2019-2020 Website Blurb

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2019 – 2020 Band Small Ensemble Information WOODWIND NO CHANGE TO THE FOLLOWING EVENTS 234 Flute Trio 242 Flute Quartet 235 Bb Clarinet Trio May also be performed by 3 alto clarinets or 3 bass clarinets. 243 Bb Clarinet Quartet May also be performed by 4 alto clarinets or 4 bass clarinets. 244 Mixed Clarinet Quartet Bb Clarinet may be substituted for Alto Clarinet. Any published instrumentation may be performed. 246 Saxophone Quartet Two altos, tenor, baritone; or soprano, alto, tenor, baritone. 273 Flute Choir No substitution for specified instrumentation allowed. 275 Clarinet Choir No substitution for specified instrumentation allowed. THE FOLLOWING EVENTS HAVE BEEN CONSOLIDATED UNDER WOODWIND TRIO (230) 230 Flute, Clarinet, Bassoon 231 Flute, Oboe, Clarinet 232 Oboe, Clarinet, Bassoon NO CHANGE TO THE FOLLOWING EVENTS BUT NEW STATEMENT IS ATTACHED 241 Woodwind Quartet Any published instrumentation may be performed. 251 Woodwind Quintet Any published instrumentation may be performed. SEVERAL TITLES IN MISC WW ENS ARE NOW UNDER (277) & (230) 270 Miscellaneous Woodwind Ensemble Any instrumentation noted in the score may be performed. NEW EVENT 277 Miscellaneous Saxophone Ensemble BRASS NO CHANGE TO THE FOLLOWING EVENTS 331 Trumpet Trio 340 Trumpet Quartet 341 Horn Quartet 332 Trombone Trio No substitution for specified instrumentation allowed. 333 Euphonium/Baritone Horn Trio Any suitable selection from the Trombone Trio List (332). 345 Trombone Quartet No substitution for specified instrumentation allowed. 343 Euphonium/Baritone Horn Quartet Any suitable selection from the Trombone Quartets List (345). 347 Tuba/Euphonium Quartet 360 Brass Sextet Any instrumentation noted in the score may be performed. 371 Six or More Brass Any instrumentation noted in the score may be performed. THE FOLLOWING EVENTS HAVE NOT CHANGED BUT HAVE NEW TITLES 334 Brass Trio Any instrumentation noted in the score may be performed. 351 Brass Quintet Any instrumentation noted in the score may be performed. THE FOLLOWING EVENTS HAVE BEEN CONSOLIDATED UNDER BRASS QUARTET (344) 344 Brass Quartet 346 Four Brass Any published instrumentation may be performed. NEW EVENTS 373 Miscellaneous Horn Ensemble 375 Trombone Choir .

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An Arthur Berger
AN ARTHUR BERGER New World Records 80360 RETROSPECTIVE with GILBERT KALISH, piano JOEL KROSNICK, cello CHRISTOPHER OLDFATHER, piano JOEL SMIRNOFF, violin DAVID STAROBIN, guitar Members of the Boehm Quintette Arthur Berger is a stalwart of the American concert tradition. No popularizer, he has for some fifty years been producing sturdily crafted pieces that spring from the mixed lineage of Stravinsky, Schoenberg, and Copland. Yet the style is all his own. At times it readily appeals. Always it challenges. Born in 1912 and raised in the Bronx, Berger first studied at City College and New York University, later at the Longy School of Music and at Harvard. He completed his formal education with Nadia Boulanger in Paris. From 1939 to 1943 he taught at Mills College and Brooklyn College, then began writing music criticism for the New York Sun and, principally, the New York Herald-Tribune. In 1953 Berger joined the faculty of Brandeis University; he has also taught at Harvard and the Juilliard School, and is currently on the faculty of the New England Conservatory. Like many of his composer contemporaries, Berger has been an important and prolific writer. In addition to his stints as a journalist, he founded two quite different periodicals, each an outgrowth of the notion of a "little magazine" directed to a special public. The first, The Musical Mercury, was started in 1934 by Berger and Bernard Herrmann--the man later famous as a Hollywood film composer. Although The Musical Mercury included some articles about new works, it mostly explored European compositions of the past. The journal with which Berger is most closely identified, however, is Perspectives of New Music, begun with Benjamin Boretz in 1962.
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