potential programmes for gifted and talented learners within the Rotorua area. Ko wai au? Why is it important I start with this? Who I am today, is determined by those who have come before me. I am a product of my history and whakapapa. One cannot be separated from the other. My personal, ethnic and professional identities stem from my whakapapa. It strengthens me. It empowers me. ¾Ki te taha o toku papa. ¾Te Arawa te iwi ¾Ngati Whakaaue te hapu ¾Ngongotaha te maunga ¾Maketu te moana ¾Tunohopu te marae ¾Tamatekapua te tangata ¾No Ohinemutu me Rotorua aku Turangawaewae Ki te taha o toku mama. -
{FREE} Star Wars Clone Wars: Stand Aside-Bounty Hunters! Ebook
STAR WARS CLONE WARS: STAND ASIDE-BOUNTY HUNTERS! PDF, EPUB, EBOOK Simon Beecroft | 32 pages | 07 Dec 2009 | DK Publishing | 9780756657758 | English | New York, United States Star Wars Clone Wars: Stand Aside-Bounty Hunters! PDF Book His hatred towards Obi-Wan is especially powerful, keeping him alive for over a decade despite the loss of his legs and near-complete isolation. They define each other. Skywalking: The life and films of George Lucas. And while they were also a touch goofy, I have to admit I smiled at the ejection devices Anakin , Obi-Wan and Ahsoka used when they crashed on the planet — which encased them inside a rubber ball like contraption, that safely bounced them down across rocky terrain. Emma Grange. This information was on the renegade stormtrooper's ship which is why Kuat wanted to make sure the bounty hunter was dead but is retrieved by Fett in the present, as Neelah realizes she is from an elite Kuat family and stops her sinister sister from taking over the now-suicidal Imperial executive's shipyard. Yes, it's pretty cool. Want to Read Currently Reading Read. When she refused to take more money to betray the farmers that had paid her for protection -- "We don't break deals" -- it told you all we needed to know about her. Human clone. Bissell adds that Boba Fett, along with other minor characters like Darth Maul and Kyle Katarn , appeals to adolescent boys' "images of themselves: essentially bad-ass but Enlarge cover. Archived from the original on August 25, Ultimate Star Wars. -
Once Were Warriors Study Guide
New Zealand Film Study Guide The following activities are based on the achievement objectives in the New Zealand English curriculum. They may provide a starting point for teachers wishing to design a unit based on the fi lm. Communicado in association with the New Zealand Film Commission, Avalon Studios & New Zealand On Air Present Once Were Warriors Starring Rena Owen, Temuera Morrison & Mamaengaroa Kerr-Bell Story by Alan Duff Screenplay by Riwia Brown Cinematographer Stuart Dryburgh Designer Miahcel Kane Editor Michael Horton Music Murray Grindlay & Murray McNabb Producer Robin Scholes Director Lee Tamahori Writing Poetic Writing Expressive 1 Poem Response Individually or as a class, brainstorm a list of words Write down your feelings in response to the following inspired by the fi lm. Use that list to write a poem. statements or questions. You may refer to both the 2 Children’s Story fi lm and your own experiences. Translate Beth’s “journey” into a fl ow diagram. Decide 1 Grace fi nds comfort in a certain place. Is there a place on a suitable metaphor for that journey. Use that you use (or would like to use) when you are feeling metaphor to write a children’s story. depressed or thoughtful? Describe that place, and 3 Report how it offers you comfort. How could you use this Write the report you might have written about place in a story of your own? Boogie and his family situation, as if you were his 2 The fi lm opens with a billboard. What does this image social worker. suggest about New Zealand? What is your view of 4 Report New Zealand? As a private investigator, track and write a report on 3 Compare the opening and ending of the fi lm with the Jake’s activities in the fi lm. -
Digital Cinema and the Legacy of George Lucas
DOCTOR OF PHILOSOPHY Digital cinema and the legacy of George Lucas Willis, Daniel Award date: 2021 Awarding institution: Queen's University Belfast Link to publication Terms of use All those accessing thesis content in Queen’s University Belfast Research Portal are subject to the following terms and conditions of use • Copyright is subject to the Copyright, Designs and Patent Act 1988, or as modified by any successor legislation • Copyright and moral rights for thesis content are retained by the author and/or other copyright owners • A copy of a thesis may be downloaded for personal non-commercial research/study without the need for permission or charge • Distribution or reproduction of thesis content in any format is not permitted without the permission of the copyright holder • When citing this work, full bibliographic details should be supplied, including the author, title, awarding institution and date of thesis Take down policy A thesis can be removed from the Research Portal if there has been a breach of copyright, or a similarly robust reason. If you believe this document breaches copyright, or there is sufficient cause to take down, please contact us, citing details. Email: [email protected] Supplementary materials Where possible, we endeavour to provide supplementary materials to theses. This may include video, audio and other types of files. We endeavour to capture all content and upload as part of the Pure record for each thesis. Note, it may not be possible in all instances to convert analogue formats to usable digital formats for some supplementary materials. We exercise best efforts on our behalf and, in such instances, encourage the individual to consult the physical thesis for further information. -
Recent Developments a 'Unique' Victory for Iranians: Rouhani
WWW.TEHRANTIMES.COM I N T E R N A T I O N A L D A I L Y 16 Pages Price 20,000 Rials 1.00 EURO 4.00 AED 39th year No.13242 Sunday OCTOBER 28, 2018 Aban 6, 1397 Safar 18, 1440 Larijani congratulates Zionist regime seeks Esteghlal set to sack Director Ghaffarzadeh new Iraqi PM division among Muslim Winfried Schaefer: working on co-production 2 countries 2 report 15 between Iran and Turkey 16 Iran-EU financial channel to be See page 2 opened soon: CBI governor ECONOMY TEHRAN – Governor of bilateral monetary treaty between the deskof the Central Bank of two sides. The treaty aims to help Iranian Iran (CBI) announced on Saturday that a and European companies and entrepre- new financial channel is soon to be opened neurs to establish and maintain business between Iran and the EU nations, Tasnim relations with each other. news agency reported. EU powers, namely France, Germany Abdolnaser Hemmati made the announce- and Britain, and Iran have been in talks ment on social media, “The details of the Euro- over launching this payments channel pean Special Purpose Vehicle (SPV) for trade for months, which would enable Euro- between Iran and the EU were discussed at pean companies to trade with Iran as a meeting in Brussels last week.” part of efforts to defy U.S. sanctions The official emphasized that the dis- and keep alive a landmark nuclear deal cussed financial channel is in fact some sort with Tehran. WTTC ranks Iran’s tourism 20th Recent developments among 185 in 2011-17 TOURISM TEHRAN — Iran’s investment that is based on absolute growth deskbudding travel sector has seen between 2011 and 2017. -
REPUBLIC COMM MANUAL.Qxd
WARNING: PLEASE READ BEFORE INSTALLING OR USING THE SOFTWARE PHOTOSENSITIVE SEIZURES A very small percentage of people may possibly experience a seizure when exposed to certain light patterns, flashing lights or other visual images that appear in computer software games. If you, or anyone in your family, have an epileptic condition, consult your physician before installing or using the software. Even people who have no history of seizures or epilepsy may have an undiagnosed condition that can possibly cause a seizure while viewing a computer software game. Reported seizures may have a variety of symptoms, including lightheadedness, altered vision, eye or face twitching, nausea, headaches, jerking or shaking of arms and legs, disorientation, confusion, or any involuntary movement or convulsions. If you experience any of these symptoms, IMMEDIATELY STOP PLAYING AND CONSULT A DOCTOR. Parents or guardians should watch for or ask their children if they are having any of the above symptoms - children and teenagers are reportedly more likely than adults to experience seizures from viewing computer software games. INTERNET CONNECTION AND SYSTEM REQUIREMENTS Notice: You will need to obtain an Internet connection (through a computer meeting the minimum system requirements) in order to play the game associated with this software. If you do not use an Internet connection, you cannot play the game. Such Internet connection may require additional fees. You will also need a valid credit card or a paid game card (if available) to play the game. Additional recurring fees required to play this game. 1 Menu DATA DOWNLOAD . 2 SQUAD CONTROLS . 2 SQUAD ALERT . 5 MAIN MENU . -
Film & Tv Development // Rotorua Market Opportunity
FILM & TV DEVELOPMENT // ROTORUA MARKET OPPORTUNITY EXECUTIVE SUMMARY New Zealand is a significant player in the film production industry, both as a location for shooting and thanks to its world class post-production services. Our country's reputation far exceeds our size, and has become synonymous with films such as the Lord of the Rings and Hobbit Trilogies. However, the growing future of the industry is in streaming services, with online giants competing for increasingly diverse and unique stories to set them apart and attract subscribers. Gone is the need for set formats to meet broadcast schedules, with increased flexibility and international audiences seeking a wide range of voices. The door is open for our filmmakers to share their stories on the world stage. Rotorua is the home to a range of film makers, and as New Zealand's hub of Māori culture it is unsurprising that some of New Zealand's most well-known and successful indigenous productions have come from Rotorua. From the production of short films, to animation series, and as a filming location for Hollywood films to foreign reality TV shows, Rotorua offers a strong location for many filming services. Its strength lies in its people and their stories they are bringing to the world. THE GLOBAL INDUSTRY The global entertainment and media industry is valued at US$2 trillion (2017 – PwC estimate). The industry is still growing with huge increases in the audience and volume of content available online. The online streaming services industry is valued at US$30.29 Billion (2016 – Research & Markets) with a forecast CAGR of 18.3%, to reach market value of US$70 Billion by 2021.