Niels Sejer Production Designer

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NIELS SEJER PRODUCTION DESIGNER FILM & TELEVISION BORGEN (SEASON 4) Creator: Adam Price Production Company: DR & Netflix SHADOWPLAY Director: Måns Mårlind & Björn Stein Production Company: Tandem Productions & BRON Studios BACKSTABBING FOR BEGINNERS Director: Per Fly Production Company: Parts & Labor & A24 FLATLINERS Director: Niels Arden Oplev Production Company: Columbia Pictures MIDNIGHT SUN Director: Måns Mårlind & Björn Stein Production Company: Canal Plus THE COMMUNE Director: Thomas Vinterberg Production Company: Zentropa Winner, Best Actress, Berlin Film Festival (2016) Official Selection, Toronto Film Festival (2016) 1864 (Mini-series) Director: Ole Bornedel Production Company: Miso Film DEAD MAN DOWN Director: Niels Arden Oplev Production Company: Original Film LUX ARTISTS | 1 A ROYAL AFFAIR Director: Nikolaj Arcel Production Company: Zentropa Ent. Nominated, Best Foreign Language Film, Academy Awards (2013) Nominated, Best Production Designer, European Film Awards (2012) Winner, Best Screenplay & Male Lead, Berlin Film Festival (2012) Official Selection, Toronto Film Festival (2012) Official Selection, Telluride Film Festival (2012) THE BRIDGE (Season 1) Director: Various Production Company: Nimbus Films LIMBO Director: Maria Sødahl Production Company: SF Norge A/S Winner, Best Production Design, Amanda Awards (2011) THE GIRL WITH THE DRAGON TATTOO Director: Niels Arden Oplev Production Company: Yellowbird Prods. Winner, Best Foreign Language Film, BAFTA Awards (2011) Nominated, Audience Award, European Film Awards (2009) TERRIBLY HAPPY Director: Henrik Ruben Genz Production Company: Fine & Mellow Winner, Best Direction, Chicago International Film Festival (2008) Nominated, Best Production Design, Robert Awards (2009) ISLAND OF LOST SOULS Director: Nikolaj Arcel Production Company: Zentropa Ent. Winner, Best Production Design, Robert Awards (2008) THE KILLING (Season 1) Director: Various Production Company: Danmarks Radio KING’S GAME Director: Nikolaj Arcel Production Company: Nimbus Film Winner, Best Film, Bodil Awards (2005) Winner, Best Production Design, Robert Awards (2005) SOMEONE LIKE HODDER Director: Henrik Ruben Genz Production Company: Nordisk Film Winner, Satyajit Ray Award, London Film Festival (2003) LUX ARTISTS | 2 DIRECTOR/COMMERCIAL MARK MOLLOY Arla KASPER WEDENDAHL Toyota, Tuborg MADS WERNER Tuborg MATS STERNBERG Synoptik SUSANNE BIER Sinn Lefer ADAM BERG Lexus DOUGLAS AVERY Exxon LOCATIONS Czech Republic, Sweden, Germany, Estonia, Latvia, Trinidad, U.S. LANGUAGES French, German, Scandinavian languages ARTIST WEBSITE LUX ARTISTS | 3.

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LAMORINDA WEEKLY | "A Royal Affair"
LAMORINDA WEEKLY | "A Royal Affair" Published March 27th, 2013 "A Royal Affair" By Sophie Braccini Something is glamorous in the kingdom of Denmark. From that country comes to Orinda April 5 a story of intrigue and love on a backdrop of factual 18th century history in the film "A Royal Affair." Few Americans know the importance German doctor Johann Friedrich Struensee had in the battle between enlightenment and obscurity in 18th century Europe. Struensee (played by Mads Mikkelsen, "The Hunt," "Casino Royale") was recruited by progressive members of the Danish Court to take care of King Christian VII (Mikkel Boe Folsgaard) in 1770. The immature, libertine and manic- depressive king was neither the embodiment of a great monarch nor a decent husband to the young British princess Caroline Mathilda (Alicia Vikander), who was married to him at age 16. Thanks to the trust he placed in Struensee, a reader of Rousseau and Voltaire who had himself written a few pamphlets on freedom, the monarch transformed into a progressive king, infuriating the more conservative amongst his court. Then, an attraction between the queen and the doctor materialized into a romance that precipitated their demise. The friendship between the king and his doctor, with Photo provided trust and manipulation intertwined, adds spice to the story. Danish star Mikkelsen is almost overshadowed by much less known Folsgaard as the weak but touching king. Folsgaard's portrayal is at times frightening, at times charming, and often unsettling. The movie is probably on its way to become an international success; it was very well received at the Berlin International Film Festival, where Folsgaard won for Best Actor (Nikolaj Arcel and Rasmus Heisterberg won for Best Script).
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The Dark Tower (Movie Review)
Digital Collections @ Dordt Faculty Work Comprehensive List 8-24-2017 The Dark Tower (Movie Review) Joshua Matthews Dordt College, [email protected] Follow this and additional works at: https://digitalcollections.dordt.edu/faculty_work Part of the American Film Studies Commons Recommended Citation Matthews, J. (2017). The Dark Tower (Movie Review). Retrieved from https://digitalcollections.dordt.edu/ faculty_work/772 This Blog Post is brought to you for free and open access by Digital Collections @ Dordt. It has been accepted for inclusion in Faculty Work Comprehensive List by an authorized administrator of Digital Collections @ Dordt. For more information, please contact [email protected]. The Dark Tower (Movie Review) Abstract "The Dark Tower destroys, through its reductive vision, creative possibilities for good fantasy storytelling." Posting about the movie The Dark Tower from In All Things - an online journal for critical reflection on faith, culture, art, and every ordinary-yet-graced square inch of God’s creation. http://inallthings.org/the-dark-tower/ Keywords In All Things, movie review, The Dark Tower Disciplines American Film Studies Comments In All Things is a publication of the Andreas Center for Reformed Scholarship and Service at Dordt College. This blog post is available at Digital Collections @ Dordt: https://digitalcollections.dordt.edu/faculty_work/772 The Dark Tower inallthings.org/the-dark-tower/ August 24, Josh Matthews 2017 Starring: Idris Elba, Matthew McConaughey, Tom Taylor Directed by: Nikolaj Arcel Written by: Akiva Goldsman & Jeff Pinker and Anders Thomas Jensen & Nikolaj Arcel Music: Junkie XL In a just world, consumers would receive refunds for The Dark Tower. The movie deserves long lines of protestors standing outside every movie theater that shows it, picketing and demonstrating against Sony Pictures’ attempt to rip off them off.
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Denmark | Poland
Cannes 2014 Sunday 18th May 2014 4 pm-6 pm Polish Film Institute Stand Grand Hotel Bld. de la Croisette 45 9th floor, app. 9A on the right from the main entrance DENMARK | POLAND [CO-PRODUCTION EVENT] INDEX DENMARK ALPHAVILLE PICTURES COPENHAGEN Tine Grew Pfeiffer BEOFILM Peter Hyldahl BLENKOV & SCHØNNEMANN PICTURES Michel Schønnemann COPENHAGEN BOMBAY Sarita Christensen COPENHAGEN FILM FUND Thomas Gammeltoft MISO FILM Elisabeth Victoria Poulsen NØRLUM Claus Toksvig PHOENIX FILM, PORTOBELLO FILM SALES Christian Falkenberg Husum PROFILE PICTURES Jacob Jarek SF FILM PRODUCTION Jesper Morthorst SPACE ROCKET NATION Lene Børglum WANTING FILM & MEDIA Sofie Wanting Hassing ZENTROPA Jonas Bagger POLAND ADHD WARSAW Roman J ędrkowiak ALTEREGO PICTURES Roman Jarosz, Izabela Igel BREAKTHRU PRODUCTIONS Magdalena Bargieł, Sean Bobbitt CENTRALA Paweł Kosu ń MANANA STUDIO Piotr Kobus MD4 Agnieszka Kurzydło MEDIABRIGADE Agata Walkosz, Marcin Kurek OPUS FILM Łukasz Dzi ęcioł PLATIGE IMAGE Ole Wendorff-Østergaard SKORPIONARTE Małgorzata Jurczak DENMARK [CO-PRODUCTION EVENT] CO-PRODUCING WITH DENMARK DANISH FILM INSTITUTE International Department The Danish Film Institute has established an international department with the remit of advising Danish producers on international funding possibilities, while being the contact- point for international producers seeking information on the Danish production landscape and financing possibilities. Applications will be evaluated based on the following criteria: Minority Co-Production Funding •Creative strength. The purpose of funding co-productions is to •Creative and financial collaboration between the strengthen partnerships and creative exchange Danish company and its co-producer, including between Danish and international producers. DFI previous projects and future plans. highly values the opportunities that co- •The level of creative and technical collaboration, production can provide for the Danish industry - the participation of Danish talent and crew and international financing, cultural and business the overall Danish spend.
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Niels Sejer CV (Eng) 2020
Niels Sejer / Production Designer, Architect maa Member Danish Architects Association / Member IATSE USA local 829 US rep: The Skouras Agency / Hillary Cook / [email protected] EU rep: LUX Artists/Rebecca Fayyad Palud / [email protected] Education Royal Danish Academy of Art, 1992 School of Architecture State University of New York at Purchase 1988 Division of Theatre Arts and Film Department of Design & Technology Awards The Crown Prince Couple´s Culture Award 2013 2013 ”The Killing” season one Bodil Awards 2013 2013 Henning Bahs Award - Best Production Design ”A Royal Afair” Robert Awards 2013 - Best Production Design 2013 ”A Royal Afair” Amanda Awards 2011 - Best Production Design 2011 ”LIMBO” Robert Awards 2008 - Best Production Design 2008 ”Island of Lost Souls” Robert Awards 2006 - Best Production Design 2006 ”King´s Game” Film & TV ”Shadowplay” 2019 Selected projects TV series shot in Kiruna area, Northern Sweden Company : Tandem Productions & BRON Studios Director : Måns Mårlind & Björn Stein Position : Production Designer ”Greyzone” 2018 TV series. A woman is held captive in her own home Company : Cosmo Film TV2 Denmark Director : Jesper W. Nielsen Position : Production Designer ”Flatliners” 2017 Drama set at a prestigious US university/medical school Company : Columbia Pictures & Further Films Director : Niels Arden Position : Production Designer ”Backstabbbing for Beginners” 2016 Political thriller set in Bagdad, Irag and New York Company : Creative Alliance Director : Per Fly Position : Production Designer ”Midnight Sun” 2015 TV series shot in Kiruna area, Northern Sweden Company : Nice Drama & Atlantique Productions Director : Måns Mårlind & Björn Stein Position : Production Designer ”The Commune” 2014 Drama set in mid-70s Copenhagen, Denmark Company : Zentropa Director : Thomas Vinterberg Position : Production Designer ”Rock the Kasbah” 2014 Black comedy in Afghanistan w.
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Nordic Film Market 36Th Göteborg International Film Festival January 31 – February 3, 2013
Nordic Film market 36th GöteborG InterNatioNal Film Festival JaNuary 31 – February 3, 2013 www.giff.se Cars You Would Want to Be Caught dead in. 031-23 44 25 zombietaxi.se Free festival shuttle service for people with brains. Don´t call us. We´ll find you. ZT_Nordic Film Market_148x210.indd 1 12/7/12 4:33 PM Welcome to Nordic Film Market January 31 – February 3, 2013 uring four intensive days you, distributors, sales agents, producers, festival and industry representatives are here during the Göteborg International Film Festival to see films, attend seminars, discover talent, discuss acquisitions, raise money Dfor future film projects and meet colleagues from all over the world. This year we present a line-up of 42 brand new and upcoming films and projects. New this year is Nordic Film Lab Discovery (page 34–35) where you’ll meet emerging talent from Denmark, Norway and Sweden who’s previously been participating in our talent programme Nordic Film Lab. In addition, our new press, guest and industry centre is located at Stora Teatern, where you also will find our Video Library and Industry Lounge. We also have a wide range of Nordic films in the regular film festival programme, not to mention the Nordic competition. All Nordic features, shorts and documentaries with English subtitles that are shown at the festival, are presented on page 38–39. Please note that your accreditation is valid as a VIP accreditation and, upon availability, gives you access to films and seminars in the main festival programme. We strongly recommend our seminars “TV Drama Vision”, “How to Double Your Revenues ..
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Mikkel Eg Nielsen
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Copyrighted Material
1 Regional and Global Dimensions of Danish Film Culture and Film Policy Ib Bondebjerg Globalization is not a new phenomenon, for globalization and cultural interaction are a precondition for modern societies and culture. But the awareness of such inter connections and the strategic political responses to them have changed over time. In Denmark, film policy before 1990 was to a much larger degree defined by traditional notions of national culture, and by rather defensive cultural strategies. Developments at the level of both the European Union’s film and media policies and Scandinavian models of co‐production and collaboration since the 1990s have changed this. Before 1987, Danish cinema and Danish film policy were not very internationally oriented, and apart from strategies for festival participation, the international policy was not very clearly profiled. A sign of changing times came when Gabriel Axel in 1988 won an Oscar for Babette’s Feast (Babettes gæstebud, 1987), and even more so when in the same year Bille August won the Palme d’Or for Pelle the Conquerer (Pelle Erobreren, 1987), followed by an Oscar in 1989. Since then both Danish film and television have been an increasingly international business and also a global success. The number of important international prizes for Danish films is impressive given the size of the country, and the number of Danish film directors and film actors now making films abroad, especially in the United States, is also increasing. The enormous success of the Danish Broadcasting Corporation, DR Drama (five Emmys since 2002, see Bondebjerg and Redvall 2013), with exports of drama to an increasingly global market, has funda mentally changed the game for the entire Danish film and television culture.
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THE HUNT Cannes Official Selection - Competition
THE HUNT Cannes Official Selection - Competition THE HUNT (2012) is a disturbing depiction of how a collaboration which began on the critically acclaimed lie becomes the truth when gossip, doubt and malice SUBMARINO which premiered in competition at the 2010 are allowed to flourish and ignite a witch-hunt that soon Berlin Film Festival. Among others, SUBMARINO received threatens to destroy an innocent man’s life. the prestigious Nordic Council Film Award. Mads Mikkelsen plays Lucas, a former school teacher who THE HUNT is produced by Morten Kaufmann and Sisse has been forced to start over having overcome a tough Graum Jørgensen for Zentropa Entertainments in co- divorce and the loss of his job. Just as things are starting to production with Film I Väst and Zentropa International go his way, his life is shattered. An untruthful remark throws Sweden with support from The Danish Film Institute, the small community into a collective state of hysteria. The DR, Eurimages, Nordisk Film & TV Fond, Svenska Film lie is spreading and Lucas is forced to fight a lonely fight for Institutet, SVT and the MEDIA Programme of the European his life and his dignity. Union. Nordic distribution by Nordisk Film Distribution. International sales by TrustNordisk. Co-founder of the Dogme movement and director of the award-winning international hit FESTEN (THE THE HUNT is photographed by Charlotte Bruus CELEBRATION), Thomas Vinterberg delivers yet another Christensen, edited by Anne Østerud and Janus Billeskov powerful drama that is sure to leave its mark. Vinterberg Jansen and sound is by Kristian Selin Eidnes Andersen. wrote the screenplay together with fellow writer-director With a budget of approximately €EUR 2,7 million THE Tobias Lindholm.
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Riders of Justice
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Age of Uprising Press Notes
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Präsentiert Deutscher Kinostart: 10. August 2017
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LA TORRE OSCURA the Dark Tower (V.O.S.E.)
Sinopsis Existen otros mundos además de este. El último Caballe- ro Guerrero, Roland Deschain (Idris Elba), ha estado en- frascado en una batalla eterna con Walter O’Dim, también conocido como El Hombre de Negro (Matthew McConau- ghey), decidido a impedir que éste derribe la Torre Oscu- ra, que mantiene unido al universo. Con el destino de los mundos en juego, el bien y el mal colisionarán en la batalla final en la que sólo Roland podrá defender la Torre de El Hombre de Negro. LA TORRE OSCURA The Dark Tower (V.O.S.E.) La producción Ficha técnica Con una trayectoria de más de 50 años y de 80 libros, Director ...... Nikolaj Arcel Stephen King ha amasado una de las mayores reputaciones Guionistas ...... Akiva Goldsman contando historias. El autor de innumerables best sellers ha ...... Jeff Pinkner sido galardonado por el Presidente de EEUU con la Medalla Nacional de las Artes, por The National Book Foundation con ...... Anders Thomas Jensen una medalla por su contribución a la literatura americana, e ...... Nikolaj Arcel incontables premios y condecoraciones. Su nombre es re- Basada en la novela de ...... Stephen King conocido en todo el mundo como un maestro que integra Productores ...... Akiva Goldsman nuestro día a día con lo sobrenatural. ...... Ron Howard Pero hay una obra que está en el centro de todo su canon ...... Erica Huggins artístico: La Torre Oscura, la serie de ocho novelas épi- Productores ejecutivos ...... G. Mac Brown cas que relata la batalla eterna entre el bien y el mal, y las que múltiples mundos están en riesgo. “Comencé a escribir .....
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