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Senior Women's Performances of Sexuality
“DUSTY MUFFINS”: SENIOR WOMEN’S PERFORMANCES OF SEXUALITY A Thesis by EVLEEN MICHELLE NASIR Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Major Subject: Performance Studies “Dusty Muffins”: Senior Women’s Performances of Sexuality Copyright 2012 Evleen Michelle Nasir “DUSTY MUFFINS”: SENIOR WOMEN’S PERFORMANCES OF SEXUALITY A Thesis by EVLEEN MICHELLE NASIR Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Approved by: Chair of Committee, Kirsten Pullen Committee Members, Judith Hamera Harry Berger Alfred Bendixen Head of Department, Judith Hamera August 2012 Major Subject: Performance Studies iii ABSTRACT “Dusty Muffins”: Senior Women’s Performance of Sexuality. (August 2012) Evleen Michelle Nasir, B.A., Texas A&M University Chair of Advisory Committee: Dr. Kirsten Pullen There is a discursive formation of incapability that surrounds senior women’s sexuality. Senior women are incapable of reproduction, mastering their bodies, or arousing sexual desire in themselves or others. The senior actresses’ I explore in the case studies below insert their performances of self and their everyday lives into the large and complicated discourse of sex, producing a counter-narrative to sexually inactive senior women. Their performances actively embody their sexuality outside the frame of a character. This thesis examines how senior actresses’ performances of sexuality extend a discourse of sexuality imposed on older woman by mass media. These women are the public face of senior women’s sexual agency. -
Written and Directed by Madeleine Olnek
Written and Directed by Madeleine Olnek Starring Molly Shannon, Amy Seimetz, Susan Ziegler, Brett Gelman, Jackie Monahan, Kevin Seal, Dana Melanie, Sasha Frolova, Lisa Haas, Al Sutton World Premiere 2018 SXSW Film Festival (Narrative Spotlight) Acquisition Title / Cinetic 84 minutes / Color / English / USA PUBLICITY CONTACT SALES CONTACT Mary Ann Curto John Sloss / Cinetic Media [email protected] [email protected] [email protected] FOR MORE INFORMATION ABOUT THE FILM PRESS MATERIALS CONTACT and FILM CONTACT: Email: [email protected] DOWNLOAD FILM STILLS ON DROPBOX/GOOGLE DRIVE: For hi-res press stills, contact [email protected] and you will be added to the Dropbox/Google folder. Put “Wild Nights with Emily Still Request” in the subject line. The OFFICIAL WEBSITE: http://wildnightswithemily.com/ For news and updates, click 'LIKE' on our FACEBOOK page: https://www.facebook.com/wildnightswithemily/ "Hilarious...an undeniably compelling romance. " —INDIEWIRE "As entertaining and thought-provoking as Dickinson’s poetry.” —THE AUSTIN CHRONICLE SYNOPSIS THE STORY SHORT SUMMARY Molly Shannon plays Emily Dickinson in " Wild Nights With Emily," a dramatic comedy. The film explores her vivacious, irreverent side that was covered up for years — most notably Emily’s lifelong romantic relationship with another woman. LONG SUMMARY Molly Shannon plays Emily Dickinson in the dramatic comedy " Wild Nights with Emily." The poet’s persona, popularized since her death, became that of a reclusive spinster – a delicate wallflower, too sensitive for this world. This film explores her vivacious, irreverent side that was covered up for years — most notably Emily’s lifelong romantic relationship with another woman (Susan Ziegler). After Emily died, a rivalry emerged when her brother's mistress (Amy Seimetz) along with editor T.W. -
The Evolving Perception of Controversial Movies
ARTICLE Received 6 Jul 2015 | Accepted 2 Nov 2015 | Published 8 Dec 2015 DOI: 10.1057/palcomms.2015.38 OPEN The evolving perception of controversial movies Luca Amendola1, Valerio Marra2 and Miguel Quartin3 ABSTRACT Polarization of opinion is an important feature of public debate on political, social and cultural topics. The availability of large internet databases of users’ ratings has permitted quantitative analysis of polarization trends—for instance, previous studies have included analyses of controversial topics on Wikipedia, as well as the relationship between online reviews and a product’s perceived quality. Here, we study the dynamics of polarization in the movie ratings collected by the Internet Movie database (IMDb) website in relation to films produced over the period 1915–2015. We define two statistical indexes, dubbed hard and soft controversiality, which quantify polarized and uniform rating distributions, respec- tively. We find that controversy decreases with popularity and that hard controversy is relatively rare. Our findings also suggest that more recent movies are more controversial than older ones and we detect a trend of “convergence to the mainstream” with a time scale of roughly 40–50 years. This phenomenon appears qualitatively different from trends observed in both online reviews of commercial products and in political debate, and we speculate that it may be connected with the absence of long-lived “echo chambers” in the cultural domain. This hypothesis can and should be tested by extending our analysis to other forms -
Middle Grade Indicators of Readiness in Chicago Public Schools
RESEARCH REPORT NOVEMBER 2014 Looking Forward to High School and College Middle Grade Indicators of Readiness in Chicago Public Schools Elaine M. Allensworth, Julia A. Gwynne, Paul Moore, and Marisa de la Torre TABLE OF CONTENTS 1 Executive Summary Chapter 5 55 Who Is at Risk of Earning Less 7 Introduction Than As or Bs in High School? Chapter 1 Chapter 6 17 Issues in Developing and Indicators of Whether Students Evaluating Indicators 63 Will Meet Test Benchmarks Chapter 2 Chapter 7 23 Changes in Academic Performance Who Is at Risk of Not Reaching from Eighth to Ninth Grade 75 the PLAN and ACT Benchmarks? Chapter 3 Chapter 8 29 Middle Grade Indicators of How Grades, Attendance, and High School Course Performance 81 Test Scores Change Chapter 4 Chapter 9 47 Who Is at Risk of Being Off-Track Interpretive Summary at the End of Ninth Grade? 93 99 References 104 Appendices A-E ACKNOWLEDGEMENTS The authors would like to acknowledge the many people who contributed to this work. We thank Robert Balfanz and Julian Betts for providing us with very thoughtful review and feedback which were used to revise this report. We also thank Mary Ann Pitcher and Sarah Duncan, at the Network for College Success, and members of our Steering Committee, especially Karen Lewis, for their valuable feedback. Our colleagues at UChicago CCSR and UChicago UEI, including Shayne Evans, David Johnson, Thomas Kelley-Kemple, and Jenny Nagaoka, were instrumental in helping us think about the ways in which this research would be most useful to practitioners and policy makers. -
The Musical Number and the Sitcom
ECHO: a music-centered journal www.echo.ucla.edu Volume 5 Issue 1 (Spring 2003) It May Look Like a Living Room…: The Musical Number and the Sitcom By Robin Stilwell Georgetown University 1. They are images firmly established in the common television consciousness of most Americans: Lucy and Ethel stuffing chocolates in their mouths and clothing as they fall hopelessly behind at a confectionary conveyor belt, a sunburned Lucy trying to model a tweed suit, Lucy getting soused on Vitameatavegemin on live television—classic slapstick moments. But what was I Love Lucy about? It was about Lucy trying to “get in the show,” meaning her husband’s nightclub act in the first instance, and, in a pinch, anything else even remotely resembling show business. In The Dick Van Dyke Show, Rob Petrie is also in show business, and though his wife, Laura, shows no real desire to “get in the show,” Mary Tyler Moore is given ample opportunity to display her not-insignificant talent for singing and dancing—as are the other cast members—usually in the Petries’ living room. The idealized family home is transformed into, or rather revealed to be, a space of display and performance. 2. These shows, two of the most enduring situation comedies (“sitcoms”) in American television history, feature musical numbers in many episodes. The musical number in television situation comedy is a perhaps surprisingly prevalent phenomenon. In her introduction to genre studies, Jane Feuer uses the example of Indians in Westerns as the sort of surface element that might belong to a genre, even though not every example of the genre might exhibit that element: not every Western has Indians, but Indians are still paradigmatic of the genre (Feuer, “Genre Study” 139). -
Community Rebranding: a Case Study
COMMUNITY REBRANDING: A CASE STUDY A Project Presented to the Faculty of California State Polytechnic University, Pomona In Partial Fulfillment Of the Requirements for the Degree Master of Science In Hospitality Management By Michelle L. Pecheck Spring 2015 SIGNATURE PAGE PROJECT: COMMUNITY REBRANDING: A CASE STUDY AUTHOR: Michelle L. Pecheck DATE SUBMITTED: Spring 2015 The Collins College of Hospitality Management Dr. Ed Merritt _________________________________________ Project Committee Chair Associate Professor Dr. Margie Jones _________________________________________ Associate Professor Dr. Neha Singh _________________________________________ Director of Graduate Studies Associate Professor ii ABSTRACT Intro: This case study profiles Claremont, a city of approximately 37,000 residents. Since its formation in 1887, it has primarily been known as a college town with a history of citrus production. This case study investigates what components would need to be in place to rebrand or reposition the city as a unique, healthful destination. Case: A resident survey, interviews, and focus groups were used to gather qualitative data about residents’ perceptions of the city’s current brand and potential rebranding. Management & Outcome: Scope of work for the focus city included data gathering from residents, and identification of projects, services, and designations to support marketing of the city as a health/wellness destination. Discussion: Data from surveys, focus groups, and key informant interviews indicated that residents were uncertain of the City’s current brand, in general appeared to care little about the brand, and lacked information about the City’s interest in a possible future rebranding. Further, City documents revealed a history of departmental rebrandings that may have obscured the City’s current brand image. -
Following Is a List of All 2019 Festival Jurors and Their Respective Categories
Following is a list of all 2019 Festival jurors and their respective categories: Feature Film Competition Categories The jurors for the 2019 U.S. Narrative Feature Competition section are: Jonathan Ames – Jonathan Ames is the author of nine books and the creator of two television shows, Bored to Death and Blunt Talk His novella, You Were Never Really Here, was recently adapted as a film, directed by Lynne Ramsay and starring Joaquin Phoenix. Cory Hardrict– Cory Hardrict has an impressive film career spanning over 10 years. He currently stars on the series The Oath for Crackle and will next be seen in the film The Outpostwith Scott Eastwood. He will star and produce the film. Dana Harris – Dana Harris is the editor-in-chief of IndieWire. Jenny Lumet – Jenny Lumet is the author of Rachel Getting Married for which she received the 2008 New York Film Critics Circle Award, 2008 Toronto Film Critics Association Award, and 2008 Washington D.C. Film Critics Association Award and NAACP Image Award. The jurors for the 2019 International Narrative Feature Competition section are: Angela Bassett – Actress (What’s Love Got to Do With It, Black Panther), director (Whitney,American Horror Story), executive producer (9-1-1 and Otherhood). Famke Janssen – Famke Janssen is an award-winning Dutch actress, director, screenwriter, and former fashion model, internationally known for her successful career in both feature films and on television. Baltasar Kormákur – Baltasar Kormákur is an Icelandic director and producer. His 2012 filmThe Deep was selected as the Icelandic entry for the Best Foreign Language Oscar at the 85th Academy Awards. -
Everybody Loves Raymond” Let’S Shmues--Chat
THANKSGIVING WITH THE CAST OF “EVERYBODY LOVES RAYMOND” LET’S SHMUES--CHAT The Yiddish word for “turkey” is “indik.” “Dankbar” is the Yiddish word for “thankful.” By MARJORIE GOTTLIEB WOLFE 46 “milyon” turkeys are eaten each Thanksgiving. Turkey consumption has increased 104% since 1970. And 88% of Americans surveyed by the National Turkey Federation eat turkey on this holiday. Marie Barone (Doris Roberts) is devoted to making sure her boys are well-fed. She gets her adult children back with food. It’s like a culinary hostage trade-off. Marie wants Debra, her daughter-in-law, to be a better cook. She calls her “cooking-challenged” and thinks that she should live directly opposite Zabar’s. Marie want the children to have better food. She says, “A mother’s love for her sons is a lot like a dog’s piercing bark: protective, loyal, and impossible to ignore. Many episodes of “Everybody Loves Raymond” dealt with Thanksgiving. Grab a #2 pencil and see if you can identify which of the following story lines is real or fabricated. Good luck. EPISODE 1. Thanksgiving has arrived. Marie is on a “diete.” She has just returned from a residential treatment facility for weight (“vog”) loss at Duke University in North Carolina. It was an expensive (“tayer”) program. The lockdown began: Low-Fat, No-Sugar (“tsuker”), No Taste foods, and 750 calories a day. (That’s the equivalent of a slice of chocolate cake.) One woman in the program sent herself “Candygrams” each week (“vokh”). Doris eats very little (“a bisl”) at the Thanksgiving table, but as she is preparing to leave Debra’s house, she asks for a little leftover turkey and apple (“epl”) chutney. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Everybody Loves Raymond
SHOW BIZ Maria Faisal Everybody Loves Raymond Based on the real-life experiences of Ray Romano, Everybody Loves Raymond, the popular sitcom ran from September 1996 to May 2005. Everybody Loves Raymond, a very popular American sitcom broadcast on CBS, ran from 1996 to 2005. The show revolved around the life of Ray Barone, a News Paper sportswriter from Long Island, his wife, Debra, daughter, Ally, and identical twin sons, Geoffrey and Michael. Ray has imposing parents and a jealous, insecure brother, Robert. They are found most of the time in the living room of Ray. Debra, Ray's wife is sick of this routine that had turned her in to a cranky yelling woman, but tolerates for the love of her husband. Ray’s parents and brother never give Ray or his family a moment of peace. Ray often finds himself in the middle of someone else's problems. He is usually the one blamed for everyone else's troubles. Based on the real-life experiences of Ray Romano, Everybody Loves Raymond premiered on September 13, 1996, on CBS. The series finale was broadcast on May 16, 2005, though old episodes are still rerun on cable network TBS and in daily syndication. The show can be watched Monday to Friday on Rogers channel 35, 835, 47 and 847. Paaras 1 Interesting Facts About the Show ·In an unusual turn for such a long-running show, ·Like Robert Barone in Everybody Loves Raymond, every episode featured a single plotline followed Ray Romano has a brother who works for the New throughout both acts. -
Final Transform Mena Winners
1 Welcome 02 Meet the judges Tonight we have celebrated excellence in rebranding and brand 04 Who won what development. And there was much to celebrate. The standard of work coming out of the Middle East is as good as any from around the world and The Awards there is much for which brand practitioners and their agencies and counsel Content can feel proud. 06 Best use of a visual property As a journalist and publisher, I have run dozens of stories focusing on the repositioning of a company brand. It’s one of my favourite areas of Process communications. Every rebrand that I’ve chronicled has its own narrative. 07 Best external stakeholder relations during a rebrand There’s a trigger – a new arrival in the competitive landscape, a decline Best implementation of a rebrand in fortunes or the realisation that a new strategy is needed. Then there’s 09 Best internal communication during a rebrand a rite of passage – the journey of the brand. Once the organisation transforms itself, like a butterfly emerging from its chrysalis, there is an outcome. Almost formulaic in style, brand transformations yield themselves Strategy to compelling narratives, easily picked up by journalists in trade and 10 Best creative strategy mainstream press. Best brand evolution 12 Best strategic/creative development of a new brand Yet in all the brand transformations I have covered no two stories have been similar, let alone alike. The tales that have captured my imagination have been of hard work, fabulous design and stunning intellectual and creative Type insight. 14 Best corporate rebrand to reflect changed mission/values/ positioning This is the framework for the stories that were honoured tonight at the Best brand consolidation inaugural Transform Awards MENA. -
Imagine the Future Of
imagine the future of our vision Imagine a Christian University that is a national model for student success within an inclusive community. Imagine a Christian University that advances the calling of our students through teaching, learning, engaging, and serving. Imagine a Christian University that is defined by the opportunities we create, by the lives we transform, and by the futures we shape. You have imagined the University we seek to become. Chowanour University, mission grounded in its Christian faith, transforms the lives of students of promise. our values Faith. Inlcusion. Imagination. Engagement. SUPPORT THE VISION AT CHOWAN.EDU/WEGIVE CHOWAN UNIVERSITY HONOR ROLL OF INVESTORS 2016 - 2017 The Honor Roll of Investors lists gifts to the University received between June 1, 2016 and May 31, 2017. We are deeply grateful to the following alumni & friends. New Endowed Scholarships * Mr. & Mrs. Wayne Brown VA Power Matching Gift Program Mrs. Janelle Greene Ezzell Carlyle R. Wimbish, Jr. Scholarship James E. & Mary Bryan Foundation † Estate of Howard C. Vaughan Bill Pataky & Yolanda Faile Sheryl Brown Whitley Scholarship Mr. & Mrs. Percy Bunch Mr. Jesse E. Vaughan Mrs. Edith Vick Farris Gilbert and Linda Tripp Scholarship Burroughs Wellcome Fund Mr. & Mrs. Hugh C. Vincent Mr. & Mrs. Ray Felton Mary Peele Deanes Scholarship The Cannon Foundation, Inc. Wachovia Foundation † Mr. Henry Clay Ferebee III Newsome Family Scholarship CBF of North Carolina, Inc. MRP † Estate of Mr. A.J. Watkins † Mr. John Ed Ferebee Sports Studies Scholarship CIAA Tournament Mrs. Linda B. Weaver † Mrs. Beatrice “Bea” Flythe Mary Worrell Felton Carter, Benjamin Franklin Commercial Ready Mix Products Mr.