HDSA Publishes the Marker: 2020 Research Report
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Illuminating the Darkness: the Naturalistic Evolution of Gothicism in the Nineteenth-Century British Novel and Visual Art
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 8-2013 Illuminating the Darkness: The Naturalistic Evolution of Gothicism in the Nineteenth-Century British Novel and Visual Art Cameron Dodworth University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the Literature in English, British Isles Commons Dodworth, Cameron, "Illuminating the Darkness: The Naturalistic Evolution of Gothicism in the Nineteenth- Century British Novel and Visual Art" (2013). Dissertations, Theses, and Student Research: Department of English. 79. https://digitalcommons.unl.edu/englishdiss/79 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. ILLUMINATING THE DARKNESS: THE NATURALISTIC EVOLUTION OF GOTHICISM IN THE NINETEENTH- CENTURY BRITISH NOVEL AND VISUAL ART by Cameron Dodworth A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English (Nineteenth-Century Studies) Under the Supervision of Professor Laura M. White Lincoln, Nebraska August, 2013 ILLUMINATING THE DARKNESS: THE NATURALISTIC EVOLUTION OF GOTHICISM IN THE NINETEENTH- CENTURY BRITISH NOVEL AND VISUAL ART Cameron Dodworth, Ph.D. University of Nebraska, 2013 Adviser: Laura White The British Gothic novel reached a level of very high popularity in the literary market of the late 1700s and the first two decades of the 1800s, but after that point in time the popularity of these types of publications dipped significantly. -
Novel Collagen Markers for Early Detection of Bone Metastases in Breast and Prostate Cancer Patients
Downloaded from orbit.dtu.dk on: Oct 10, 2021 Novel Collagen Markers for Early Detection of Bone Metastases in Breast and Prostate Cancer Patients Leeming, Diana Julie Publication date: 2010 Document Version Publisher's PDF, also known as Version of record Link back to DTU Orbit Citation (APA): Leeming, D. J. (2010). Novel Collagen Markers for Early Detection of Bone Metastases in Breast and Prostate Cancer Patients. Technical University of Denmark. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Users may download and print one copy of any publication from the public portal for the purpose of private study or research. You may not further distribute the material or use it for any profit-making activity or commercial gain You may freely distribute the URL identifying the publication in the public portal If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Novel Collagen Markers for Early Detection of Bone Metastases in Breast and Prostate Cancer Patients Ph.d. Thesis by Diana Julie Leeming, May 2010 Technical University of Denmark, Department of Systems Biology Nordic Bioscience 1 Novel Collagen Markers for Early Detection of Bone Metastases Front page pictures 1. Detection of bone metastases by TC99 scintigraphy from anterior and posterior sides. Bone metastases are visualized as “hot-spots” where local bone turnover is high. -
Alien Invasions, Vulnerable Bodies: Science Fiction and the Biopolitics of Embodiment from H
1 Alien Invasions, Vulnerable Bodies: Science Fiction and the Biopolitics of Embodiment from H. G. Wells to Octavia Butler By Rosalind Diaz A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Katherine Snyder, Chair Professor Mark Goble Professor Mel Chen Fall 2018 1 Alien Invasions, Vulnerable Bodies: Science Fiction and the Biopolitics of Embodiment from H. G. Wells to Octavia Butler © 2018 Rosalind Diaz 1 Abstract Alien Invasions, Vulnerable Bodies: Science Fiction and the Biopolitics of Embodiment from H. G. Wells to Octavia Butler by Rosalind Diaz Doctor of Philosophy in English University of California, Berkeley Professor Katherine Snyder, Chair This dissertation turns to alien invasion narratives to elucidate the social, ethical and political consequences associated with the modern body as an entity with clearly defined borders. The imperatives of liberalism and neoliberalism constitute the modern body as a white, male, heteronormative body, navigating appropriate relationships to production and consumption. How does the human body emerge as a bounded entity in science and science fiction from the nineteenth century onward? Alien invasion narratives offer a fruitful way to trace this concept and its development over time. These narratives model proper ways of attending to one’s body as well as proper ways of defending oneself—and, by extension, the planet—from alien invasion. The present inquiry focuses on three different alien invasion narratives, beginning with H. G. Wells’s influential The War of the Worlds (1897), before moving to consider a pair of twentieth- century American texts: Philip Kaufman’s film Invasion of the Body Snatchers (1978) and Octavia Butler’s novel Fledgling (2005). -
Guidelines for Carcinogen Risk Assessment
EPA/630/P-03/001B March 2005 Guidelines for Carcinogen Risk Assessment Risk Assessment Forum U.S. Environmental Protection Agency Washington, DC DISCLAIMER Mention of trade names or commercial products does not constitute endorsement or recommendation for use. CONTENTS 1. INTRODUCTION ........................................................ 1-1 1.1. PURPOSE AND SCOPE OF THE GUIDELINES ........................ 1-1 1.2. ORGANIZATION AND APPLICATION OF THE GUIDELINES ........... 1-3 1.2.1. Organization .............................................. 1-3 1.2.2. Application ............................................... 1-5 1.3. KEY FEATURES OF THE CANCER GUIDELINES ..................... 1-7 1.3.1. Critical Analysis of Available Information as the Starting Point for Evaluation ............................................... 1-7 1.3.2. Mode of Action ........................................... 1-10 1.3.3. Weight of Evidence Narrative ............................... 1-11 1.3.4. Dose-response Assessment .................................. 1-12 1.3.5. Susceptible Populations and Lifestages ........................ 1-13 1.3.6. Evaluating Risks from Childhood Exposures .................... 1-15 1.3.7. Emphasis on Characterization ............................... 1-21 2. HAZARD ASSESSMENT .................................................. 2-1 2.1. OVERVIEW OF HAZARD ASSESSMENT AND CHARACTERIZATION . 2-1 2.1.1. Analyses of Data ........................................... 2-1 2.1.2. Presentation of Results ...................................... 2-1 2.2. -
Blood, Guns, and Plenty of Explosions: the Evolution of American Television Violence
Blood, Guns, and Plenty of Explosions: The Evolution of American Television Violence By Hubert Ta Professor Allison Perlman, Ph.D Departments of Film & Media Studies and History Professor Jayne Lewis, Ph.D Department of English A Thesis Submitted In Partial Completion of the Certification Requirements for The Honors Program of the School of Humanities and The Campuswide Honors Program University of California, Irvine 26 May 2017 ii Table of Contents ACKNOWLEDGMENTS III ABSTRACT IV INTRODUCTION 1 I. BONANZA, THE TV WESTERN, AND THE LEGITIMACY OF VIOLENCE 16 II. THE INTERVENING YEARS: 1960S – 1980S 30 III. COUNTERING THE ACTION EXTRAVAGANZA WITH NUCLEAR FIRE IN THE DAY AFTER 36 IV. THE INTERVENING YEARS: 1990S – 2010S 48 V. THE WALKING DEAD: PUSHING THE ENVELOPE 57 LOOKING AHEAD: VIEWER DISCRETION IS ADVISED 77 WORKS CITED 81 iii Acknowledgments First and foremost, I would like to thank Professor Allison Perlman for her incredible amount of help and guidance as my faculty advisor for this research project. Without her, I would not have been able to get this thesis off the ground and her constant supervision led me to many important texts and concepts that I used for my research. Our discussions, her recommendations and critiques, and her endless ability to be available and help me define my research path has made this research project possible. Thank you so much Professor Perlman! I would also like to thank Professor Jayne Lewis for her guidance as Director of the Humanities Honors Program for 2015 – 2017. She has been extremely supportive throughout my research project with her helpful reminders, her advice and critique of my papers, and her cheerful demeanor which has always made the process more optimistic and fun. -
Television Fiction in Europe
Television Fiction in Europe Eurofiction 2002 Sixth edition Please note: The following report is a comprehensive analysis of fiction programmes scheduled in European TVs in 2001. The European Audiovisual Observatory could not publish anymore such a report for the following years. However, in the framework of its Yearbook, Film, Television and Video in Europe, Chapter “Programming”, the Observatory published for all the following years a statistical analysis of fiction programming in most of the European television markets. Milly Buonanno (editor) October 2002 Edited by Milly BUONANNO, EUROFICTION, Television Fiction in Europe, Report 2002 Sixth edition, European Audiovisual Observatory, Strasbourg, October 2002 ISBN 92-871-5028-1 The Eurofiction project team is coordinated by the Hypercampo Foundation, partner organisation of the European Audiovisual Observatory and comprises of: Italy University of Firenze Fondazione Hypercampo Osservatorio sulla Fiction Italiana (OFI) France Institut National de l’Audiovisuel (INA) Conseil Supérieur de l’Audiovisuel (CSA) Germany Universität Siegen Spain Universitat Autónoma de Barcelona (UAB) Corporación Multimedia y TVC United Kingdom British Film Institute (BFI) Director of Publication Wolfgang Closs, Executive Director of the European Audiovisual Observatory [email protected] Liaison Officer with Partner Organisation André Lange, Expert – Information on Markets and Funding andré[email protected] Marketing Markus Booms, Marketing Officer [email protected] Translators/Revisers France Courrèges, Paul Green, Erwin Rohwer, Ann Stedman and Colin Swift Print Production C.A.R. - Centre Alsacien de Reprographie Publisher European Audiovisual Observatory 76 allée de la Robertsau 67000 Strasbourg France Tel.: 0033 (0)388 14 44 00 Fax: 0033 (0)388 14 44 19 Email: [email protected] URL: www.obs.coe.int The analyses expressed in these articles are the authors’ own opinions and cannot in any way be considered as representing the point of view of the European Audiovisual Observatory, its members and the Council of Europe. -
Robin Cook's Abduction
Robin Cook’s Abduction: Sources of the Novel Alena Kolínská Bachelor Thesis 2013 ABSTRAKT Cílem této bakalářské práce je analýza románu Planeta Interterra (2000) spisovatele Robina Cooka z hlediska intertextuality. Uvede pojem intertextualita a stručně podá názory na vnímání intertextuality. Poté následuje rozbor dané knihy a hledání jejích možných zdrojů, které mohly spisovatele ovlivnit či inspirovat při psaní pro něj netypického románu. Z rozboru knihy vyplývá, že hlavními zdroji byly knihy Utopie (1516) Thomase Mora, Lidé jako bozi (1923) Herberta George Wellse, Konec civilizace: aneb Překrásný nový svět (1932) Aldouse Huxleyho a také řecká mytologie a historie všeobecně. Klíčová slova: Americká literatura; Robin Cook; intertextualita; Planeta Interterra; utopie; dystopie; fikce; dutozemě ABSTRACT The aim of this bachelor thesis is to analyze the novel Abduction (2000) by Robin Cook in the view of intertextuality. The term intertextuality is introduced, followed by a brief list of views on intertextuality. Subsequently the novel is analyzed, searching for the possible sources which might have influenced or inspired the author when writing a type of novel not typical for him. The analysis shows that the main sources for the novel were four: Utopia (1516) by Thomas More, Men like Gods (1923) by Herbert George Wells, Brave New World (1932) by Aldous Huxley, and Greek mythology as well as the history itself. Keywords: American literature; Robin Cook; intertextuality; Abduction; utopia; dystopia; fiction; hollow earth ACKNOWLEDGEMENTS I would like to express my deepest gratitude to my supervisor, Mgr. Roman Trušník, Ph.D., for his invaluable advice, patience, guidance and support. I also owe a great thanks to Mgr. -
Medical Thrillers
Medical Thrillers Ablow, Keith Cell 18. Port Mortuary Frank Clevenger Charlatans 19. Red Mist 1. Denial Coma 20. The Bone Bed 2. Projection Death Benefit 21. Dust 3. Compulsion Fatal Cure 22. Flesh & Blood 4. Psychopath Fever 23. Depraved Heart 5. Murder Suicide Genesis 24. Chaos 6. The Architect Godplayer Cotterill, Colin Baden, Michael Harmful Intent Thirty-Three Teeth Manny Manfreda Host Crichton, Michael 1. Remains Silent Invasion Andromeda Strain 2. Skeleton Justice Mindbend The Terminal Man Bass, Jefferson Mortal Fear Cuthbert, Margaret Body Farm Mutation Silent Cradle 1. Carved in Bone Nano Darnton, John 2. Flesh and Bone Pandemic The Experiment 3. The Devil’s Bones Seizure Mind Catcher 4. Bones of Betrayal Shock Delbanco, Nicholas 5. The Bone Thief Sphinx In The Name of Mercy 6. The Bone Yard Terminal Dreyer, Eileen 7. The Inquisitor’s Key Toxin Brain Dead 8. Cut to the Bone Jack Stapleton & Laurie Sinners and Saints 9. The Breaking Point Montgomery With a Vengeance 10. Without Mercy 1. Blindsight Follett, Ken Becka, Elizabeth 2. Contagion The Third Twin Evelyn James 3. Chromosome 6 Whiteout 1. Trace Evidence 4. Vector Gerritsen, Tess 2. Unknown Means 5. Marker Bloodstream Benson, Ann 6. Crisis The Bone Garden Plague Tales 7. Critical Gravity 1. The Plague Tales 8. Foreign Body Harvest 2. The Burning Road 9. Intervention Life Support 3. The Physician’s Tale 10. Cure Jane Rizzoli & Maura Isles Blanchard, Alice 11. Pandemic 1. The Surgeon Life Sentences Marissa Blumenthal 2. The Apprentice Bohjalian, Christopher 1. Outbreak 3. The Sinner The Law of Similars 2. Vital Signs 4. -
Summer Assignments – AP Biology Vincent J. Benitez [email protected]
Summer Assignments – AP Biology Vincent J. Benitez [email protected] http://www.vbbiology.weebly.com 1. Reading Assignment o Choose a book by Robin Cook to read. A list of medical thriller novels is listed below. Dr. Robin Cook is considered to be the master of the medical thriller! He does an enormous amount of research, so all of his books contain good, exciting biology. After reading the book, write a 1-2 page paper containing the following: o Concise summary of the plot. o Highlight the biological aspect(s) of the novel. How does/do the biological aspect(s) play a role in the novel. What technologies/procedures/concepts were used in the novel? o Link the biological aspect(s) of the novel to chapters in the AP Biology textbook. For example, if the book were about a virus, where would you find that topic in the textbook? What other connections can be associated with viruses? Perhaps the immune system, or cells, or biotechnology, etc. List those chapters as well. o Your opinion of the novel. Did you like the book? Did the plot seem too farfetched, or perhaps very plausible? What did you think about how the author used biology to develop interest and carry the story line throughout the book? Book Review Coordinating Instructions o Before writing your book review, read: The Basics of Scientific Writing in APA Style, by Pam Marek. You can find this article at: http://www.macmillanlearning.com/catalog/uploadedfiles/content/worth/custom_solutions/psychology_forew ords/marek_ch04_apastyle_color.pdf. A link to this document is on my website under AP Biology – Articles. -
American Superhero Comics: Fractal Narrative and the New Deal a Dissertation Presented to the Faculty of the College of Arts
American Superhero Comics: Fractal Narrative and The New Deal A dissertation presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Lawrence W. Beemer June 2011 © 2011 Lawrence W. Beemer. All Rights Reserved. 2 This dissertation titled American Superhero Comics: Fractal Narrative and The New Deal by LAWRENCE W. BEEMER has been approved for the English Department of Ohio University and the College of Arts and Sciences by ______________________________ Robert Miklitsch Professor of English ______________________________ Benjamin M. Ogles Dean, College of Arts and Sciences 3 ABSTRACT BEEMER, LAWRENCE W., Ph.D., June 2011, English American Superhero Comics: Fractal Narrative and The New Deal (204 pp.) Director of Dissertation: Robert Miklitsch Coining the term "fractal narrative," this dissertation examines the complex storytelling structure that is particular to contemporary American superhero comics. Whereas other mediums most often require narrative to function as self-contained and linear, individual superhero comics exist within a vast and intricate continuity that is composed of an indeterminate number of intersecting threads. Identical to fractals, the complex geometry of the narrative structure found in superhero comics when taken as a whole is constructed by the perpetual iteration of a single motif that was established at the genre's point of origin in Action Comics #1. The first appearance of Superman institutes all of the features and rhetorical elements that define the genre, but it also encodes it with the specific ideology of The New Deal era. In order to examine this fractal narrative structure, this dissertation traces historical developments over the last seven decades and offers a close reading Marvel Comics' 2006 cross-over event, Civil War. -
Medicine and Literature, Unofficial Bedfellows
Academic year 2016-2017. Opening ceremony Medicine and literature, unofficial bedfellows Inaugural Lecture given by Dr. Amàlia Lafuente Flo Full Professor of Pharmacology at the School of Medicine and Health Sciences Of the University of Barcelona Barcelona, September 7th, 2016 © Edicions de la Universitat de Barcelona Adolf Florensa, s/n, 08028 Barcelona, tel.: 934 035 430, fax: 934 035 531, [email protected], www.publicacions.ub.edu Cover photograph: Patio de Letras (Historical building) Legal Deposit: B-3,845-2017 Printed by Graficas Rey Typography: Janson Medicine and Literature, unofficial bedfellows The pleasure of writing is only comparable to the pleasure of healing. Julio Cruz Hermida Doctor, Professor at the Universidad Complutense de Madrid and Correspondent Member of the National Royal Academy of Medicine Honourable President of the Generalitat de Cataluña, Distinguished Rector of the Universidad de Barcelona, Honourable Councillor of Business and Expertise, Dist inguished Rectors of the Catalan Universities, Mr President of the Board of Directors, Academic and Civil Dignitaries, professors, students, administration and service staff, ladies and gentlemen: First of all, I would like to thank the Universidad de Barcelona, my university, for doing me the honour of inviting me to give this inaugural class, particularly this year when we are sharing the event with all the universities in the country in our beautiful auditorium. Addressing the relationship between medicine and literature is both an exciting challenge and a pleasure, especially for me: a doctor, a professor at the Faculty of Medicine and Health Sciences, and a dedicated writer of novels with medical themes. It is also an excellent opportunity to explore our experience as readers. -
1878 Yellow Fever Narratives and Post-Reconstruction Southern Identity Jessica Wells University of South Florida, [email protected]
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School November 2017 The uS ffering South: 1878 Yellow Fever Narratives and Post-Reconstruction Southern Identity Jessica Wells University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the United States History Commons Scholar Commons Citation Wells, Jessica, "The uS ffering South: 1878 Yellow Fever Narratives and Post-Reconstruction Southern Identity" (2017). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/7106 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Suffering South: 1878 Yellow Fever Narratives and Post-Reconstruction Southern Identity by Jessica Wells A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of History College of Arts and Sciences University of South Florida Major Professor: Julia Irwin, Ph.D. K. Stephen Prince, Ph.D. Brian Connolly, Ph.D. Rana Hogarth, Ph.D. Date of Approval: October 30, 2017 Keywords: Memphis, New Orleans, belonging, cultural history, Redemption Copyright © 2017, Jessica Wells DEDICATION I would never have made it through the insanity of graduate school and writing a dissertation without the consistent love and support of family and friends. I profusely thank all of you for being there for me. But I’d like to offer a special thanks to those who helped pull me through moments of insecurity, who offered me time to forget all about my dissertation and cut loose, and who assured me that I would make it.