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We Are Proud to Offer to You the Largest Catalog of Vocal Music in The
Dear Reader: We are proud to offer to you the largest catalog of vocal music in the world. It includes several thousand publications: classical,musical theatre, popular music, jazz,instructional publications, books,videos and DVDs. We feel sure that anyone who sings,no matter what the style of music, will find plenty of interesting and intriguing choices. Hal Leonard is distributor of several important publishers. The following have publications in the vocal catalog: Applause Books Associated Music Publishers Berklee Press Publications Leonard Bernstein Music Publishing Company Cherry Lane Music Company Creative Concepts DSCH Editions Durand E.B. Marks Music Editions Max Eschig Ricordi Editions Salabert G. Schirmer Sikorski Please take note on the contents page of some special features of the catalog: • Recent Vocal Publications – complete list of all titles released in 2001 and 2002, conveniently categorized for easy access • Index of Publications with Companion CDs – our ever expanding list of titles with recorded accompaniments • Copyright Guidelines for Music Teachers – get the facts about the laws in place that impact your life as a teacher and musician. We encourage you to visit our website: www.halleonard.com. From the main page,you can navigate to several other areas,including the Vocal page, which has updates about vocal publications. Searches for publications by title or composer are possible at the website. Complete table of contents can be found for many publications on the website. You may order any of the publications in this catalog from any music retailer. Our aim is always to serve the singers and teachers of the world in the very best way possible. -
The Pulitzer Prizes 2020 Winne
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
FRENCH SYMPHONIES from the Nineteenth Century to the Present
FRENCH SYMPHONIES From the Nineteenth Century To The Present A Discography Of CDs And LPs Prepared by Michael Herman NICOLAS BACRI (b. 1961) Born in Paris. He began piano lessons at the age of seven and continued with the study of harmony, counterpoint, analysis and composition as a teenager with Françoise Gangloff-Levéchin, Christian Manen and Louis Saguer. He then entered the Paris Conservatory where he studied with a number of composers including Claude Ballif, Marius Constant, Serge Nigg, and Michel Philippot. He attended the French Academy in Rome and after returning to Paris, he worked as head of chamber music for Radio France. He has since concentrated on composing. He has composed orchestral, chamber, instrumental, vocal and choral works. His unrecorded Symphonies are: Nos. 1, Op. 11 (1983-4), 2, Op. 22 (1986-8), 3, Op. 33 "Sinfonia da Requiem" (1988-94) and 5 , Op. 55 "Concerto for Orchestra" (1996-7).There is also a Sinfonietta for String Orchestra, Op. 72 (2001) and a Sinfonia Concertante for Orchestra, Op. 83a (1995-96/rév.2006) . Symphony No. 4, Op. 49 "Symphonie Classique - Sturm und Drang" (1995-6) Jean-Jacques Kantorow/Tapiola Sinfonietta ( + Flute Concerto, Concerto Amoroso, Concerto Nostalgico and Nocturne for Cello and Strings) BIS CD-1579 (2009) Symphony No. 6, Op. 60 (1998) Leonard Slatkin/Orchestre National de France ( + Henderson: Einstein's Violin, El Khoury: Les Fleuves Engloutis, Maskats: Tango, Plate: You Must Finish Your Journey Alone, and Theofanidis: Rainbow Body) GRAMOPHONE MASTE (2003) (issued by Gramophone Magazine) CLAUDE BALLIF (1924-2004) Born in Paris. His musical training began at the Bordeaux Conservatory but he went on to the Paris Conservatory where he was taught by Tony Aubin, Noël Gallon and Olivier Messiaen. -
Link Shostakovich.Txt
FRAMMENTI DELL'OPERA "TESTIMONIANZA" DI VOLKOV: http://www.francescomariacolombo.com/index.php?option=com_content&view=article&i d=54&Itemid=65&lang=it LA BIOGRAFIA DEL MUSICISTA DA "SOSTAKOVIC" DI FRANCO PULCINI: http://books.google.it/books?id=2vim5XnmcDUC&pg=PA40&lpg=PA40&dq=testimonianza+v olkov&source=bl&ots=iq2gzJOa7_&sig=3Y_drOErxYxehd6cjNO7R6ThVFM&hl=it&sa=X&ei=yUi SUbVkzMQ9t9mA2A0&ved=0CDEQ6AEwAQ#v=onepage&q=testimonianza%20volkov&f=false LA PASSIONE PER IL CALCIO http://www.storiedicalcio.altervista.org/calcio_sostakovic.html CENNI SULLA BIOGRAFIA: http://www.52composers.com/shostakovich.html PERSONALITA' DEL MUSICISTA NELL'APPOSITO PARAGRAFO "PERSONALITY" : http://www.classiccat.net/shostakovich_d/biography.php SCHEMA MOLTO SINTETICO DELLA BIOGRAFIA: http://www.thefamouspeople.com/profiles/dmitry-shostakovich-344.php La mia droga si chiama Caterina La mia droga si chiama Caterina “Io mi aggiro tra gli uomini come fossero frammenti di uomini” (Nietzsche) In un articolo del 1932 sulla rivista “Sovetskoe iskusstvo”, Sostakovic dichiarava il proprio amore per Katerina Lvovna Izmajlova, la protagonista dell’opera che egli stava scrivendo da oltre venti mesi, e che vedrà la luce al Teatro Malyi di Leningrado il 22 gennaio 1934. Katerina è una ragazza russa della stessa età del compositore, ventiquattro, venticinque anni (la maturazione artistica di Sostakovic fu, com’è noto, precocissima), “dotata, intelligente e superiore alla media, la quale rovina la propria vita a causa dell’opprimente posizione cui la Russia prerivoluzionaria la assoggetta”. E’ un’omicida, anzi un vero e proprio serial killer al femminile; e tuttavia Sostakovic denuncia quanta simpatia provi per lei. Nelle originarie intenzioni dell’autore, “Una Lady Macbeth del distretto di Mcensk” avrebbe inaugurato una trilogia dedicata alla donna russa, còlta nella sua essenza immutabile attraverso differenti epoche storiche. -
Soviet Censorship Policy from a Musician's Perspective
The View from an Open Window: Soviet Censorship Policy from a Musician’s Perspective By Danica Wong David Brodbeck, Ph.D. Departments of Music and European Studies Jayne Lewis, Ph.D. Department of English A Thesis Submitted in Partial Completion of the Certification Requirements for the Honors Program of the School of Humanities University of California, Irvine 24 May 2019 i Table of Contents Acknowledgments ii Abstract iii Introduction 1 The Music of Dmitri Shostakovich 9 Lady Macbeth of Mtsensk District 10 The Fifth Symphony 17 The Music of Sergei Prokofiev 23 Alexander Nevsky 24 Zdravitsa 30 Shostakovich, Prokofiev, and The Crisis of 1948 35 Vano Muradeli and The Great Fellowship 35 The Zhdanov Affair 38 Conclusion 41 Bibliography 44 ii Acknowledgements While this world has been marked across time by the silenced and the silencers, there have always been and continue to be the supporters who work to help others achieve their dreams and communicate what they believe to be vital in their own lives. I am fortunate enough have a background and live in a place where my voice can be heard without much opposition, but this thesis could not have been completed without the immeasurable support I received from a variety of individuals and groups. First, I must extend my utmost gratitude to my primary advisor, Dr. David Brodbeck. I did not think that I would be able to find a humanities faculty member so in tune with both history and music, but to my great surprise and delight, I found the perfect advisor for my project. -
Könyvek / Books
Könyvek / Books Sorszám Szerző / Cím Cím / Title Ár (HUF) Kiadás helye 1 Albet, Montserrat: História de la Música Catalana 5000 n. a. 2 Allison, John: The Pocket Companion to Opera 1500 London, Mitchell Beazley 3 Arnold, Denis: Monteverdi Church Music 1200 London, British Broadcasting Corporation 4 Arnold, Denis: Monteverdi. Madrigals 1200 London, British Broadcasting Corporation 5 Bárdos Lajos: Hangzatgyakorló I. könyv 1200 Budapest, Zeneműkiadó 6 Bárdos Lajos: Írások a népzenénkről 1500 Budapest, Tankönyvkiadó 7 Bárdos Lajos: Liszt Ferenc a jövő zenésze 2500 Budapest, Akadémiai Kiadó 8 Bárdos Lajos: Modális harmóniák 3000 Budapest, Zeneműkiadó 9 Bárdos Lajos: Tíz újabb írás 1500 Budapest, Zeneműkiadó 10 Barford, Philip: Bruckner. Symphonies 1200 London, British Broadcasting Corporation 11 Barford, Philip: Mahler Symphonies and Songs 1200 London, British Broadcasting Corporation 12 Barna István (vál.): Örök muzsika 1200 Budapest, Zeneműkiadó 13 Bartha Dénes, Tóth Aladár (szerk.): Zenei lexikon I-III 3000 Budapest, Zeneműkiadó 14 Bartók Béla ifj.: Apám életének krónikája 1500 Budapest, Helikon 15 Bartók Béla: Cantata Profana 1500 Budapest, Zeneműkiadó 16 Bartók Béla: Miért és hogyan gyűjtsünk népzenét? 2500 Budapest, Somló Béla Könyvkiadó 17 Bartók Béla: Önéletrajz, írások a zenéről 800 Budapest, Egyetemi Nyomda 18 Berlioz, Hector: The Art of the Conductor 1200 London, William Reeves 19 Berlioz, Hector; Strauss, Richard: Treatise on Instrumentation 15000 New York, Kalmus 20 Blaukopf, Kurt: Gustav Mahler 1200 Budapest, Gondolat Kiadó 21 Bodon Pál: Az intonálás iskolája 2500 Budapest, Zeneműkiadó 22 Bónis Ferenc (szerk.): Magyar Zenetörténeti tanulmányok Erkel Ferencről, Kodály Zoltánról2500 Budapest, és korunkr Püskiól Kiadó 23 Bónis Ferenc (szerk.): Magyar Zenetörténeti tanulmányok Kodály Zoltán emlékére 3000 Budapest, Zeneműkiadó 24 Bónis Ferenc (szerk.): Magyar Zenetörténeti tanulmányok Szabolcsi Bence 70. -
The Theory of Eternal Life
THE THEORY OF ETERNAL LIFE by RODNEY COLLIN Life is a lyre, for its tune is death. LXVI Immortal mortals and mortal immortals—one living LXVII the other's death and dead the other's life. For it is death to the breath of life to become liquid, and death LXVIII to this liquid to become solid. But from such solid comes liquid and from such liquid the breath of life. The path up and the path down is one and the same. LXI Identical the beginning and the end... Living and dead LXX are the same, and so awake and asleep, young and old: LXXVIII the former shifted become the latter, and the latter shifted the former. For time is a child playing draughts, and that child's LXXIX is the move. HERACLEITUS: On the Universe To him who, purified, would break this vicious round And breathe once more the air of heaven—greeting! There in the courts of hades wilt thou find Leftward a beckoning cypress, tall and bright, From out whose root doth flow the water of Oblivion. Approach it not: guard thou thy thirst awhile. For on the other hand—and further—wells From bottomless pool the limpid stream of Memory, Cool, full of refreshment. To its guardians cry thus: ' I am the child of earth and starry sky: Know that I too am heavenly—but parched! I perish: give then and quickly that clear draught Of ice-cold Memory!' And from that fountainhead divine Straightway they'll give thee drink; quaffing the which Thou with the other heroes eternally shalt rule. -
Download Booklet
552129-30bk VBO Shostakovich 10/2/06 4:51 PM Page 8 CD1 1 Festive Overture in A, Op. 96 . 5:59 2 String Quartet No. 8 in C minor, Op. 110 III. Allegretto . 4:10 3 Piano Trio No. 2 in E minor, Op. 67 III. Largo . 5:35 4 Cello Concerto No. 1 in E flat, Op. 107 I. Allegretto . 6:15 5–6 24 Preludes and Fugues – piano, Op.87 Prelude and Fugue No. 1 in C major . 6:50 7 Symphony No. 5 in D minor, Op. 47 II. Allegretto . 5:08 8 Cello Sonata, Op. 40 IV. Allegro . 4:30 9 The Golden Age: Ballet Suite, Op. 22a Polka . 1:52 0 String Quartet No. 3 in F, Op. 73 IV. Adagio . 5:27 ! Symphony No. 9 in E flat, Op. 54 III. Presto . 2:48 @ 24 Preludes – piano, Op. 34 Prelude No. 10 in C sharp minor . 2:06 # Violin Concerto No. 1 in A minor, Op. 77 IV. Burlesque . 5:02 $ The Gadfly Suite, Op. 97a Romance . 5:52 % Symphony No. 10 in E minor, Op. 93 II. Allegro . 4:18 Total Timing . 66:43 CD2 1 Jazz Suite No. 2 VI. Waltz 2 . 3:15 2 Piano Concerto No. 1 in C minor, Op. 35 II. Lento . 8:31 3 Symphony No. 7 in C, Op. 60, ‘Leningrad’ II. Moderato . 11:20 4 3 Fantastic Dances, Op. 5 Polka . 1:07 5 Symphony No. 13 in B flat minor, Op. 113, ‘Babi Yar’ II. Humour . 7:36 6 Piano Quintet, Op. 57 III.Scherzo . -
Annales 2005
annales 2005 annales des concours d’entrée 2005 Conservatoire national supérieur musique et danse de Lyon 1 sommaire département des cordes violon page 3 alto page 5 violoncelle page 6 contrebasse page 7 département des bois flûte page 8 hautbois page 10 clarinette page 11 basson allemand et français page 13 département des cuivres cor page 14 trompette page 15 trombone page 16 trombone basse page 17 tuba page 19 saxhorn, euphonium page 20 département des claviers piano page 21 orgue page 23 harpe page 25 percussions page 26 accompagnement au piano page 27 département des voix chant page 30 direction de chœur page 31 département de composition écriture page 32 composition page 32 orchestration page 33 département de musique ancienne page 34 département de danse page 39 annexe composition des jurys page 40 ____________________________________________ Note préliminaire : Pour tous les concours d’entrée de l’année 2005, le jury se réservait le droit d’interrompre les candidats au cours de l’admissibilité ou de l’admission, notamment en cas de dépassement du temps imparti. 2 violon du 19 au 24 septembre 2005 conditions d’admission épreuve d’admissibilité Les candidats devaient présenter : une oeuvre choisie dans chacune des listes a et b suivantes : liste a : Ludwig van Beethoven Concerto en ré majeur opus 61, 3ème mouvement : rondo (sans cadence). (éditions Henle) Wolfgang Amadeus Mozart Rondo en do majeur KV 373. Wolfgang Amadeus Mozart Concerto en sol majeur KV 216, 3ème mouvement : rondo (éditions Bärenreiter) liste b : Edouard Lalo Symphonie -
Album of the Year
63rd Annual Grammy Awards - 2021 - Sheet Music Album Of The Year Coldplay $19.99 Everyday Life. Hal Leonard 00327962 UPC: 840126900118 OCLC Number: 1153523437 Piano/Vocal/Guitar Contents: Arabesque -- Bani Adam -- Broken -- Champion Of The World -- Church -- Cry Cry Cry -- Daddy -- Eko -- Everyday Life -- Guns -- Old Friends -- Orphans -- Sunrise -- Trouble In Town -- When I Need A http://www.tfront.com/p-495608-everyday-life.aspx Taylor Swift $19.99 Folklore. Hal Leonard 00356804 UPC: 840126942071 OCLC Number: 1197815937 Piano/Vocal/Guitar Contents: August -- Betty -- Cardigan -- Epiphany -- Exile -- Hoax -- Illicit Affairs -- Invisible String -- The Lakes -- The Last Great American Dynasty -- Mad Woman -- Mirrorball -- My Tears Ricochet -- The 1 -- http://www.tfront.com/p-500821-folklore.aspx Total for Album Of The Year: $39.98 Theodore Front Musical Literature, Inc. ● 26362 Ruether Avenue ● Santa Clarita CA 91350-2990 USA Tel: (661) 250-7189 Toll-Free: (844) 350-7189 Fax: (661) 250-7195 ● [email protected] ● www.tfront.com - 1 - 63rd Annual Grammy Awards - 2021 - Sheet Music Best Pop Vocal Album Lady Gaga $19.99 Chromatica. Hal Leonard 00354425 UPC: 840126937145 OCLC Number: 1197815953 Piano/Vocal/Guitar Contents: Alice -- Babylon -- Chromatica I -- Chromatica III -- Chromatica II -- Enigma -- Free Woman -- Fun Tonight -- 911 -- 1000 Doves -- Plastic Doll -- Rain On Me -- Replay -- Sine From Above -- Sour http://www.tfront.com/p-500822-chromatica.aspx Harry Styles $19.99 Fine Line. Hal Leonard 00338558 UPC: 840126913750 OCLC Number: 1153515218 Piano/Vocal/Guitar Contents: Adore You -- Canyon Moon -- Cherry -- Falling -- Fine Line -- Golden -- Lights Up -- She -- Sunflower, Vol. 6 -- To Be So Lonely -- Treat People With Kindness -- Watermelon Sugar. -
Shepherd School Chamber Orchestra
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DSpace at Rice University SHEPHERD SCHOOL CHAMBER ORCHESTRA LARRY RACHLEFF, music director CRISTIAN MACELARU, conductor Sunday, October 31, 2010 4:00 p.m. Stude Concert Hall l975 -20 l0 Cel e b ratin g '.C- Years THE SHEPHERD SCHOOL~ o; M l sIC RICE UNIVERSITY PROGRAM Melodien (Melodies) Gyorgy Ligeti (1923-2006) Points of Departure Michael Gandolfi Spirale (b. 1956) Strati Visione Ritorno INTERMISSION Sinfonietta Francis Poulenc Allegro con fuoco (1899-1963) Molto vivace Andante cantabile Finale. Prestissimo et tres gai The reverberative acoustics of Stude Concert Hall magnify the slightest sound made by the audience. Your care and courtesy will be appreciated. The taking ofphotographs and use of recording equipment are prohibited. SHEPHERD SCHOOL CHAMBER ORCHESTRA Violin I Double Bass (cont.) Trumpet Eric Siu, Annabella Leslie Jeffrey Northman concertmaster Rosemary Salvucci Douglas Surber Derek Powell Myoung-Ji Jang Flute Trombone Regina Dyches Kathryn Ladner Samuel Jackson Ying Fu Maria Popova Meghan Nenniger Natalie Zeldin Tuba Austin Howle Violin II Piccolo Kathryn Ladner Joanna Becker, Harp principal Oboe Meghan Caulkett Sol Jin Erica Overmyer Seth Freeman Michelle Pan Piano and Celeste Lijia Phang Emily Snyder Aya Yamamoto Kimia Ghaderi Tara Slough Oboe d'Amore Timpani Michael McGowan Ethan Ahmad Viola Lonnie Dobbs Andrew Griffin, Clarinet principal Erika Cikraji Percussion Padua Canty Daniel Goldman Lonnie Dobbs Alicia Valoti Jared Hawkins Aaron Guillory Jordan Warmath LeTriel White Robert McCullagh Tatiana Trono Micah Wright Orchestra Manager Cello Bassoon and Librarian Clara Yang, Kevin Judge Kaaren Fleisher principal MichaelMatushek Caroline Nicolas Production Manager Jesse Christeson Horn Mandy Billings Lachezar Kostov Katharine Caliendo Rebekah Daley Assistant Production Double Bass Tyler Holt Manager Jonathan Reed, John Turman Ryan Retartha principal Alena Zidlicky Francis Schmidt STRING SEATING CHANGES WITH EACH CONCERT. -
Perspectives on Harmony and Timbre in the Music of Olivier Messiaen, Tristan Murail, and Kaija Saariaho
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 5-2019 Liminal aesthetics : perspectives on harmony and timbre in the music of Olivier Messiaen, Tristan Murail, and Kaija Saariaho. Jackson Harmeyer University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Musicology Commons Recommended Citation Harmeyer, Jackson, "Liminal aesthetics : perspectives on harmony and timbre in the music of Olivier Messiaen, Tristan Murail, and Kaija Saariaho." (2019). Electronic Theses and Dissertations. Paper 3177. https://doi.org/10.18297/etd/3177 This Master's Thesis is brought to you for free and open access by ThinkIR: The nivU ersity of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The nivU ersity of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. LIMINAL AESTHETICS: PERSPECTIVES ON HARMONY AND TIMBRE IN THE MUSIC OF OLIVIER MESSIAEN, TRISTAN MURAIL, AND KAIJA SAARIAHO By Jackson Harmeyer B.A., Louisiana Scholars’ College, 2013 A Thesis Submitted to the Faculty of the School of Music of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Master of Music in Music History and Literature Department of Music History and Literature University of