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Design by the Yard; Textile Printing from 800 to 1956
INSTITUTION NOIiniliSNI_NVINOSHilWS S3 I a Vy a n_LI BRAR I ES SMITHS0N1AN_INSTITIJ S3iyvMan libraries Smithsonian institution NoiiniiiSNi nvinoshiiws S3iyv S3iyvaan libraries Smithsonian institution NoiiniiJ-SNi nvinoshiiws saiav l"'lNSTITUTION^NOIinillSNl"'NVINOSHiIWS S3 I MVy 8 ll'^LI B RAR I ES SMITHSONIAN INSTITI r- Z r- > Z r- z J_ ^__ "LIBRARIES Smithsonian institution NoiiniiiSNi nvinoshiiws S3IMV rs3 1 yvy an '5/ o ^INSTITUTION N0IiniliSNI_NVIN0SHilWS"S3 I H VM 8 IT^^LI B RAR I ES SMITHSONIANJNSTITl rS3iyvyan"LIBRARIES SMITHSONIAN^INSTITUTION NOIiniliSNI NVINOSHIIWS S3iav ^"institution NOIiniliSNI NviNOSHiiws S3iyvaan libraries Smithsonian instit 9'^S3iyvaan^LIBRARIEs'^SMITHS0NlAN INSTITUTION NOIifliliSNI NVINOSHilWs'^Sa ia\i IVA5>!> W MITHSONIAN INSTITUTION NOIiniliSNI NVINOSHilWS S3ldVyan LI B R AR I ES SMITHSONI; Z > </> Z M Z ••, ^ ^ IVINOSHilWs'^S3iaVaan2LIBRARIES"'SMITHSONlAN2lNSTITUTION NOIiniliSNI_NVINOSHill JMITHSONIAN INSTITUTION NOIiniliSNI NVINOSHilWS S3IMVHan LIBRARIES SMITHSONI jviNOSHiiws S3iavaan libraries Smithsonian institution NoiifiiiiSNi nvinoshii I ES SMITHSONI MITHSONIAN INSTITUTION NOIifliliSNI NVIN0SHilWS"'S3 I ava a n~LI B RAR < |pc 351 r; iJt ^11 < V JVIN0SHilWS^S3iavaan~'LIBRARIES^SMITHS0NIAN"'lNSTITUTI0N NOIiniliSNI^NVINOSHil — w ^ M := "' JMITHSONIAN INSTITUTION NOIiniliSNI NVINOSHilWS S3iavaan LI B RAR I ES SMITHSONI ^^ Q X ' "^ — -«^ <n - ^ tn Z CO wiNOSHiiws S3iavaan libraries Smithsonian institution NoiiniiiSNi_NviNOSHii _l Z _l 2 -• ^ SMITHSONIAN INSTITUTION NOIiniliSNI NVINOSHilWS SSiavaail LIBRARIES SMITHSON NVINOSHilWS S3iavaan libraries Smithsonian institution NoiiniiisNi nvinoshi t'' 2 .... W 2 v^- Z <^^^x E . ^ ^-^ /Si«w*t DESIGN BY THE YARD TEXTILE PRINTING FROM 800 TO 1956 THE COOPER UNION MUSEUM FOR THE ARTS OF DECORATION NEW YORK ACKNOWLEDGMENT In assembling material for the exhibition, the Museum has received most helpful suggestions and information from the following, to whom are given most grateful thanks: Norman Berkowitz John A. -
She Has Good Jeans: a History of Denim As Womenswear
Bard College Bard Digital Commons Senior Projects Spring 2018 Bard Undergraduate Senior Projects Spring 2018 She Has Good Jeans: A History of Denim as Womenswear Marisa S. Bach Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2018 Part of the Fashion Design Commons, and the Fiber, Textile, and Weaving Arts Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Bach, Marisa S., "She Has Good Jeans: A History of Denim as Womenswear" (2018). Senior Projects Spring 2018. 317. https://digitalcommons.bard.edu/senproj_s2018/317 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. She Has Good Jeans: A History of Denim as Womenswear Senior Project Submitted to The Division of Arts of Bard College by Marisa Bach Annandale-on-Hudson, New York May 2018 Acknowledgements To my parents, for always encouraging my curiosity. To my advisor Julia Rosenbaum, for guiding me through this process. You have helped me to become a better reader and writer. Finally, I would like to thank Leandra Medine for being a constant source of inspiration in both writing and personal style. -
Art in America the EPIC BANAL
Art in America THE EPIC BANAL BY: Amy Sherald, Tyler Mitchell May 7, 2021 10:08am Tyler Mitchell: Untitled (Blue Laundry Line), 2019. Amy Sherald (https://www.artnews.com/t/amy-sherald/): A Midsummer Afternoon Dream, 2020, oil on canvas, 106 by 101 inches. Tyler Mitchell and Amy Sherald—two Atlanta-born, New York–based artists—both capture everyday joy in their images of Black Americans. Recurring motifs in Mitchell’s photographs, installations, and videos include outdoor space and fashionable friends. Sherald, a painter, shares similar motifs: her colorful paintings with pastel palettes show Black people enjoying American moments, their skin painted in grayscale, the backgrounds and outfits flat. Both are best known for high-profile portrait commissions: in 2018 Mitchell became the first Black photographer to have a work grace the cover of Vogue. That shot of Beyoncé was followed, more recently, by a portrait of Kamala Harris for the same publication. Michelle Obama commissioned Amy Sherald to paint her portrait, and last year Vanity Fair asked Sherald to paint Breonna Taylor for a cover too. Below, the artists discuss the influence of the South on their work, and how they navigate art versus commercial projects. —Eds. Amy Sherald: Precious jewels by the sea, 2019, oil on canvas, 120 by 108 inches. TYLER MITCHELL: Amy, we spoke before about finding freedom and making your own moments of joy. I think of Precious jewels by the sea [2019]—your painting of two couples at the beach, showing the men standing with the women on their shoulders—as a moment that you constructed. -
We Gather Together
WE GATHER TOGETHER Written by Carol Mullen CHARACTERS Jordan Warner: woman, late 20s Marge Warner: woman, early 60s, Jordan's mother Vern Warner: man, early 60s, Jordan's father Jennifer Warner: woman, early 30s, Jordan's sister SETTING Thanksgiving Eve, 2016. All action takes place in the kitchen of the Warner family home in suburban Cleveland. 2. ACT I SCENE 1 (MARGE bustles around her modern kitchen with a spring in her step. Every surface area is covered with evidence that a large Thanksgiving dinner is being prepared. Christmas music plays softly in the background, Marge occasionally chimes in. After several moments of chopping, sifting, and slicing, the sound of the front door opens--Marge pauses her perpetual motion.) MARGE Jordan is that you? JORDAN enters, dressed in a light winter coat, gloves and scarf. She's carrying an overnight bag and she looks exhausted. Marge pulls her into a tight embrace. MARGE Sweetheart! I thought you were going to call from the airport. Let me have a look at you. Holds a reluctant Jordan at arm's length. MARGE Have you been taking those vitamins I sent? JORDAN What's the point? MARGE For heaven's sake, you know how easily you catch cold. Sit down and relax--I'll get you some hot tea. Jordan takes off coat, etc. Marge, humming along to the music, gathers the makings of a cup of tea. (CONTINUED) 3. CONTINUED: MARGE I made you peanut butter thumbprints. I've been hiding them from your dad but I'm not sure how much longer I can keep him at bay. -
The Diaries of Mariam Davis Sidebottom Houchens
THE DIARIES OF MARIAM DAVIS SIDEBOTTOM HOUCHENS VOLUME 7 MAY 15, 1948-JUNE 9, 1957 Copyright 2015 © David P. Houchens TABLE OF CONTENTS VOLUME 7 Page Preface i Table of Contents ii Book 69- Saturday, May 15, 1948-Wednesday, July 7, 1948 1 Book 70- Thursday, July 8, 1948-Wednesday, September 8, 1948 25 Book 71- Thursday, September 9, 1948-Saturday, December 11, 1948 29 Book72- Sunday, December 12, 1948-Wednesday, January 26, 1949 32 Book 73- Thursday, January 27, 1949-Wednesday, February 23, 1949 46 Book 74- Thursday, February 24, 1949-Saturday, March 26, 1949 51 Book 75- Sunday, March 27, 1949-Saturday, April 23, 1949 55 Book 76- Sunday, April 24, 1949-Thursday, Friday July 1, 1949 61 Book 77- Saturday, July 2, 1949-Tuesday, August 30, 1949 68 Book 78- Wednesday, August 31, 1949-Tuesday, November 22, 1949 78 Book79- Wednesday, November 23, 1949-Sunday, February 12, 1950 85 Book 80- Monday, February 13, 1950-Saturday, April 22, 1950 92 Book 81- Sunday, April 23, 1950-Friday, June 30, 1950 97 Book 82- Saturday, July 1, 1950-Friday, September 29, 1950 104 Book 83- Saturday, September 30, 1950-Monday, January 8, 1951 113 Book 84- Tuesday, January 9, 1951-Sunday, February 18, 1951 117 Book 85- Sunday, February 18, 1951-Monday, May 7, 1951 125 Book 86- Monday, May 7, 1951-Saturday, June 16, 1951 132 Book 87- Sunday, June 17, 1951-Saturday 11, 1951 144 Book 88- Sunday, November 11, 1951-Saturday, March 22, 1952 150 Book 89- Saturday, March 22, 1952-Wednesday, July 9, 1952 155 ii Book 90- Thursday, July 10, 1952-Sunday, September 7, 1952 164 -
Along the Pacific
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-15-2009 All Along the Pacific Corina Brittleston Calsing University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Calsing, Corina Brittleston, "All Along the Pacific" (2009). University of New Orleans Theses and Dissertations. 928. https://scholarworks.uno.edu/td/928 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. All Along the Pacific A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing Film, Theatre and Communication Arts By Corina Bittleston Calsing BA, English, Cal Poly San Luis Obispo May 2009 Copyright 2009, Corina Calsing ii Dedication This work is dedicated to all men in my family who are members of E Clampus Vitus. They instilled in me a love for the historical, the hysterical, and the bizarre. -
1942-09-17 [P B-9]
J-AAJLJ » » nuiii.i \j j_ 9 oinu, , ±j. ,, intnOJJAl, kin irj.UDijn χ I, &—y Save on Men's Sportswear Misses' and Women's Two-piece Leisure Suits, matching and contrasting colors in rayon, rayon-and-cotton. Ideal for lounging, WOODWARD & LOTHROP Summer s250 sports, gardening. Sizes and colors in the group—30 to Dresses, 44 in tans, browns, blues, greens. 10™ 11th F and G Streets Phone district 5300 Less than \'χ price 1J Were $3.65. Now .$2.65 β Were *8 95 Now $6.65 110 Were $5.95. Now $3.95 10 Were $10.96. Now. $7.65 40. including printed cottons and Bombers: rayons and Store Hours: 9:30 to 9 a cotton 30 Were $7.35. Now. $4.95 6:15—Thursdays, 12:30 to few multicolor glazed chintzes. Prints are colorful or monotone pastels. Sizes 12 to 20, 33 to Rayon Sports Slacks in blue, green, ta.n, brown. Sizes 44, 30 to 40. 204 and 24 V·?. in the group Inexpensive Third Floor. 35 Were $6. Now $3.95 19 Were $10. Now $6.65 dresses, Short-sleeve Sports Shirts in cotton knits and meshes. Tan, cream and Argyll-type patterns. 27 Now 11 Now Mink and Were $1. «5e Were $2. $1.35 Kolinsky 17 Were $1.50. Now 95e 6 Were $5. Now $$.65 Swim Suits of rayon and cotton woven with "Lastex" omorrow— Scarfs Reduced yarn, with slide-fastened top. Black and navy in sizes Sh τ 3β, 38, 40, 42. S Natural Mink Scarfs, 4-skin. Were *95 Vow «69.5· 8 Were $4.95. -
Proselect Store
Workwear T-SHIRT, High visibility SWEATER, High visibility PR01439, XS PR01445, XS PR01440, S PR01446, S PR01438, M PR01471, M PR01441, L PR01447, L PR01442, XL PR01448, XL PR01443, XXL PR01449, XXL PR01444, XXXL PR01450, XXXL VEST, High visibility JACKET, High visibility PR01458, L PR01402, XS PR01459, XL PR01403, S PR01404, M PR01405, L PR01406, XL PR01407, XXL PR01408, XXXL Workwear JACKET, High visibility JACKET, Fleece, High visibility PR01416, XS PR01431, XS PR01417, S PR01432, S PR01418, M PR01426, M PR01419, L PR01433, L PR01420, XL PR01434, XL PR01421, XXL PR01435, XXL PR01422, XXXL PR01436, XXXL JACKET, Operator jacket OVERALLS, High visibility PR01566, XS PR01473, XS (C42/C44) PR01567, S PR01474, S (C46/C48) PR01568, M PR01475, M (C50/C52) PR01569, L PR01476, L (C54/C56) PR01570, XL PR01477, XL (C58/C60) PR01571, XXL PR01478, XXL (C62/C64) PR01572, XXXL PR01479, XXXL (C66) Workwear OVERALLS, Lined, High visibility WORKSHOP OVERALLS PR01451, XS (C42/C44) PR01532, C48 PR01472, M (C50/C52) PR01533, C50 PR01453, L (C54/C56) PR01534, C52 PR01454, XL (C58/C60) PR01535, C54 PR01455, XXL (C62/C64) PR01536, C56 PR01456, XXXL (C66) PR01537, C58 WORKSHOP OVERALLS, Lined WORKWEAR SET, Jacket + Trousers PR01596, S PR01573, S + 48 PR01597, M PR01574, M + 50 PR01598, L PR01575, L + 52 PR01599, XL PR01576, XL + 54 PR01600, XXL PR01577, XXL + 56 PR01601, XXXL PR01578, XXXL + 58 PR01579, M + 48 PR01580, L + 50 PR01581, XL + 52 PR01582, XXL + 54 PR01583, XXXL + 56 Workwear * PR01423 TROUSERS, High visibility TROUSERS, High visibility PR01409, -
Bed and Bath Essentials
BED AND BATH ESSENTIALS Pillows, Sheets, Blankets, Towels and Other Textile Basics for Healthcare 1 MEDLINE Superior Quality and Value Enhancing Patient Satisfaction Medline Bed and Bath Essentials Where Innovation Never Sleeps. As one of the leading providers of textile products and solutions to the healthcare market, Medline never stops innovating. For more than 100 years, we’ve continually introduced cutting edge fabrics, products and services to help make you more efficient, cost effective, patient-centered and environmentally friendly. » INNOVATIONS THAT ADVANCE CARE: In this catalog, you will find the healthcare industry’s finest and broadest collection of quality pillows, blankets, sheets, towels and other textile necessities, including our latest innovations that focus on skin health, patient comfort and durability. Look for products with the lightbulb symbol to indicate our newest advancements. Innovation » OUR EXCLUSIVE FEELS LIKE HOME® COLLECTION: Indicated with the Feels Like Home® icon, these elegant sheets, ultra-soft blankets and plush towels are designed to pamper patients while enhancing the perception of your facility. Look for our newest item—the lightweight, two-tone spread blanket (page 27) that keeps patients warm without weighing them down. Feels Like Home® » PERFORMAX™ SUSTAINABLE TEXTILES: Engineered with advanced 100% polyester fabric, our new PerforMAX textiles are designed to look better and perform longer, even after repeated washings. PerforMAX products also have the greensmart logo to signify they have undergone a rigorous review for sustainability throughout the entire greensmart™ product lifecycle. Look for new PerforMAX products, including the LT Silvertouch underpad (page 34), Envelope Contour Sheets (page 22) and Spectrum Spread Blankets (page 28). -
Raven Issue No. 11
| Issue No. 11 | Everyone Shares In | 2 Sunbrella® 50th Anniversary Sunbrella®is a fabric for all Issue No. 11 times, and all lifestyles, from a pool-side cabana in the early 1960s to casual, yet elegant Fall 2010 décor inside the home today. Everyone Shares In Sunbrella 50th Anniversary Pages 2-3 Dear Readers, We hope and trust that this issue of the Raven magazine finds you with optimism and confidence for the future. Inside you will read about one of the most important reasons for our positive outlook – the 50th anniversary of the Sunbrella® brand, which will occur during 2011 and which we will begin to celebrate later this year. It was in 1961 that Glen Raven’s Roger Gant, Jr. and his team launched Sunbrella brand fabrics, which forever changed awning, marine and furniture markets. As we plan for the 50th anniversary of the Sunbrella brand, it is with a sense of sadness and loss over the death of Roger Gant, Jr. on July 26. Roger was the visionary who saw the potential for awning fabrics made with synthetic fibers and who pioneered our brand through its launch and early years of market acceptance. 2-3 We owe Roger a great debt of gratitude and are pleased to include a profile article in this issue. Countless companies have benefitted from the Sunbrella brand over the past 50 years, one of the newest of which is Coast New Zealand, which specializes in casual furniture and luggage. The 4-5 owners of Coast selected the Sunbrella brand from the very beginning because of its reputation for durability and easy care, an ideal complement to Coast products targeted to outdoor lifestyles. -
Clothing Terms from Around the World
Clothing terms from around the world A Afghan a blanket or shawl of coloured wool knitted or crocheted in strips or squares. Aglet or aiglet is the little plastic or metal cladding on the end of shoelaces that keeps the twine from unravelling. The word comes from the Latin word acus which means needle. In times past, aglets were usually made of metal though some were glass or stone. aiguillette aglet; specifically, a shoulder cord worn by designated military aides. A-line skirt a skirt with panels fitted at the waist and flaring out into a triangular shape. This skirt suits most body types. amice amice a liturgical vestment made of an oblong piece of cloth usually of white linen and worn about the neck and shoulders and partly under the alb. (By the way, if you do not know what an "alb" is, you can find it in this glossary...) alb a full-length white linen ecclesiastical vestment with long sleeves that is gathered at the waist with a cincture aloha shirt Hawaiian shirt angrakha a long robe with an asymmetrical opening in the chest area reaching down to the knees worn by males in India anklet a short sock reaching slightly above the ankle anorak parka anorak apron apron a garment of cloth, plastic, or leather tied around the waist and used to protect clothing or adorn a costume arctic a rubber overshoe reaching to the ankle or above armband a band usually worn around the upper part of a sleeve for identification or in mourning armlet a band, as of cloth or metal, worn around the upper arm armour defensive covering for the body, generally made of metal, used in combat. -
Sheet Rainwear
Fact Rainwear Condor personal protective equipment offers you a wide range of quality gear Sheet made to meet or exceed relevant ANSI and OSHA safety standards. PVC Rainwear 3-Pc. Disposable PVC Suits: Snap-front PVC Coveralls: Heat-welded seams with nylon PVC/Polyester Rider-Style Raincoats: jacket, detachable drawstring hood and elastic zipper. Attached hood. Corduroy collar with snaps, cape-vented back, waist pant. Snap adjustable sleeves and pants. PVC Raincoats: Cape back ventilation, detachable hood and leg snaps to form chaps. 2-Pc. Disposable PVC Suits: Pullover jacket detachable hood and 2 pockets. 3-Pc. PVC/Nylon Suits: Snap-front jacket with attached drawstring hood. Pants have elastic 3-Pc. PVC/Polyester Suits: Snap-front with detachable hood and bib overall with waist and ankles. Heat-welded seams. jacket with detachable hood and bib overall with snap-fly front. Elastic suspenders included. 3-Pc. PVC Suits: Snap-front jacket with snap-fly front. Elastic suspenders included. detachable hood and bib overall with snap-fly front. Elastic suspenders included. SKU NO. SIZE COLOR THIcknEss 3-Pc. Disposable PVC Suits D2281 S, M, L, XL, 2XL, 3XL, 4XL Yellow 0.10mm 2-Pc. Disposable PVC Suits D2288 S, M, L, XL, 2XL, 3XL, 4XL Yellow 0.10mm 3-Pc. PVC Suits D2283 S, M, L, XL, 2XL, 3XL, 4XL Yellow 0.25mm PVC Coveralls D2287 S, M, L, XL, 2XL, 3XL, 4XL Yellow 0.25mm PVC Raincoats D2282 S, M, L, XL, 2XL, 3XL, 4XL Yellow 0.25mm 3-Pc. PVC/Polyester Suits D2284 S, M, L, XL, 2XL, 3XL Yellow 0.35mm D2285 4XL, 5XL Yellow 0.35mm PVC/Polyester Rider-Style Raincoats D2298 S, M, L, XL, 2XL, 3XL, 4XL Black 0.35mm D2283 3-Pc.