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June 2015 Broadside
T H E A T L A N T A E A R L Y M U S I C ALLIANCE B R O A D S I D E Volume XV # 4 June, 2015 President’s Message Are we living in the Renaissance? Well, according to the British journalist, Stephen Masty, we are still witnessing new inventions in musical instruments that link us back to the Renaissance figuratively and literally. His article “The 21st Century Renaissance Inventor” [of musical instruments], in the journal “The Imaginative Conservative” received worldwide attention recently regard- ing George Kelischek’s invention of the “KELHORN”. a reinvention of Renaissance capped double-reed instruments, such as Cornamuse, Crumhorn, Rauschpfeiff. To read the article, please visit: AEMA MISSION http://www.theimaginativeconservative.org/2015/05/the-21st-centurys-great-renaissance-inventor.html. It is the mission of the Atlanta Early Music Alli- Some early music lovers play new replicas of the ance to foster enjoyment and awareness of the histor- Renaissance instruments and are also interested in playing ically informed perfor- the KELHORNs. The latter have a sinuous bore which mance of music, with spe- cial emphasis on music makes even bass instruments “handy” to play, since they written before 1800. Its have finger hole arrangements similar to Recorders. mission will be accom- plished through dissemina- tion and coordination of Yet the sound of all these instruments is quite unlike that information, education and financial support. of the Recorder: The double-reed presents a haunting raspy other-worldly tone. (Renaissance? or Jurassic?) In this issue: George Kelischek just told me that he has initiated The Capped Reed Society Forum for Players and Makers of the Crumhorn, President ’ s Message page 1 Cornamuse, Kelhorn & Rauschpfeiff. -
Balancing Function Unit 4
BALANCING FUNCTION UNIT 4 Dr. P.V. S LAKSHMI JAGADAMBA Professor, Department of CSE, GVP College of Engineering for Women INTRODUCTION User experiences play a critical role in influencing software acceptance Conversational messages have their limits Design needs to be comprehensible, predictable, and controllable Information layout is important Multi window coordination Large, fast, high-resolution color displays have potential Recognition of the creative challenge of balancing function and fashion may lead to designers even working even harder. 2 INTRODUCTION “This chapter deals with six design matters that are functional issues with varying styles/solutions to suite a variety of users.” Error messages Non-anthropomorphic design Display design Web page design Window design Colour 3 ERROR MESSAGES Overview User experience with computer-system prompts, explanations, error diagnostics, and warnings is crucial in influencing acceptance of SW systems Why do errors occur? Lack of knowledge, incorrect understanding, inadequate slips What is the consequence? Users are likely to be confused, are anxious or feel inadequate What is a solution? Make error messages as user-friendly as possible; this is especially important for novice users as they commonly have a lack of knowledge, confidence, and are sometimes easily frustrated or discouraged 4 ERROR MESSAGES Improving Error Messages Measure where errors occur frequently, focus on these issues Improve messages but also revise error handling procedures, improve documentation -
Bibliography of Erik Wilde
dretbiblio dretbiblio Erik Wilde's Bibliography References [1] AFIPS Fall Joint Computer Conference, San Francisco, California, December 1968. [2] Seventeenth IEEE Conference on Computer Communication Networks, Washington, D.C., 1978. [3] ACM SIGACT-SIGMOD Symposium on Principles of Database Systems, Los Angeles, Cal- ifornia, March 1982. ACM Press. [4] First Conference on Computer-Supported Cooperative Work, 1986. [5] 1987 ACM Conference on Hypertext, Chapel Hill, North Carolina, November 1987. ACM Press. [6] 18th IEEE International Symposium on Fault-Tolerant Computing, Tokyo, Japan, 1988. IEEE Computer Society Press. [7] Conference on Computer-Supported Cooperative Work, Portland, Oregon, 1988. ACM Press. [8] Conference on Office Information Systems, Palo Alto, California, March 1988. [9] 1989 ACM Conference on Hypertext, Pittsburgh, Pennsylvania, November 1989. ACM Press. [10] UNIX | The Legend Evolves. Summer 1990 UKUUG Conference, Buntingford, UK, 1990. UKUUG. [11] Fourth ACM Symposium on User Interface Software and Technology, Hilton Head, South Carolina, November 1991. [12] GLOBECOM'91 Conference, Phoenix, Arizona, 1991. IEEE Computer Society Press. [13] IEEE INFOCOM '91 Conference on Computer Communications, Bal Harbour, Florida, 1991. IEEE Computer Society Press. [14] IEEE International Conference on Communications, Denver, Colorado, June 1991. [15] International Workshop on CSCW, Berlin, Germany, April 1991. [16] Third ACM Conference on Hypertext, San Antonio, Texas, December 1991. ACM Press. [17] 11th Symposium on Reliable Distributed Systems, Houston, Texas, 1992. IEEE Computer Society Press. [18] 3rd Joint European Networking Conference, Innsbruck, Austria, May 1992. [19] Fourth ACM Conference on Hypertext, Milano, Italy, November 1992. ACM Press. [20] GLOBECOM'92 Conference, Orlando, Florida, December 1992. IEEE Computer Society Press. http://github.com/dret/biblio (August 29, 2018) 1 dretbiblio [21] IEEE INFOCOM '92 Conference on Computer Communications, Florence, Italy, 1992. -
Notes on the Ontology of Design
Notes on the Ontology of Design Arturo Escobar University of North Carolina, Chapel Hill Contents 1. Introduction ………………………………………………………. ……….. 2 2. Part I. Design for the Real World: But which world? what design? what real? ………………………….. …. 4 3. Part II. In the background of our culture: The rationalistic tradition and the problem of ontological dualism……… 16 4. Part III. Outline of ontological and autonomous design ……………….. 34 5. Part IV. The politics of relationality. Designs for the pluriverse ………. 57 6. Some provisional concluding remarks ………………………………….. 74 7. References ………………………………………………………………….. 78 Note to readers: This ‘paper’ ended up being actually the draft of a short book; the book is likely to have one more chapter, dealing with globalization, development, and environment issues; it is also likely to have examples, and to be written in a less academic manner, or so I hope. I’ve had several tentative titles over the past few years, the most recent one being The Ecological Crisis and the Question of Civilizational Transitions: Designs for the Pluriverse. I’ve been reading, and working with, most of this material for a long time, but some of it is new (to me); this is particularly true for Part I on design. I suspect the text is quite uneven as a result. Part IV is largely cut-and-paste from several texts in English and Spanish, particularly the long preface to the 2nd ed. of Encountering Development. This part will need additional re/writing besides editing and reorganizing. The references are somewhat incomplete; there are a few key design references of which I have been made aware very recently that are not, or not significantly, included (e.g., on participatory design, postcolonial computing, and human-computer interaction). -
CSS Notes for Professionals
CSS Notes for Professionals Notes CSSfor Professionals 200+ pages of professional hints and tricks Disclaimer This is an unocial free book created for educational purposes and is GoalKicker.com not aliated with ocial CSS group(s) or company(s). Free Programming Books All trademarks and registered trademarks are the property of their respective owners Contents About ................................................................................................................................................................................... 1 Chapter 1: Getting started with CSS .................................................................................................................... 2 Section 1.1: External Stylesheet ..................................................................................................................................... 2 Section 1.2: Internal Styles ............................................................................................................................................ 3 Section 1.3: CSS @import rule (one of CSS at-rule) ................................................................................................... 3 Section 1.4: Inline Styles ................................................................................................................................................. 4 Section 1.5: Changing CSS with JavaScript ................................................................................................................. 4 Section 1.6: Styling Lists with -
Front 01: HTML Y
HTML Y CSS FRONT PRIMERA PARTE Guía para directivos y técnicos V.1 Front HTML y CSS Este documento forma parte de las guías de onboarding de Autentia. Si te apasiona el desarrollo de software de calidad ayúdanos a difundirlas y anímate a unirte al equipo. Este es un documento vivo y puedes encontrar la última versión, así como el resto de partes que completan este documento, en nuestra web. https://www.autentia.com/libros/ Esta obra está licenciada bajo la licencia Creative Commons Attribution ShareAlike 4.0 International (CC BY-SA 4.0) FRONT - HTML Y CSS Hoy en día el negocio está en la que se publican y organizan los red. Es en el mercado on-line contenidos, además del grado donde se producen la mayor parte de usabilidad y accesibilidad de de los intercambios comerciales los mismos, influye directamente entre clientes y proveedores. en el posicionamiento que los El primer contacto de nuestros motores de búsqueda asignan a usuarios con nuestro negocio, y las aplicaciones. en muchos casos el único, es a través de una aplicación web o móvil. No disponer de un diseño atractivo, una experiencia de usuario agradable, accesible y que se adapte de manera adecuada para ser usada en diferentes dispositivos (Responsive), es garantía de una pérdida masiva de potenciales clientes. De la misma manera, la forma en la FRONT - HTML Y CSS “No hay una segunda oportunidad para una primera impresión” Alcanzar la habilidad de realizar diseños profesionales y usables no es algo baladí y se necesita un conocimiento profundo en marketing digital, experiencia de usuario y en tecnologías front-end. -
Web Typography │ 2 Table of Content
Imprint Published in January 2011 Smashing Media GmbH, Freiburg, Germany Cover Design: Ricardo Gimenes Editing: Manuela Müller Proofreading: Brian Goessling Concept: Sven Lennartz, Vitaly Friedman Founded in September 2006, Smashing Magazine delivers useful and innovative information to Web designers and developers. Smashing Magazine is a well-respected international online publication for professional Web designers and developers. Our main goal is to support the Web design community with useful and valuable articles and resources, written and created by experienced designers and developers. ISBN: 978-3-943075-07-6 Version: March 29, 2011 Smashing eBook #6│Getting the Hang of Web Typography │ 2 Table of Content Preface The Ails Of Typographic Anti-Aliasing 10 Principles For Readable Web Typography 5 Principles and Ideas of Setting Type on the Web Lessons From Swiss Style Graphic Design 8 Simple Ways to Improve Typography in Your Designs Typographic Design Patterns and Best Practices The Typography Dress Code: Principles of Choosing and Using Typefaces Best Practices of Combining Typefaces Guide to CSS Font Stacks: Techniques and Resources New Typographic Possibilities with CSS 3 Good Old @Font-Face Rule Revisted The Current Web Font Formats Review of Popular Web Font Embedding Services How to Embed Web Fonts from your Server Web Typography – Work-arounds, Tips and Tricks 10 Useful Typography Tools Glossary The Authors Smashing eBook #6│Getting the Hang of Web Typography │ 3 Preface Script is one of the oldest cultural assets. The first attempts at written expressions date back more than 5,000 years ago. From the Sumerians cuneiform writing to the invention of the Gutenberg printing press in Medieval Germany up to today՚s modern desktop publishing it՚s been a long way that has left its impact on the current use and practice of typography. -
CSS Containers: Making Websites Accessible to Disabled Users
CSS containers: making websites accessible to disabled users John R Hudson 1 May 2020∗ 1 Personal background I first became interested in page design as a student journalist at university. When I first started using a micro-computer, I was interested in how much time it could save me; when I discovered vector graphics in the mid 1980s, I realised that I could save time and produce quality output by using a computer. In the 1990s I worked with a blind student and learned how I could use my computing skills to make life easier for him. After 30 years of using my understanding to create quality printed documents and more recently PDF files, in 2010 I was inspired by a talk from David Fisher to put these principles to work in maintaining and developing websites. 2 The wider context Cascading style sheets (CSS), proposed in 1994 by Håkon Wium Lie, who worked at CERN, were first adopted by Microsoft in Internet Explorer 3 and then by Netscape and Opera. These separate the presentation of material on a website from its content and structure as defined by HTML. At the turn of the century, they went out of favour for a number of reasons and development focused on XHTML. But, a few years later, Mozilla, Apple and Opera began working on a new specification for HTML which would meet the needs of modern devices and which would rely on CSS for presentation. This was published in 2011 as a rolling release and work began on a series of rolling updates to CSS to cope with the needs of the new version of HTML and the demands of modern devices. -
A Mathematician's Lament
A Mathematician’s Lament by Paul Lockhart musician wakes from a terrible nightmare. In his dream he finds himself in a society where A music education has been made mandatory. “We are helping our students become more competitive in an increasingly sound-filled world.” Educators, school systems, and the state are put in charge of this vital project. Studies are commissioned, committees are formed, and decisions are made— all without the advice or participation of a single working musician or composer. Since musicians are known to set down their ideas in the form of sheet music, these curious black dots and lines must constitute the “language of music.” It is imperative that students become fluent in this language if they are to attain any degree of musical competence; indeed, it would be ludicrous to expect a child to sing a song or play an instrument without having a thorough grounding in music notation and theory. Playing and listening to music, let alone composing an original piece, are considered very advanced topics and are generally put off until college, and more often graduate school. As for the primary and secondary schools, their mission is to train students to use this language— to jiggle symbols around according to a fixed set of rules: “Music class is where we take out our staff paper, our teacher puts some notes on the board, and we copy them or transpose them into a different key. We have to make sure to get the clefs and key signatures right, and our teacher is very picky about making sure we fill in our quarter-notes completely. -
Introduction to Modern CSS
Introduction to modern CSS Emmanuel Aina @horlah_codes Frontend Dev, BuyCoins This talk is basically about the new technologies that have been introduced into CSS, with the aim for faster development process and accessibility Modern CSS is simply how we have chosen to write CSS as a standard, utilizing the technologies being introduced and making sure they’re being used as expected for the purpose at which they are being created Technologies being introduced ● CSS Flexbox ● CSS pre- and post-processors ● CSS Grid ● Feature Queries ● CSS Variables ● CSS Animation ● CSS Functions ● New Units - e.g. vw, vh, vmin, vmax ● CSS Methodologies Let’s pick them one after the other CSS Flexbox m avu... CSS Flexbox CSS Flexbox was proposed in 2009 but did not get implemented in browser spread adoption until 2015. Flexbox was designed to define how space is distributed across a single column or row, which makes it a better candidate for defining layout compared to using floats - Peter Jang, Dean of Instruction @Actualize Using Flexbox for the first the first time Structure of our html Basic CSS without Flexbox Expected output Basic CSS with Flexbox Output Default properties: flex-direction : row; flex-wrap: nowrap; justify-content : flex-start; Understanding Flexbox The container The items Understanding Flexbox .container { display: flex; } Understanding Flexbox .container { display: flex; justify-content: flex-start | flex-end | center | space-between | space-around | space-evenly; } Understanding Flexbox .container { display: flex; flex-wrap: nowrap | wrap | wrap-reverse; } Understanding Flexbox .container { display: flex; align-items: stretch | flex-start | flex-end | center | baseline;. } Understanding Flexbox .container { display: flex; align-content : flex-start | flex-end | center | space-between | space-around | stretch; } Understanding Flexbox .items { align-self: auto | flex-start | flex-end | center | baseline | stretch; } Understanding Flexbox .items { flex-grow: <number>; } CSS Grid The s.. -
CSS Responsive Design Web Engineering 188.951 2VU SS20
L4: CSS Responsive Design Web Engineering 188.951 2VU SS20 Jürgen Cito L4: CSS Responsive Design • Media Queries • Responsive and Adaptive Images and Fonts • Flexible Box Layouts (Flexbox) • Grid Layouts Learning Goals • Differentiate between different options to achieve responsive layouts • Understand how images and fonts can be made responsive • Properly use media queries for responsive design • Understand the role of Flexbox and Grid layouts Responsive Design is a way of implementing web layouts Web Layout Approaches based on current standards, HTML5 and CSS3. Graceful degradation Interface A Interface B Mobile-first / Progressive enhancement Interface A Interface B Responsive design Interface A Interface B Slides by Michael Nebeling and the work by Michael Nebeling and Moira C. Norrie: Responsive Design and Development: Methods, Technologies and Current Issues, In: Proc. 13th Intl. Conf. on Web Engineering (ICWE 2013), LNCS, vol. 7977, pp. 510-513. Springer, 2013. Responsive Design Let content fill the container and define min/max constraints Use relative units to specify position and size of text and media Techniques ▪ Media Queries ▪ Fluid, Grid-based Layout ▪ Responsive Images ▪ Font Scaling ▪ … Required Reading: http://alistapart.com/article/responsive-web-design/ Media Queries ▪ Previously only media types (screen, print, braille, handheld …) ▪ @media rule ▪ Additional features ▪ color ▪ aspect-ratio ▪ max-width ▪ orientation ▪ resolution ▪ scan ▪ … ▪ Build complex queries using logical operators (not, and, only) @media only screen -
Military Compensation: When 50-Year-Olds Decide What 20-Year-Olds Want
CRM D0012938.A1/Final September 2005 Military Compensation: When 50-Year-Olds Decide What 20-Year-Olds Want Samuel D. Kleinman • Michael L. Hansen 4825 Mark Center Drive • Alexandria, Virginia 22311-1850 Approved for distribution: September 2005 Henry S. Griffis, Director Workforce, Education and Training Team Resource Analysis Division This document represents the best opinion of CNA at the time of issue. It does not necessarily represent the opinion of the Department of the Navy. Approved for Public Release; Distribution Unlimited. Specific authority: N00014-00-D-0700. For copies of this document call: CNA Document Control and Distribution Section at703-824-2123. Copyright Ó 2005 The CNA Corporation Contents Executive summary . 1 Background. 1 Findings and implications . 1 Military compensation . 1 Management of military personnel . 3 Introduction . 5 What is compensation . 9 Why do policy-makers get it wrong? . 9 Greater need for competitive compensation . 10 Strategic goals of compensation . 11 Meeting manpower objectives . 13 Getting the aggregate numbers right . 13 Training as compensation . 13 Training and labor contracts . 15 Retirement and retired healthcare. 18 Allocating personnel and Servicemember choice . 24 Assignments, rotation, and relocation . 25 Continuum of Service . 27 Providing incentives for performance. 29 Setting manpower objectives . 33 Experience profile . 34 What is the “required” experience profile? . 35 Are we measuring and using experience properly? . 36 Rotation. 38 Training . 39 Cost visibility . 40 Costs not in unit budgets . 41 One-year money. 43 Endstrength requirements . 44 Conclusions . 47 References . 49 i (This page is left intentionally blank) Executive summary Background Congressional mandate requires the Department of Defense (DoD) to review its forces, resources, and programs every 4 years and pre- sent its findings to Congress and the President.