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Strikers at Kennedy Moonport Ignore Plea to Let Workers in Marvin, Win Christie, Sound of Music Coveted 38Th Oscar Awards Raider
HIGH TIDE LOW TIDE 4-20-66 4-20-66 5.4 AT 1642 0.5 AT 2242 5.8 AT 0430 0.6 AT 1042 VOL 7 No. 2983 KWAJALEIN, MARSHALL ISLANDS TUESDAY, APRIL 19, 1966 STRIKERS AT KENNEDY MOONPORT SEVILLE (UPI )--A "VERY UPSET" MRS. JOHN F. KENNEDY TODAY EMPHATICALLY DENIED RE IGNORE PLEA TO LET WORKERS IN PORTS SHE PLANNED TO MARRY SPANISH DIPLO CAPE KENNEDY (UPI)--STRIKING ROCKET WORKERS IGNORED A GOVERNMENT PLEA TO REDUCE PICKET MAT ANTONIO GARRIGUES. ING TODAY, HAMPERING CONSTRUCTION or AMERICA'S MOON PORT rOR THE SECOND CONSECUTIVE DAY. GARRIGUES, 62, WHO ARRIVED IN THIS CITY THE AIR FORCE AND FEDERAL SPACE AGENCY REQUESTED THE STRIKING INTERNATIONAL UNION or THIS ArTERNOON TO JOIN A PARTY WHICH IN ~LECTRICIANS (AFL-CIO) LAST NIGHT TO LIMIT THEIR PICKET LINES TO ONLY ONE SPACEPORT EN CLUDED MRS. KENNEDY, SCOrrED AT THE RO ~RANCE IN AN ATTEMPT TO REMOVE THE STRIKE BARRIERS rOR BUILDING TRADESMEN, BUT THE ELECT MANCE REPORTS. "WE ARE JUST GOOD rRIENDS" ~ICIANS MAINTAINED PICKETS AT ALL rOUR MAIN GATES AGAIN TODAY AND TURNED AWAY ABOUT 40 HE SA I D. PERCENT or THE 1,161-MAN CONSTRUCTION WORK rORCE. Two BIG ApOLLO MOON BASE BUILDING PRO THE 36-YEAR-OLD rORMER FIRST LADY, IN A JECTS WERE AGAIN CRIPPLED. REPORT ISSUED THROUGH U.S. AMBASSADOR AN THE PICKETING BEGAN YESTERDAY AS A RESULT or A CONTRACT WAGE DISPUTE WITH THE UNITED GIER BIDDLE DUKE, SAID "I WANT TO MAKE IT rECHNO~OGY CENTER, MAKER or THE BIG SOLID-rUELED ROCKETS THAT GIVE THE AIR FORCE TITAN CRYSTAL CLEAR AND COMPLETELY UNDERSTOOD 3C SPACE LAUNCHER A 2.4 MILLION POUND THRUST BLASTOrr PUNCH. -
Guide to the Edythe and Lloyd Katz Photographs
Guide to the Edythe and Lloyd Katz Photographs This finding aid was created by Lindsay Oden and Emily Lapworth. This copy was published on August 28, 2019. Persistent URL for this finding aid: http://n2t.net/ark:/62930/f1jk7k © 2019 The Regents of the University of Nevada. All rights reserved. University of Nevada, Las Vegas. University Libraries. Special Collections and Archives. Box 457010 4505 S. Maryland Parkway Las Vegas, Nevada 89154-7010 [email protected] Guide to the Edythe and Lloyd Katz Photographs Table of Contents Summary Information ..................................................................................................................................... 3 Biographical Note for Edythe Katz-Yarchever .............................................................................................. 3 Scope and Contents Note ................................................................................................................................ 5 Arrangement .................................................................................................................................................... 6 Administrative Information ............................................................................................................................. 6 Related Materials ............................................................................................................................................. 7 Names and Subjects ....................................................................................................................................... -
The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968. -
NPRC) VIP List, 2009
Description of document: National Archives National Personnel Records Center (NPRC) VIP list, 2009 Requested date: December 2007 Released date: March 2008 Posted date: 04-January-2010 Source of document: National Personnel Records Center Military Personnel Records 9700 Page Avenue St. Louis, MO 63132-5100 Note: NPRC staff has compiled a list of prominent persons whose military records files they hold. They call this their VIP Listing. You can ask for a copy of any of these files simply by submitting a Freedom of Information Act request to the address above. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. -
Orders Managers to Scan All Trailers As Potential Source of Protests
20 PICTURES U&RIETY Wednesday, June 16, 1965 .••••••»•••••••••••••••••••••••»««•••••••>> >••••••> • • Orders Managers to Scan All Trailers Re Raoul Levy -•;• New York Sound Track \\ SBS Continued from page 3 SS5S »••••••••••«<••••••••••••••••••••«•••••••••••••••" As Potential Source of Protests ments on file in the Paris office of the Centre National Cinemato Met coming out of the MGM elevator Friday, a 13-foot brown and Santa Fe, N.M., June 15. + graphic. white python. Creature, "affection-trained" by Ralph D. Heifer, wag Lou Avolio, city manager for MARNI NIXON'S CONCERTS curled up in an ordinary zippered suitcase, on its way to a tv appear Frontier Theatres Inc. at Albu "(I am) at a loss to understand ance. When suitcase was unzipped for curious VARIETY reporter, python querque, was chosen president of how Levy can give western hem winked amiably and seemed to enjoy being petted. the New Mexico Theatre Assn. here. Soundtrack Ghost Singer At N. Y. isphere distribution rights to Eliot Promenades Hyman of Seven Arts. George Cukor in town over the weekend for talks at 20th-Fox, for Two-day sesh attracted about 125 whom he'll produce and direct the screen version of Lesley Branch'* persons, according to E. J. (Gene) "Avala" has already placed dis novel, "The Nine-Tiger Man"...In case you haven't noticed: producer Haubner, Sante Fe exhib and chair Marni Nixon, best known for tribution rights with Omnia Films her ghost-singing for various Albert Broccoli gets precedence over coproducer Harry Saltzman in all man of this year's conclave. of Munich. Omnia has been au ads on the James Bond pix here, but in Europe, the billing is reversed. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Entire Issue
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 107 CONGRESS, SECOND SESSION Vol. 148 WASHINGTON, MONDAY, SEPTEMBER 9, 2002 No. 112 House of Representatives The House met at 12:30 p.m. and was cury in the environment by limiting the use Massoud was already a legend. His called to order by the Speaker pro tem- of mercury fever thermometers and improv- courage and wisdom served his own pore (Mr. DAN MILLER of Florida). ing the collection and proper management of people well. It also inspired freedom- mercury, and for other purposes. f loving people throughout the world, f and let me admit to that I was one of DESIGNATION OF THE SPEAKER those who was inspired by Commander PRO TEMPORE MORNING HOUR DEBATES Massoud. It was my honor to have com- The SPEAKER pro tempore laid be- The SPEAKER pro tempore. Pursu- municated with him over the years as fore the House the following commu- ant to the order of the House of Janu- well as to go and meet him in Afghani- nication from the Speaker: ary 23, 2002, the Chair will now recog- stan about 5 years ago, meet him in WASHINGTON, DC, nize Members from lists submitted by one of his mountain retreats, one of his September 9, 2002. the majority and minority leaders for mountain holdouts, and strategize with I hereby appoint the Honorable DAN MIL- morning hour debates. The Chair will LER to act as Speaker pro tempore on this him on how to free Afghanistan from day. -
Richard Brooks the PROFESSIONALS 1966, (119 Min.)
September 30, 2008 (XVII:6) Richard Brooks THE PROFESSIONALS 1966, (119 min.) Produced, written and directed by Richard Brooks Original Music by Maurice Jarre Cinematography by Conrad L. Hall Film Editing by Peter Zinner Burt Lancaster... Bill Dolworth Lee Marvin... Henry 'Rico' Fardan Robert Ryan... Hans Ehrengard Woody Strode... Jake Sharp Jack Palance... Jesus Raza Claudia Cardinale... Mrs. Maria Grant Ralph Bellamy... Joe Grant Joe De Santis... Ortega Nominated for Best Cinematography, color, Best Director and Best writing, screenplay based on material from another medium Oscars RICHARD BROOKS (18 May 1912, Philadelphia, Pennsylvania— Oscars (Atlantic City, 1980, Birdman of Alcatraz 1962, From 11 March 1992, Beverly Hills, California, congestive heart Here to Eternity 1953) and won one (Elmer Gantry 1960). Some failure) wrote 36 screenplays and directed 24 films. Some of the of his other 86 films were Field of Dreams (1989), Zulu Dawn films he wrote and directed were Looking for Mr. Goodbar (1979), Go Tell the Spartans (1978), The Island of Dr. Moreau (1977), In Cold Blood (1967), The Professionals (1966), Lord Jim (1977), Twilight's Last Gleaming (1977), The Cassandra Crossing (1965), Sweet Bird of Youth (1962), Elmer Gantry (1960), Cat on (1976), Victory at Entebbe (1976—as Shimon Peres), Buffalo Bill a Hot Tin Roof (1958), The Brothers Karamazov (1958), and the Indians, or Sitting Bull's History Lesson (1976), Ulzana's Something of Value (1957), and Blackboard Jungle (1955). He Raid (1972), Valdez Is Coming (1971), Airport (1970), The Gypsy was nominated for 5 Best Screenplay and 3 Best Director Oscars Moths (1969), Castle Keep (1969), The Swimmer (1968), The (In Cold Blood, The Professionals and Cat on a Hot Tin Roof). -
Soviet Economic Role in the Mideast
UC San Diego Policy Papers Title Policy Paper 01: Building Towards Middle East Peace: Working Group Reports from "Cooperative Security in the Middle East" Permalink https://escholarship.org/uc/item/63m3h76z Author Graham, Thomas W Publication Date 1992 eScholarship.org Powered by the California Digital Library University of California Building Toward Middle East Peace: Working Group Reports from “Cooperative Security in the Middle East” Moscow, 21–24 October1991 Policy Paper #1 January 1992 The sponsors of this conference would like to thank the following organizations and individuals for their finan- cial and programmatic assistance with this conference: W. Alton Jones Foundation, Inc., The Carnegie Corporation of New York, the Ploughshares Fund, the Canadian Institute for International Peace and Security, the Center for International and Strategic Affairs (CISA) at UC Los Angeles, Mr. Albert Friedman and other anonymous donors. The funding organizations and individuals, including The Carnegie Corporation of New York, do not take re- sponsibility for any statements or views expressed at this conference. CONTENTS About the Institute on Global Conflict and Cooperation..................................................................................................... v BUILDING TOWARD MIDDLE EAST PEACE OVERVIEW.............................................................................................................................................................................. 1 Historical Background ......................................................................................................................................................... -
Mss 006 Ferry
RUTH LILLY SPECIAL COLLECTIONS AND ARCHIVES Carol Bernstein Ferry and W. H. Ferry Papers, 1971-1997 Mss 006 Carol Bernstein Ferry and W.H. Ferry Papers, 1971-1997 Mss 006 22.4 c.f. (22 cartons and 1 document box) ABSTRACT Carol Bernstein Ferry and the late W. H. (Ping) Ferry were social change philanthropists who gave away a substantial part of their personal wealth to progressive social change groups, activities, and activists concentrating generally in the areas of war, racism, poverty, and injustice. The Ferrys were also board members of the DJB Foundation, established by Carol’s first husband, Daniel J. Bernstein, which focused its giving in similar areas. The papers, 1971-1996, document the individuals, organizations, and activities the Ferrys supported with their donations. ACCESS This collection is open to the public without restriction. The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. PREFERRED CITATION Cite as: Carol Bernstein Ferry and W. H. Ferry Papers, 1971-1997, Ruth Lilly Special Collections and Archives, University Library, Indiana University Purdue University Indianapolis ACQUISITION Presented by Carol Bernstein Ferry and W. H. Ferry, December 1993. A93-89, A96-33 Processed by Brenda L. Burk and Danielle Macsay, February, 1998. Ferry Finding Aid - page 2 HISTORY Carol Bernstein Ferry was born Carol Underwood in 1924 in upstate New York and grew up in Portland, Maine. She attended a private girls’ school and graduated from Wells College, a small woman’s college near Auburn, New York, in 1945. She moved to New York City in 1946 and worked as a copy editor and proofreader, eventually freelancing in that capacity for McGraw- Hill. -
Pdfannual Report 2013
WELCOME The national ACLU turned ninety-four this year — five hundred thousand Americans united in one cause. Since 1920, the political currents have repeatedly threatened to take — and sometimes have taken — America off course. But the ACLU’s compass has always been true, the vision always clear: to THE AMERICAN CIVIL LIBERTIES UNION IS FOUNDED make our union — these United States — more perfect by upholding constitutional rights for everyone. In 1920, the United States is awash in fear, sparking a series of raids There’s much to celebrate. This report highlights key successes from by the U.S. Department of Justice this year, while recalling some of the historic milestones that helped that target anyone suspected of THE AMERICAN CIVIL LIBERTIES UNION OF bring us here. being a communist and immigrants SOUTHERN CaLIFORNIA whose activism is at odds with the The ACLU struck down the federal Defense of Marriage Act last year government. Thousands of individuals Three years after the national ACLU was formed, and look at how the freedom to marry has spread — for the first time, are imprisoned or deported. Their journalist Upton Sinclair helps form the ACLU of most Americans live in states where same-sex marriage is legal! civil rights and liberties trampled. Southern California (ACLU SoCal) in Los Angeles. In response, Roger Baldwin, Crystal Angered by the Los Angeles Police Department’s But even as we celebrate this advance, we must recognize the rising Eastman, Albert DeSilver, and others brutal treatment of striking dock workers in San tide against basic rights. Some states have taken the election and re- form the American Civil Liberties Pedro, Sinclair and others protest by attempting to election of a black president as a call to arms and want to prevent Union. -
Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood Publicist
Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood publicist HALL, Sheldon <http://orcid.org/0000-0003-0950-7310> Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/6808/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version HALL, Sheldon (2013). Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood publicist. InMedia, 2013 (3). Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk Jerry Pickman: “The Picture Worked” Reminiscences of a Hollywood publicist Edited and introduced by Sheldon Hall Contact details: Dr. Sheldon Hall Dept. of Stage and Screen Studies Room Owen 1130 Sheffield Hallam University Howard Street Sheffield S1 1WB Telephone: 0114 225 6224 Mobile: 07845 704 205 Email: [email protected] - 1 - Jerry Pickman: “The Picture Worked” Excerpts from the reminiscences of a Hollywood publicist Jerome (Jerry) Pickman (b. 24 August 1916; d. 18 November 2010) worked for more than fifty years in Hollywood film marketing and distribution. A native New Yorker, Pickman served as a reporter on the Brooklyn Eagle and other New York newspapers and took a law degree before entering show business as a publicist for Ted Lewis, Tommy Dorsey, and other musicians and bands. His association with the film industry began in 1944 through a chance meeting with the entertainer Eddie Cantor, who employed Pickman in a personal capacity before he joined the publicity department of Twentieth Century-Fox later that year.