Fragments and Fragmentology 1–5
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Parte Seconda Bibliotheca Collinsiana, Seu Catalogus Librorum Antonji Collins Armigeri Ordine Alphabetico Digestus
Parte seconda Bibliotheca Collinsiana, seu Catalogus Librorum Antonji Collins Armigeri ordine alphabetico digestus Avvertenza La biblioteca non è solo il luogo della tua memoria, dove conservi quel che hai letto, ma il luogo della memoria universale, dove un giorno, nel momento fata- le, potrai trovare quello che altri hanno letto prima di te. Umberto Eco, La memoria vegetale e altri scritti di bibliografia, Milano, Rovello, 2006 Si propone qui un’edizione del catalogo manoscritto della collezione libra- ria di Anthony Collins,1 la cui prima compilazione egli completò nel 1720.2 Nei nove anni successivi tuttavia Collins ampliò enormemente la sua biblioteca, sin quasi a raddoppiarne il numero delle opere. Annotò i nuovi titoli sulle pagine pari del suo catalogo che aveva accortamente riservato a successive integrazio- ni. Dispose le nuove inserzioni in corrispondenza degli autori già schedati, attento a preservare il più possibile l’ordine alfabetico. Questo tuttavia è talora impreciso e discontinuo.3 Le inesattezze, che ricorrono più frequentemente fra i titoli di inclusione più tarda, devono imputarsi alla difficoltà crescente di annotare nel giusto ordine le ingenti e continue acquisizioni. Sono altresì rico- noscibili abrasioni e cancellature ed in alcuni casi, forse per esigenze di spazio, oppure per sostituire i titoli espunti, i lemmi della prima stesura sono frammez- zati da titoli pubblicati in date successive al 1720.4 In appendice al catalogo, due liste confuse di titoli, per la più parte anonimi, si svolgono l’una nelle pagi- ne dispari e l’altra in quelle pari del volume.5 Agli anonimi seguono sparsi altri 1 Sono molto grato a Francesca Gallori e Barbara Maria Graf per aver contribuito alla revi- sione della mia trascrizione con dedizione e generosità. -
Introduction the GSR : REDON ’S IDEALS and REALITIES
Rutger Kramer – RMA Thesis – Monastic Ideals and the Use of the Bible in the GSR – 2007 Introduction THE GSR : REDON ’S IDEALS AND REALITIES Once upon a time, in the region that is nowadays known as Brittany, in the north-west of France, there lived a powerful nobleman whose name was Haelwocon. If this man, close advisor of the ruler of the land, had but one vice, it was his dependence on the lazy and luxurious lifestyle he had grown accustomed to. Haelwocon was a slave to his belly. He also was a drinker of wine beyond measure, and to make matters even worse, he refused to take advice from anybody when he was reproached, and he just laughed when called upon to mend his erroneous ways. In doing this, he opened himself up to attacks by demons, and only after such an attack had finally happened did he repent. Tormented by convulsions, he ordered his servants to tie him up and bring him to the nearest monastery, where he hoped he might find solace. Indeed, he did. Through the prayers of the monks, the demons were expelled from his body, “and from that day he took care to mend his ways and lead a sober life, and revere the holy place”. The story of Haelwocon is a story of redemption that has been written down in the Gesta Sanctorum Rotonensium ( GSR ), a ninth-century work that tells about origins and rise to prominence of the monastery of Redon, its first abbot, and the first generation of monks. 1 As such, it is no surprise that, in this anecdote, the monastery the hapless aristocrat asks to be brought to, is indeed Redon. -
Die Kongregation Von Saint-Maur (Mauriner) Und Ihre Kirchenvätereditionen Von Gregor Emmenegger
Die Kongregation von Saint-Maur (Mauriner) und ihre Kirchenvätereditionen von Gregor Emmenegger Die benediktinische Reformkongregation von Saint-Maur bestand von 1618 bis 1792 und hatte ihren Hauptsitz im Klos- ter Saint-Germain-des-Prés in Paris. Mauriner Mönche erarbeiteten im Kollektiv mehrere hundert grundlegende Werke und Textausgaben zur Geschichte ihres Ordens, zu Frankreich und zur Patristik. Für ihre Arbeiten konnten sie kaum auf Vorbilder zurückgreifen und mussten die Arbeitsmethoden selbst entwickeln. So entstanden neben maßgeblichen Text- ausgaben auch Grundlagen für historisch-kritisches Arbeiten. Die Motivation zu diesem Werk ist in der Wahrung und Si- cherung der christlichen und monastischen Tradition zu suchen, in die sie sich als französische Benediktiner gestellt sahen. INHALTSVERZEICHNIS 1. Die Mauriner 1. Die Ursprünge der Mauriner 2. Die Reformen von Dom Grégoire Tarrisse 3. Die weitere Geschichte der Mauriner bis zu ihrem Ende 2. Hintergrund und Motivation 1. Der benediktinische Anspruch 2. Geschichtsschreibung der Gegenreformation 3. Geschichtsschreibung als Dienst am Königreich 4. Rezeption und Tradition 3. Die Werke der Mauriner 1. Ordensgeschichte und benediktinische Autoren 2. Patristische und theologische Werke 3. Allgemeine Werke über Geschichte, zur Geschichte Frankreichs und seiner Provinzen 4. Arbeitsweise und Methoden 1. Organisation der Arbeit 2. Arbeitsmethode 5. Anhang 1. Quellen 2. Literatur 3. Anmerkungen Zitierempfehlung Die Mauriner Die Ursprünge der Mauriner Im 16. Jahrhundert hatte das Mönchtum in Frankreich eine problematische Entwicklung durchlaufen. Einerseits erschüt- terten die Hugenottenkriege von 1562 bis zum Erlass des Ediktes von Nantes im Jahr 1598 das Land. Neben Kirchen- spaltung und Verwüstungen hatte der Bürgerkrieg eine folgenreiche Schwächung regionaler Kräfte – unbd damit auch der Klöster – zugunsten der absolutistischen Zentralmacht zur Folge. -
The Munich Computus: Text and Translation
Sudhoffs Archiv – Beihefte 59 The Munich Computus: Text and Translation Irish computistics between Isidore of Seville and the Venerable Bede and its reception in Carolingian times Bearbeitet von Immo Warntjes 1. Auflage 2010. Buch. CCXXI, 402 S. Hardcover ISBN 978 3 515 09701 7 Format (B x L): 17 x 24 cm Weitere Fachgebiete > Geschichte > Kultur- und Ideengeschichte > Wissenschafts- und Universitätsgeschichte schnell und portofrei erhältlich bei Die Online-Fachbuchhandlung beck-shop.de ist spezialisiert auf Fachbücher, insbesondere Recht, Steuern und Wirtschaft. Im Sortiment finden Sie alle Medien (Bücher, Zeitschriften, CDs, eBooks, etc.) aller Verlage. Ergänzt wird das Programm durch Services wie Neuerscheinungsdienst oder Zusammenstellungen von Büchern zu Sonderpreisen. Der Shop führt mehr als 8 Millionen Produkte. INTRODUCTION THE MUNICH COMPUTUS IN MODERN TIMES Ever since Jean Mabillon, the founder of modern palaeography and diplomatics, studied the codex containing the Munich Computus in the monastery of St Emmeram in Regensburg as part of his travels through German and Swiss li- braries in 1683,1 it became well known for its unique transmission of the Re- gensburg annals (Annales Ratisponensis), which he subsequently edited in vol- ume four of his Veterum analectorum.2 Therefore, when this codex was trans- ferred to the Königliche Hof- und Centralbibliothek (now Bayerische Staatsbib- liothek) in Munich in 1812 as a result of the secularisation of Bavarian monasteries,3 it received immediate attention because of these annals, particu- -
Isaac of Stella, the Cistercians and the Thomas Becket Controversy: a Bibliographical and Contextual Study
Marquette University e-Publications@Marquette Dissertations, Theses, and Professional Dissertations (1934 -) Projects Isaac of Stella, the Cistercians and the Thomas Becket Controversy: A Bibliographical and Contextual Study Travis D. Stolz Marquette University Follow this and additional works at: https://epublications.marquette.edu/dissertations_mu Part of the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Stolz, Travis D., "Isaac of Stella, the Cistercians and the Thomas Becket Controversy: A Bibliographical and Contextual Study" (2010). Dissertations (1934 -). 87. https://epublications.marquette.edu/dissertations_mu/87 ISAAC OF STELLA, THE CISTERCIANS AND THE THOMAS BECKET CONTROVERSY: A BIBLIOGRAPHICAL AND CONTEXTUAL STUDY by Travis D. Stolz, B.A., M.Div. A Dissertation submitted to the Faculty ofthe Graduate School, Marquette University, in Partial Fulfillment ofthe Requirements for the Degree ofDoctor of Philosophy Milwaukee, Wisconsin December 2010 ABSTRACT ISAAC OF STELLA, THE CISTERCIANS AND THE THOMAS BECKET CONTROVERSY: A BIBLIOGRAPHICAL AND CONTEXTUAL STUDY Travis D. Stolz, B.A., M.Div. Marquette University, 2010 Isaac of Stella (ca. 1IOO-ca. 1169), an English-born Cistercian and abbot, has been dwarfed by Bernard of Clairvaux and other ofhis twelfth-century Cistercian contemporaries in terms ofliterary output and influence, giving him a reputation as an elusive and marginal figure. Isaac's 55 sermons and two treatises are modest compared to the productivity of other monastic writers and his position as the abbot of an obscure monastery in western France has not helped to raise his visibility among the luminaries of the twelfth century. He is remembered as a mysterious and often tragic figure in the annals ofhistory. -
Mabillon and Montfaucon's Italian Connections Between Travel and Learned Coll
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Directory of Open Access Journals Medieval art studies in the Republic of Letters: Mabillon and Montfaucon’s Italian connections between travel and learned collaborations1 Francesco Russo Figure 1 J. Mabillon, Iter Italicum, (Paris, 1687), title-page. Introduction Between 1685 and 1701 the Italian establishment was shaken by visits to the Peninsula of two leading figures in medieval studies: Jean Mabillon and Bernard de Montfaucon. Although Italian scholars were not new to the principles of historical research established by their French colleagues, the voyages littéraires made by the two famous Benedictines of the Congregation of St. Maur2 set in motion a process of actions and reactions that effected a substantial improvement in the study of pre- 1 I would sincerely like to thank the editor for giving me the opportunity to publish this article. I would express my gratitude to the referees who read the paper and offered essential suggestions and mainly to Mark Weir (University of Naples L'Orientale) for his invaluable help in proofreading the text. 2 Mabillon in 1685-1686; Montfaucon in 1698-1701. Journal of Art Historiography Number 7 December 2012 Russo Medieval Art studies in the Republic of Letters Renaissance art and antiquities in Italy.3 (figs 1&2) This process took place in the context of the more advanced exploration of the Middle Ages which, with its methodological rigour, marked the transition of historiography between seventeenth and eighteenth centuries.4 Figure 2 B. de Montfaucon, Diarium italicum, (Paris, 1702), title-page. -
Eucharistic Azyme Hosts in the Ninth Century According to Bishop Eldefonsus of Spain: Observations on the Origin, Meaning, and Context of a Mysterious Revelation
Peregrinations: Journal of Medieval Art and Architecture Volume 4 Issue 2 1-69 2013 Christ’s Money: Eucharistic Azyme Hosts in the Ninth Century According to Bishop Eldefonsus of Spain: Observations on the Origin, Meaning, and Context of a Mysterious Revelation Roger E. Reynolds Pontifical Institute of Mediaeval Studies Follow this and additional works at: https://digital.kenyon.edu/perejournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Reynolds, Roger E.. "Christ’s Money: Eucharistic Azyme Hosts in the Ninth Century According to Bishop Eldefonsus of Spain: Observations on the Origin, Meaning, and Context of a Mysterious Revelation." Peregrinations: Journal of Medieval Art and Architecture 4, 2 (2013): 1-69. https://digital.kenyon.edu/ perejournal/vol4/iss2/1 This Feature Article is brought to you for free and open access by Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in Peregrinations: Journal of Medieval Art and Architecture by an authorized editor of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Reynolds eregrinations: Journal of Medieval Art & Architecture Volume IV, Number 2 (Autumn 2013) Christ’s Money: Eucharistic Azyme Hosts in the Ninth Century According to Bishop Eldefonsus of Spain: Observations on the Origin, Meaning, and Context of a Mysterious Revelation1 By Roger E. Reynolds, Pontifical Institute of Mediaeval Studies In Memory of Susan Ann -
Palaeography, Codicology & Diplomatics the Library of Rodney
Palaeography, Codicology & Diplomatics The Library of Rodney Gove Dennis Keeper of Manuscripts, The Houghton Library, Harvard University Part I: Manuscripts & Books Printed Before 1800 (29 titles in 33 volumes) Part II: Reference Works (360 titles in 412 volumes) Curator, poet, translator Dennis dies October 26, 2006 Harvard Gazette Rodney Gove Dennis, who died on Oct. 12 after a short illness, wrote poetry and made music while curating manuscripts at Harvard’s Houghton Library. In his retirement he reconnected with the study of Latin using his poetic skills to translate the works of Catullus, Tibullus, and the Medieval Latin poet Giovanni Pontano. His life was like a diamond, brilliant and many-faceted. The Rev. Professor Peter J. Gomes, the Plummer Professor of Christian Morals and Pusey Minister in the Memorial Church, writes: “He wore his considerable learning lightly, and with a ready wit, and his capacity for friendship and conversation across the ages was enormous. He was also a man of faith whose theological erudition helped enliven many a discussion. I will miss him in many places and in many ways.” Dennis was born in New York City in 1930, attended the Allen Stevenson School, and graduated from Putney School in 1948. He attended Yale University for two years. Then after one year in a bookstore (where he tackled a book thief fleeing down Fifth Avenue) and another in the Army, he entered the Manhattan School of Music and there took a bachelor’s degree in viola and a master’s in musicology. He then moved to Germany with his first wife, Joan (Akeeyah) Brown, and their two young children to pursue a doctoral program in music history at the University of Frankfurt. -
Capturing Christ's Tears: in Medieval and Early Modern France
Capturing Christ’s Tears University Press Scholarship Online Oxford Scholarship Online Feeling Things: Objects and Emotions through History Stephanie Downes, Sally Holloway, and Sarah Randles Print publication date: 2018 Print ISBN-13: 9780198802648 Published to Oxford Scholarship Online: February 2018 DOI: 10.1093/oso/9780198802648.001.0001 Capturing Christ’s Tears La Sainte Larme in Medieval and Early Modern France Helen M. Hickey DOI:10.1093/oso/9780198802648.003.0005 Abstract and Keywords This chapter investigates the historiography of the cult of the Holy Tear of Christ, La Sainte Larme, and explores the materiality and affective life of the relic. The apocryphal narrative tells that an angel caught the tears Christ shed on hearing about Lazarus’ death and gave them to Mary Magdalene for safekeeping. Around 1040, Geoffrey Martel received the relic of the Holy Tear as a reward for his military efforts. Enshrined at the Abbey of La Trinité, Vendôme, France, the Holy Tear enjoyed a robust devotion during the Middle Ages, attracting pilgrims from all over Europe. The end point for La Sainte Larme’s fame is the French Revolution, when the relic disappears. Christ’s Tear provides an exemplary case for emotion studies and material culture because it encapsulates religious piety and feeling, but, as an ephemeral bodily excretion, it presents interpretive challenges as an object. Keywords: Sainte Larme, relic, Christ, Holy Tear of Christ, pilgrim, Lazarus, Abbey of La Trinité Page 1 of 26 PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in OSO for personal use (for details see www.oxfordscholarship.com/page/privacy-policy). -
Thomas Head Hunter College and the Graduate Center, CUNY
A Guide to the Sources of Late Antique and Medieval Hagiography Compiled by Thomas Head Hunter College and the Graduate Center, CUNY Contents: 1) The primary sources ; 2) Guides to the saints ; 3) Guides to hagiographic literature ; 4) Guides to iconography ; 5) General works in hagiographic scholarship ; 6) Some useful catalogues of manuscripts . 1. The primary sources. 1/1. Some major collections of hagiographic sources. Sanctuarium seu Vitae sanctorum , ed. Boninus Mombritius (Bonino Mombrizio), 2 vols. (Milan, ca. 1477; reprint edition, Paris, 1910). De probatis sanctorum historiis ed. Laurentius Surius (Laurence Suhr), 6 vols. and index (first edition, Cologne, 1570-75; second edition, 1576-1581; third edition, Venice, 1581). Fourth editon: De probatis sanctorum vitis , 12 volumes (Cologne, 1618). Fifth edition: Historiae seu Vitae sanctorum . , 13 vols. (Marieta, 1875-1880). (Organized by liturgical calendar.) Acta primorum martyrym sincera et selecta . , ed. Th. Ruinart (Paris, 1689). Second edition: Antwerp, 1713. Third edition: Verona, 1731. Fourth edition: Augsburg, 1802-3. Fifth edition: Regensburg, 1859. Acta Sanctorum quotquot toto orbe coluntur , eds. Jean Bolland, et al, (original ed., 67 vols., Antwerp and Brussels, 1643-1940; second edition, 43 vols., Venice; third edition, 60 vols., Paris). (Organized by liturgical calendar.) Standard abbreviation: AASS. Acta Sanctorum ordinis Sancti Benedicti , eds. Luc d'Achéry and Jean Mabillon, first ed., 6 vols. in 9 (Paris, 1668-1701; partial reprint edition, Brussels, 1935). (Organized by century of the "Order of St. Benedict": the first volume covers the sixth century, the sixth volume the eleventh.) Standard abbeviation: AASSOB. 1/2. Other standard collections of medieval sources which include hagiographic material. -
Jaume Plensa Jaume Plensa
JAUME PLENSA JAUME PLENSA JAUME PLENSA The house Artistic commitment On 1 September 1729 in Reims, in the heart of Champagne, Nicolas Ruinart drafted the founding act of Maison Ruinart, which hence became the first Champagne Maison in the world. An act which, almost three centuries later, continues to be extended and enriched. Its commitment to the world of arts is not new. It is not only expressed through its participation The Maison was founded during the Age of in leading international art fairs, but also through Enlightenment. This intellectual movement has its commissioning of renowned artists, who provide made a major contribution to the outreach of France, in their own unique way their vision of the Maison. its philosophy, its culture and its art of living. For Ruinart, artistic expression is a way to share its Since then, it has constantly vitalised, promoted heritage, its history, its know-how and the excellence and developed it. Hence it is an absolutely natural of its wines all over the world. quest for the oldest of the Champagne Maisons. In 1896, the Maison had the daring idea, for the first time in the history of Champagne, to call on the talent Since the Maison’s creation, its cellar masters have of a young artist, the Czech Alphonse Mucha, who constantly endeavoured to develop, from generation created a unique and sensational advertisement. to generation, the excellence of its wines. In the course Mucha later became one of the pillars of Art Nouveau, of time, the oenological selection has focused on a rare of which he is at present globally recognised. -
Two Crises of Historical Consciousness1 by Peter Burke
1 Two Crises of Historical Consciousness1 By Peter Burke Is it possible to know the past? Is it possible to tell the truth about ‘what actually happened', or are historians, like novelists, the creators of fictions? These are topical questions in the 1990s, both inside and outside the historical profession, though they are questions to which different people offer extremely diverse answers. Some people would describe the present situation as one of epistemological ‘crisis'. If the term ‘crisis' is employed in a precise sense, to refer not to any period of confusion but to a short period of turmoil leading to a major or structural change, then it may still be a little too early to say whether we are passing through a crisis or not. We would have to be out of the crisis before we knew that we had been in one. However, the turmoil is obvious enough, and it has led, as crises generally do, to a number of calls for `rethinking history'. One purpose of this article is to suggest that it would be unwise to study the philosophy or theory of history (in the sense of reflections on the purpose and method of historical writing), in isolation from the study of historiography. After all, the topical questions listed in the preceding paragraph are not new questions. They were being discussed with at least equal anxiety, excitement and irritation in the late seventeenth century. In order to put late twentieth-century problems `in perspective', as historians like to say, and to achieve a certain detachment, this article will begin by describing and analysing the seventeenth-century version of this debate on historical knowledge.