Map of Montmartre Cemetery
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Paris Noir: the African American Experience
SMALL GROUP Ma xi mum of 28 Travele rs LAND ACTIVE TRAVEL JO URNEY for Cultural Explorers Paris Noir: The African American Experience Inspiring Moments >Explore Montmartre, where African- American jazz musicians created their own Harlem in the 1920s. INCLUDED FEATURES >Enjoy an evening at a jazz club. >Nibble treats and French specialties ACCOMMODATIONS ITINERARY during a gastronomic walking tour. (With baggage handling.) Day 1 Depart gateway city A >See Paris’ most beautiful landmarks – Seven nights in Paris, France, at Day 2 Arrive in Paris during a cruise on the Seine. the first-class Les Jardins du Marais. Day 3 Right Bank | Latin Quarter | Eiffel Tower >Gaze at works of llustrating black EXTENSIVE MEAL PROGRAM culture through the ages in the Day 4 Montmartre | Latin Quarter | – Seven breakfasts, one lunch and three Louvre Museum. dinners, including Welcome and St. Germain des Pres Farewell Dinners; tea or coffee with Day 5 Seventh Arrondissement | >Experience Paris’ Banks of the Seine, all meals, plus wine with dinner. Louvre a UNESCO World Heritage site. – Sample authentic regional specialties Day 6 Paris during meals at local restaurants. Day 7 Left Bank | Latin Quarter | Sacré-Cœur in Montmartre St. Germain des Pres YOUR ONE-OF-A-KIND JOURNEY Day 8 Seine River Cruise – Discovery excursions highlight A the local culture, heritage and history. Day 9 Depart for gateway city A – Expert-led Enrichment programs Flights and transfers included for AHI FlexAir participants. enhance your insight into the region. Note: Itinerary may change due to local conditions. Travelers should be physically fit, able to walk up to 3 miles, exit/enter – Free time to pursue your own interests. -
Against Expression?: Avant-Garde Aesthetics in Satie's" Parade"
Against Expression?: Avant-garde Aesthetics in Satie’s Parade A thesis submitted to the Division of Graduate Studies and Research of the University of Cincinnati In partial fulfillment of the requirements for the degree of MASTER OF MUSIC In the division of Composition, Musicology, and Theory of the College-Conservatory of Music 2020 By Carissa Pitkin Cox 1705 Manchester Street Richland, WA 99352 [email protected] B.A. Whitman College, 2005 M.M. The Boston Conservatory, 2007 Committee Chair: Dr. Jonathan Kregor, Ph.D. Abstract The 1918 ballet, Parade, and its music by Erik Satie is a fascinating, and historically significant example of the avant-garde, yet it has not received full attention in the field of musicology. This thesis will provide a study of Parade and the avant-garde, and specifically discuss the ways in which the avant-garde creates a dialectic between the expressiveness of the artwork and the listener’s emotional response. Because it explores the traditional boundaries of art, the avant-garde often resides outside the normal vein of aesthetic theoretical inquiry. However, expression theories can be effectively used to elucidate the aesthetics at play in Parade as well as the implications for expressability present in this avant-garde work. The expression theory of Jenefer Robinson allows for the distinction between expression and evocation (emotions evoked in the listener), and between the composer’s aesthetical goal and the listener’s reaction to an artwork. This has an ideal application in avant-garde works, because it is here that these two categories manifest themselves as so grossly disparate. -
Hidden Gardens of Paris: a Guide to the Parks, Squares, and Woodlands of the City of Lights Pdf, Epub, Ebook
HIDDEN GARDENS OF PARIS: A GUIDE TO THE PARKS, SQUARES, AND WOODLANDS OF THE CITY OF LIGHTS PDF, EPUB, EBOOK Susan Cahill | 176 pages | 03 May 2012 | Griffin Publishing | 9780312673338 | English | California, United States Hidden Gardens of Paris: A Guide to the Parks, Squares, and Woodlands of the City of Lights PDF Book Are the prices for this place or activity budget-friendly? Best to do a search for properties in the 7th arrondissement within your budget and with your requirements and narrow it down from there. But, if reaching the top is on your bucket list, I recommend purchasing tickets in advance. But for many expats and foreign students who live and work there, the French capital will remain an exquisite, fascinating, and moving place that was worth experiencing. Rue Cler market Photo credit: Colleen Lanin. I just added the market to our list of stops. Poor 0. Gotta plan another trip! Great tips about the center of Paris. You learn a lot about the culture! Bethany — So glad you find these tips for Paris with kids helpful! Hope you can do a mom-daughter trip! Seeing Eiffel Tower at night its like been in a fairytale! This site uses Akismet to reduce spam. What a great list. My son is pining for the food in France! Traveling with kids, whether it be in the U. April 16, at pm. The Pere Lachaise Cemetery in the 20th arrondissement of Paris is the largest operating cemetery of…. All languages. Louis near Notre-Dame 4th Arrondissement , the Luxumbourg Garden neighborhood 6th Arrondissement , and the more affordable and less central Montmartre neighborhood 18th Arrondissement. -
The Earful Tower's Bucket List: 100 Things to Do in Paris in 2021
The Earful Tower’s Bucket List: 100 things to do in Paris in 2021 1. Galeries Lafayette rooftop 34. Vincennes Human Zoo 68. Le Bar Dix 2. Vanves flea market 35. Georges V hotel 69. Serres d’Auteuil garden 3. Louis Vuitton Foundation 36. Vaux le Vicomte 70. Vie Romantique musuem 4. Grand Palais exhibition 37. Comédie Française 71. Le Meurice Restaurant 5. Sevres Ceramics Museum 38. Rungis market 72. Roland Garross 6. Cruise Canal St Martin 39. Surf in 15eme 73. Arts Décoratifs museum 7. Eat in Eiffel Tower 40. Jardins de Bagatelle 74. Montparnasse Tower 8. Watch PSG game 41. Bees at the Opera 75. Bois de Boulogne biking 9. Black Paris Tour 42. Saint Étienne du Mont 76. Richelieu library 10. Petit Palais Cafe 43. 59 rue de Rivoli. 77. Gravestone Courtyard 11. Lavomatic speakeasy 44. Grange-Batelière river 78. Piscine Molitor 12. L’As du Fallafel 45. Holybelly 19 79. Cafe Flore. 13. Pullman hotel rooftop 46. Musee Marmottan 80. Sainte Chapelle choir 14. Chapel on Rue du Bac 47. Grande Arche 81. Oldest Paris tree 15. Jardin des Plantes 48. 10 Rue Jacob 82. Musée des Arts Forains 16. Arago medallions hunt 49. Grande Chaumière ateliers 83. Vivian Maier exhibit 17. National France Library 50. Moulin de la Galette 84. Chess at Luxembourg 18. Montmartre Cemetery cats 51. Oscar Wilde’s suite 85. André Citroën baloon 19. Bustronome Bus meal 52. Credit Municipal auction 86. Dali museum 20. Walk La Petite Ceinture 53. Seine Musicale 87. Louxor cinema 21. Maxims de Paris 54. Levallois street art 88. -
André Derain Stoppenbach & Delestre
ANDR É DERAIN ANDRÉ DERAIN STOPPENBACH & DELESTRE 17 Ryder Street St James’s London SW1Y 6PY www.artfrancais.com t. 020 7930 9304 email. [email protected] ANDRÉ DERAIN 1880 – 1954 FROM FAUVISM TO CLASSICISM January 24 – February 21, 2020 WHEN THE FAUVES... SOME MEMORIES BY ANDRÉ DERAIN At the end of July 1895, carrying a drawing prize and the first prize for natural science, I left Chaptal College with no regrets, leaving behind the reputation of a bad student, lazy and disorderly. Having been a brilliant pupil of the Fathers of the Holy Cross, I had never got used to lay education. The teachers, the caretakers, the students all left me with memories which remained more bitter than the worst moments of my military service. The son of Villiers de l’Isle-Adam was in my class. His mother, a very modest and retiring lady in black, waited for him at the end of the day. I had another friend in that sinister place, Linaret. We were the favourites of M. Milhaud, the drawing master, who considered each of us as good as the other. We used to mark our classmates’s drawings and stayed behind a few minutes in the drawing class to put away the casts and the easels. This brought us together in a stronger friendship than students normally enjoy at that sort of school. I left Chaptal and went into an establishment which, by hasty and rarely effective methods, prepared students for the great technical colleges. It was an odd class there, a lot of colonials and architects. -
A Stylistic and Contextual Analysis of Juan Gris' Cityscape Imagery, 1911-1912 Geoffrey David Schwartz University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations December 2014 The ubiC st's View of Montmartre: A Stylistic and Contextual Analysis of Juan Gris' Cityscape Imagery, 1911-1912 Geoffrey David Schwartz University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Schwartz, Geoffrey David, "The ubC ist's View of Montmartre: A Stylistic and Contextual Analysis of Juan Gris' Cityscape Imagery, 1911-1912" (2014). Theses and Dissertations. 584. https://dc.uwm.edu/etd/584 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. THE CUBIST’S VIEW OF MONTMARTRE: A STYISTIC AND CONTEXTUAL ANALYSIS OF JUAN GRIS’ CITYSCAPE IMAGERY, 1911-1912. by Geoffrey David Schwartz A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Art History at The University of Wisconsin-Milwaukee December 2014 ABSTRACT THE CUBIST’S VIEW OF MONTMARTE: A STYLISTIC AND CONTEXTUAL ANALYSIS OF JUAN GRIS’ CITYSCAPE IMAGERY, 1911-1912 by Geoffrey David Schwartz The University of Wisconsin-Milwaukee, 2014 Under the Supervision of Professor Kenneth Bendiner This thesis examines the stylistic and contextual significance of five Cubist cityscape pictures by Juan Gris from 1911 to 1912. These drawn and painted cityscapes depict specific views near Gris’ Bateau-Lavoir residence in Place Ravignan. Place Ravignan was a small square located off of rue Ravignan that became a central gathering space for local artists and laborers living in neighboring tenements. -
Realism in Paris: a Partnership Between Guy De Maupassant and Baron Georges Haussmann Julie M. Patterson a SENIOR THESIS For
Realism in Paris: A Partnership Between Guy de Maupassant and Baron Georges Haussmann by Julie M. Patterson A SENIOR THESIS for the UNIVERSITY HONORS COLLEGE Submitted to the University Honors College at Texas Tech University in partial fulfillment of the requirement for the degree designation of HIGHEST HONORS December 2001 Approved by: L2. - /~>- o I Dr."we~dell M·. KycocV ' Date Associate Dean, Graduate School 9 ;, ~~~ ~I Dr. Gary ~ell Date Dean, Uni rsity Honors College The author approves the photocopying of this document for educational purposes. %0^ P Teddle of Contents Acknowledgements 2 Notes on Text 3 Section I I. Introduction 5 II. Baron Georges Haussmann And His Public Works Progreuns For Paris 7 A. ^^Les Reseaiix" 10 B. Haussmann, Realism, and Nineteenth-Century Paris...l3 Section II. Discussion of Short Stories I. Guy de Maupassant 17 II. Haussmannization and Maupassant's Female Characters...21 III. Cemeteries and Parisians 29 IV. Women's Roles and Haussmannization. 36 V. Tradi t ion v. Haus smanni z at ion 41 Conclusion 52 Bibliography 54 Acknowledgements I would like to extend my deepest appreciation to several individuals who have helped me with this project. Dr. Wendell Aycock acted as my mentor professor for this project. He helped me formulate many of my ideas, potential research avenues, and acted as my main editor. He introduced me to Guy de Maupassant and lent me anything I needed out of his own resource materials for this project. Dr. Jill Patterson acted as my reviewing professor and did wonders with the editing process. I would also like to thank the Texas Tech Honors College for giving me the opportunity to undergo this kind of project at the undergraduate level. -
International Student Welcome Guide TABLE of CONTENTS 4Ì PRACTICAL 3Ì P52 INFORMATION P32 UNIVERSITY LIFE P54 University Calendar
2020 > 2021 International Student Welcome Guide TABLE OF CONTENTS 4ì PRACTICAL 3ì P52 INFORMATION P32 UNIVERSITY LIFE P54 University Calendar 2 P34 Organisation of Studies P58 Paris 1 Panthéon-Sorbonne ì Study Centres P10 STUDY IN PARIS P36 Becoming a Student at Paris 1 1 Panthéon-Sorbonne P60 Acronyms ì P12 Administrative Procedures > Enrolment P62 Contacts UNIVERSITÉ PARIS 1 > Visas and residence permits > Orientation week > International Relations P4 PANTHÉON-SORBONNE > Accommodation Department P40 Ressources > Health > Paris 1 Panthéon-Sorbonne P6 About the University > Banks > IT Services > Emergency Numbers > Libraries P8 Key Figures P22 Living in Paris P63 Check-lists P45 Societies and cultural activities > Budget > Working in France > Clubs and Societies > Getting Around > Cultural Activities > Going Out P48 Sports P50 Eating 1 UNIVERSITÉì PARIS 1 PANTHÉON-SORBONNE PANTHÉON-SORBONNE 1 PARIS P6 About the University P8 Key Figures RESEARCH INTERNATIONAL 1ì EXCELLENCE REPUTATION ABOUT Teaching and research are intrinsically linked Université Paris 1 Panthéon-Sorbonne is THE UNIVERSITY at Université Paris 1 Panthéon-Sorbonne. very well placed in international rankings. As with teaching, research is also structured In the 2020 QS World University Rankings PANTHÉON-SORBONNE 1 PARIS around three major disciplinary areas with by discipline the university was one of Université Paris 1 Panthéon-Sorbonne was founded in the 13th century 36 research teams and 10 doctoral schools. the best-classed in France, with seven as the Collège de la Sorbonne by Robert de Sorbon and is located in One PhD viva takes place every day at the departments placed in the top 50 for their the heart of the capital’s Latin Quarter. -
Eiffel Tower Montmartre
Eiffel Tower Skip the line Skip the line and visit the Skip Eiffel Tower with Blue Fox Bike THING TO DO Tours. Your time in Paris #1IN PARIS * is precious so don’t waste hours of it standing in line! Join a Blue Fox guide and outfox the hundreds of people waiting in line with priority access to the the Line Eiffel Tower. ≈ 2 hours with your guide, and unlimited time on the tower. 2014 Tours Times & Prices 2014 11AM daily all year round Per person: 59€ Babies 0 - 3 years old are free. Price includes tickets with priority access to 2nd floor and lift tickets to the top Montmartre Walking Tour Discover Montmartre’s Times & Prices unique character as your local, english speaking 10:30AM daily all year round guide takes you on Per person: 19€ winding cobblestone ≈ 2 hours paths from artists studios through terraced gardens, from the oldest vineyard OX TO F UR KE TO E S BI UR in Paris to antique wind- U S L E B U mills, sharing with you the L B amazing stories of resi- Tours with dents past and present. SMALL GROUPS Outfox the rest, D SMALL GROUPS G E D local guides U E G E ARANT skip the line! U E ARANT who love Paris www.bluefoxtours.com www.bluebiketours.com Phone number: +33 649 323 649 Reservations: +33 649 323 649 * As of Jan 2014 when printed Paris Landmarks Paris Secrets Versailles Bike Tour Bike Tour Bike Tour This tour is the best way This tour is ideal for those • The Chateau to start your stay! See all who want to see Paris in • Local Outdoor Market of Paris’ top Landmarks in a whole new way. -
Montmartre the Tour: La Place Des Abbesses (The Abbesses Square), the Small Streets, La Place Du Tertre (The Tertre Square), Le Sacré-Coeur (The Sacred Heart)
MONTMARTRE THE TOUR: LA PLACE DES ABBESSES (THE ABBESSES SQUARE), THE SMALL STREETS, LA PLACE DU TERTRE (THE TERTRE SQUARE), LE SACRÉ-COEUR (THE SACRED HEART) LE SACRÉ-COEUR THE SMALL STREETS LA PLACE DU TERTRE LES ABBESSES Lenght: Means of locomotion: on foot - 3H00 walking, Access for persons with reduced - half a day: walking + visit of the mobility : no Sacré-Coeur, Total distance: 4km - the entire day: walking + visit of Starting point: Place des Abbesses the Sacré-Coeur, the Montmartre (metro line 12, Abbesses station, museum and the Dali area. or the Montmartrobus Abbesses station) Public: All restaurant, « Le Relais de la Butte » (The Mound Inn), once called « Chez Azon » (At Azon’s). At the beginning of the 20th century, Father Azon gladly welcomed and fed all the penniless artists from the bateau- lavoir who paid him with works of art... which did not prevent him from Take rue des Abbesses going bankrupt ! (Abbesses Street) on your right and keep going forward for about 50 Climb the steps of this Emile metres. Goudeau small square (ex Ravignan Square). It is the same quietness At the Abbesses passage entrance, impression that we found in the on your right, graffities, drawings, Place des Abbesses, with benches, stencils and other inlays are trees, the big Wallace fountain, and animating the walls. some funny graffities. Pay close attention, you will have the opportunity to see many others On your left, with your back turned throughout the walk. to the steps, stands a recently cleaned building with white blinds Carry on and take rue Ravignan and green doors is the famous (Ravignan Street) on your right. -
Artist Quarter: Modigliani, Montmartre & Montparnasse by Charles Douglas
Artist Quarter: Modigliani, Montmartre & Montparnasse by Charles Douglas book Ebook Artist Quarter: Modigliani, Montmartre & Montparnasse currently available for review only, if you need complete ebook Artist Quarter: Modigliani, Montmartre & Montparnasse please fill out registration form to access in our databases Download here >> Paperback:::: 354 pages+++Publisher:::: Pallas Athene (October 1, 2018)+++Language:::: English+++ISBN-10:::: 9781843681533+++ISBN- 13:::: 978-1843681533+++ASIN:::: 1843681536+++Product Dimensions::::5.5 x 1.1 x 8.5 inches+++ ISBN10 ISBN13 Download here >> Description: What were Montmartre and Montparnasse really like in their heyday, roughly between 1904, when the youthful Picasso had just arrived on the Hill of Martyrs, and 1920, when Amedeo Modigliani, justly called the prince of Bohemians, died of consumption and dissipation in Montparnasse? This book, written by an Englishman who lived in Montmartre for 30 years and knew its famous habitués intimately, gives a vivid description. It reveals the truth behind the many legends, is packed with authentic stories about writers and painters whose names are now household words, and contains much hitherto unpublished information about the life and career of Modigliani, obtained from his family and friends. Much of the text was written in Montmartre amid the scenes described, and after personal consultation with survivors of the great days when Frédé presided over the Lapin Agile and Libion, patron of the Café de la Rotonde, was beginning to rival him in Montparnasse. It is the most complete account which has yet been written in English of the birth of Cubism and other contemporary movements in modern painting, and of the lives and loves that started them. -
Edme Jean Leclaire Biography
1 BIOGRAPHY of a GOOD MAN LECLAIRE Buildings Painter CONFERENCE AT THE PALACE OF TROCADÉRO Following a speech by Mr. Edouard Laboulaye on the history of labor l September 1878 BEFORE THE GENERAL ASSEMBLY OF SOCIETIES OF LABOR FOUNDED TO FACILITATE THE PLACEMENT OF WORKERS AND EMPLOYEES BY CHARLES ROBERT Former State Councilor President of the Society of Providence and Mutual Aid of the Workers and Employees of House of Leclaire PARIS BOOKSTORE FISCHBACHER Corporation 33, RUE DE SEINE, 33 All rights reserved. Translated from French by Bob Blain 2009 With help from Google translate 2 Table of Contents I JUDGMENT OF LECLAIRE BY A LEARNED GERMAN ECONOMIST ..................................................................................... 1 II LECLAIRE AND THE SOCIETIES OF WORK ................ 4 III LECLAIRE, STUDENT, APPRENTICE, WORKMAN, CONTRACTOR ................................................................................. 7 IV PORTRAIT OF LECLAIRE IN 1838 BY M. FRÉGIER 10 V FOUNDATION OF A SOCIETY OF MUTUAL AID (1838) ............................................................................................................. 12 VI ORDINARY RESULT OF A TRANSFER OF CUSTOMERS .................................................................................. 14 VII ESTABLISHMENT OF THE PARTICIPATION OF EMPLOYEES IN PROFITS (1842) ............................................ 18 VIII DISCLOSURE OF METHODS OF UNFAIR COMPETITION (1841) ................................................................ 23 IX THE LAW OF 22 GERMINAL IN IX AND