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Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
Violent Offender Incarceration and Truth-In-Sentencing Incentive Formula Grant Program
U.S. Department of Justice Office of Justice Programs Bureau of Justice Assistance REPORT TO CONGRESS Violent Offender Incarceration and Truth-In-Sentencing Incentive Formula Grant Program February 2012 Submitted by: Table of Contents Introduction 1 Funding History 1 Eligibility Requirements 2 Appendixes A. Fiscal Years 1996–2001 VOI/TIS Funding 4 B. VOI/TIS Program Activities by State 6 Introduction Title II, Subtitle A of the Violent Crime Control and Law Enforcement Act of 1994 (“Crime Act”) (Pub. L. 103-322), established the Violent Offender Incarceration and Truth-in-Sentencing (VOI/TIS) Incentive Grant Program. The program assisted states in their efforts to remove violent offenders from the community and encouraged states to implement TIS laws. Originally administered by the Office of Justice Programs’ (OJP) Corrections Program Office (CPO), the program was transferred to OJP’s Bureau of Justice Assistance (BJA) in November 2002 after an OJP-wide reorganization merged CPO with BJA. The VOI/TIS Program provided formula grants to states to build or expand correctional facilities and jails to increase secure confinement space for violent offenders. From fiscal years (FYs) 1996 to 2001, half of the funds were made available for VOI grants and half were available as incentive awards to states that implemented TIS laws. VOI/TIS grant funds allowed states to build or expand correctional facilities to increase bed capacity for the confinement of persons convicted of Part 1 violent crimes or adjudicated delinquents who had committed equivalent acts. Funds were also used to build or expand temporary or permanent correctional facilities, including facilities on military bases, prison barges, and boot camps; to confine convicted nonviolent offenders and criminal aliens; or to free suitable existing prison space for the confinement of persons convicted of Part 1 violent crimes. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
View Was Provided by the National Endowment for the Arts
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. TOOTS THIELEMANS NEA Jazz Master (2009) Interviewee: Toots Thielemans (April 29, 1922 – August 22, 2016) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: August 31 and September 1, 2011 Repository: Archives Center, National Museum of American History Description: Transcript, 80 pp. Brown: Today is August 31, 2011. My name is Anthony Brown, and I am conducting the Smithsonian Institution Oral History with NEA Jazz Master, harmonica virtuoso, guitarist and whistler, Toots Thielemans. Hello… Thielemans: Yes, my real name is Jean. Brown: Jean. Thielemans: And in Belgium… I was born in Belgium. Jean-Baptiste Frédéric Isidor. Four first names. And then Thielemans. Brown: That’s funny. Thielemans: And in French-speaking Belgium, they will pronounce it Thielemans. But I was born April 29, 1922. Brown: That’s Duke Ellington’s birthday, as well. Thielemans: Yes. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Brown: All right. Thielemans: Yes, same day. Brown: Yeah, same day. Just a few years later. [laughs] Thielemans: [laughs] Oh, Duke. Okay. Brown: Where in Belgium? What city? Thielemans: In Brussels. Brown: That’s the capitol. Thielemans: In a popular neighborhood of Brussels called Les Marolles. There was… I don’t know, I wouldn’t know which neighborhood to equivalent in New York. Would that be Lower East Side? Or whatever… popular. And my folks, my father and mother, were operating, so to speak, a little beer café—no alcohol but beer, and different beers—in this café on High Street, Rue Haute, on the Marolles. -
Shooting Suspect Arrested in Tecumseh Twp. Negotiations Stall
THURSDAY THE TECUMSEH 50¢ MARCH 28, 2013 Tecumseh, Michigan Join us! VOL. 160, ISSUE 49 HERALD LENAWEE COUNTY’S OLDEST NEWSPAPER • SINCE 1850 tecumsehherald.com INSIDE: Area churches offer Holy Week services • See page 5A Shooting suspect arrested in Tecumseh Twp. n Suspect in Ann Arbor shooting arrested in Highlands subdivision By MARY KAY McPARTLIN State Street in Ann Arbor some- ble,” said [email protected] time before 1:58 a.m. A n n His charges include assault A r b o r Happy Easter! An Ann Arbor shooting early with intent to murder, assault P o l i c e Sunday morning ended quietly with intent to do great bodily Detective at 5207 Turnberry Court in harm less than murder, carrying B i l l In the news Tecumseh Township, when Ann a concealed weapon, and pos- Stanford. Arbor police arrested 18-year- session of a firearm during the Police Divas at Dusk coming old Torrey Juide and an uniden- commission of a felony, accord- found the back downtown tified 18-year-old Tecumseh ing to court records. The drive- v e h i c l e Torrey Juide woman. Juide is charged with by shooting witnesses identified was reg- PHOTO BY MARY KAY McPARTLIN Downtown Divas at Dusk is shooting another 18-year-old Juide and his vehicle to police. coming to downtown man in the shoulder on South “The car was very recogniza- SEE ARREST PAGE 4A Suspect arrested at 5207 Turnberry Court in the Highlands. Tecumseh on Thursday, March 28, from 5-9 p.m. -
Institutionalizing the Pennsylvania System: Organizational Exceptionalism, Administrative Support, and Eastern State Penitentiary, 1829–1875
Institutionalizing the Pennsylvania System: Organizational Exceptionalism, Administrative Support, and Eastern State Penitentiary, 1829–1875 By Ashley Theresa Rubin A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Jurisprudence and Social Policy in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Malcolm Feeley, Chair Professor Cybelle Fox Professor Calvin Morrill Professor Jonathan Simon Spring 2013 Copyright c 2013 Ashley Theresa Rubin All rights reserved Abstract Institutionalizing the Pennsylvania System: Organizational Exceptionalism, Administrative Support, and Eastern State Penitentiary, 1829–1875 by Ashley Theresa Rubin Doctor of Philosophy in Jurisprudence and Social Policy University of California, Berkeley Professor Malcolm Feeley, Chair I examine the puzzling case of Eastern State Penitentiary and its long-term retention of a unique mode of confinement between 1829 and 1875. Most prisons built in the nineteenth cen- tury followed the “Auburn System” of congregate confinement in which inmates worked daily in factory-like settings and retreated at night to solitary confinement. By contrast, Eastern State Penitentiary (f. 1829, Philadelphia) followed the “Pennsylvania System” of separate confinement in which each inmate was confined to his own cell for the duration of his sentence, engaging in workshop-style labor and receiving religious ministries, education, and visits from selected person- nel. Between 1829 and the 1860s, Eastern faced strong pressures to conform to field-wide norms and adopt the Auburn System. As the progenitor of the Pennsylvania System, Eastern became the target of a debate raging over the appropriate model of “prison discipline.” Supporters of the Auburn System (penal reformers and other prisons’ administrators) propagated calumnious myths, arguing that the Pennsylvania System was cruel and inhumane, dangerous to inmates’ physical and mental health, too expensive, and simply impractical and ineffective. -
Iowa Department of Corrections Position Listing and Pay Ranges
Iowa Department Vision: of An Iowa With No Corrections More Victims John Baldwin, Director About The Department The Department of Corrections is a public safety agency within the Head executive branch of state government charged with the supervision, custody, and correctional programming of convicted adult offenders who are sentenced by the state courts for a period of incarceration in state prisons. Iowa’s adult correctional system carries out its charge of protecting Place you r m essag e h ere. Fo r m axim um i mpact , use two or t hre e se ntenc es. the public through a continuum of evidence-based services and in- terventions. This continuum of offender services is designed with recognition of the ultimate release of most offenders. The effective ing and efficient management of offenders in accordance with their risk and criminogenic need (those needs that contribute to criminality) is www.doc.state.ia.us accomplished through targeted programming, release preparation, and transition services back into the community. The Department operates 9 Prisons, 10 Prison Farms, and 24 Com- An Equal Opportunity / Affirmative munity-Based Correctional Facilities. We employ 2,700 staff at the Action Employer prisons, which are responsible for the supervision, custody and treat- ment of approximately 8,500 offenders. 2 Iowa Department of Corrections Position Listing and Pay Ranges Position Annual Pay Range ACCOUNTANT 2 $42,286.40 - $64,272.00 ACCOUNTANT/AUDITOR 1 $35,900.80 - $52,977.60 ACCOUNTING CLERK 2 $28,808.00 - $41,953.60 ACCOUNTING TECHNICIAN -
At Play Spring-Summer 06.Indd
rating Seventy Y representing the american theatre by eleb ears publishing and licensing the works C of new and established playwrights 70th Anniversary Issue D ram 06 ati – 20 sts Play Service, Inc. 1936 Issue 12, Spring/Summer 2006 AN INTERVIEW WITH Austin Pendleton Director of Professional Rights Robert Lewis Vaughan and Director of Publications Michael Q. Fellmeth talk with Austin Pendleton about his New York hit, Orson’s Shadow, and his life as a consummate man of the theatre. ROBERT. Orson’s Shadow had an amazing run here in New York at The Barrow Street Theatre following Tracy Letts’ fantastic Bug (also represented by DPS). Tracy was in your play, in the role of Kenneth Tynan. Two hits in a row — two actor/playwrights in a row — one theatre. What do you have to say about that? AUSTIN. There’s more to it than that. Tracy Letts caused this to happen. He told our producers (Scott Morfee, Chip Meyrelles, Tom Wirtshafter) about Orson’s Shadow. He put together a reading with the Chicago cast, directed by the Chicago director, in Chicago, for Scott, Chip and Tom to come and see and hear … Continued on page 3 NEWPLAYS Serving the American Theatre Since 1936: A Brief History of Dramatists Play Service, Inc. Rob Ackerman DISCONNECT. Goaded by the women they love “The Dramatists Play Service came into being at exactly the right moment and haunted by memories they can no longer for the contemporary playwright and the American theatre at large.” suppress, two men at a dinner party confront the —Audrey Wood, renowned agent to Tennessee Williams lies of their lives. -
Building Bridges to Success
Building Bridges To Success Annual Report 2007-2008 A Program That Works For The Citizens Of Iowa Iowa Prison Industries A Division of The Department of Corrections 510 E 12th Street, Des Moines, IA 50319 800-670-4537 • www.iaprisonind.com 2008 Annual Conference March 14, 2008 • University of Iowa Message From The Director On behalf of the Advisory Board for Iowa Prison Industries and the staff of IPI, I am pleased to present our Annual Operating Report for Fiscal Year 2008. This report provides an overview of our organization and a summary of the Fiscal Year’s accomplishments, of which there are many. We have highlighted several significant events that will continue to help shape our future as we strive to expand our work opportunities for the offenders. IPI is uniquely structured and represents the true spirit of social entrepreneurship. Our success is measured against a “double bottom line.” We operate under a business model, meaning we are financially dependent upon our competitiveness and creative management skills to ensure that we are financially able to carry out the goals of providing work for offenders in vocations that allow them to return to the community as taxpayers at some future date. At the same time, we must give credit to our dedicated staff and offender population who have chosen to work at IPI. They are truly dedicated to the mission and causes for which we are obligated. As you review our accomplishments (of which there are many), we do hope that we have answered most of the questions in your mind about IPI. -
Travis Larson Band Travis Larson Band Travis Larson Band Travis Larson Band Travis Larson Band Travis Larson Band S S E R P S S E R P S S E R P S S E R P R P S Q a F
TRAVIS LARSON BAND TRAVIS LARSON BAND TRAVIS LARSON BAND TRAVIS LARSON BAND TRAVIS LARSON BAND TRAVIS LARSON BAND PRESS PRESS PRESS PRESS PR FAQS Travis Larson Band TRAVIS LARSON BAND TRAVIS LARSON BAND Guitar Player Magazine GP Editors' Top Three 2011 ES TRAVIS LARSON BAND Guitar Hero goes from tender to full throttle "Silky bends, sweet legato lines, and tuneful shred... instrumen- "...A smoking instrumental power trio...With tons of technique Burn Season (PRCN-1005) BURN SEASON Rockshow DVD SOUNDMIND (PRCN-1009) TRAVIS LARSON BAND Suspension tal rock fans should catch this guy." -Guitar Player Magazine to burn..." -Expose Magazine Precision Records (2004) Precision Records (2003) Itching for something that will sound as good Rock Show DVD Tracing the evolution of the rock guitar instrumentalist would probably start with Les Paul and S (Precision) Silky bends, sweet legato lines, and tuneful shred characterize Larson's playing speeding down the interstate as it does in your Guitar freaks Precision Records (PRCN-1004) move into the realm of the surf movement, the technical advances of Hendrix and Clapton, and “Melodically tasty, the playing is smoothly condent while "A lot of meat on the barbecue..." on these 12 cuts. Some stellar moments include the slick lines on the opener, home stereo system? Look no further than Burn Guitarist/keyboardist Travis Larson has a bit of Steve Morse have a new then into more modern axe grinders like Eric Johnson and Joe Satriani. Add to the stack a cat technically brilliant, and production is so sonically crisp the -Axe Magazine "Nevermore," the swooping whammy work on "Down on Victory," and the Season, the third studio album from the Travis sensibility to his technically nimble melodic/harmonic guitar work, With the release of their second full length CD Suspension, The Travis named Travis Larson, and you have yourself the ultimate guitar solo experience. -
Joey Landwehr
.....,. aN31~=I J.S38 ~OJ.~V J.V3~E) lnOS J.V3~E) J.~V3H J.V3~E) )tNI=I 3~N3~MVl ·~a OJ. a3J.voioso SIMPLY DANNY Created by Joey Landwehr Table of Contents Con~~t ~taterrlent ()~ TRUE COLOR~ ()6 ~IMPLY DANNY 28 Process ~5 Post Evaluation 55 Research 58 Bibliogra~hy 9() Advertising 95 Production Proqram 99 Production Photographs 1()2 Reviews 1()~ .l.... October 07, 1996 Concept Statement TRUE COLORS (working title) is a biographical story of part of the life of a young man who is stricken with the disease AIDS. This young man, Danny Keel, has one last dream, to die in the theatre. The theatre is where he has always found his hopes and dreams, his friends and family, and most importantly the love of his life. This is partially a memory play and partially a present-time lounge act. For his final bow he must tell his story, instead of using other people's words. The audience is made up partially of friends and family and partially strangers. Danny simply wants to bring some happiness into people's lives while giving them some thing to think about at the same time. This also allows him to bring some closure to his life by getting some things off his chest that have been haunting him for years. In many ways, just as Torn Wingfield, not to mention Tennessee Williams, does in THE GLASS MENAGERIE. He speaks about the loss of his mother when he was young, the meeting and then loss of his lover as he got older. -
Iowa State Penitentiary Established 1839 Randy Gibbs Warden FY 2019
Iowa State Penitentiary Established 1839 Randy Gibbs Warden FY 2019 Fort Madison, IA A Message From the Warden Dear Director Skinner, It has been both an exciting and challenging transition to move from Clarinda Correc- tional Facility to Iowa State Penitentiary. I cannot express how thrilled I am to work with yet another talented and gifted team within the Iowa Department of Corrections. The Management Team wishes Warden Wachtendorf well in her future endeavors and thank her for her contributions to this facility. As I reflect on the last year, ISP has made some major strides in achieving the mission of safer communities in Iowa. The implementation of the Long Term Restrictive Housing program is an evidence-based program designed to assist our most difficult populations from a restrictive status to general population. We believe that it will be a crucial part of the Iowa Department of Correction’s long-term success. Another important stride is opening lines of communication between staff and leader- ship. It is vital for staff to be heard and part of operations in both name and practice. Finally, Iowa State Penitentiary will be looking forward to exploring innovative ways to encourage positive pro-social growth amongst our maximum-security population. Thank you for the opportunity to be a part of the rich traditions of Iowa State Peniten- tiary. Randy Gibbs Warden Our Mission : Creating Opportunities for Safer Communities 2 Table of Contents Management Team 04 Table of Organization 05 History 06 Education Report 08 Budget/FY 19 Financial 10 Departments 12 Throughout the Year 24 3 Meet the Management Team During FY 19 the Management Team consisted of Warden Patti Wachtendorf, Deputy Warden Chris Tripp.