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P R E S S R E L E a S E DIANE ARBUS Christ in a Lobby and Other Unknown Or Almost Known Works Whenever I Give A
P R E S S R E L E A S E DIANE ARBUS Christ in a lobby and Other Unknown or Almost Known Works SELECTED BY ROBERT GOBER January 7 – March 6, 2010 Whenever I give a talk about my work I am invariably asked who my influences are. Not what my influences are, but who. As if the gutter, misunderstandings, memories, sex, dreams, and books matter less than forebears do. After all, in terms of influences, it is as much the guy who mugged me on Tenth Street, or my beloved dog who passed away much too early, as it was Giotto or Diane Arbus. -- Robert Gober Fraenkel Gallery is pleased to present Christ in a lobby and Other Unknown or Almost Known Works by Diane Arbus, on view from January 7 through March, 6, 2010. The exhibition has been selected and assembled by the sculptor Robert Gober. In 1976, Gober made an untitled still-life drawing depicting the cover of the 1972 monograph Diane Arbus, along with other household items: a pack of cigarettes, sunglasses, coins, an ashtray. That drawing – still in the artist’s collection, and to be included in the forthcoming exhibition – signaled an early appreciation of Arbus’s photographs, and Gober’s subsequent body of work evidences certain affinities with hers, including Arbus’s willingness “to look at everything that you weren’t supposed to” [Gober, in a 2005 interview]. In the summer of 2009 Gober was invited to study a heretofore little known body of Arbus’s photographs, and to select a group for exhibition. -
DSH Final Single Page.Pages
Fields and Grounds and Things Landing: μm agglomerate BB barley city nature DAVIS clinker cloud composite cuts fences french polish hum measure milkweed opacity / relation oranges SCHRADER pawn pollen public space ragweed rest root suckers and roots stack / pile sole Strangelove tint HERTZ tap tire track trash yolk Works by Taylor Davis, Dmitri Hertz, and Matthew Schrader November 15, 2020 - January 3, 2021 Opening Reception: Sunday, November 15, 12-6pm Soloway Gallery △ 348 South 4th Street △ Brooklyn, NY 11211 Open Saturday & Sunday from 12-5pm and by appointment soloway.info △ [email protected] △ Masks Required Taylor Davis (b. Palm Springs) earned her Diploma of Fine Arts from the School of the Museum of Fine Arts, a BS of Education from Tufts University, and her MFA from Milton Avery Graduate School of the Arts at Bard College. She has received numerous awards and grants including a Rauschenberg Residency, Radcliffe Fellowship, an Anonymous was a Woman Grant, an Association of International Art Critics Award, and the Institute of Contemporary Art Boston Artist Prize. Davis has exhibited widely including Whitney Museum of American Art, New York, NY; The Museum of Contemporary Art, Los Angeles; Institute of Contemporary Art, Boston, MA; Tang Teaching Museum and Art Gallery, Saratoga Springs, NY; The Aldrich Contemporary Art Museum, Ridgefield, CT; White Column, NY, NY; Adams and Ollman, Portland, OR; yours mine & ours, NY, NY; Baroque Gallery, Antwerp, BE; and September, Hudson, New York. Articles and reviews include in The New York Times, The Washington Post, Art in America, Artforum, The Boston Globe, and The Boston Herald. A committed teacher, Davis is a professor at Massachusetts College of Art and Design and co-chair of Sculpture at Milton Avery Graduate School of the Arts at Bard College. -
2015-ASAA-Solo-Ensemble-Program
Welcome to the Festival 2015 Solo & Ensemble Music Festival ing 844 students from 43 Alaskan high May 8 & 9, 2015 schools a daunting task for two days. To Festival Adjudications at UAA perform at the Command Performance Command Performances at East and Concert, students must be nominated by West Anchorage High School the state adjudicator for each adjudicat- ed section. Welcome to the 2015 ASAA / First National Bank Alaska State Solo ASAA and our corporate part- & Ensemble Music Festival. This ners join schools, music direc- event effectively promotes high tors, private teachers, parents standards of musicianship. and communities in congrat- ulating all high school in- The goal of this activity is to strumentalists and vocalists foster and inspire technical performing in this state culmi- achievement, aesthetic under- nating event. Years of dedicat- standing and critical listening ed hard work to develop your tal- skills. Essential to this process are ents have paid off. Your challenge students who are willing to grow; mu- will be to not only perform to the best of sic educators who clearly visualize, your ability, but also to learn from the interpret, and teach musicianship; and adjudicators and fellow students. adjudicators who can provide thought- ful, accurate, and educationally sound A heartfelt thanks goes to the University reactions. The result is a vital interaction of Alaska Anchorage for contributing that remains one of the more exciting, an exemplary facility to host the festival enjoyable, and worthwhile events in and to East and West Anchorage High high school music activities. School for contributing their phenome- nal performance facilities. -
Presskitsq1 Eng2
Sequence 1 Painting and Sculpture in the François Pinault Collection Saturday 5 May – Sunday 11 November 2007 1 Index I/ Sequence 1. Painting and Sculpture in the François Pinault Collection Palazzo Grassi to initiate new exhibition series Painting Sculpture New commissions and special projects Sequence 1 works list Catalogue of the exhibition II/ Historical Milestones of Palazzo Grassi Palazzo Grassi: a Venetian story From Gianni Agnelli to François Pinault The Board of Directors The Advisory of Board Tadao Ando’s renovation The Palazzo Grassi’s cultural direction Punta della Dogana III/ Biographies François Pinault Jean-Jacques Aillagon Alison M. Gingeras The artists of Sequence 1 Tadao Ando IV/ General information V/ Press office contacts VI/ Captions of the images available in the press kit 2 I / Sequence 1. Painting and Sculpture in the François Pinault Collection Palazzo Grassi to initiate new exhibition series On May 5, 2007,Palazzo Grassi presented Sequence 1:Painting and Sculpture in the François Pinault Collection, the first exhibition in a succession of shows highlighting the particularities and strengths of the contemporary art holdings of the François Pinault Collection. Curated by Alison M. Gingeras, the newly-appointed chief curator at Palazzo Grassi, Sequence 1 features a diverse range of work by six- teen artists from the Collection, as well as new commissions and special projects. The exhibition will be on view until November 11th, 2007. International and multi-generational, the artists in Sequence 1 all engage in the practice of painting or sculpture to varying degrees. Eschewing theme or narrative, Sequence 1 reminds us that contempo- rary artists have never abandoned these supposedly “traditional” disciplines—choosing instead to modify them with constant conceptual revisions and ever-evolving techniques. -
Exhibition Brochure, Robert Gober.Pdf
ROBERT GOBER SelectedBibliography: SiteMap ( Flood, Richard, "Robert Gober: Special Robert Gober, Paris, Galerie Nationale Editions, An Interview", The Print du Jeu de Paume, 1991. Texts by Collector's Newsletter, March-April Catherine David, Joan Simon. 1990, pp.6-9. Robert Gober, Rotterdam , Museum + Gober, Robert , "Cumulus" , Parkett, Boymans-van Beuningen, 1990. Texts by no.19 , 1989, pp.169-171. Trevor Fairbrother, Karel Schampers, Parkett, no.27, March 1991, Special Ulrich Loock. Edition: Louise Bourgeois & Robert Sherlock, Maureen P., "Arcadian Elegy: Gober, Texts by Gregg Bordowitz, Nancy The Art of Robert Gober", Arts, Spector, Harald Szeemann. September 1989, pp.44-49. BE ~ ( C :,.. + $ ~ <:i ';; § a c§l ] ...,§ ~ + Robert Gober was born September 12, 1954 in Wallingford, Connecticut. He currently ~ b ,? lives and works in New York City. Since his first show in 1984 he has exhibited widely, C ""0.. in numerous exhibitions in North America, Japan and Europe. Major funding for this project has been received from the Lannan Foundation and the National Endowment for the Arts, a federal agency, Washington D.C., with additional scenic painting funding from the Dia Art Council, the major annual support group of the Dia Center for + rat bait the Arts, and the Dia Art Circle. Support for the 1992-93 exhibitions program has also prison windows been provided through a generous grant from The Andy Warhol Foundation for the I \ Visual Arts, Inc . sink C § newspapers A book documenting the installation is forthcoming. - Maureen Sherlock, Associate Professor of Critical Theory in the Film Department of the September24, 1992-June 20, 1993 School of the Art Institute of Chicago, will give a lecture on the installation on Thursday, January 14, 1993 at 6:30pm. -
No Problem Press5.Indd
525 & 533 West 19th Street New York, NY 10011 David Zwirner 537 West 20th Street Telephone 212 517 8677 For immediate release NO PROBLEM: COLOGNE/NEW YORK 1984-1989 May 1 – June 14, 2014 David Zwirner is pleased to present an exhibition of work that examines the 1980s through the lens of the Cologne and New York art scenes of the period. Spanning the gallery’s exhibition spaces at 525 and 533 West 19th Street and 537 West 20th Street, the exhibition will include Werner Büttner, George Condo, Walter Dahn, Jiri Georg Dokoupil, Peter Fischli/David Weiss, Günther Förg, Robert Gober, Georg Herold, Jenny Holzer, Mike Kelley, Martin Kippenberger, Jeff Koons, Barbara Kruger, Sherrie Levine, Albert Oehlen, Raymond Pettibon, Richard Prince, Cindy Sherman, Rosemarie Trockel, Franz West, and Christopher Wool. The contemporary art that was created and presented in New York and Cologne during the 1980s shaped a certain creative discourse Martin Kippenberger between artists, curators, and gallerists on both sides of the The Person Who Can’t Dance Says the Band Can’t Play, 1984 Atlantic. This exhibition proposes an examination of this dialogue Oil on canvas 64 x 53 1/2 inches by focusing on the international artists who showed in both New 162.6 x 135.9 cm © Estate of Martin Kippenberger York and Cologne between 1984 and 1989 and the key gallery and Galerie Gisela Capitain, Cologne museum exhibitions of the period that took place in both cities. For the better part of the 1980s until the fall of the Berlin Wall in 1989, Cologne was arguably the European center of the contemporary art world. -
A FUND for the FUTURE Francis Alÿs Stephan Balkenhol Matthew
ARTISTS FOR ARTANGEL Francis Alÿs Stephan Balkenhol Matthew Barney Janet Cardiff and George Bures Miller Vija Celmins José Damasceno Jeremy Deller Rita Donagh Peter Dreher Marlene Dumas Brian Eno Ryan Gander Robert Gober Nan Goldin Douglas Gordon Antony Gormley Richard Hamilton Susan Hiller Roger Hiorns Andy Holden Roni Horn Cristina Iglesias Ilya and Emilia Kabakov Mike Kelley + Laurie Anderson / Kim Gordon / Cameron Jamie / Cary Loren / Paul McCarthy / John Miller / Tony Oursler / Raymond Pettibon / Jim Shaw / Marnie Weber Michael Landy Charles LeDray Christian Marclay Steve McQueen Juan Muñoz Paul Pfeiffer Susan Philipsz Daniel Silver A FUND FOR THE FUTURE Taryn Simon 7-28 JUNE 2018 Wolfgang Tillmans Richard Wentworth Rachel Whiteread Juan Muñoz, Untitled, ca. 2000 (detail) Francis Alÿs Stephan Balkenhol Matthew Barney Janet Cardiff and George Bures Miller Vija Celmins José Damasceno Jeremy Deller Rita Donagh Peter Dreher Marlene Dumas Brian Eno ADVISORY GROUP Ryan Gander Hannah Barry Robert Gober Erica Bolton Nan Goldin Ivor Braka Douglas Gordon Stephanie Camu Antony Gormley Angela Choon Richard Hamilton Sadie Coles Susan Hiller Thomas Dane Roger Hiorns Marie Donnelly Andy Holden Ayelet Elstein Roni Horn Gérard Faggionato LIVE AUCTION 28 JUNE 2018 Cristina Iglesias Stephen Friedman CONDUCTED BY ALEX BRANCZIK OF SOTHEBY’S Ilya and Emilia Kabakov Marianne Holtermann AT BANQUETING HOUSE, WHITEHALL, LONDON Mike Kelley + Rebecca King Lassman Laurie Anderson / Kim Gordon / Prue O'Day Cameron Jamie / Cary Loren / Victoria Siddall ONLINE -
Robert Gober the Heart Is Not a Metaphor
How in the fuck are you supposed to hit that shit? —Mickey Mantle ROBERT GOBER THE HEART IS NOT A METAPHOR Edited by Ann Temkin Essay by Hilton Als With a Chronology by Claudia Carson, Robert Gober, and Paulina Pobocha And an Afterword by Christian Scheidemann The Museum of Modern Art, New York CONTENTS 9 Foreword Glenn D. Lowry 10 Published by The Museum of Robert Gober: An Invitation Modern Art, Ann Temkin 11 West 53 Street New York, NY 10019-5497 Published on the occasion of www.moma.org 20 the exhibition Robert Gober: The I Don’t Remember Heart Is Not a Metaphor, at The Distributed in the United States Hilton Als Museum of Modern Art, New York, and Canada by ARTBOOK | October 4, 2014–January 18, D.A.P., New York 2015, organized by Ann Temkin, 155 Sixth Avenue, 2nd floor 92 The Marie-Josée and Henry Kravis New York, NY 10013 Chronology Chief Curator of Painting and www.artbook.com Claudia Carson and Paulina Pobocha with Robert Gober Sculpture, and Paulina Pobocha, © 2014 The Museum of Modern Art Assistant Curator, Department of Distributed outside the United Painting and Sculpture Hilton Als’s essay “I Don’t States and Canada by Thames & 246 Remember” is © 2014 Hilton Als. Hudson ltd Robert Gober’s Painted Sculpture 181A High Holborn Christian Scheidemann Thom Gunn’s poem “Still Life,” London WC1V 7QX The exhibition is made possible by from his Collected Poems, is www.thamesandhudson.com Hyundai Card. © 1994 Thom Gunn. Reprinted by permission of Faber and Faber Front cover: Robert Gober 256 List of Works Illustrated Major support is provided by the Ltd and Farrar, Straus and Giroux, working on Untitled, 1995–97, in 262 Exhibition History Henry Luce Foundation, Maja Oeri LLC. -
OSU Museum of Art Introduces "Richard Tuttle: a Print Retrospective"
(http://go.okstate.edu) OSU MUSEUM OF ART (/) OSU Museum of Art introduces "Richard Tuttle: A Print Retrospective" (STILLWATER, Okla., January 13, 2016) — The OSU Museum of Art is pleased to introduce Richard Tuttle: A Print Retrospective, bringing one of the nation’s most signiÛcant working artists to Oklahoma. The exhibition, on view from Feb. 8 to May 7, is the second in the museum’s New York Project, an exhibition series presenting the work of high-proÛle New York artists of the past half century at OSU. “The New York Project is designed to provide an extraordinary opportunity for our audience to interact with world-renowned artists and view exhibitions usually more exclusive to metropolitan museums,” said Victoria Berry, OSU Museum of Art director. Richard Tuttle, whose work can be found in major collections such as the Whitney Museum of American Art and the Metropolitan Museum of Art, is perhaps best known for his printmaking – a technique that involves creating an original work of art by transferring a design onto a surface through the use of a plate, block, stone or screen. Richard Tuttle: A Print Retrospective will reveal the artist’s profound interest in the ambiguous and transitional nature of this art form. Prints have an unusual ability to o˛er hidden information and render visible insight into the artist’s process of creating. This invitation for the viewer to look more closely and be more attentive is a key aspect of Tuttle’s work, said Christina von Rotenhan, the exhibition curator who has worked closely with the artist for three years on the concept of this exhibition. -
April 29, 2005 Contact: Robyn Wise, 415.357.4172, [email protected]
April 29, 2005 Contact: Robyn Wise, 415.357.4172, [email protected] Libby Garrison, 415.357.4177, [email protected] Sandra Farish Sloan, 415.357.4174, [email protected] SFMOMA PRESENTS THE ART OF RICHARD TUTTLE Major Retrospective Offers Unprecedented Overview As a highlight of its 2005 exhibition schedule, the San Francisco Museum of Modern Art (SFMOMA) will present The Art of Richard Tuttle from July 2 through October 16, 2005. The first full-scale retrospective of this influential American contemporary artist’s oeuvre, the exhibition brings together more than three hundred significant works from collections worldwide and unifies Tuttle’s four-decade career in the most comprehensive presentation of his work ever mounted. Organized by Madeleine Grynsztejn, Elise S. Haas Senior Curator of Painting and Sculpture New Mexico, New York, #14, 1998; 22 at SFMOMA, in close collaboration with the artist, The Art of Richard 3/4 x 10 1/2 x 1/2 in.; Collection of Anne and Joel Ehrenkranz, New York; Tuttle will embark upon an extensive national tour following its © Richard Tuttle; photo: Tom Powel San Francisco debut. The exhibition will showcase a definitive selection of Tuttle’s richly complex and highly diverse output from the mid-1960s to the present including sculptures, paintings, assemblages, works on paper, and artist books. The artist’s distinctive style and its relation to American art since 1965 will be emphasized, summarizing the trajectory of his work and celebrating his singular achievements. After opening at SFMOMA, The Art of Richard Tuttle will travel to the Whitney Museum of American Art, New York (November 10, 2005 to February 5, 2006); the Des Moines Art Center (March 18 to June 11, 2006); the Dallas Museum of Art (July 15 to October 8, 2006); the Museum of Contemporary Art, Chicago (November 11, 2006 to February 4, 2007); and the Museum of Contemporary Art, Los Angeles (March 18 to June 25, 2007). -
Curriculum Vitae
Taylor Davis Music educator | Percussionist [email protected] | 214-549-1797 | 4001 S Broadway Ave Apt. 1045 Flower Mound TX 75028 Personal Profile An educator with a passion for dependable pedagogy. Holds experience in both public and university settings while seeking to meet the needs of individual students, has a proven ability to tackle problems head on and desires to be a good colleague and collaborator in all endeavors. Education Peabody Institute of the Johns Hopkins University | Baltimore, Maryland 2019 | Master of Music in Percussion Performance, Graduate Teaching Assistant Primary Teacher | Robert van Sice Baylor University | Waco, Texas 2017 | Bachelor of Music in Music Education Primary Teachers | Todd Meehan, Ivan Trevino, Edward Taylor Professional Employment | Teaching Experience 2019-Present | Adjunct Professor of Percussion, Texas Woman’s University • Responsibilities include instruction for percussion majors, teaching the percussion methods course, & cultivating the percussion chamber music program 2019-Present | Assistant Director of Percussion, Flower Mound High School • Responsibilities include instruction for percussion students grades 6-12, teaching marching percussion, running the private lesson program and teaching private lessons for the Flower Mound cluster, and coaching chamber music 2019-Present | Percussion Staff, Blue Stars Drum and Bugle Corps • Responsibilities include instruction for the Blue Stars Front Ensemble during the DCI audition process through winter and spring, and teaching during the DCI -
Hebron Christian Academy Upper School Athletic News
HEBRON CHRISTIAN ACADEMY UPPER SCHOOL ATHLETIC NEWS TAYLOR DAVIS, VOLUME 7, ISSUE 1 ATHLETIC DIRECTOR OCTOBER 2018 IN THIS ISSUE Congratulations to HCA Senior Brandon Potra, who was selected as FALL VICTORIES 1 Gwinnett Runner of the Week by the county’s cross country coaches! CHEERLEADING 2 Brandon came in 3rd place in 16:59 and tied for 3rd, down to the CROSS COUNTRY 3 millisecond, at North Oconee, leading the Lions to an 11th place team finish. FOOTBALL 4 SOFTBALL 5 VOLLEYBALL 6 BURLINGAME HCAA INFO 7 FIELD Ribbon Cutting 2018 COACH ROGERS AVERY ARTERBURN, 7 SIDNEY BORDEN, 8 LET’S Hebron’s own Hayden McGee is making headlines across the coun- KEELY BOYT, 8 try! This summer, her A5 Mizuno SARAH-KATE BROOKS, 7 GO Volleyball Club Team won the AAU JENNA BROWN, 8 2018 16 Premier National Champion- ANSLEY BRYAN, 8 ship in Orlando, Florida. They then SARAH GOSSLING, 8 LIONS went on to win the USAV 2018 16 USA SYDNEY GOSSLING, 6 Girls Junior National Championship RYLIE HAWKINS, 6 in Detroit, Michigan. Hayden was LILY JONES, 7 also individually honored with the HARPER MAZZAWI, 6 All American Award in Orlando and the All-Tournament Team in Detroit. KATIE BETH MOCK, 6 As a Junior at HCA, Hayden has LILY MORGAN, 8 already committed to play volleyball BAILEY ROGERS, 8 for The University of Tennessee at MACKENZIE SCOGGINS, 6 AREA TOURNAMENT MVP Chattanooga after graduation. MACI SIMMONS, 8 HaydenMcGee Congratulations, Hayden! LILY SOUTHER, 8 FALL SPORTS SCHEDULES CHEERLEADING VARSITY VARSITY VARSITY COMPETITION COMPETITION FOOTBALL CHEER CHEERLEADING