OPEC, Oil, and Our Future

Total Page:16

File Type:pdf, Size:1020Kb

OPEC, Oil, and Our Future The UCSD Guardian Univcrsit} of California. "ian Diego Volume .18. Numher 20 lhur... da\,. March 10. )~X:J OPEC, oil, and our future By KEVIN WALSH outside of OPEC are realizing the oil markct. Wh\ dId OPI~l mean that pe() p it' u"e all Iran I not slmpl~ an artIfact of The collapse of the BreLLon that their prosperity depends reduce Its productIon and not IndIgenous and !Ion OI'I~l Khf)mcni coming to jJl)wt'r Woods system and its fixed on other countries. Many take action to mamtalll Ih "'Ollrn's of supply up unt 11 f he Thl" clash alst) t!)llk plan' exchange rates paved the way problems and questions face market share by redUCing Ih ma'lmUnl until they S\\' lng lX't \\ el'n the Shal. of Iran and for the Organization of the world in the coming year~: prices? Do you see primal'll) ()\ertoOPEC And .asaresult. the Saudi ... Then' are tJIlll Petroleum Exportmg Coun­ the stabilit y of the countries of market forces at pia}. or IS it when demand falls. \·ou .... t'!. pmple \\ hI) claim the 'hah. at tri s (OPEC) to raise oil price~ the Middle East. So\iet more the case of market force" that the demand for OPf'..C !)11 \'t1rilJu. time~. threatened the dramatically in 197:3. At thi~ behavior in this area. and the coupled to poittlCal forces? falb 1l10"t . teeply. So. the fir .... t Saudi \\ nh IlJllitan (JI' otht'r point the world economy importance of maintaining typ{'~ of repn~aJ.... It "IS hard tf) entered a phase f)f extraordi­ adequate level ' of investment tell If that I'" ,rue. It i nary instablity. In the absence in alternative energ)- sources. l'l'rtainlv trut' that the, audh of firm exchange rates, What is absolutely clear is that Wl'J'l' \ ~I'\ carpf u I a bOll t the governments afforded them­ secure energy supplies are the Shalt. Ct;rtall1l\,. tltl're I'" no selves high budget deficits, key to growt h. doubt that in 1!173 .• fJf which were financed through For the past several weeks. examplt" \\ hUI the price oi oil an expansionary monetary representati\,es of OPEC have \q~nt from .~:1 ph t()'l~ pb. tlte policy. A huge Eurodollar been meeting almo~t daily in SaudI .... \\ anted hl prIce to go market was created wit h the order to establish acceptable roughly to. 0 and th' lrdJ1lan surplus oil dollars inve~ted at oil pnces and levels of produc­ \\ anted to go to '16 () Ihl'\ short ·term rate~, allowing the tion to be allowed by each plit thl' price at 1~ accumulation of unpreced n· OPEC member. The follo\'v'ing Tht,"'t' la P,·... t lOr: place a tcd International debts. Thus, interVIew WIt h Professor Peter numher of tlml· ..... The r(Jot" are the Industrialized countries Cowher was cond ucted on fundamentall\ bt'cau t' the experienced only a small part March 3rd for the Guardian by IranIan haH' a much largt·r of the increase in oil pri e,;. Kevin Walsh. Professor populatltJn. and a grealt'r The real burden fell on the Cowhey has been a member of chance of di\t:r::.ifying away developing countries, whose UCSD's Department of from a oIl economIC' deq:lup· term of trade great ly Pol itical Science since 1976. ment. The Khomeni regime dete r iora t e d . Now. t h e He is the author of The stIli li\es with the legacy of a commercia l bank of the Problem 0/ Plenty: Energy large populatIOn. but. of ind ustrialized cou ntrie are Policy and I nternational ~ cour"e. its economic ambitlOn~ threatened by high interna· Politics (UC Pres 1982) and co­ ~ ar Some\\ hat different in tiona l indebtedness and editor of Pro/it and the Pursuit terms of ... trattgy. although it~ insolvency. 0/ Energy: World Energy mihtary budget docsn't ~t'em The second oi l price shock of Markets and Government am ~mall r. n. t here are 1979-80 cou ld not bedealt with Regulation in the Next Decade natural tensions no matter in the same way. After a (We. tview Press 1982). Mr. v,-hat. and the Khomenl decade of global inflation, the Wa lsh is also the Editor in dispute \\ Ith SaudI Arabia world is in a deep economic Chief of Politjoumal. Uc. D's now takes on at lea. t t \\'0 tlt ht'r rece. sion, the wor ,t since the undergraduate journal of the overtones. One i.., he much· 1930". The oil price increase of social sciences. dlsru .... ed ideologIcal qu';~t illn 197980 is the main cause of Gu a rdian: In 1979· 1980. d .; 1)\ er \ t'rslon ... of 113m. \\ hi h I thIs. Iran and Iraq curtailed \....~~ _ w1l1 n()t (omment on. The present (Jil glut is production of oil. resulting in a - ~ ~ 3' Thc(Jthefchml'n \lin I" tha. rai~ing hopes that balance of temporar) shortage of - , dunng till' timt'nl th('('ollap .... e pay ments problems will ease. supplies and allowing OPEC to Peter Cowhe~: Pol It ICS I"; t hll1g to understand I~ that t ht' 1)1' Irantan and IraqI otl e'port "' . consumer pnces and inflation raise prices to $3~ p b. This about margll1 111 terms of rhe in the importance of non ~audl ArabIa c1ramatlcalh vvill drop. and that the created a !,TJ'eat incentive to whether price .... are gOll1g to be OPEL oil supplies Is incrl'a .... l'd Ib sharc of the purchasing power released increase prod uct ion. especially $31 plb (per barrel) or $2:1 p b. somewhat due to greater \\(nld 011 market - tIlt' tt) al will spark new growth. The by producers outside of OPEC. 25 or 20 or whatever number productIOn. but primarily :-hare of the markt't It prospect of falling oil prices is Presently. there is an \' 0 u c h () 0 S e . \\' h i chI s because demand Ira ... plumme· controlled. A good deal of the a sign of hope for some increased supply and a determIned bv the nature of ted so much that OPEC's oil Is fIght in the last lweht'll1onth ... count ries, bu t a cause of reduced demand. OPEC's technology and forces of the less necessan for consumers. ha" 1X'l'n \\ it h the Irantan ... concern to others. At last. oil market share has decreased by market place. but there is Now YOU rna\ ask. a .... \'ou in"I"tll1g that tht: :audl~ producing nations inside and one·third to less than h"lf of some margin beyond t he forces did. what about OP1(('... permanently CLlt bach tlwir of the market place that deClSlOll to keep prices thIs "hare of the market. Thl' OPEC COUNTRIES: RESERVES AND PRODUCTION represents the possibllty for hIgh; shouldn't they ha\c been SaudIS an' reqstlOg. collusion or strategy among cut before? There is G: HO\\(,'\'t'r . the ,'audl· .... Proved Productlon(b) mIllion b d countries to mampulate the substantIal e\ldence th-at production has decreased a Reserves(a) prices. and it is that margin SaudI ArabIa re~lsted ha\ 109 great deal. by one hali. and Bn . bls Potential 1982 1985 1990 2000 that OPEC 'Uses. That IS no pnces go to s:~~ p b - t hI .... I'" no t he\' are barely mahlOg enough S. ArabIa 162 .4 10.5 6.5 6 .0 65 0 secret They lost t ha t ba It Ie In per day from t heIr oil re\ cmf(' .... Iran 55.3 3.0 \.9 3.5 U 40 different than most areas of Iraq 41.0 1.5 09 3.0 ~ 5 2.5 politics ancl economics. a sene .... of i:lashes m 1979·, () to met't in-house cust... , 1 1\ Kuwait 64 .2 2.5 07 I 2 I 5 I 5 PolitIcal decislOn::-. usuall\' Once the price ... \\ere there. "l'enh that there IS mort til tl1 ' UAE 32 3 2.5 I 2 I 8 2.0 2 5 change margll1s and the~ ' hO\\l'\er. the :audl'" were cllnfllct ' hllUld m ort' Qatar H 0.6 03 05 0.' o ~ commItted to holdlllg them. as con .... lderatl()n Iw gl\t'n to the Neutral Zone change who benefIts 5.8 0.6 0 .3 0 .5 0.4 02 Now. if you l<XJk at the t he\ haH' alwa\ s becn 1.... lamie side of the clll1fhcl. or Total above 364 4 21.2 11.8 16 S 17.'1 190 picture of "u-ppl~ and demand, com'mllted to holdlllg tht' pnn' is it simply a matter offlghtln Venezuela 21 S 24 \.9 2.0 2 (1 I 5 the mnst Important thing IS of ot! once It goc:-. up. And a tor a greatl'r pun'ntage oj a N Igeria 16.7 24 U 20 20 I S that demand has slmpl\ gllod deal of .KIt\ It \ 10 OPEL reduced marht't LIbya 21 5 I -; S 20 1.2 I 7 I plummeted . lost of the ha" bl't'll promIsed on the fal·t PC: Then h ob\·lou ... h a IndoneSIa 9.S I 6 l,\ 1.6 I 8 I 4 that Pl'Oplt, e'pected \\'orld fight about shan'.... oi tllt' Algena 94 10 0 .7 09 07 Os change in the demand for Gabon 05 02 0.2 0 .2 0. 1 01 OPEC oil i!'> not a function of ren)\er~ to begll1 much faster.
Recommended publications
  • An Analysis of Hegemonic Social Structures in "Friends"
    "I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season.
    [Show full text]
  • (Don't) Wear Glasses: the Performativity of Smart Girls On
    GIRLS WHO (DON'T) WEAR GLASSES: THE PERFORMATIVITY OF SMART GIRLS ON TEEN TELEVISION Sandra B. Conaway A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Kristine Blair, Advisor Julie Edmister Graduate Faculty Representative Erin Labbie Katherine Bradshaw © 2007 Sandra Conaway All Rights Reserved iii ABSTRACT Kristine Blair, Advisor This dissertation takes a feminist view of t television programs featuring smart girls, and considers the “wave” of feminism popular at the time of each program. Judith Butler’s concept from Gender Trouble of “gender as a performance,” which says that normative behavior for a given gender is reinforced by culture, helps to explain how girls learn to behave according to our culture’s rules for appropriate girlhood. Television reinforces for intellectual girls that they must perform their gender appropriately, or suffer the consequences of being invisible and unpopular, and that they will win rewards for performing in more traditionally feminine ways. 1990-2006 featured a large number of hour-long television dramas and dramedies starring teenage characters, and aimed at a young audience, including Beverly Hills, 90210, My So-Called Life, Buffy the Vampire Slayer, Freaks and Geeks, and Gilmore Girls. In most teen shows there is a designated smart girl who is not afraid to demonstrate her interest in math or science, or writing or reading. In lieu of ethnic or racial minority characters, she is often the “other” of the group because of her less conventionally attractive appearance, her interest in school, her strong sense of right and wrong, and her lack of experience with boys.
    [Show full text]
  • Starring Wayne Catania As “Jolliet Jake” and Kieron Lafferty As “Elwood Blues”
    <TITLE PAGE> <Name of your presenting organization> in association with Dan Aykroyd, Judith Belushi and Musical Director Paul Shaffer Present starring Wayne Catania as “Jolliet Jake” and Kieron Lafferty as “Elwood Blues” Written and directed by Wayne Catania, Kieron Lafferty & Judith Belushi Produced for National Tour by Blues Brothers Approved Ventures, LLC CAST THE BROTHERS Jake Blues………………………....Wayne Catania Elwood Blues……………………...Kieron Lafferty THE BAND Guitar………………………………Kory Montgomery Bass………………………………...Chris Lorentz Keyboards………………………….Cale Hawkins Saxophone………………………….Gordon Aeichele Trumpet…………………………….Michael Gurciullo Drums……………………………....Jordan Rose PRODUCTION STAFF Production Manager………………Patrick Meldrum AV Technician………………...….Sam Gallagher Associate Producer……………..…Bill Belushi SPECIAL THANKS Roland System Group: Line 6, Nord Keyboards Michael Eudenbach: Blues Brothers photography Debra Ferguson: promotional materials Howell Begel: rare pre-show R&B music The show will be performed in TWO ACTS with ONE 15 minute intermission MUSICAL NUMBERS ACT I Peter Gunn Can’t Turn You Loose Hey Bartender Gimme Some Lovin’ Sweet Home Chicago Shotgun Blues Rubber Biscuit Land of 1000 Dances Shake Your Tailfeather Minnie the Moocher Do You Love Me INTERMISSION ACT II Green Onions Everybody Needs Somebody She Caught The Katy I Got Everything I Need (Almost) Rawhide/Stand by Your Man All She Wants To Do Is Rock Messin’ with the Kid B Movie Boxcar Blues Shout Going Back to Miami Soul Man Can’t Turn You Loose SHORT FILM Late for the Gig Starring Wayne Catania and Kieron Lafferty Written by Judith Belushi, Wayne Catania and Kieron Lafferty Produced by Michael Eudenbach and Judith Belushi Production Associates: Diane “Cub” Luckey, Nick Jacklin and Luke Pisano Director of Photography: Michael Eudenbach Directed by Judith Belushi © BBAV PRODUCER PROFILES Dan Aykroyd and John Belushi, created the characters of Jake and Elwood Blues in 1978.
    [Show full text]
  • Footlights Program Pages.Indd
    PAGEANT PRODUCTIONS, LLC In association with CANON THEATRICALS PAGEANT PRODUCTIONS,Presents LLC In association with CANON THEATRICALS Presents Written and Performed by Barra Grant Set DesignerWritten and Performed Projection by & Sound Designer Elisha SchaeferBarra Grant Fritz Davis Lighting Set Designer Designer Projection Original & Sound Music Designer Elisha Ian JamesSchaefer Mark Fritz DavisAdler Press Representative Lighting Designer Graphic Design Original Social Music Media Maureen Rubin Ian James Deborah Keaton Mark AnnaAdler Ponce Press Representative Associate Producer Graphic Design Stage Manager Social Media Maureen Barbara Rubin Koletsky Deborah Keaton Jill Gold Anna Ponce Associate ProducerProduced by Stage Manager Barbara KoletskySuzi Dietz Jill Gold ProducedDirected byby EveSuzi Brandstein Dietz Directed by Eve Brandstein Biographies Barra Grant (Writer and Performer) Studied acting at the Drama Centre, London and starred in the BBC series “Take Three Girls”. She appeared in several plays at the Mark Taper Forum Theater and was a featured actress in both comedic and dramatic television. As a screenwriter Barra wrote Slow Dancing in the Big City and Misunderstood, starring Gene Hackman. She produced the Dirty Dancing television series and wrote various daytime television shows including the Emmy-winning The Tap Dance Kid. Her play, A Mother, A Daughter, and a Gun has been produced in L.A., Chicago, and New York, starring Olympia Dukakis. She wrote and directed her play Spa at the Coast Theater in Los Angeles. Barra also wrote and directed the features Life of the Party and Love Hurts, with Carrie-Anne Moss, Janine Garafalo and Jenna Elfman. She is a story teller who has told her stories throughout the city.
    [Show full text]
  • Nancy Hendrickson (Riley) Nancy Hendrickson (Riley) Started As an Actress, Earning a BFA in Drama from Carnegie-Mellon U
    Welcome to the sixth annual Student Screenwrit- ing Showcase presented by the Department of Cin- ema and Television Arts at California State University, Northridge. Tonight, you will be treated to readings from the work of five of our exemplary students, four who are products of our Master’s in Screenwriting program and one from our undergraduate program. Four of the pieces are excerpts of feature-length scripts, and one is a short screenplay that will be presented in its entirety. It will not be theater, as there will be no staging; it will not be mere recitation, as the performances have been di- rected; it will not be cinema. It will be, we expect, an invigorating, engaging and entertaining display of our students’ artistry and imagination. Screenwriting is a modern calling that draws upon an ancient art and an even more ancient imperative. We tell stories because we need stories. The tools may change, the technology may evolve, new media may supplant old, but nothing ever will alter the primeval urges to spin sagas and to listen to yarns. Screenwriters today, like the bards of old, use narrative to entertain, to instruct, to inspire. And neither the ubiquity of interactive video games nor the profusion of social media ever will replace our ingrained desire to sit back and delight in the well-told tale. We at CSUN are proud to perpetuate this cherished, essential tradition. This evening would not be possible without the help and efforts of many individuals. I heartily thank: Screenwriting Professors Eric Edson, Alexis Krasilovsky and Ken Portnoy; CSUN Associated Students, for their financial assistance; Mark Schaubert, for the creation of the printed program; Professor Garry Lennon, Chair of the Theatre Department and all his colleagues, for their time and help and for the use of their beautiful venue; all the wonderful actors who have donated their talent and time; Professor Lillian Lehman, for her generosity of spirit and her artful direction of the actors; and Professor Jared Rappaport, who produced this evening’s event with me.
    [Show full text]
  • Majors in New Antipiracy Tack: Televisa Boss Snuffs Sales Mass Civil Actions Vs
    08120 ,1Atf'44 NEWSPAPER Fhil YMr1NT()tl PF?(14CGRF (Z3 1 t NtriNTY Gr?FFNIY t1CV 374û F1_hA nur, RFACP Cd ç()9(17 I Feb. 26, 1983 $3 (U.S.) A Billboard Publication The International Newsweeklyour Of Music & Home Entertainment Snowstorm Majors In New Antipiracy Tack: Televisa Boss Snuffs Sales Mass Civil Actions Vs. Retailers To Deliver The suits ask statutory damages By IS HOROWITZ effective. Heavy press coverage was given the suit filings throughout the for copyright infringement for each IMIC Keynote In Northeast NEW YORK -Fifty -two civil Carolinas, he says, and there are in- illicit tape found on store premises, By LEO SACKS suits seeking financial damages dications that some violators are al- surrender of all illegal copies, and a MEXICO CITY - Emilio Azcar- from retail outlets charged with sell- ready exploring settlements. permanent injunction on further in- raga- Milmo, president of Televisa, NEW YORK -Record retailers ing counterfeit and pirate tapes were Schoenfeld indicates that the fringement. In addition, the suit asks one of the world's major multi- from the Carolinas to New England filed in three North Carolina federal plaintiffs are willing to entertain set- $1 million in punitive damages from media conglomerates, will keynote took a proverbial "bath" the week- courts Feb. 14. No traditional music tlements that include acceptance of each defendant for "repeated Billboard's International Music In- end of Feb. 11 as the worst winter stores were among those hit. injunctions against continued sales, wrongful, wanton, willful and ma- dustry Conference (IMIC) this year. storm in decades paralyzed the region.
    [Show full text]
  • Strike a ‘Pose’
    FINAL-1 Sat, Jun 16, 2018 5:39:34 PM tvupdateYour Weekly Guide to TV Entertainment For the week of June 24 - 30, 2018 Strike a ‘Pose’ INSIDE •Sports highlights Page 2 Mj Rodriguez •TV Word Search Page 2 stars in “Pose” •Family Favorites Page 4 •Hollywood Q&A Page14 After Candy (Angelica Ross, “Her Story”) is criticized at a ball, she becomes even more insecure about her appearance in a new episode of “Pose,” airing Sunday, June 24, on FX. Set against the backdrop of the 1980s house ball scene, the musical series pulls back the curtain on the LGBTQ subculture featuring over-the-top dancing and vogueing. The show is the latest offering from TV dream team Ryan Murphy (“Glee”) and Brad Falchuk (“Scream Queens”). WANTED WANTED MOTORCYCLES, SNOWMOBILES, OR ATVS GOLD/DIAMONDS BUY SELL ✦ 37 years in business; A+ rating with the BBB. TRADE Salem, NH • Derry, NH • Hampstead, NH • Hooksett, NH ✦ For the record, there is only one authentic CASH FOR GOLD, Bay 4 Newburyport, MA • North Andover, MA • Lowell, MA PARTS & ACCESSORIES Group Page Shell We Need: SALES & SERVICE YOUR MEDICAL HOME FOR CHRONIC ASTHMA Motorsports 5 x 3” Gold • Silver • Coins • Diamonds MASS. MOTORCYCLE 1 x 3” DON’T LET TREE & GRASS POLLEN INSPECTIONS GET YOU DOWN! We are the ORIGINAL and only AUTHENTIC Appointments Available Now CASH FOR GOLD 978-683-4299 on the Methuen line, above Enterprise Rent-A-Car 1615 SHAWSHEEN ST., TEWKSBURY, MA www.newenglandallergy.com at 527 So. Broadway, Rte. 28, Salem, NH • 603-898-2580 978-851-3777 Thomas F.
    [Show full text]
  • Bush Saluted As 'Gentle Soul'
    CHICAGOCHICAGO SPORTSSPORTS BULLS FIRE HOIBERG JohnJohn PaxsonPaxson saidsaid team lackedlacked ‘competitive‘competitive spirit.’spirit.’ Top assistant Jim Boylen promoted to head coach. ARMANDO L. SANCHEZ/ CHICAGO TRIBUNE Questions? Call 1-800-Tribune Tuesday, December 4, 2018 Breaking news at chicagotribune.com Charter school movement may decelerate Governor-elect pledges to hold off on cation is expected to deny funded schools. expanding,” said Robert under a new state educa- three new charter applica- The city’s latest threat- Bruno, a professor at the tion funding law, and even expansion, ally mayor stepping down tions and close two low- ened charter school strike University of Illinois at Ur- gained millions of extra performing schools this offers a vivid illustration of bana-Champaign’s School dollars from Chicago Pub- By Juan Perez Jr. “challenges” the independ- week. how growing union influ- of Labor and Employment lic Schools this year. Sup- Chicago Tribune ently operated campuses Now hundreds of educa- ence and new political Relations. porters defeated legislation have brought to the educa- tors at the city’s Acero leadership might signal big The movement still touts that would have curtailed a After years of growth, tion ecosystem. charter school network changes for how charter influential business and state panel’s ability to keep Chicago’s charter school Chicago’s pro-charter have threatened to walk off schools operate in Chicago. philanthropic support, and charters open or authorize movement is facing grow- mayor is stepping down, the job Tuesday, halt classes “It does strike me that in local charter school sup- new campuses. ing turbulence.
    [Show full text]