1944-12-15, [P ]

Total Page:16

File Type:pdf, Size:1020Kb

1944-12-15, [P ] Friday, December 15, 1944 THE TOLEDO UNION JOURNAL Fare 1 Fitoffraphff of Your Star rlnlm lloiliak By Buraya Zawodny Acv s .kkI Gossip of Silage anti Screen Hollywood seldom has wel­ rewarded with bit parts. At first comed a newcomer as it has John there was no salary attached, but Hodiak. Leading roles opposite he still had his daytime job to Tallulah Bankhead and Lana keep him from starving. As his Turner in his fourth and fifth roles grew larger, he received Good Scream and Aho Starring Teem Heavenly Day! pictures constitute a record in small checks to add to his in­ cinema circles. come. A Good Reason For It Returns In .' HOLLYWOOD, Dec. 13— The success of John Hodiak, When, sometimes later, the M-G-M Musical rugged and handsome, is no saga radio station demanded that he Katharine Hepburn’s pri­ Of short rations and struggle. He be available for afternoon roles, didn’t force the breaks; he just vate secretary, Emily Mas­ Jeanette MacDonald, heroine he was forced to choose be­ t - B ci “The Merry Widow,” and Nel­ waited until opportune moments tween his two jobs. He took the sey, has a role in “Without i Wr w arrived. son Eddy, noted American bari­ one with the smaller pay—in Love.” This week filmed a tone who demonstrates that he is In Chicago, when he was earn­ radio. It soon became apparent acene in’ which Emily is ing a fair living as a radio actor, one of the screen's great lead­ that he would have to make an­ Supposed to scream when ing men, are teamed in a delect­ in 1942, he was offered a screen other change. He was put in test which won him a contract Spencer Tracy’s dog sud­ able blend of drama, romance one “heavy” role after another, and music in “Naughty Mari­ with M-G-M. His first role in and to escape this went to Chi- denly barks at her in the pictures was a small part in the etta”, M-G-M’s translation of the cago. dark. Victor Herbert masterpiece. Frank Morgan film, “A Stranger Twice the sequence was In Town.” Next came the role of In Chicago, in 1940, he orig- Retaining the gorgeous music inated the character of “Li’l filmed. Director Harold S. a Nazi spy in “I Dood It,” Red ” air. It was then of the operetta, the picture is Skelton comedy, and the por­ Abner on the Bucquet, however, was not produced as a thundering drama that Hollywood scout began to J>ARAlXfc DAI fcivur^—snd trayal of a middle-aged Russian take notice and sent out feelers satisfied with the screapi. of New Orleans of the Creole peasant and guerrilla fighter in brought no response for On the third try Emily’s days, with the famous “Marriage so do we — these natty purple “Song of Russia,” starring Robt. that Auction,” the savage battles be­ rayon and linen shorts and Taylor. more than two years. scream made even the most tween troopers and pirates, the frilled white cotton blouse. On top of these extreme In Hollywood, Hodiak lives a| Don Lea. “Ma;. U Mastery” Calloused set worker jump. importation of the Casquet'.e Currently Laraine ix out at characterizations, his selection to typical bachelor’s life and likes one of Toledo’s better known Bucquet was pleased and Girls and other vivid detail. Set­ M-G-M studios working on it. He has a small Beverly Hills I magicians billed as Comedy “The Wacs.” appear opposite Tallulah Bank- apartment, does his own shop- I .Magician will be one of the compliment Emily on her tings and costumes are gorgeous, head, on loanout in Alfred work. old St. Louis of the period and Hitchcock’s dramatic film, “Life­ ping and cooks his own meals.I featured acts at the Local 12 its people being reproduced on JOES' boat” proved his versatility. He has no romantic entangle-1 Christmas party to be held “Give Katharine the a lavish .scale. Then this was topped by his ments, but has made numerous | Sunday afternoon at the Civic credit,” declared Emily, £ fiiends among the people with I Auditorium. A former school Miss MacDerraM plays the iSSZceast choice as Lana Turner’s romantic whom he has worked. Athletic I teacher, Mr. Lea is now con- rubbing you-know-where. French princess who, to escape a leading man in “Marriage Is a in school, he now lists bowling, I jnected with the State Depart­ “A good pinch would make marriage of state, flees to the Private Affair.” swimming, golf, tennis and bad-1 ment of Education, anybody scream like that.” new colony of Louisiana where In Person! John was born on April 16, in minton as his favorite forms of she meets her romance in the Stare, Seres# Pittsburgh, Pa., the son of Wal­ British captain, played by Eddy. ter and Ann Pogorzelliec Ho­ recreation. and Radio Start When asked his reaction to Little Judy Debuts In Clever dramatic artists both, Showing Nightly diak, Ukrainian immigrants. His with gorgeous singing voices, father is a factory worker and a Hollywood and the “break” that they make a perfect team. talented amateur actor. has come his way, Hodiak re-1 ___________ JL JL ____ ______ _____ E. ■IS;-#’- At the age of 11, three years plies with obvious sincerity. |/FOIiiC jAT FOrdmOUllT The huge replica of old St. after his family moved to De­ I ve always been a firm be-1 Louis, the palace in Paris, and troit, John started acting — in liever in fate. I’m the kind of I Sheila Ryan is one gal who would give—and take—all for the great Governor’s Ball are Russian and Ukrainian plays a guy who sits back and waits I her art and for the boys in the service. among the spectacular high­ staged by his local parish. for things to happen. I’ve al-1 Proof: The vivid young brunette beauty took a violent dous- lights, artistically photographed He did so well that he won a ways felt that if I were the one I fog of raw eggs, a cyclonic shower of icy water and a near-con- by William Daniels. Herbert NOW scholarship in dramatics at to do something, I'd be sought I cussion clunking on the head when Carmen Miranda and Vivian Stothart handled the orchestra •pr’WINff Northwestern University. sought out to do it. Otherwise, I Blaine gave her the works for a details with skill. Besides being a good student, I’d be for happier right where 11 scene in 20th Century-Fox’s new men Miranda, Vivian Blaine and he was also baseball-minded. As was.” |Technicolor musical, “Something Phil Silvers; and unwittingly, third baseman for Hamtramck So it was that Hollywood hadlFor The Boys.” gives herself the works. For to go to Hodiak, and keep on go-1 Everyone likes the popular Phil’s effort to modernize the \High, he was spotted by a scout ancient house results in such Jeannette MacDonald and Nelson Eddy in scene fronfc ^Arlfor the St. Louis Cardinals, who ing for two years before helsheila, and everyone on the set “Naughty .Marietta,” Metro-Goldwyn-IMayer’s exciting ad* Statcl " offered him a job on one of the would believe it really was fate Ikept their fingers crossed for a screwball turnabout antics as a venture musical, which is coming for a returned engagement 2\D WEEK!! Cards’ farm clubs. John was that called. I perfect take because it’s a howl- food mixer that throws up gey­ to the Esquire Theatre. The supporting cast includes Frank STARTS SATURDAYa DENNIS MORGAN sers of raw eggs ,a sink faucet tempted, but he had a hunch that Morgan, Elsa Lanehester, Douglass Dumbrille, Edward FAYE EMERSON ingly funny sequence — for that gives forth a cyclonic show­ Brophy and Akim Tamiroff, among others. Alice John his future lay with the stage or everyone but Sheila. er, and an ironing board that au­ ELLANQR FARKER screen. In the film now showing the Faye • Payne Deciding to do something Lifelines at tomatically clunks the heads of .JParamount Theatre, Sheila plays any innocent bystander—i. e. HOLLYWOOD TID BITS about it, he persistently pestered Born, John Hodiak, April ||the svelte, slo-eyed and seduc- ‘■THE VERY a Detroit radio station trying to 16, son of Walter and Anna lltive debutante who sticks her Miss Ryan. “Hello Frisco, KeRo” After working themselves in a THOUGHT of YOU” land a job as an actor on the air. Pogorzelliec Hodiak; edu- I Ipatrician and unwanted nose into terrific lather over the details of GINGER HAS VISITORS In Technicolor! He was told to forget the whole Cated at Holbrook grammar lithe plantation kitchen of Car­ Ginger Rogers was hostess recently to Chaplain Edgar Bell ----- Plus 2nd BIG HIT!—— the scene, Producer Irving Starr, FRANCES LANGFORD idea, that his diction left much se ho ol and Hamtramck and Director Lewis Seiler nearly and Lt. Commander Willard Day on the set of Weekend at the to be desired. .High School, Hamtramck, Waldorf< Both are pals of her husband, Sgt. Jack Briggs, now “Desert Sorg’’ GUY KIBBEE in He was 18 at the eliminated it entirely on the . ■ K-S ■ time, and Michigan; height, 6 feet; theory that people would think serving with the U. S. Marines in New Caledonia. Starring Dennis Morgan when nothing else presented it­ Weight, 180 pounds; eyes, they were strictly sadists to in­ SALENA ONCE COLUMNIST Irene Manning “DIXIE JAMBOREE” self, he took a job £s caddy at a hazel; hair, brown.
Recommended publications
  • Review of Somewhere in the Night
    City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY Graduate Center 2005 Review of Somewhere in the Night Michael Adams City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_pubs/156 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Somewhere in the Night (Fox Home Entertainment, 9.6.2005) Unlike the other two recent entries in Fox’s film noir series, The House on 92nd Street and Whirlpool, Somewhere in the Night is unequivocally the real thing. With Norbert Brodine’s atmospheric lighting, rain-slicked streets (though set in Los Angeles), a swanky nightclub, a sultry torch singer, a villain with a foreign accent, a muscle-bound lug, and moral ambiguity to burn, Somewhere in the Night is a terrific example of the genre. George Taylor (John Hodiak) wakes up in a military field hospital in the Pacific with no memory of who he is. Returning to Los Angeles, Taylor, who instinctively knows this is not his real name, finds an old letter from his friend Larry Cravat and tries to track down Cravat to find out who he really his. With the help of singer Christy Smith (Nancy Guild), nightclub owner Mel Phillips (Richard Conte), and cop Lt. Donald Kendall (Lloyd Nolan), Taylor learns that Cravat and another man were involved in stealing $2 million in loot shipped to the United States by a Nazi officer.
    [Show full text]
  • Judy Garland (1922-1969)
    1/22 Data Judy Garland (1922-1969) Pays : États-Unis Sexe : Féminin Naissance : Grand-Rapid (S. D.), 10-06-1922 Mort : Londres, 22-01-1969 Note : Chanteuse et actrice américaine Autre forme du nom : Frances Gumm (1922-1969) ISNI : ISNI 0000 0000 8380 6106 (Informations sur l'ISNI) Judy Garland (1922-1969) : œuvres (255 ressources dans data.bnf.fr) Œuvres audiovisuelles (y compris radio) (45) "Un enfant attend. - [2]" "Un enfant attend. - [2]" (2016) (2016) de Ernest Gold et autre(s) de Ernest Gold et autre(s) avec Judy Garland (1922-1969) comme Acteur avec Judy Garland (1922-1969) comme Acteur "Le magicien d'Oz" "Le magicien d'Oz" (2013) (2013) de Victor Fleming et autre(s) de Victor Fleming et autre(s) avec Judy Garland (1922-1969) comme Acteur avec Judy Garland (1922-1969) comme Acteur "La jolie fermière" "Till the clouds roll by" (2013) (2012) de George Wells et autre(s) de Richard Whorf et autre(s) avec Judy Garland (1922-1969) comme Acteur avec Judy Garland (1922-1969) comme Acteur "Le chant du Missouri" "Meet me in St. Louis. - Vincente Minnelli, réal.. - [2]" (2012) (2012) de Vincente Minnelli et autre(s) de Vincente Minnelli et autre(s) avec Judy Garland (1922-1969) comme Acteur avec Judy Garland (1922-1969) comme Acteur "Le chant du Missouri" "La pluie qui chante. - Richard Whorf, réal.. - [2]" (2011) (2010) de Vincente Minnelli et autre(s) de George Wells et autre(s) avec Judy Garland (1922-1969) comme Acteur avec Judy Garland (1922-1969) comme Acteur data.bnf.fr 2/22 Data "Le chant du Missouri" "Le magicien d'Oz" (2009) (2009) de Vincente Minnelli et autre(s) de Victor Fleming et autre(s) avec Judy Garland (1922-1969) comme Acteur avec Judy Garland (1922-1969) comme Acteur "The pirate" "La danseuse des Folies Ziegfeld" (2008) (2007) de Vincente Minnelli et autre(s) de Sonya Levien et autre(s) avec Judy Garland (1922-1969) comme Acteur avec Judy Garland (1922-1969) comme Acteur "Parade de printemps" "Un enfant attend.
    [Show full text]
  • California State University, Northridge The
    CALIFORNIA STATE UNIVERSITY, NORTHRIDGE THE PREPARATION OF THE ROLE OF TOM MOODY IN CLIFFORD ODETS' GOLDEN BOY An essay submitted in partial satisfaction of the requirements for the degree of Master of Arts in Theatre by Robert T. Hollander June, 1981 The Essay of Robert T. Hollander is approved: Prof. c(§!g Nieuwenhuysel Dr. Georg~ Gunkle, Committee Chairman California State University, Northridge ii ABSTRACT THE PREPARATION OF THE ROLE OF TOM MOODY IN CLIFFORD ODETS' GOLDEN BOY by Robert T. Hollander Master of Arts in Theatre Golden Boy was first produced by the Group Theatre in New York in 1937. Directed by Harold Clurman, this 1937 production included in its cast names that were to become notable in the American theatre: Luther Adler, Frances Farmer, Lee J. Cobb, Jules (John) Garfield, Morris Carnovsky, Elia Kazan, Howard Da Silva and Karl Malden. Golden Boy quickly became the most successful production 1 in Group Theatre history and was followed in 1939 by the movie of the same name, starring William Holden and Barbara Stanwyck. Since then, there have been countless revivals, including a musical adaptation in 1964 which starred Sammy Davis Jr. Golden Boy certainly merits consideration as one of the classics of modern American drama. 1Harold Clurman, The Fervent Years: The Story of the Group Theatre and the Thirties. (New York: Harcourt, Brace, Jovanovich. A Harvest Book, 1975), p. 211. 1 2 The decision to prepare the character of Torn Moody as a thesis project under the direction of Dr. George Gunkle was made during the spring semester of 1980 at which time I was performing a major role in The Knight of the Burning Pestle, a seventeenth century farce written by Beaumont and Fletcher.
    [Show full text]
  • Abortion As Metaphor
    ABORTION AS METAPHOR John J. Conley, S.J. THE PURPOSE OF THIS PAPER is to analyze the symbolic function of abortion in two disparate works of art: Alfred Hitchcock’s film Lifeboat (1944) and Terrence McNally’s play Master Class (1994). At first glance, these two works might appear unlikely candidates for an exploration of the aesthetics of abortion. Neither work treats abortion as a primary theme. Neither elaborates a case for or against abortion. Indeed, neither even uses the word “abortion.” Nonetheless, in each work, abortion functions as a metaphor for a series of homicidal acts, both social and personal. LIFEBOAT Based upon a story by John Steinbeck,i Lifeboatii depicts the struggle for survival by nine people stranded on the Atlantic. Set in World War II, the film opens in the immediate aftermath of a U-boat attack upon an Allied freighter. In the cramped single set of a lifeboat, the survivors battle nature, their conflicting temperaments, and, finally, the brutal enigma of the Nazi creed. In the opening scene the journalist Constance Porter (Tallulah Bankhead) sits perfectly coiffed in the lifeboat as she films the wreckage of the attack. The lifeboat gradually fills with other survivors: John Kovac (John Hodiak), a Communist engineer; Stanley Garrett (Hume Cronyn), a radio operator; Alice MacKenzie (Mary Anderson), a nurse; Charles “Ritt” Rittenhouse (Henry Hull), a millionaire businessman; Gus Smith (William Bendix), a merchant marine; “Joe” Spencer (Canada Lee), an African-American steward; and Mrs. Higgins, a shock victim from the obliteration bombings of Bristol who brings her dead baby aboard.
    [Show full text]
  • John Garfield
    John Garfield: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Garfield, John, 1913-1952 Title: John Garfield Papers Dates: 1932-2010, undated Extent: 4 document boxes, 2 oversize box (osb), 2 bound volumes (bv) (5.04 linear feet) Abstract: The John Garfield papers, 1932-2010, consist of production photographs and film stills, headshots, photographs, posters, sheet music, clippings, and press releases from his film and stage work; film contracts, articles, magazines, family photos, and correspondence donated by his daughter, Julie Garfield. Call Number: Film Collection No. FI-00074 Language: English Access: Open for research. Researchers must create an online Research Account and agree to the Materials Use Policy before using archival materials. Special Handling Special Handling Instructions: Most of the binders in this collection Instructions: have been left in an unaltered or minimally processed state to provide the reader with the look and feel of the original. When handling the binders with inserted materials, users are asked to be extremely careful in retaining the original order of the material . Most of the photographs and negatives in the collection have been sleeved, but patrons must use gloves when handling unsleeved photographic materials. Use Policies: Ransom Center collections may contain material with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in the collections without the consent of those individuals may have legal ramifications (e.g., a cause of action under common law for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which the Ransom Center and The University of Texas at Austin assume no responsibility.
    [Show full text]
  • Hollywood and American Politics: the Play's the Thing
    Review Essay Hollywood and American Politics: The Play's the Thing Sam B. Girgus RONALD REAGAN IN HOLLYWOOD: Movies and Politics. By Stephen Vaughn. Cambridge: Cambridge University Press. 1994. November 1948 marked the beginning of Ronald Reagan's winter of discontent. He was in London to make a movie with Patricia Neal and Richard Todd, but he could not anticipate this overseas assignment with enthusiasm and hope. He was, in fact, in the depths of personal and professional despair. Cast as the second male lead in this movie, The Hasty Heart, he faced a dubious future as an actor who could neither reach nor sustain the pinnacle of Hollywood stardom that he sought. Equally devastating to him was the condition of his marriage to Jane Wyman. The marriage, which had been publicized as so successful that it could serve as a model for moviegoers, in reality meant a great deal to Reagan, providing him with a sense of well-being and happiness. However, it was at this point doomed, a victim of the reverse directions of Reagan's and Wyman's careers as she moved toward ever greater financial and professional ascendancy. As Stephen Vaughn writes in this important and impressive study of the melding of politics and personality, Patricia Neal, the female star of The Hasty Heart, "remembered him in tears at a New Year's Eve party. 'It was sad,' she said, 'because he did not want a divorce.'" (229) He tried in London to come to terms with what he called his " 'lonely inner world. ' " (229) 0026-3079/93/3601-115$1.50/0 115 To later critics of Reagan' s politics and influence, it might come as a surprise that he had any "inner world" at all.
    [Show full text]
  • Lifeboat on Talking Pictures TV
    Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Mon 29th March 2021 FREESAT 306 | VIRGIN 445 Lifeboat on Talking Pictures TV Stars: Tallulah Bankhead, William Bendix, Walter Slezak, Mary Anderson, John Hodiak, Henry Hull, Heather Angel, Hume Cronyn and Canada Lee. Directed in 1944 by Alfred Hitchcock, from a story by John Steinbeck in which eight survivors of a Nazi torpedo ship attack find themselves in the same boat with the man who sank the ship. Tallulah Bankhead plays a celebrity reporter in diamonds and fur, slowly losing all her possessions, while William Bendix descends into madness and Walter Slezak as the German ‘prisoner’ plots against them all. Beautifully shot by Hitchcock who planned the camera angles using a miniature lifeboat and figurines. Airs: Saturday 3rd April 3:40 pm. Monday 29th March 10:30am Tuesday 30th March 6:30pm Don’t Bother To Knock (1952) Suspected Person (1942) Drama. Director: Roy Ward Baker. Drama. Director: Lawrence Stars: Marilyn Monroe, Huntington. Stars: Clifford Evans, Richard Widmark, Anne Bancroft. Patricia Roc, David Farrar, A troubled young woman is hired Robert Beatty, William Hartnell. as a babysitter in a hotel room. Two bank robbers try to find their partner who has fled to London. Monday 29th March 6:40pm The Hi-jackers (1963) Wednesday 31st March 10:30am Drama. Director: Jim O’Connolly. Five Guns West (1955) Stars: Anthony Booth & Jacqueline Ellis. Western. Director: Roger Corman. A lorry driver meets a girl at a cafe and Stars: John Lund, Dorothy Malone, offers her a lift, but his truck carrying Mike Connors.
    [Show full text]
  • Stage Center Theatre JANUARY 2011
    SEASON 2010-2011 VOLUME 5 ISSUE 3 Stage Center Theatre JANUARY 2011 UPCOMIN G EVENTS MAIN STAGE 7:30PM From the Theatre Archives Reservations: (773) 442-4274 th Early 20 Century Theatre Companies Emma’s Child The Washington Square Players February 17-19, 24-26, March 3-5 Created in 1915 by amateurs, The Washington Square Players began producing one-act plays by Chekhov, Musset, Akins, Moeller and other obscure playwrights of the time in a Bleacher Bums small theatre seating of only 40 patrons. They moved to a 600 seat theatre and produced April 14-16, 21-23, 28-30 O’Neil’s In the Zone. The group disbanded in 1918, but re-formed in 1919 as The Theatre Guild. Some of the actors that performed with The Washington Square Players were Ro- As You Like It land Young, Rollo Peters, Frank Conroy, Helen Westley, and Katherine Cornel l. June 9-11, 16-18, 23-25 You Can’t Take It With The Theatre Guild You Founded in 1919 by Theresa Helburn, Philip Moeller, and Lawrence Langer (among oth- July 21-23, 28-30, August ers), The Theatre Guild was one of the first and most influential “Off-Broadway” theatre 4-6 companies in New York City during the first half of the 20th Century. The Theatre Guild had its heyday between the World Wars (1919-1939). In its first few years the majority of STUDIO SERIES 7:30PM F109 its work was in European expressionism. Later it provided an outlet for the work of such artists as Eugene O’Neil, Robert Sherwood, Maxwell Anderson, and Sidney Howard.
    [Show full text]
  • Pioneer Film Director Honored / HENRY KING
    The Museum of Modern Art 'iWest 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modemart NO. 57 FOR IMMEDIATE RELEASE PIONEER FILM DIRECTOR HONORED SEVEN WEEK RETROSPECTIVE FOR HENRY KING CO-SPONSORED BY MUSEUM AND DIRECTORS GUILD OF AMERICA "...the most underpublicized filmmaker in Hollywood. This tall, lean, handsome, urbane, but unflamboyant model of a corporation president makes film hits so easily, so efficiently, and so calmly that he is not news in a community of blaring trumpets, crashing cymbals and screaming egos." -Frank Capra Henry King, one of the founding fathers of American film, who began his career early in the century, remains today one of the legendary figures in Hollywood, and though he preserves his privacy, his films such as "The Song of Bernadette," "Twelve O'clock High" and "The Gunfighter" speak for themselves, and these and other major works will be part of a seven week retrospective given in King's honor by New York's Museum of Modern Art in association with the Directors Guild of America. The Virginia-born director, who has specialized, like D.W. Griffith and John Ford, in Americana themes since his first classic, "Tol'able David," and later with "State Fair", "In Old Chicago," "Jesse James" and "Alexander's Ragtime Band," will make a trip from the West Coast to New York to participate in the opening of this program. On June 29 and 30, he will address the Museum audiences, although he seldom makes public appearances. While he contributed to Hollywood's worldwide reputation, King, who recognized such early superstars as Richard Barthelmess, Ronald Colman and Gary Cooper and gave them their first leading roles on the screen, has managed to retain his relative anonymity in an ostentatious environment.
    [Show full text]
  • Eva Le Gallienne Led a Private Life Troubled by Her Personal Struggle with Les- Bianism
    Harbin_Text.qxd 12/3/2004 12:50 PM Page 252 Laurents’s ability to direct is more often lauded than his writing. He regularly unites all elements of the production—music, voice, setting, movement, and picturization—to create vibrant dramatic moments. The understanding of structure and character honed in his writing assists in drawing out fully human characterizations. His ability to ‹nd new or Laurents underutilized talent—Jane Fonda in Invitation to a March, Lansbury in 252 Anyone Can Whistle, George Hearn in La Cage aux Folles—signi‹es an astute eye and ensures his lasting in›uence. A very sexual man—his ‹rst gay experience was at thirteen and he was more interested in quantity of partners than quality for many years— Laurents struggled with his homosexuality in psychotherapy, keeping it out of his play Heartsong (1946) and claiming that he would have excluded it as a subtext from Home of the Brave (Laurents, 65, 53). At the same time, he accepted his homosexuality and is proud of how “truth- fully” it was treated in his ‹rst movie, Rope (131). There are biographical aspects of his work to explore (particularly in The Enclave), as well as the- matic obsessions, such as the ‹gure of the complicated, boyish blond (i.e., the major in Home of the Brave, the disillusioned artist in Time of the Cuckoo, the characters played by Hatcher, and Robert Redford’s Hubbell in The Way We Were). Laurents has identi‹ed his own recurrent themes as discovery, acceptance, prejudice, and betrayal (4)—themes with which any homosexual can empathize.
    [Show full text]
  • The Inventory of the Phoebe Brand Collection #1666
    The Inventory of the Phoebe Brand Collection #1666 Howard Gotlieb Archival Research Center Brand, Phoebe #1666 7/29/04 Preliminary Listing I. Manuscripts. A. Play scripts. Box 1 1. AAn Enemy of the People,@ two copies. [F. 1] 2. ACymbeline.@ [F. 2] 3. AA Doctor In Spite of Himself.@ [F. 3] 4. AEndgame and an Act Without Words.@ 5. AHome At Last.@ [F. 4] 6. AMacbeth.@ 7. AThe Magic Mountain.@ [F. 5] 8. AOthello.@ 9. APapa=s Violin.@ [F. 6] 10. ARomeo and Juliet.@ 11. AThe Seagull,@ 2 copies. [F. 7] B. Script fragments. 1. AHenry IV Part 2, Act II, Scene 3.@ [F. 8] 2. ARichard III Act IV, Scene 4.@ 3. AKing John Act III, Scene 3.@ 4. AWinter=s Tale Act III, Scene 2.@ 5. ARed,@ pp. 5-9. 6. AChapter 2,@ by Neil Simon, act 2, 2 p. 7. AThe Night of the Iguana,@ by Tennessee Williams, act 3, 2 p. 8. AAwake and Sing.@ 9. AMacbeth.@ 10. AAs You Like It 3-5.@ 11. ARomeo and Juliet 3-2.@ 12. AMerry Wives 2-1.@ C. Opening speeches. 1. AThe Winter=s Tale,@ 7 p. [F. 9] 2. AAs You Like It,@ pp 2-7. 3. Untitled speech. D. Articles. 1. Untitled, re: Michael Chekhov. 2. AMirror of Shylock,@ holograph. 3. Untitled, re: childrens opinions of their blacklist experiences, written by Stephen Cournovsky, May - June 1977. E. Miscellaneous. 1. AFrom Glebfinger, Thunderballs With Love - A Joel Bond Thriller.@ [F. 10] 2. AShakespeare,@ poem, 12 copies. (Brand, Phoebe 7/29/04) 3. AWhen I Have Fears.@ 4.
    [Show full text]
  • 1949-02-11, [P ]
    Cho9* Variety of POLISH JlOME COOKED MEAL* EVERY DAY LIQUORSU WINES—BEER MIXED DRINKS Open Daily from 6:00 A. M SPECIAL SUNDAY DINNERS tok:3&.A M Friday, February 11, 1949 TOLEDO UNION JOURNAL Page Five Visiting Time IWewissaBid <a<»Ksip I BARBERSHOPPING I FINISHED '/> 11 TV 1 HOLLYWOOD — The “Bar- ( yQ O Pl ber Shop Quartet” number in CX k-/ X Xvl. geon, Johnson Top M e t r o-Goldwyn-Mayer’s “The! 7 Good Old Summertime,” has! wound up shooting, completing; w i the list of musical selections toi AlbStar ‘ Command Decision” be filmed. Judy Garland was z/- E<SCRE 0 featured in the number. I ^,4^ Releaaetf by WNU Feature*. For sheer thrills, mounting suspense and heart-gr:——g in­ O Give Lizabeth Scott a good tensity, there has never been a picture like “Command on,” death scene and she's happy. She Glamour. Inc the explosive, star-studded drama coming to the Valentine The­ didn’t like the one in “Dead atre. Reckoning” — “It was only a When you consider that the all-male cast of this new M-G-M three-line scene, and the dial­ offering is headed by such top ogue was terrible,” she explained film personalities, as Clark Ga­ at lunch the other day. “But I Iturbi Is Veteran ble, Walter Pidgeon, Van John­ have a five-line scene in “Bitter son, Brian Donlevy, John Hod- Victory,” and it was supervised In Films, After All iak, Charles Bickford and Ed­ by a famous doctor, so it’s abso­ HOLLYWOOD — When­ ward Arnold, you have an idea lutely authentic.” ever anyone congratulates of the importance attached by Jose Iturbi, who is one of M-G-M to its film version of the the headliners of “That Mid­ smach Broadway stage success.
    [Show full text]